1151:'Yesterday ... it seems so many years since there still was a yesterday. It has become something so distant, so improbable, that – even if you have actually experienced it – you think of this yesterday as of a lost dream. ... It is spring now; then it will be summer, autumn, winter; and then spring again. But all of that seems distant and devoid of light; none of it has the capacity to touch you any more. The time of expectations is past. Beyond the realm of hope, of fulfilment, of beauty and excitement, we watch unmoved as a present which is at once harsh and ghostly passes us by – a present which is nothing but discontented noise and emptiness ... between yesterday and today everyone has become a stranger to himself: more troublesome than even a dead man for the living ...',
311:
life; Mr
Dronnink, a Dutch musical genius ruined by a woman and by drink, ‘burnt out’ and reduced to playing the piano on cruise ships; and Gly Cangalho, a morphine-addicted ‘Creole’ character who spends her life travelling on cruises, known to all the captains. There are also parodic Englishmen – themselves exotic in their ability to be at home everywhere and lack any emotional response to the exotic around them. Vivid pictures are painted of the experience of a tropical night on the ship; of storms, of cockfights, of the ‘coffee coast’; Scheyer creates an eerie, exotic world, both through his character portraits and through his evocation of atmosphere and place.
343:, is utterly different from his previous writing in genre and purpose. As he claims at the outset, 'it has nothing to do with literature'; a work raw with emotion, it is concerned to recount the lived experience of the persecution, the 'mental misery' and 'broken souls' suffered by Jewish people under the Hitler regime. Nonetheless, it brings the same critical and evocative skills that Scheyer used in his professional life to bear upon these traumatic experiences. One may also – with terrible irony – draw a connection between Scheyer's earlier literary work and that lived reality. In the book published just before his exile,
347:, he suggests that men fulfil their destiny or achieve greatness through suffering (examples are Tolstoy, Verlaine, Wilde), while Scheyer's own later experience of persecution led to the writing of what is undoubtedly his most significant work. Moroeover, his interest in women in history who sacrifice themselves for the men in their lives (Lady Hamilton, Anna Grigoryevna Dostoyevskaya, Sofia Andreevna Tolstaya) finds a real-life echo in the immense debt that he owed to his wife Margarethe and companion Sláva, as well as to the self-sacrifice of the sisters of the Convent at Labarde – which he describes in moving detail.
286:– pieces inspired by a particular event, e.g. a book publication or exhibition, but going beyond mere review in their personal reflection or historical analysis. His first three published books are travel writings; the remaining three published in his lifetime are collections of feuilletons, previously published in the NWT. His autobiographical 'survivor's account', Asylum, was discovered by his step grandson P. N. Singer many years after his death, and first published in English translation in 2016.
428:(original German title 'Ein Überlebender'), thought to have been destroyed, was discovered fortuitously by the sons of Scheyer's stepson Konrad Singer in the process of the latter's house move in the 2000s. The text was translated, and published with notes and epilogue based on his further research, by P. N. Singer, Scheyer's step-grandson, in January 2016. It is published in the UK by Profile Books, with a US edition (Little, Brown), as well as German, French, Italian and Spanish editions.
331:– are essentially collections of feuilletons; they focus especially on the lives and works of great men or women, especially great artists, of the past, from Balzac to Verlaine, from Mata Hari to Wilde. Although mainly focussed on historical figures and their artistic work, these essays share with the previous writings the atmosphere of nostalgia and the concern with vivid evocation of personality and place.
79:
261:, as well as any possibility of further employment in Austria. He escaped via Switzerland to Paris, accompanied by his wife and their long-term housekeeper and companion, Sláva Kolářová. This experience, as well as that of life in Paris both immediately before and after German occupation, the flight south in the 'Exodus', a period of incarceration in the French camp of
25:
412:. Nowhere is his nostalgia more real than in the evocation of the vanished faces of Mahler – 'the noble, illuminated face – the devotee at the altar of genius' – and of a previous generation of performers at the Vienna Opera. Music has the capacity to take him back, but also to take him outside normal reality.
359:, Roth and Schnitzler. His own literary work, both in its emotive, evocative style and in its characteristic preoccupations, belongs distinctively within the Viennese literary milieu of the early twentieth century, and in particular shares much with his better-known friend and almost exact contemporary,
415:
Music also recurs (in a way which can again be paralleled in Zweig) as a metaphor in his writing: the sound of Nazi boots provides ‘the new theme tune of
Parisian life’; and in the camp at Beaune there is the ‘nightly symphony of misery and sorrow, with the rustling of straw running through it like a
382:
Scheyer, explicitly responding to
Schnitzler, writes of Vienna as 'The reflection of a city that has since lost its own I'. Schnitzler’s Vienna – that world of tradition and culture, of clear social orders and customs, of elegant love-affairs – is gone; it is a ‘disappearing dream, the resonance of a
310:
seems more in the style of a novella), they consist of vivid depictions or vignettes, and are preoccupied with the 'exotic', in terms of both place and character. Examples are Saadi ibn
Tarbush, a young Egyptian boy who acts as Scheyer’s guide in Cairo, but is seduced by the glamour of the European’s
272:
Scheyer remained in France (through the generosity of the
Rispals) for the rest of his life, without returning to Austria. He had suffered from a chronic heart condition even before the traumatic experiences of 1938–44, and died in 1949. It seems that he made some effort to have his autobiographical
810:, p. 288: 'They have disappeared without trace ... those ... bright Palaces of the Grail that were pointed out to us by cunning deceivers on the Horizon of Peace ... Dynasties were overthrown; oppressors put aside; but in their place came a thousand other dynasties, a thousand other oppressors ...'
398:
The fascination with the 'great man' (and sometimes woman) of history is another preoccupation central to
Scheyer's work, again one shared with Zweig. Zweig's most substantial published books are studies of historical figures: of Balzac, Dickens and Dostoevsky; of Casanova, Stendhal and Tolstoy; of
386:
Already in his first published book, Scheyer writes ‘... I have sought, again and again, to take refuge from the desolate reality of the last years in the only truth that still makes existence tolerable, opening wounds but at the same time healing them: memory.’ Nostalgia is the explicit theme of
407:
Music plays a pivotal role in
Scheyer's world-view, in a way which is impossible to understand outside the culture of early-twentieth-century Vienna. Practitioners of classical music – especially the opera – enjoyed enormous popular and intellectual esteem; the composer and conductor were godlike
253:
In
October 1927 he married Margarethe Schwarzwald (née Singer), the daughter of a successful Czech-Jewish industrialist and widow of Dr Bernhard Schwarzwald, and through the marriage acquired two adoptive sons, Stefan and Konrad (after emigration to UK: Stephen Sherwood and Konrad Singer).
281:
Until the posthumous discovery and publication of the autobiographical work Asylum, Moriz
Scheyer's main literary output consisted of travel writing, book and theatre reviews (in particular for the Josefstädter Theatre) and, especially, essays in the distinctively European genre of the
403:
by
Scheyer – probably directly inspired by the previous Zweig publication. Scheyer's last two books consist largely of essays dramatizing the life-stories of such 'greats'; to the above names are added amongst others those of Baudelaire, Victor Hugo, Rembrandt, Verlaine and Wilde.
408:
figures, their realm of endeavour lifting them far above normal mortals. Scheyer, though not himself a music critic, had a pass to attend dress rehearsals at the Opera; and his rediscovery of music while in hiding, via the radio, is one of the most vivid emotional experiences in
265:, life in the 'free zone', a series of extraordinarily narrow escapes from deportation to a death camp, and a final rescue by the Rispals, a family involved in the Resistance, followed by life in hiding in a Franciscan Convent in the Dordogne, are recounted in vivid detail in
776:, 17 November 1914: 'Under the pale first snow / Many a sorrow lies buried. // The late moon, indifferent and cold, / Shines down like a funeral torch. // The night utters prayers for the dead. / In the east there glimmers a distant light.'
182:), where he excelled in humanities and languages, Scheyer studied at the University of Vienna, from which he graduated with a law degree in 1911. He began his career as a writer with short pieces for newspapers, joining the staff of the
366:
A preoccupation with a vanishing, irrecoverable world runs through the work of many of the best-known writers of Vienna in the early twentieth century, e.g. Joseph Roth, Arthur Schnitzler, and especially Zweig. In the short story
234:. He was in charge of the review section (‘Theater und Kunst’) and thus held a position of significant cultural influence. Acquainted with many of Vienna's prominent literary and musical figures, such as
930:
Gabriel Rispal (1875–1970), Hélène Rispal (1903–79) and Jacques Rispal (1923–86), who became a successful stage and film actor. On the Rispal family and Resistance in Belvès, see Georges Rebière,
363:(1881–1942). Three tendencies, especially, seem to link Scheyer's writing both with that milieu and with Zweig in particular: nostalgia, an obsession with 'great men', and a reverence for music.
391:. Both quotations belong to specific historical contexts, the former looking back over the War years, the latter over those of the Depression. With still greater poignancy, Scheyer in
1209:
Again, Zweig exemplifies this most strongly: he was an avid collector of autograph manuscripts of the great composers, and kept a piano that had belonged to Beethoven in his study
154:, a vivid account of his experiences as a Jewish refugee in France during the Second World War, first discovered and published more than sixty-five years after his death.
1331:
1282:
170:
on 27 December 1886, the son of Wilhelm Scheyer, a businessman, and Josefine (née Krasnopolsky). By the time of his secondary education the family had moved to
201:; a chronic health condition may in any case have exempted him from active service. He also wrote bitterly of the devastating aftermath of the conflict, the
789:(n. 1 above) describes Scheyer as 'unfit for military service' ('kriegsdienstuntauglich') and as a committed opponent of the War ('überzeugter Kriegsgegner').
257:
With the advent of the National Socialist regime in Austria in March 1938 (the Anschluss), Scheyer, at the height of his career, lost his position on the
208:
He travelled extensively – making a sea voyage via Egypt to South America before 1919 – and these travels inspired much of his early writing.
859:, 25 April 1919, written from Lugano, with the byline 'von unserem Schweizer Sonderberichterstatter' ('by our special Swiss reporter').
89:
700:
His childhood and school career are recalled in 'Encounter with my Own Youth' ('Begegnung mit der eigenen Jugend'), in Moriz Scheyer,
522:
114:
1306:
1326:
219:, and continued to visit regularly after his return to Vienna. He also seems to have spent some time as a correspondent in
431:
P. N. Singer wrote an interesting account of the rediscovery of the manuscript and its peculiar time capsule quality
521:
Reviews and feuilletons in "Neues Wiener Tagblatt", various dates 1919–1937; archive in Austrian State Library, cf.
1011:: 'Sophia Andrejewna', pp. 137-50; Escape to Yesterday: 'Anna Grigorjewna', pp. 74-83, 'Die Hamilton', pp. 200-11.
1321:
375:, the result of the chess game is symbolic of the defeat of the old, gentlemanly order; and his last work,
273:
work published, but ultimately despaired of finding anyone interested in what had happened 'only' to Jews.
1316:
395:
talks of the lost innocence of the world of 1944, and of the past as seeming more real than the present.
306:
are inspired by his travels, especially in the near East and in South America. Largely factual (although
432:
1311:
1301:
383:
memory. Perhaps it will soon be no more than a barren word, an abstract concept without reference.’
355:
Scheyer's reviews and essays show a strong engagement with contemporary Viennese writers, such as
35:
262:
235:
150:
author. In his lifetime best known for his literary essays and reviews, he is the author of
202:
910:
511:
Rowohlt, Reinbek 2017), English transl. with epilogue by P. N. Singer, Profile Books, 2016
198:
194:
1295:
54:
360:
356:
247:
243:
999:: 'Verlaine', pp. 90-100; 'Leo Tolstoi', pp. 101-13 and 'Oscar Wilde', pp. 114-22.
371:, Zweig laments the passing of the old-world literary café society of Vienna; in
909:, pp. 107; 260-2; 285-6. Zweig mentions Scheyer in letters to the French author
239:
220:
680:
509:
Selbst das Heimweh war heimatlos: Bericht eines jüdischen Emigranten, 1938–1945
163:
131:
193:
A committed 'good European' and devotee of the internationalist and pacifist
227:
44:
139:
24:
399:
Romain Rolland. Each of the above individuals was also the subject of a
175:
921:, p. 205, lists Scheyer amongst friends visiting the author at Salzburg.
872:
was amalgamated with other titles; it appeared for the last time in 1945
729:
Degree certificate 'Doctor Juris', University of Vienna, November 1911.
167:
147:
135:
564:
171:
143:
1082:, trans. Anthea Bell, Eden Paul and Cedar Paul, Pushkin Press, 2009.
772:
Poem by Scheyer, 'Lonely Battlefield' ('Einsames Schlachtfeld'), in
1061:, 1938), trans. John Hoare, Hogarth, 1984; for Scheyer on Roth see
212:
88:
may be in need of reorganization to comply with Knowledge (XXG)'s
625:, transl. Anthea Bell, Eden Paul, Cedar Paul, Pushkin Press, 2009
250:, with whom his work has some strong affinities (see 2.4 below).
339:
Scheyer's account of persecution by and rescue from the Nazis,
215:
in the period before 1924, as a cultural correspondent for the
211:
A lover of French culture and literature, Scheyer had lived in
917:, Leipziger Universitätsverlag, 2001, pp. 114, 124; F. Zweig,
614:, 1928), transl. Eden Paul, Cedar Paul. Plunkett Lake Pr, 2011
379:, nostalgically recalls the world of his parents' generation.
72:
18:
603:, 1921), transl. Eden Paul, Cedar Paul. Allen and Unwin, 1921
1053:, 1932), trans. Michael Hofmann, Granta Publications, 2002;
636:, 1930), transl. Eden and Cedar Paul, Plunkett Lake Pr, 2012
691:
Moriz Scheyer, Asylum, Profile Books, 2016, vii-viii; 274-7
1032:
P. N. Singer, 'Moriz Scheyer: Writer', in Moriz Scheyer,
959:
P. N. Singer, 'Moriz Scheyer: Writer', in Moriz Scheyer,
424:
The manuscript of Scheyer's dramatic survivor's account,
1181:
Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture
679:, vol. 10, Austrian Academy of Sciences, 1991, p. 102,
608:
Casanova, Stendhal, Tolstoy: Adepts in Self-Portraiture
96:
49:
39:
612:
Drei Dichter ihres Lebens. Casanova, Stendhal, Tolstoi
868:
After 1938, and its ‘Aryanization’ by the Nazis, the
932:
Aimez-vous cueillir les noisettes: message personnel
543:
Aimez-vous cueillir les noisettes? Message personnel
538:, ed. C. Delphis, Leipziger Universitätsverlag, 2001
806:, Georg Müller, Berlin 1927), pp. 10-11, quoted in
581:P. N. Singer: 'Moriz Scheyer: Writer', in Scheyer,
550:
De la DST à Fresnes, ou trente et un mois de prison
319:Scheyer's remaining books of the 1920s and 1930s –
197:, he expressed his horror at the atrocities of the
190:; one of Vienna's two 'quality' dailies) in 1914.
1098:, 1943), trans. Anthea Bell, Penguin Books, 2006.
787:Österreichisches Biographisches Lexikon 1815–1950
677:Österreichisches Biographisches Lexikon 1815–1950
658:, 1943), transl. Anthea Bell, Pushkin Press, 2011
647:, 1943), transl. Anthea Bell, Penguin Books, 2006
226:From 1924, in Vienna, until his dismissal at the
1114:, 1943), trans. Anthea Bell, Pushkin Press, 2011
915:Correspondance: l'anthologie publiée de Leipzig
536:Correspondance: l'anthologie publiée de Leipzig
592:, English ed., Thomas Y. Crowell Company, 1946
99:to make improvements to the overall structure.
708:, Herbert Reichner Verlag, 1938), pp. 153-65.
174:, where they lived in the pleasant suburb of
8:
681:http://www.biographien.ac.at/oebl?frames=yes
420:Discovery and publication of posthumous work
1196:P. N. Singer, 'Moriz Scheyer: Writer', in
1185:Three Masters: Balzac, Dickens, Dostoevsky
634:Drei Meister. Balzac, Dickens, Dostojewski
630:Three Masters: Balzac, Dickens, Dostoevsky
578:, 1938), transl. John Hoare, Hogarth, 1984
115:Learn how and when to remove this message
499:Erdentage des Genies. Ausgewählte Essais
459:Tralosmontes: von Fernen und Schicksalen
1287:Österreichisches Biographisches Lexikon
881:Moriz Scheyer, 'Arthur Schnitzler', in
668:
1332:Romanian emigrants to Austria-Hungary
601:Romain Rolland. Der Mann und das Werk
7:
1177:Romain Rolland: The Man and his Work
597:Romain Rolland: The Man and his Work
433:in the online magazine Literary Hub
675:'Scheyer, Moriz', by M. Grill, in
563:, 1932), transl. Michael Hofmann,
14:
1009:Human Beings Fulfil Their Destiny
523:Anno (Austrian Newspapers Online)
485:Human Beings Fulfil Their Destiny
325:Human Beings Fulfil Their Destiny
230:, Scheyer was arts editor of the
501:, Herbert Reichner, Vienna 1938)
77:
23:
489:Menschen erfüllen ihr Schicksal
950:, pp. vii-viii; 2; 244; 274-7.
834:, Georg Müller, Munich, 1926).
315:Literary and historical essays
246:, he was a personal friend of
1:
997:Genius and its Life on Earth
826:, Amalthea-Verlag, 1921 and
718:Genius and Its Life on Earth
702:Genius and Its Life on Earth
495:Genius and its Life on Earth
481:, Georg Müller, Munich 1927)
471:, Georg Müller, Munich 1926)
345:Genius and its Life on Earth
329:Genius and its Life on Earth
913:in 1922 and 1923: Duhamel,
828:Cry from the Tropical Night
552:, Écomusée de Fresnes, 1990
465:Cry from the Tropical Night
304:Cry from the Tropical Night
1348:
832:Schrei aus der Tropennacht
469:Schrei aus der Tropennacht
416:pedal note on the organ.’
162:Moriz Scheyer was born in
1078:,1929, English trans. in
934:, PLB éditions, 2012 and
759:, Strache, 1919), p. 12;
351:Style and literary milieu
491:, Krystall, Vienna 1931)
763:, pp. 279-80; 285; 288.
621:, 1929, English ed. in
461:, Amalthea, Zurich 1921
455:, Strache, Vienna 1919)
387:Scheyer's 1927 volume,
38:, as no other articles
1269:, pp. vii-viii; 274-7.
1108:The World of Yesterday
652:The World of Yesterday
377:The World of Yesterday
294:Scheyer's early books
178:. After high school (
1327:Austrian male writers
1140:Europeans and Exotics
857:Neues Wiener Tagblatt
820:Europeans and Exotics
753:Europeans and Exotics
449:Europeans and Exotics
296:Europeans and Exotics
232:Neues Wiener Tagblatt
184:Neues Wiener Tagblatt
130:(27 December 1886 in
1126:, p. 176, quoted in
1112:Die Welt von Gestern
706:Erdentage des Genies
656:Die Welt von Gestern
545:, PLB éditions, 2012
1307:People from Focșani
1153:Escape to Yesterday
1124:Escape to Yesterday
883:Escape to Yesterday
800:Escape to Yesterday
757:Europäer und Exoten
475:Escape to Yesterday
453:Europäer und Exoten
389:Escape to Yesterday
321:Escape to Yesterday
138:– 29 March 1949 in
97:editing the article
1059:Die Kapuzinergruft
1055:The Emperor's Tomb
1047:The Radetzky March
804:Flucht ins Gestern
576:Die Kapuzinergruft
572:The Emperor's Tomb
557:The Radetzky March
479:Flucht ins Gestern
57:for suggestions.
47:to this page from
1167:, pp. 208-9, 216.
588:Friderike Zweig:
585:, pp. 282–92
541:Georges Rebière,
534:Georges Duhamel,
263:Beaune-la-Rolande
236:Arthur Schnitzler
125:
124:
117:
90:layout guidelines
71:
70:
1339:
1322:Deaths in France
1270:
1264:
1258:
1252:
1246:
1240:
1234:
1228:
1222:
1216:
1210:
1207:
1201:
1194:
1188:
1174:
1168:
1162:
1156:
1149:
1143:
1137:
1131:
1121:
1115:
1105:
1099:
1089:
1083:
1080:Selected Stories
1072:
1066:
1043:
1037:
1030:
1024:
1018:
1012:
1006:
1000:
994:
988:
982:
976:
970:
964:
957:
951:
945:
939:
928:
922:
904:
898:
892:
886:
879:
873:
866:
860:
853:
847:
841:
835:
817:
811:
796:
790:
783:
777:
770:
764:
749:
743:
736:
730:
727:
721:
715:
709:
698:
692:
689:
683:
673:
623:Selected Stories
548:Jacques Rispal,
203:Great Depression
120:
113:
109:
106:
100:
81:
80:
73:
66:
63:
52:
50:related articles
27:
19:
1347:
1346:
1342:
1341:
1340:
1338:
1337:
1336:
1292:
1291:
1279:
1274:
1273:
1265:
1261:
1253:
1249:
1241:
1237:
1229:
1225:
1217:
1213:
1208:
1204:
1195:
1191:
1175:
1171:
1163:
1159:
1150:
1146:
1138:
1134:
1122:
1118:
1106:
1102:
1090:
1086:
1073:
1069:
1044:
1040:
1031:
1027:
1019:
1015:
1007:
1003:
995:
991:
983:
979:
971:
967:
958:
954:
946:
942:
929:
925:
911:Georges Duhamel
905:
901:
893:
889:
880:
876:
867:
863:
854:
850:
842:
838:
818:
814:
798:Moriz Scheyer,
797:
793:
784:
780:
774:Arbeiterzeitung
771:
767:
751:Moriz Scheyer,
750:
746:
738:Moriz Scheyer,
737:
733:
728:
724:
716:
712:
699:
695:
690:
686:
674:
670:
665:
531:
529:Further reading
440:
422:
353:
337:
317:
292:
279:
199:First World War
160:
121:
110:
104:
101:
95:Please help by
94:
82:
78:
67:
61:
58:
48:
45:introduce links
28:
17:
16:Austrian author
12:
11:
5:
1345:
1343:
1335:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1294:
1293:
1290:
1289:
1278:
1277:External links
1275:
1272:
1271:
1259:
1247:
1235:
1223:
1211:
1202:
1189:
1169:
1157:
1144:
1132:
1116:
1100:
1084:
1074:Stefan Zweig,
1067:
1051:Radetzkymarsch
1038:
1025:
1013:
1001:
989:
977:
965:
952:
940:
923:
899:
887:
874:
861:
848:
836:
812:
791:
778:
765:
744:
731:
722:
710:
693:
684:
667:
666:
664:
661:
660:
659:
650:Stefan Zweig,
648:
639:Stefan Zweig,
637:
628:Stefan Zweig,
626:
617:Stefan Zweig,
615:
606:Stefan Zweig,
604:
595:Stefan Zweig,
593:
586:
579:
568:
561:Radetzkymarsch
553:
546:
539:
530:
527:
526:
525:
518:
517:
513:
512:
502:
492:
482:
472:
462:
456:
445:
444:
439:
436:
421:
418:
352:
349:
336:
333:
316:
313:
291:
290:Travel writing
288:
278:
275:
205:, in Austria.
195:Romain Rolland
159:
156:
123:
122:
85:
83:
76:
69:
68:
55:Find link tool
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1344:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1317:Romanian Jews
1315:
1313:
1310:
1308:
1305:
1303:
1300:
1299:
1297:
1288:
1284:
1281:
1280:
1276:
1268:
1263:
1260:
1256:
1251:
1248:
1244:
1239:
1236:
1232:
1227:
1224:
1221:, pp. 179-82.
1220:
1215:
1212:
1206:
1203:
1199:
1193:
1190:
1186:
1182:
1178:
1173:
1170:
1166:
1161:
1158:
1154:
1148:
1145:
1141:
1136:
1133:
1129:
1125:
1120:
1117:
1113:
1109:
1104:
1101:
1097:
1096:Schachnovelle
1093:
1088:
1085:
1081:
1077:
1071:
1068:
1064:
1060:
1056:
1052:
1048:
1045:Joseph Roth,
1042:
1039:
1036:, pp. 282-92.
1035:
1029:
1026:
1022:
1017:
1014:
1010:
1005:
1002:
998:
993:
990:
986:
981:
978:
974:
969:
966:
962:
956:
953:
949:
944:
941:
938:, pp. 265-72.
937:
933:
927:
924:
920:
916:
912:
908:
903:
900:
896:
891:
888:
884:
878:
875:
871:
865:
862:
858:
852:
849:
845:
840:
837:
833:
829:
825:
821:
816:
813:
809:
805:
801:
795:
792:
788:
782:
779:
775:
769:
766:
762:
758:
754:
748:
745:
741:
735:
732:
726:
723:
719:
714:
711:
707:
703:
697:
694:
688:
685:
682:
678:
672:
669:
662:
657:
653:
649:
646:
645:Schachnovelle
642:
638:
635:
631:
627:
624:
620:
616:
613:
609:
605:
602:
598:
594:
591:
587:
584:
580:
577:
573:
570:Joseph Roth,
569:
566:
562:
558:
555:Joseph Roth,
554:
551:
547:
544:
540:
537:
533:
532:
528:
524:
520:
519:
515:
514:
510:
506:
503:
500:
496:
493:
490:
486:
483:
480:
476:
473:
470:
466:
463:
460:
457:
454:
450:
447:
446:
442:
441:
437:
435:
434:
429:
427:
419:
417:
413:
411:
405:
402:
396:
394:
390:
384:
380:
378:
374:
370:
364:
362:
358:
350:
348:
346:
342:
334:
332:
330:
326:
322:
314:
312:
309:
305:
301:
297:
289:
287:
285:
276:
274:
270:
268:
264:
260:
255:
251:
249:
245:
241:
237:
233:
229:
224:
222:
218:
214:
209:
206:
204:
200:
196:
191:
189:
185:
181:
177:
173:
169:
165:
157:
155:
153:
149:
145:
141:
137:
133:
129:
128:Moriz Scheyer
119:
116:
108:
98:
92:
91:
86:This article
84:
75:
74:
65:
56:
51:
46:
42:
41:
37:
32:This article
30:
26:
21:
20:
1286:
1266:
1262:
1254:
1250:
1242:
1238:
1233:, pp. 180-1.
1230:
1226:
1218:
1214:
1205:
1200:, pp. 290-1.
1197:
1192:
1184:
1180:
1176:
1172:
1164:
1160:
1152:
1147:
1139:
1135:
1127:
1123:
1119:
1111:
1107:
1103:
1095:
1091:
1087:
1079:
1075:
1070:
1062:
1058:
1054:
1050:
1046:
1041:
1033:
1028:
1023:, pp. 164-9.
1020:
1016:
1008:
1004:
996:
992:
984:
980:
972:
968:
960:
955:
947:
943:
935:
931:
926:
919:Stefan Zweig
918:
914:
906:
902:
894:
890:
882:
877:
869:
864:
856:
855:'Campione',
851:
843:
839:
831:
827:
824:Tralosmontes
823:
819:
815:
807:
803:
799:
794:
786:
785:M. Grill in
781:
773:
768:
760:
756:
752:
747:
739:
734:
725:
720:, pp. 157-8.
717:
713:
705:
701:
696:
687:
676:
671:
655:
651:
644:
640:
633:
629:
622:
618:
611:
607:
600:
596:
590:Stefan Zweig
589:
582:
575:
571:
560:
556:
549:
542:
535:
508:
504:
498:
494:
488:
484:
478:
474:
468:
464:
458:
452:
448:
438:Bibliography
430:
425:
423:
414:
409:
406:
400:
397:
392:
388:
385:
381:
376:
372:
368:
365:
361:Stefan Zweig
357:Hofmannsthal
354:
344:
340:
338:
328:
324:
320:
318:
308:Tralosmontes
307:
303:
300:Tralosmontes
299:
295:
293:
283:
280:
271:
266:
258:
256:
252:
248:Stefan Zweig
244:Bruno Walter
231:
225:
216:
210:
207:
192:
187:
183:
179:
161:
151:
127:
126:
111:
105:January 2016
102:
87:
59:
33:
1312:1949 deaths
1302:1886 births
1155:, pp. 9-11.
963:, pp. 282-4
885:, pp. 170-6
240:Joseph Roth
221:Switzerland
1296:Categories
1076:Buchmendel
987:, pp. 2-3.
663:References
619:Buchmendel
516:Journalism
401:feuilleton
369:Buchmendel
284:feuilleton
62:April 2016
53:; try the
40:link to it
1130:, p. 286.
1065:, p. 286.
228:Anschluss
180:Gymnasium
158:Biography
146:) was an
43:. Please
1257:, p. 95.
1183:, 1928;
1179:, 1921;
897:, p. 286
176:Hietzing
148:Austrian
1283:Scheyer
1245:, p. 58
1187:, 1930.
1142:, p. 5.
975:, p. 1.
846:, p. 12
742:, p. 12
168:Romania
164:Focșani
136:Romania
132:Focșani
1267:Asylum
1255:Asylum
1243:Asylum
1231:Asylum
1219:Asylum
1198:Asylum
1165:Asylum
1128:Asylum
1063:Asylum
1034:Asylum
1021:Asylum
985:Asylum
973:Asylum
961:Asylum
948:Asylum
936:Asylum
907:Asylum
895:Asylum
844:Asylum
808:Asylum
761:Asylum
740:Asylum
583:Asylum
567:, 2002
565:Granta
505:Asylum
426:Asylum
410:Asylum
393:Asylum
341:Asylum
335:Asylum
267:Asylum
172:Vienna
152:Asylum
144:France
140:Belvès
36:orphan
34:is an
1092:Chess
641:Chess
443:Books
373:Chess
213:Paris
327:and
302:and
277:Work
242:and
1285:at
870:NWT
259:NWT
217:NWT
188:NWT
166:in
1298::
822:,
323:,
298:,
269:.
238:,
223:.
142:,
134:,
1110:(
1094:(
1057:(
1049:(
830:(
802:(
755:(
704:(
654:(
643:(
632:(
610:(
599:(
574:(
559:(
507:(
497:(
487:(
477:(
467:(
451:(
186:(
118:)
112:(
107:)
103:(
93:.
64:)
60:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
