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Mouna Ragam

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443:, but she cannot accept him as her husband. When he asks her what she would like as a wedding gift, she says she wants a divorce, which shocks Chandrakumar. Some time later, Divya tells Chandrakumar about when she was in love with Manohar, during her college days: Divya had Manohar arrested after witnessing him robbing a politician's son. She later learns that the politician's son had run over a girl with his car, and Manohar robbed him to pay for the girl's medical treatment. Feeling guilty, Divya bails him out. 5052: 5036: 6667: 802:, Madras. The film's introductory credits feature photographs of Revathi from her childhood through her teenage years; her mother gave Thota Tharani the pictures. Although the film was primarily set indoors in Delhi, Ratnam and Sreeram wanted the indoor scenes to look as lively as those shot outdoors. Since the cast was relatively small, Ratnam did not want it to resemble a play and used 459:
She tries to show it by wearing the anklets which he bought for her. But before he can notice the anklets, they enter an argument as Divya tried to surprise him. He asks her to return to Madras and books her trip. Some time later, Chandrakumar notices the anklets and realises that Divya does love him, but the next morning, neither expresses their wish for the trip to be cancelled aloud.
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depict the arranged marriage – two strangers suddenly thrown together – and how they adjust. He originally resisted this, but reconsidered because it provided a clear rationale for Divya's resistance to the arranged marriage. Karthik said he was a last-minute addition to the cast, and described his role as a cameo.
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undeterred, he says that he likes her and agrees to the wedding. Divya initially refuses, but when her father has a heart attack, her mother begs her to accept the proposal to aid his recovery. Succumbing to the pressure, Divya marries Chandrakumar, but, seeing how she is unwilling, they do not consummate their marriage.
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was "arguably the film that announced Mani Ratnam to the Tamil film industry as a talent to watch out for. An excellent script by Ratnam himself, and a lilting score by made it a hit with both critics and moviegoers". Pavithra Srinivasan of the same website said, "It took a Mani Ratnam to move away
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Sreeram made extensive use of frontal and profile close-ups, set against long shots with out-of-focus foregrounds. While filming Manohar's introductory scene, he had to lie on a bed sheet to film. The crew pulled the sheet, with Sreeram and the camera. The scene where Manohar plays a prank on Divya's
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wrote that Karthik's presence completely overshadowed Mohan and Revathi while appreciating Sriram's cinematography. The duo said it almost felt like Sreeram had a magic wand instead of camera and also called the screenplay consistent which moves seamlessly but found the story slightly lagging after
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One day, Chandrakumar is attacked by his company's labourers because he had suspended their union leader. Divya rushes him to a nearby hospital, where he survives after receiving treatment. After Chandrakumar is discharged, Divya takes care of him and realises that she has fallen in love with him.
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Having told Chandrakumar about her past and the reason she was unable to accept her marriage, Divya finds herself free from her mental baggage and discomfort around Chandrakumar. She begins to appreciate her situation and make the most of it. Conversely, Chandrakumar is wary of her presence in his
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as an example. The film was Ratnam's first to follow the theme of a person moving to a strange place where they do not know the local language. Divya has a dilemma; since she does not know the language of Delhi, she can barely socialise with local people, and is in conflict with Chandrakumar, the
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After hearing her story, Chandrakumar tells Divya that he does not care about her past, but the future that he wants to build with her. He tells her to either sign the divorce papers he has obtained, or accept the anklets he bought as his wedding gift to her; Divya chooses divorce. They consult a
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When Manohar meets Divya again, he falls in love with her; although she initially rejects him, she eventually returns his feelings. Manohar is part of a revolutionary group that plans to hold an illegal rally. Divya does not approve, and asks him not to attend; he agrees on the condition that she
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did not explore the girl's past; it only dealt with how she settles into an arranged marriage. Ratnam realised that the story needed to satisfy a wider audience, and decided to give them something that would make them accept the character without questioning Divya's actions, then the film could
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Once Chandrakumar leaves for work, Divya arrives alone at the railway station, where she sees Chandrakumar waiting for her. He hands her the divorce papers, saying they were approved that morning. Divya breaks down, telling Chandrakumar that she loves him and would wait indefinitely for him to
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is referenced when a poster of it appears in a scene where Manohar and his anarchist friends plan an event. According to Rangan, the scene where Divya is looking after Chandrakumar at the hospital reflects her traditional qualities; with her strengths, she is humane and vulnerable. Divya's
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and tells Divya to come home early from college to meet Chandrakumar, the prospective groom. Uninterested in marriage, she deliberately arrives home late, hoping Chandrakumar will reject her, only to find him patiently waiting for her. She gives various reasons to make him dislike her but,
2849:"Vittorio Taviani has died. He & brother Paolo made several films. One of them (The Night of San Lorenzo) has a minor #Kollywood connect. Its poster is seen in #MounaRaagam, in the room where Karthik and his anarchist pals plan an event. That's where I heard of the film" 1004:
are used in the music accompanying Chandrakumar and Divya's wedding. In scenes of the couple sightseeing in Delhi, light synth-based music depicts them as modern tourists in their own country. The restaurant scene with Manohar and Divya includes awkwardly played
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life as he fears what would happen at the end of the year when their divorce would be approved. Troubled, he distances himself from her and rejects her every move. At the same time, he slowly begins falling in love with her while denying his feelings to himself.
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marry him. On their wedding day, Manohar is falsely accused of participating in the rally and arrested. He escapes and runs to the marriage registrar's office where Divya is waiting for him. A policeman accidentally shoots Manohar, and he dies in front of Divya.
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noted that films in the 1980s which featured men stalking women, hoping to get them, were reflective of "the times where romances were covert and such discretion was necessary even in consensual encounters", citing Manohar stalking Divya in
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with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present.
767:, who became a successful dance choreographer, made his acting debut in the film as a boy playing the flute in the song "Panivizhum Iravu", and John Babu, who also became a dance choreographer, appears as the main dancer in the song. 3030: 1149:
and the song set in Agra as minus points. Jayamanmadhan concluded that the relief that one gets after getting up from watching the film would get rid of all the irritants in the film and felt that was enough. Kaviya Shetty of
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was released on 15 August 1986. Despite opening to modest audiences, it became a box-office success, with a theatrical run of over 175 days, and Mani Ratnam's breakthrough. The film received critical acclaim; it won the
5543: 4671: 2394: 3063: 2287: 1021:'s Sruthi Radhakrishnan described "Panivizhum Iravu" as "one of those only-80s songs that served as a stand-in for sexual tension, where you'd have two people looking intensely at each other." Raveena Joseph of 962:". She noted that Divya, like the female leads in most of Ratnam's films, is "practical with strong convictions" and the characters "go through their confusions unapologetically". According to Ratnam, the line " 2495: 1041:(1980), in which the protagonists barely spoke. Ratnam replied that although it was not uncommon to invite a girl for a cup of coffee in the 1980s, it was not reflected in mainstream Tamil cinema of the time. 3437: 4211: 4168: 1402:
dialogue; this became another recurring feature in his later films. The film became a major breakthrough for Karthik despite his role being a cameo, and his "Mr. Chandramouli" dialogue became popular. A
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provides insight into the issues faced by married couples, exploring the plight and perception of divorce, how societies need to view the desires of women, and questions the agency of women. Film critic
4498: 3096: 2561: 1974: 2167: 1683: 4542: 1363:. The film introduced techniques such as soft-focus shots, flare filters and backlighting, which became popular in Tamil cinema. Ratnam continued using these techniques in his later films, notably 838:. While filming the song "Oho Megam Vandhadho" which shows Divya dancing in the rain, Revathi tied a handkerchief around her wrist to cover her watch because she felt Divya would actually do that. 1787: 6712: 3020: 3248: 395:
also became a breakthrough in Karthik's career despite his role being a cameo. The film introduced techniques such as soft-focus shots, flare filters and backlighting, which became popular in
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listed Karthik and Revathi on its "Top 10 Jodis" of Tamil cinema; they "made a fresh pair and were adored by the youth, especially the college students. Their awesome on-screen chemistry in
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romantic dialogues and capture subtle nuances that add so much richness to the story, introduce proper, three dimensional characters that lived breathed and sorrowed like everyone else".
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about a couple's wedding night that Ratnam did not plan to film, but after writing the story he realised it had cinematic possibilities. Ratnam took a break for a month from
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was released on 15 August 1986, Despite opening to modest audiences, it picked up and became a box-office success, running for over 175 days in theatres, thereby becoming a
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was publicised with a shot of Revathi clinging to a lamp post and singing, which Ratnam confirmed as being inspired by "Singin' in the Rain". Before the film's release, a
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which admitted a great deal of sunlight, making it similar to houses in Delhi. To reduce production costs, food for the film's crew was cooked at Venkateswaran's home.
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in the minor role of the lawyer since he believed "a certain amount of star quality helps" when the character has little screen time but is crucial to the plot.
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lawyer who tells them that, per law they must wait one year to file for divorce since they are newly married. The couple is forced to live together for a year.
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only person with whom she can socialise. Rangan believed Manohar to be the first character in a Tamil film to invite a girl for a "cup of coffee", a form of
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wrote in 1994, " found the perfect formula of a strong storyline and great music, presented in a fresh visual style that caught the audience by surprise".
966:" (When you touch me, it feels as if caterpillars are crawling on me), spoken by Divya to Chandrakumar, expressed how she would feel on her wedding night. 463:
reciprocate. She tears the divorce papers and leaves to catch her train. Chandrakumar, surprised at Divya's open declaration, catches the departing train,
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Revathi compared herself to Divya, saying that Divya believes in "living life to the fullest" and she was once like that. Sujatha Narayanan, writing for
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emerged a milestone of Tamil cinema and Mani Ratnam's breakthrough film. It has been acclaimed for combining box-office success with elements of an
4736: 4465: 1065:. It was released by the Echo Records. The album features five tracks with "Nilaave Vaa" is featured on both sides of the soundtrack's original 926:
Manohar was part of a group involved in anti-government activities. Rangan drew similarities between his motives and those of characters in the
6722: 4080: 3718: 4368: 2319: 5079: 5007: 4984: 4870: 4832: 4432: 3969: 1407:, released in 2018 and starring him, was named after this dialogue. The character of Chandramouli became one of Sankaran's best known roles. 3863: 3292: 2355: 6782: 6772: 6732: 4299: 3859: 3559: 2062: 1810: 1754: 1617: 1333: 4410: 2277: 6717: 6702: 3686: 3297: 2683: 2117: 1609: 1341: 1085: 3470: 6707: 6589: 1553:
The scene where Manohar tries to declare his love for Divya through the college intercom in response to her challenge was parodied in
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his first commercial success. While the film performed very well in urban areas, it was largely shunned by audiences in rural areas.
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s theme of a person moving to a new place where they do not know the local language was replicated in Ratnam's later films like
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background score suits its scenes and themes. According to Martin Clayton, Trevor Herbert and Richard Middleton's 2003 book,
803: 4574: 316:(1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed 6737: 6692: 4628: 4145: 3725: 1336:, the only Tamil entry. It has also been screened at other film festivals, including Mani Ratnam's Love Films at London's 6633: 4759: 6762: 5627: 3151: 1504: 20: 4332: 3523: 6752: 6742: 6697: 2767: 827: 3213: 1613: 1242: 298:
play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an
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considered that Ratnam used rain in the film to accentuate the "childlike, free-spirited nature" of Divya. The
4243: 2736: 1069:. The film and its soundtrack was dubbed in Telugu, under the same name, whose adapted lyrics were written by 831: 5740: 5680: 5495: 5303: 5159: 4948: 4824: 3765: 2584: 1561: 835: 464: 1565:(2013) where the male lead meets his father-in-law at a café as an ode to the "Mr. Chandramouli" scene. In 759:
claims she was also considered for the role, but declined due to prior commitments. Ratnam decided to cast
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titled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut
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included Revathi's performance in its list, "25 Greatest Acting Performances of Indian Cinema".
3401: 1595:, Karthik said his scenes were shot in a week, and contradicted this in a later interview with 988:
styles of singing and dancing, and the main songs combine American music with Indian vocals by
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and released with the same title in 1987, which was also a success. It was remade in Hindi as
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where he wrote the script in English and had it translated into Kannada. The new title
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and similar films is that it remains focused on Divya. Kumuthan Maderya, writing for
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praised Revathi and Mohan's performances, the film's camera work, music and lack of
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The film was critically acclaimed, especially for its realistic portrayal of urban
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because the female lead asks for a divorce; after much deliberation, it received a
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Date is linked to the article about the awards held that year, wherever possible.
6666: 6647: 5981: 5897: 5873: 5183: 5127: 5088: 3894: 3760: 3587: 1811:""எங்க கஷ்டத்துக்கு உதவிய இரண்டு பிரபலங்கள்!" - மனம் திறக்கிறார் மாலினி மாஸ்டர்" 1490:(2014) where the man is unable to forget his past love and accept his wife, and 1388: 1317: 1252: 1225: 1198: 1152: 1127: 920: 764: 670: 660: 603: 601:
was derived from the song "Naan Paadum Mouna Ragam", from Ratnam's fourth film,
593:. For the first time, he was able to write in his native language Tamil, unlike 582: 560: 541: 415: 349: 307: 263: 131: 51: 5041: 4696:(motion picture) (in Tamil). Sujatha Productions. 1986. Event occurs at 56:04. 1433:
was a talking point back then". For the April 2013 centenary of Indian cinema,
5650: 5429: 5175: 4271: 4107: 3974: 3792: 2805: 2450: 1550:(2016), where neither the bride nor the bridegroom is interested in marriage. 1411: 1001: 911: 850: 4535:""Maalai Nerathu Mayakkam"... An unbelievable story about an unsuited couple" 3002: 3000: 2679: 6529: 6016: 5692: 5346: 4764: 4731: 4666: 4633: 4373: 4304: 4206: 4043: 3253: 3186: 3091: 3058: 3025: 2888: 2649: 2556: 2523: 2350: 2282: 2202: 2057: 2012: 1782: 1749: 1513: 1066: 1017: 989: 846: 738: 635: 4924:
Report – Government of India, Ministry of Information and Broadcasting
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for the interior scenes. Tharani found a house in the residential area of
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is used for the fight scene when Manohar attacks the politician's son.
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Divya is a free-spirited college student from a conservative family in
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Flesh and Fish Blood: Postcolonialism, Translation, and the Vernacular
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were shot in one day. Portions of "Panivizhum Iravu" were shot at the
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terminology, "U" means "unrestricted public exhibition", similar to
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with them. The film was eventually picked up by Ratnam's brother,
573:(1983) was delayed inordinately, he began work on his next script 440: 400: 341: 4167:
Prasad, Shishir; Ramnath, N. S.; Mitter, Sohini (27 April 2013).
1398:(1995). It was also Ratnam's first film to make extensive use of 5247: 4569: 4437: 4238: 4075: 2118:"Watch: 16 times Prabhu Deva blew us away with his dance genius" 2089: 1979: 1508:(2010) was similar to Karthik's "moody yet jovial" character in 842: 345: 5525: 5061: 1454:
of the bride or groom being reluctantly married. These include
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offensive Tamil phrases, which he says to Chandrakumar's boss.
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Awards, festivals and organisations are in Alphabetical order.
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Clayton, Martin; Herbert, Trevor; Middleton, Richard (2003).
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The crew filmed in Delhi for two days, and the scenes set in
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After the marriage, Chandrakumar takes Divya to his house in
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in 2002, a Retrospective of Mani Ratnam's Films at the 2002
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said that the story of a bride unhappy with her husband in
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has influenced countless films, particularly regarding the
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mischievous nature is shown in a scene where she teaches a
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was also Ratnam's first collaboration with cinematographer
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in Agra, and those from "Mandram Vandha" were shot at the
4071:"Karthik-Gautham Karthik' film titled 'Mr. Chandramouli'" 306:
The film's development began when Ratnam began writing a
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Dasgupta, Rohit K.; Datta, Sangeeta (15 December 2018).
1559:(2010). Director R. S. Prasanna described one scene in 3006: 2987: 2768:"30 years since 'Mouna Ragam': the Mani Ratnam we miss" 2614: 2612: 2377: 2375: 2373: 1934: 1932: 1895: 1893: 1891: 1889: 1723: 1721: 1719: 1717: 1715: 1713: 1711: 1516:
called Revathi's character an influence on her role in
4202:"Well begun, just half done – Vallamai Thaaraayo" 3373:[Tamil films that completed silver jubilees]. 3152:"Mouna Raagam Tamil Film LP Vinyl Record by Ilayaraja" 1876: 1874: 1861: 1859: 1857: 1844: 1842: 1840: 1838: 1575:) lies about his past but from Manohar's perspective. 1061:
soundtrack was composed by Ilaiyaraaja with lyrics by
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30: The caterpillar that moves in my thoughts!].
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The Cultural Study of Music: A Critical Introduction
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The Cultural Study of Music: A Critical Introduction
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John Babu as a dancer in the song "Panivizhum Iravu"
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Best Tamil Feature Film National Film Award winners
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Neenga thottaale kambilipoochi oorraa madhri irukku
232: 218: 215: 194: 186: 176: 153: 137: 127: 106: 96: 75: 65: 57: 47: 30: 4169:"25 Greatest Acting Performances of Indian Cinema" 3503: 2271: 2269: 2267: 2265: 2263: 2261: 381:National Film Award for Best Feature Film in Tamil 360:was the cinematographer, and the art director was 320:. Although Ratnam began work on the script during 3021:"Many moods of monsoon seen on the silver screen" 770:According to Ratnam, the only difference between 2227: 2225: 1536:because of their shared effervescence. Director 630:to producer N. G. John, but the latter wanted a 615:to be made exactly as he wanted, in contrast to 5553:National Film Award for Best Tamil Feature Film 2310:"Director PC Sreeram's daughter falls to death" 1677: 1675: 1673: 1671: 737:, respectively. He initially had "someone like 332:was the first film produced by Venkateswaran's 2953:"மௌனராகம் 30: நினைவில் நகரும் கம்பளிப்பூச்சி!" 2946: 2944: 1738: 1736: 538:Malini Vaman as a dancer in "Panivizhum Iravu" 5537: 5073: 4863:The 1970s and Its Legacies in India's Cinemas 3921:Ministry of Information and Broadcasting 2002 3756:"Evolution of Dubbed Films in Andhra Pradesh" 2704: 8: 3146: 3144: 3142: 589:due to its delays, and wrote the script for 4000: 2151: 2149: 2147: 2145: 1414:article, "The Most Memorable Mani Movies", 581:, his fifth film. "Divya" was originally a 5769: 5563: 5544: 5530: 5522: 5080: 5066: 5058: 5050: 5034: 4660:Dundoo, Sangeetha Devi (11 January 2016). 4499:"Script Lacks the Selvaraghavan Trademark" 3970:"Looking at Mani Ratnam's landmark movies" 1163: 340:, with additional filming taking place in 36: 27: 4598:"I am not a glam doll, will never be one" 4134:Subramanian, Anupama (14 February 2013). 4024: 2882:Krishnan, Chandrika R. (26 August 2007). 2486:"Colleges turn shooting spots in Chennai" 2191: 2189: 2187: 2185: 1684:"One-of-a-kind forever love on celluloid" 1599:, saying they were shot in fourteen days. 1009:music, indicating the couple's emotions. 644:(1984), also directed by Ratnam. He then 544:as the flute player in "Panivizhum Iravu" 4919:Ministry of Information and Broadcasting 3469:Bhaskaran, Gautaman (7 September 2010). 3054:"The eclipsed gems from Raja and Ratnam" 2727: 2725: 729:as Divya, after casting both of them in 6638: 4861:Joshi, Priya; Dudrah, Rajinder (2016). 4844:Students' Britannica India, Volumes 1–5 4627:Srinivasan, Sudhir (29 November 2014). 3819:Srinivasa, Srikanth (7 February 1999). 3651:"Cine artists asked to broaden talents" 3502:Vikatan Review Board (31 August 1986). 3336:Balasubramanian, Roshne (5 July 2018). 3117: 3019:Dundoo, Sangeetha Devi (26 July 2017). 2915:Narayanan, Sujatha (5 September 2016). 2674: 2672: 2517:Padmanabhan, Geeta (23 February 2016). 2276:Srinivasan, Sudhir (3 September 2016). 1778:"Yesteryear actors: Old and still gold" 1776:Nadadhur, Srivathsan (20 August 2015). 1651: 1584: 6748:Films set in universities and colleges 4369:"Raja Rani: Boy, Girl, Her Ex and His" 3558:(in Tamil). p. 64. Archived from 3371:"வெள்ளி விழா கண்ட தமிழ் திரைப்படங்கள்" 3279: 3133: 3121: 2991: 2869: 2831: 2716: 2630: 2618: 2437: 2395:"How Mani Ratnam cut production cost?" 2381: 2038: 1950: 1938: 1923: 1911: 1899: 1880: 1865: 1848: 1727: 1658: 328:and ended up becoming his fifth film. 6778:Tamil films remade in other languages 4739:from the original on 29 December 2013 4641:from the original on 11 December 2014 4545:from the original on 29 February 2016 4478:from the original on 22 February 2016 4012: 3800:from the original on 16 February 2016 3323: 3162:from the original on 13 February 2023 3052:Radhakrishnan, Sruthi (2 June 2016). 3007:Clayton, Herbert & Middleton 2003 2988:Clayton, Herbert & Middleton 2003 2951:குமார், ந.வினோத் (2 September 2016). 2896:from the original on 15 November 2014 2799:Maderya, Kumuthan (26 October 2016). 2780:from the original on 6 September 2016 2597:from the original on 14 November 2014 2550:Kannadasan, Akhila (26 August 2016). 2531:from the original on 28 February 2016 2322:from the original on 4 September 2016 2290:from the original on 3 September 2016 2051:Raghavan, Nikhil (10 December 2011). 2020:from the original on 15 November 2014 1790:from the original on 22 February 2016 1757:from the original on 29 November 2014 1682:Narayanan, Sujatha (27 August 2016). 901:noted that one thing differentiating 7: 4994:Shankar, Subramanian (2 July 2012). 4772:from the original on 8 February 2021 4629:"'It's now my turn to prove myself'" 4381:from the original on 16 October 2014 4312:from the original on 14 October 2016 4298:Kumar, S. Shiva (19 December 2008). 4279:from the original on 15 January 2012 4265:Srinivasan, Pavithra (24 May 2010). 4200:Rangarajan, Malathi (27 June 2008). 4051:from the original on 18 October 2014 3968:Srinivasan, Pavithra (9 June 2010). 3902:from the original on 16 October 2014 3869:from the original on 5 February 2019 3860:International Film Festival of India 3483:from the original on 15 October 2014 3414:from the original on 21 October 2019 3099:from the original on 11 October 2017 2969:from the original on 21 October 2019 2813:from the original on 8 November 2016 2196:Ramanujam, Srinivasa (5 July 2018). 2170:from the original on 25 October 2014 2097:from the original on 4 February 2019 1334:International Film Festival of India 673:of Motherland Pictures too rejected 622:Ratnam initially read the script of 4608:from the original on 8 January 2016 4565:"Karthi's Naan Mahaan Alla in July" 4497:Mannath, Malini (11 January 2016). 4441:. 27 September 2013. Archived from 3982:from the original on 6 October 2014 3581:Shetty, Kaviya (15 February 1994). 3298:Central Board of Film Certification 3085:Joseph, Raveena (10 October 2017). 2884:"Need to outgrow petty differences" 2684:Central Board of Film Certification 2564:from the original on 26 August 2016 2498:from the original on 25 August 2015 1086:Central Board of Film Certification 826:. Filming was also done at Madras' 745:" in mind when he finished writing 559:When the last filming schedule for 252: 6728:Films produced by G. Venkateswaran 6590:Sivaranjiniyum Innum Sila Pengalum 4725:Rao, Subha J. (28 December 2013). 4345:from the original on 12 March 2016 4037:Reddy, T. Krithika (28 May 2010). 3719:"34th National Film Festival 1987" 3663:from the original on 21 April 2024 3627:from the original on 24 April 2024 3381:from the original on 29 March 2017 3247:Shivakumar, S. (26 October 2012). 3033:from the original on 2 August 2017 2917:"Leading ladies in their element!" 2747:from the original on 5 August 2010 2465:from the original on 6 August 2014 2116:Rajendran, Sowmya (6 April 2020). 1809:ஆனந்தராஜ், கு. (13 October 2018). 1519:Mallela Theeram Lo Sirimalle Puvvu 980:, "Oho Megam Vandhadho" resembled 798:began at P. C. Sreeram's house in 258:) is a 1986 Indian Tamil-language 14: 4674:from the original on 3 March 2016 4331:Ramnath, Nandini (26 June 2013). 4111:. 12 January 2007. Archived from 4079:. 10 October 2017. Archived from 3595:from the original on 3 April 2018 3450:from the original on 21 June 2020 3350:from the original on 18 July 2018 2210:from the original on 18 July 2018 2130:from the original on 9 April 2020 2065:from the original on 1 March 2016 1823:from the original on 15 June 2024 1743:Shivpprasadh, S. (14 June 2012). 1182: 969:Many critics have mentioned that 6665: 6653: 6641: 4758:S, Srivatsan (13 January 2021). 4466:"Bangalore Naatkal Movie Review" 4409:. 4 October 2013. Archived from 4214:from the original on 6 July 2015 4103:"The most memorable Mani movies" 3934:"New in Stores: Masters Special" 3526:from the original on 14 May 2020 3249:"Balance that has spelt success" 3066:from the original on 7 June 2016 2766:Mehar, Rakesh (31 August 2016). 2643:Ramanan, V. V. (14 March 2008). 2583:Ramnath, Nandini (8 June 2013). 2426:Rajadhyaksha & Willemen 1998 2158:"Powerful comeback for Navarasa" 1983:. 25 August 2016. Archived from 1663:Rajadhyaksha & Willemen 1998 211: 4714:. 2010. Event occurs at 40:40. 4464:Suganth, M. (6 February 2016). 3888:Jain, Madhu (15 January 1987). 2403:. 20 April 2014. Archived from 2232:Prakash, R. S. (13 June 2010). 1088:member wanted it to receive an 942:The Night of the Shooting Stars 933:The Night of the Shooting Stars 5000:University of California Press 4972:Conversations with Mani Ratnam 4941:Encyclopaedia of Indian Cinema 4573:. 25 June 2010. Archived from 4242:. 28 June 2008. Archived from 3369:Selvaraj, N. (20 March 2017). 1275:Best Feature Film – Tamil 634:, which eventually became the 619:where there was interference. 431:. Her father Chandramouli has 1: 6723:Films directed by Mani Ratnam 4901:Indian cinema: ebbs and tides 4710:(motion picture) (in Tamil). 3942:. 30 May 2008. Archived from 3726:Directorate of Film Festivals 3615:"'Withdraw film bill' demand" 3214:"Mouna Ragam (1985) [ 2737:"Review: Rab Ne Bana Di Jodi" 2484:Ravi, Nandita (4 June 2015). 1090:"A" (adults-only) certificate 689:banner, ending its five-year 492:as Manohar (guest appearance) 262:film written and directed by 3728:. p. 62. Archived from 3659:. 13 April 1987. p. 3. 3471:"Venice honours Mani Ratnam" 2156:Lakshmi, V. (5 April 2010). 659:, but Thyagarajan wanted an 519:Kalaiselvi as Divya's sister 391:for Best Director in Tamil. 348:. The music was composed by 336:, and was shot primarily in 21:Mouna Ragam (disambiguation) 6783:Tamil-language Indian films 6773:Indian romantic drama films 6733:Films scored by Ilaiyaraaja 4882:Environmental Biotechnology 3754:Hemanth (9 November 2010). 3687:"Filmfare awards announced" 3623:. 13 July 1987. p. 5. 2680:"'Mouna Ragam' (Celluloid)" 2346:"Why I like... Mouna Ragam" 2006:Sangita (30 January 2008). 1502:said that his character in 992:. Sangeetha Devi Dundoo of 6799: 6718:Films about women in India 6703:1980s Tamil-language films 5501:Sujatha Films aka GV Films 4903:. Har-Anand Publications. 4821:100 Essential Indian Films 4333:"Woman is the ruin of man" 3862:. 1987. pp. 132–134. 1526:compared his character in 1248:Best Director – Tamil 1221:Best Director – Tamil 1134:a score of 43 out of 100. 1048: 830:, the Schmidt Memorial on 677:, and Ratnam instead made 563:'s directorial debut, the 507:Bhaskar as Divya's brother 383:, and Ratnam received the 18: 6708:1986 romantic drama films 5772: 5566: 4899:Kumar, K. Naresh (1995). 3695:. 17 July 1987. p. 5 3338:"The reels of purohitham" 2705:Dasgupta & Datta 2018 2278:"Divya was a lot like me" 1591:In a 2010 interview with 1332:was screened at the 11th 1263: 1236: 1209: 1189:Bommai Nagi Reddy Awards 1188: 1175: 1172: 1169: 1166: 701:. The film was edited by 577:—which eventually became 433:arranged for her marriage 364:. The film was edited by 42:Theatrical release poster 35: 5723:Veerapandiya Kattabomman 4880:Joshi, Rajmohan (2006). 4825:Rowman & Littlefield 3402:"You have to get across" 2552:"A place called Chennai" 1616:'s G and PG ratings and 1493:Maalai Naerathu Mayakkam 1195:Bommai Nagi Reddy Award 1051:Mouna Ragam (soundtrack) 1035:. He contrasted it with 895:(1983). Rakesh Mehar of 709:, with art direction by 467:and carries Divya home. 162:15 August 1986 16:1986 film by Mani Ratnam 6094:Discontinued after 1965 5741:Paadhai Theriyudhu Paar 5304:Chekka Chivantha Vaanam 4949:Oxford University Press 4300:"Not even child's play" 4001:Joshi & Dudrah 2016 3821:"Chandrodaya (Kannada)" 1562:Kalyana Samayal Saadham 836:Madras Literary Society 294:, Vani, Kalaiselvi and 282:in a guest appearance. 6470:Thenmerku Paruvakaatru 5886:Raman Ethanai Ramanadi 5778:Kappalottiya Thamizhan 4945:British Film Institute 4504:The New Indian Express 3343:The New Indian Express 2922:The New Indian Express 2315:The New Indian Express 1689:The New Indian Express 1457:Hum Dil De Chuke Sanam 1342:Calcutta Film Festival 955:The New Indian Express 755:(1983) impressed him. 611:the second film after 607:(1985). He considered 498:as Chandrakumar's boss 256: Silent Symphony 6768:Indian feminist films 6758:Films shot in Chennai 6374:Kannathil Muthamittal 6151:Achamillai Achamillai 5962:Agraharathil Kazhutai 5826:Kuzhandaiyum Deivamum 5232:Kannathil Muthamittal 4846:. Popular Prakashan. 4401:"Review: 'Raja Rani'" 4367:(28 September 2013). 3788:"Married to Mr Right" 3516:: Movie Review]. 3182:"Mouna Raagam (1986)" 1544:inspired her to make 1532:(2014) to Manohar in 1346:Locarno Film Festival 1338:National Film Theatre 1238:Filmfare Awards South 1211:Cinema Express Awards 861:Themes and influences 832:Edward Elliot's Beach 796:Principal photography 778:was the inclusion of 389:Cinema Express Awards 6738:Films set in Chennai 6693:1980s feminist films 6009:Certificate of Merit 5643:Certificate of Merit 4933:Rajadhyaksha, Ashish 3853:"Indian Cinema 1986" 3583:"A shooting success" 3548:(7 September 1986). 3293:"Film Certification" 3228:on 28 September 2018 3120:, pp. 113–114; 2990:, pp. 292–294; 2735:(13 December 2008). 1620:'s U and PG ratings. 1265:National Film Awards 1104:. Ratnam considered 940:. The connection to 725:as Chandrakumar and 19:For other uses, see 6763:Films shot in Delhi 6231:Vanna Vanna Pookkal 6197: – 5972: – 5952: – 5932: – 5910:Pattikada Pattanama 5862:Thillana Mohanambal 5606: – 5598: – 5590: – 5582: – 5506:Aalayam Productions 5411:Putham Pudhu Kaalai 5320:Ponniyin Selvan: II 5104:Pallavi Anu Pallavi 4533:(13 January 2016). 3705:Google News Archive 3673:Google News Archive 3637:Google News Archive 3509:: சினிமா விமர்சனம்" 3261:on 28 February 2016 3009:, pp. 292–294. 2929:on 5 September 2016 2707:, pp. 159–160. 2344:(12 October 2007). 2318:. 8 November 2010. 1987:on 1 September 2016 1538:B. V. Nandini Reddy 1469:Rab Ne Bana Di Jodi 1102:silver jubilee film 820:open-air restaurant 657:Sathya Jyothi Films 626:when it was titled 613:Pallavi Anu Pallavi 595:Pallavi Anu Pallavi 587:Pallavi Anu Pallavi 570:Pallavi Anu Pallavi 399:. It was remade in 324:, it languished in 322:Pallavi Anu Pallavi 313:Pallavi Anu Pallavi 6753:Films shot in Agra 6743:Films set in Delhi 6698:1980s Indian films 6139:Oru Indhiya Kanavu 6127:Ezhavathu Manithan 5994:Nenjathai Killathe 5814:Kai Kodutha Deivam 5669:Mangaiyar Thilakam 5312:Ponniyin Selvan: I 4842:The Hindu (2000). 4596:Pandian, Avinash. 4511:on 25 January 2016 4471:The Times of India 4445:on 16 October 2014 4413:on 16 October 2014 4234:"Vallamai Tharayo" 4181:on 28 October 2014 4148:on 16 October 2014 4115:on 16 October 2014 4083:on 10 October 2017 3939:The Times of India 3768:on 21 October 2013 3735:on 17 October 2014 3692:The Indian Express 3656:The Indian Express 3620:The Indian Express 3407:The Indian Express 3222:Music India Online 3194:on 16 October 2014 2962:Hindu Tamil Thisai 2657:on 16 October 2014 2491:The Times of India 2400:The Times of India 2358:on 16 October 2014 2163:The Times of India 1593:The Times of India 1547:Kalyana Vaibhogame 1443:In popular culture 876:Nenjathai Killathe 828:Presidency College 663:, and Ratnam made 266:, and produced by 6627: 6626: 6494:Vazhakku Enn 18/9 6163:Muthal Mariyathai 6115:Thanneer Thanneer 6102: 6101: 5942:Apoorva Raagangal 5922:Dikkatra Parvathi 5790:Nenjil Or Aalayam 5761: 5760: 5747:Kalathur Kannamma 5519: 5518: 5152:Agni Natchathiram 5009:978-0-520-95234-8 4986:978-0-670-08520-0 4872:978-0-415-83658-6 4834:978-1-4422-7799-1 4712:Cloud Nine Movies 3796:. 28 March 2007. 3305:on 7 October 2014 3136:, pp. 33–34. 2872:, pp. 38–40. 2847:(15 April 2018). 2519:"Chennai on reel" 2008:"Nadia spelt fun" 1696:on 28 August 2016 1372:Agni Natchathiram 1291: 1290: 1270:29 September 1987 1170:Date of ceremony 669:(1985) with him. 653:T. G. Thyagarajan 525:as Divya's sister 352:, with lyrics by 300:arranged marriage 270:. The film stars 202: 201: 6790: 6670: 6669: 6658: 6657: 6656: 6646: 6645: 6644: 6637: 6619: 6613:Kadaisi Vivasayi 6596: 6584: 6572: 6560: 6548: 6536: 6524: 6518:Kuttram Kadithal 6512: 6500: 6488: 6482:Vaagai Sooda Vaa 6476: 6464: 6452: 6446:Vaaranam Aayiram 6440: 6428: 6416: 6404: 6392: 6380: 6368: 6345: 6333: 6321: 6309: 6297: 6285: 6273: 6261: 6249: 6237: 6225: 6213: 6201: 6193: 6181: 6169: 6157: 6145: 6133: 6121: 6095: 6089: 6077: 6065: 6047: 6029: 6000: 5988: 5976: 5968: 5956: 5948: 5936: 5928: 5916: 5904: 5892: 5880: 5868: 5856: 5844: 5832: 5820: 5808: 5796: 5784: 5770: 5753: 5735: 5717: 5699: 5687: 5675: 5663: 5657:Edhir Paradhathu 5634: 5628:Parthiban Kanavu 5622: 5616:Bhaaga Pirivinai 5610: 5602: 5594: 5586: 5578: 5564: 5546: 5539: 5532: 5523: 5403:Vaanam Kottattum 5296:Kaatru Veliyidai 5288:O Kadhal Kanmani 5082: 5075: 5068: 5059: 5054: 5038: 5013: 4990: 4967:Rangan, Baradwaj 4962: 4928: 4914: 4895: 4876: 4857: 4838: 4815: 4802:Psychology Press 4782: 4781: 4779: 4777: 4755: 4749: 4748: 4746: 4744: 4722: 4716: 4715: 4704: 4698: 4697: 4690: 4684: 4683: 4681: 4679: 4657: 4651: 4650: 4648: 4646: 4624: 4618: 4617: 4615: 4613: 4593: 4587: 4586: 4584: 4582: 4561: 4555: 4554: 4552: 4550: 4531:Rangan, Baradwaj 4527: 4521: 4520: 4518: 4516: 4507:. Archived from 4494: 4488: 4487: 4485: 4483: 4461: 4455: 4454: 4452: 4450: 4429: 4423: 4422: 4420: 4418: 4406:Deccan Chronicle 4397: 4391: 4390: 4388: 4386: 4361: 4355: 4354: 4352: 4350: 4328: 4322: 4321: 4319: 4317: 4295: 4289: 4288: 4286: 4284: 4262: 4256: 4255: 4253: 4251: 4230: 4224: 4223: 4221: 4219: 4197: 4191: 4190: 4188: 4186: 4177:. Archived from 4164: 4158: 4157: 4155: 4153: 4144:. Archived from 4141:Deccan Chronicle 4131: 4125: 4124: 4122: 4120: 4099: 4093: 4092: 4090: 4088: 4067: 4061: 4060: 4058: 4056: 4034: 4028: 4022: 4016: 4010: 4004: 3998: 3992: 3991: 3989: 3987: 3965: 3956: 3955: 3953: 3951: 3930: 3924: 3918: 3912: 3911: 3909: 3907: 3885: 3879: 3878: 3876: 3874: 3868: 3857: 3849: 3843: 3842: 3840: 3838: 3829:. Archived from 3816: 3810: 3809: 3807: 3805: 3784: 3778: 3777: 3775: 3773: 3764:. Archived from 3751: 3745: 3744: 3742: 3740: 3734: 3723: 3715: 3709: 3708: 3702: 3700: 3683: 3677: 3676: 3670: 3668: 3647: 3641: 3640: 3634: 3632: 3611: 3605: 3604: 3602: 3600: 3578: 3572: 3571: 3569: 3567: 3542: 3536: 3535: 3533: 3531: 3511: 3499: 3493: 3492: 3490: 3488: 3466: 3460: 3459: 3457: 3455: 3434: 3428: 3427: 3421: 3419: 3400:Shiva Kumar, S. 3397: 3391: 3390: 3388: 3386: 3366: 3360: 3359: 3357: 3355: 3333: 3327: 3321: 3315: 3314: 3312: 3310: 3301:. Archived from 3289: 3283: 3277: 3271: 3270: 3268: 3266: 3257:. Archived from 3244: 3238: 3237: 3235: 3233: 3224:. Archived from 3210: 3204: 3203: 3201: 3199: 3190:. Archived from 3178: 3172: 3171: 3169: 3167: 3148: 3137: 3131: 3125: 3115: 3109: 3108: 3106: 3104: 3082: 3076: 3075: 3073: 3071: 3049: 3043: 3042: 3040: 3038: 3016: 3010: 3004: 2995: 2985: 2979: 2978: 2976: 2974: 2948: 2939: 2938: 2936: 2934: 2925:. Archived from 2912: 2906: 2905: 2903: 2901: 2879: 2873: 2867: 2861: 2860: 2845:Baradwaj Rangan 2841: 2835: 2829: 2823: 2822: 2820: 2818: 2796: 2790: 2789: 2787: 2785: 2763: 2757: 2756: 2754: 2752: 2733:Rangan, Baradwaj 2729: 2720: 2714: 2708: 2702: 2696: 2695: 2693: 2691: 2686:. 14 August 1986 2676: 2667: 2666: 2664: 2662: 2653:. Archived from 2640: 2634: 2628: 2622: 2616: 2607: 2606: 2604: 2602: 2580: 2574: 2573: 2571: 2569: 2547: 2541: 2540: 2538: 2536: 2514: 2508: 2507: 2505: 2503: 2481: 2475: 2474: 2472: 2470: 2455:"How To Name It" 2447: 2441: 2435: 2429: 2423: 2417: 2416: 2414: 2412: 2391: 2385: 2379: 2368: 2367: 2365: 2363: 2354:. Archived from 2338: 2332: 2331: 2329: 2327: 2306: 2300: 2299: 2297: 2295: 2273: 2256: 2255: 2253: 2251: 2242:. Archived from 2239:Bangalore Mirror 2229: 2220: 2219: 2217: 2215: 2193: 2180: 2179: 2177: 2175: 2153: 2140: 2139: 2137: 2135: 2113: 2107: 2106: 2104: 2102: 2093:. 3 April 2017. 2081: 2075: 2074: 2072: 2070: 2048: 2042: 2036: 2030: 2029: 2027: 2025: 2003: 1997: 1996: 1994: 1992: 1971: 1954: 1948: 1942: 1936: 1927: 1921: 1915: 1909: 1903: 1897: 1884: 1878: 1869: 1863: 1852: 1846: 1833: 1832: 1830: 1828: 1806: 1800: 1799: 1797: 1795: 1773: 1767: 1766: 1764: 1762: 1740: 1731: 1725: 1706: 1705: 1703: 1701: 1692:. Archived from 1679: 1666: 1656: 1639: 1636: 1630: 1627: 1621: 1606: 1600: 1589: 1505:Naan Mahaan Alla 1463:Vallamai Tharayo 1426:Deccan Chronicle 1381: 1344:and at the 2002 1311:in 1992, and in 1282:(film producer) 1280:G. Venkateswaran 1184: 1164: 1060: 1038:Oru Thalai Ragam 975: 961: 691:development hell 683:G. Venkateswaran 326:development hell 268:G. Venkateswaran 257: 254: 251: 250: 247: 246: 243: 240: 237: 234: 230: 229: 226: 223: 220: 217: 169: 167: 70:G. Venkateswaran 40: 28: 6798: 6797: 6793: 6792: 6791: 6789: 6788: 6787: 6678: 6677: 6676: 6664: 6654: 6652: 6642: 6640: 6632: 6628: 6623: 6617: 6600: 6594: 6582: 6570: 6558: 6546: 6534: 6522: 6510: 6498: 6486: 6474: 6462: 6450: 6438: 6426: 6414: 6402: 6390: 6378: 6366: 6362:Ooruku Nooruper 6349: 6343: 6331: 6319: 6307: 6295: 6283: 6279:Anthimanthaarai 6271: 6259: 6247: 6235: 6223: 6211: 6199: 6191: 6179: 6167: 6155: 6143: 6131: 6119: 6098: 6093: 6087: 6083:Thiruvilaiyadal 6075: 6071:Server Sundaram 6063: 6045: 6027: 6004: 5998: 5986: 5974: 5966: 5954: 5946: 5934: 5926: 5914: 5902: 5890: 5878: 5866: 5854: 5842: 5830: 5818: 5806: 5802:Naanum Oru Penn 5794: 5782: 5757: 5751: 5733: 5715: 5705:Thanga Padhumai 5697: 5685: 5673: 5661: 5638: 5632: 5620: 5608: 5600: 5592: 5584: 5576: 5555: 5550: 5520: 5515: 5479: 5460: 5417: 5334: 5240:Aayutha Ezhuthu 5192:Thiruda Thiruda 5091: 5086: 5048:Rotten Tomatoes 5021: 5016: 5010: 4993: 4987: 4965: 4959: 4931: 4917: 4911: 4898: 4892: 4879: 4873: 4860: 4854: 4841: 4835: 4818: 4812: 4795: 4791: 4786: 4785: 4775: 4773: 4757: 4756: 4752: 4742: 4740: 4724: 4723: 4719: 4706: 4705: 4701: 4692: 4691: 4687: 4677: 4675: 4659: 4658: 4654: 4644: 4642: 4626: 4625: 4621: 4611: 4609: 4595: 4594: 4590: 4580: 4578: 4577:on 3 March 2016 4563: 4562: 4558: 4548: 4546: 4539:Baradwaj Rangan 4529: 4528: 4524: 4514: 4512: 4496: 4495: 4491: 4481: 4479: 4463: 4462: 4458: 4448: 4446: 4431: 4430: 4426: 4416: 4414: 4399: 4398: 4394: 4384: 4382: 4365:Kamath, Sudhish 4363: 4362: 4358: 4348: 4346: 4330: 4329: 4325: 4315: 4313: 4297: 4296: 4292: 4282: 4280: 4264: 4263: 4259: 4249: 4247: 4232: 4231: 4227: 4217: 4215: 4199: 4198: 4194: 4184: 4182: 4166: 4165: 4161: 4151: 4149: 4133: 4132: 4128: 4118: 4116: 4101: 4100: 4096: 4086: 4084: 4069: 4068: 4064: 4054: 4052: 4039:"Second coming" 4036: 4035: 4031: 4023: 4019: 4011: 4007: 3999: 3995: 3985: 3983: 3967: 3966: 3959: 3949: 3947: 3932: 3931: 3927: 3919: 3915: 3905: 3903: 3887: 3886: 3882: 3872: 3870: 3866: 3855: 3851: 3850: 3846: 3836: 3834: 3818: 3817: 3813: 3803: 3801: 3786: 3785: 3781: 3771: 3769: 3753: 3752: 3748: 3738: 3736: 3732: 3721: 3717: 3716: 3712: 3698: 3696: 3685: 3684: 3680: 3666: 3664: 3649: 3648: 3644: 3630: 3628: 3613: 3612: 3608: 3598: 3596: 3580: 3579: 3575: 3565: 3563: 3562:on 29 July 2022 3544: 3543: 3539: 3529: 3527: 3501: 3500: 3496: 3486: 3484: 3476:Hindustan Times 3468: 3467: 3463: 3453: 3451: 3446:. 2 June 2020. 3436: 3435: 3431: 3417: 3415: 3399: 3398: 3394: 3384: 3382: 3368: 3367: 3363: 3353: 3351: 3335: 3334: 3330: 3322: 3318: 3308: 3306: 3291: 3290: 3286: 3278: 3274: 3264: 3262: 3246: 3245: 3241: 3231: 3229: 3212: 3211: 3207: 3197: 3195: 3180: 3179: 3175: 3165: 3163: 3150: 3149: 3140: 3132: 3128: 3116: 3112: 3102: 3100: 3084: 3083: 3079: 3069: 3067: 3051: 3050: 3046: 3036: 3034: 3018: 3017: 3013: 3005: 2998: 2986: 2982: 2972: 2970: 2950: 2949: 2942: 2932: 2930: 2914: 2913: 2909: 2899: 2897: 2881: 2880: 2876: 2868: 2864: 2843: 2842: 2838: 2830: 2826: 2816: 2814: 2798: 2797: 2793: 2783: 2781: 2773:The News Minute 2765: 2764: 2760: 2750: 2748: 2741:Baradwaj Rangan 2731: 2730: 2723: 2715: 2711: 2703: 2699: 2689: 2687: 2678: 2677: 2670: 2660: 2658: 2642: 2641: 2637: 2629: 2625: 2617: 2610: 2600: 2598: 2582: 2581: 2577: 2567: 2565: 2549: 2548: 2544: 2534: 2532: 2516: 2515: 2511: 2501: 2499: 2483: 2482: 2478: 2468: 2466: 2453:(9 July 2012). 2449: 2448: 2444: 2436: 2432: 2424: 2420: 2410: 2408: 2407:on 20 July 2014 2393: 2392: 2388: 2380: 2371: 2361: 2359: 2342:Kamath, Sudhish 2340: 2339: 2335: 2325: 2323: 2308: 2307: 2303: 2293: 2291: 2275: 2274: 2259: 2249: 2247: 2246:on 8 April 2018 2234:"One more time" 2231: 2230: 2223: 2213: 2211: 2195: 2194: 2183: 2173: 2171: 2155: 2154: 2143: 2133: 2131: 2123:The News Minute 2115: 2114: 2110: 2100: 2098: 2083: 2082: 2078: 2068: 2066: 2053:"Born to Dance" 2050: 2049: 2045: 2037: 2033: 2023: 2021: 2005: 2004: 2000: 1990: 1988: 1973: 1972: 1957: 1949: 1945: 1937: 1930: 1922: 1918: 1910: 1906: 1898: 1887: 1879: 1872: 1864: 1855: 1847: 1836: 1826: 1824: 1808: 1807: 1803: 1793: 1791: 1775: 1774: 1770: 1760: 1758: 1745:"Father figure" 1742: 1741: 1734: 1726: 1709: 1699: 1697: 1681: 1680: 1669: 1661:, p. 289; 1657: 1653: 1648: 1643: 1642: 1637: 1633: 1628: 1624: 1607: 1603: 1590: 1586: 1581: 1445: 1410:According to a 1379: 1354: 1327: 1296: 1162: 1114: 1094:"U" certificate 1079: 1058: 1053: 1047: 973: 959: 907:Andha 7 Naatkal 898:The News Minute 885:(1981) and its 882:Andha 7 Naatkal 873:compared it to 871:Baradwaj Rangan 863: 793: 719: 557: 552: 547: 504:as Chandramouli 480:as Chandrakumar 473: 425: 255: 231: 214: 210: 179: 172: 165: 163: 156: 149: 142: 140: 123: 92: 43: 24: 17: 12: 11: 5: 6796: 6794: 6786: 6785: 6780: 6775: 6770: 6765: 6760: 6755: 6750: 6745: 6740: 6735: 6730: 6725: 6720: 6715: 6710: 6705: 6700: 6695: 6690: 6680: 6679: 6675: 6674: 6662: 6650: 6625: 6624: 6622: 6621: 6608: 6606: 6602: 6601: 6599: 6598: 6586: 6574: 6562: 6550: 6538: 6526: 6514: 6506:Thanga Meenkal 6502: 6490: 6478: 6466: 6454: 6442: 6430: 6418: 6406: 6394: 6382: 6370: 6357: 6355: 6351: 6350: 6348: 6347: 6335: 6323: 6311: 6299: 6287: 6275: 6263: 6251: 6239: 6227: 6215: 6207:Pudhea Paadhai 6203: 6195: 6183: 6171: 6159: 6147: 6135: 6123: 6110: 6108: 6104: 6103: 6100: 6099: 6097: 6096: 6091: 6079: 6067: 6049: 6031: 6012: 6010: 6006: 6005: 6003: 6002: 5990: 5978: 5970: 5958: 5950: 5938: 5930: 5918: 5906: 5894: 5882: 5870: 5858: 5846: 5834: 5822: 5810: 5798: 5786: 5773: 5767: 5763: 5762: 5759: 5758: 5756: 5755: 5737: 5729:Kalyana Parisu 5719: 5711:Annaiyin Aanai 5701: 5689: 5677: 5665: 5646: 5644: 5640: 5639: 5637: 5636: 5624: 5612: 5604: 5596: 5588: 5580: 5567: 5561: 5557: 5556: 5551: 5549: 5548: 5541: 5534: 5526: 5517: 5516: 5514: 5513: 5511:Madras Talkies 5508: 5503: 5498: 5493: 5487: 5485: 5481: 5480: 5478: 5477: 5468: 5466: 5462: 5461: 5459: 5458: 5450: 5442: 5434: 5425: 5423: 5422:Films produced 5419: 5418: 5416: 5415: 5407: 5399: 5391: 5383: 5379:Dumm Dumm Dumm 5375: 5367: 5359: 5351: 5342: 5340: 5336: 5335: 5333: 5332: 5324: 5316: 5308: 5300: 5292: 5284: 5276: 5268: 5260: 5252: 5244: 5236: 5228: 5220: 5212: 5204: 5196: 5188: 5180: 5172: 5164: 5156: 5148: 5140: 5132: 5124: 5116: 5108: 5099: 5097: 5096:Films directed 5093: 5092: 5087: 5085: 5084: 5077: 5070: 5062: 5056: 5055: 5039: 5020: 5019:External links 5017: 5015: 5014: 5008: 4991: 4985: 4963: 4957: 4937:Willemen, Paul 4929: 4915: 4909: 4896: 4890: 4884:. Isha Books. 4877: 4871: 4858: 4852: 4839: 4833: 4816: 4810: 4792: 4790: 4787: 4784: 4783: 4750: 4717: 4699: 4685: 4652: 4619: 4588: 4556: 4522: 4489: 4456: 4424: 4392: 4356: 4323: 4290: 4257: 4246:on 6 July 2015 4225: 4192: 4159: 4136:"Top 10 Jodis" 4126: 4094: 4062: 4029: 4027:, p. 288. 4025:The Hindu 2000 4017: 4005: 3993: 3957: 3925: 3913: 3880: 3844: 3811: 3779: 3746: 3710: 3678: 3642: 3606: 3573: 3537: 3519:Ananda Vikatan 3494: 3461: 3429: 3392: 3361: 3328: 3326:, p. 120. 3316: 3284: 3282:, p. 147. 3272: 3239: 3205: 3173: 3138: 3126: 3110: 3077: 3044: 3011: 2996: 2980: 2940: 2907: 2874: 2862: 2855:) – via 2836: 2824: 2791: 2758: 2721: 2709: 2697: 2668: 2635: 2633:, p. 170. 2623: 2608: 2585:"Sweat equity" 2575: 2542: 2509: 2476: 2442: 2430: 2428:, p. 476. 2418: 2386: 2369: 2333: 2301: 2257: 2221: 2181: 2141: 2108: 2076: 2043: 2031: 1998: 1955: 1943: 1928: 1916: 1914:, pp. 28. 1904: 1885: 1870: 1853: 1834: 1816:Ananda Vikatan 1801: 1768: 1732: 1730:, p. 289. 1707: 1667: 1665:, p. 476. 1650: 1649: 1647: 1644: 1641: 1640: 1631: 1622: 1601: 1583: 1582: 1580: 1577: 1487:Bangalore Days 1475:Tanu Weds Manu 1444: 1441: 1353: 1350: 1326: 1323: 1301:was dubbed in 1295: 1294:Other versions 1292: 1289: 1288: 1286: 1283: 1277: 1272: 1267: 1261: 1260: 1258: 1255: 1250: 1245: 1240: 1234: 1233: 1231: 1228: 1223: 1218: 1213: 1207: 1206: 1204: 1201: 1196: 1193: 1190: 1186: 1185: 1180: 1177: 1174: 1171: 1168: 1161: 1158: 1123:Ananda Vikatan 1113: 1110: 1078: 1075: 1049:Main article: 1046: 1043: 862: 859: 855:S. N. Surendar 792: 789: 743:Supriya Pathak 718: 715: 632:political film 556: 553: 551: 548: 546: 545: 539: 536: 532: 531: 527: 526: 520: 517: 516:Vani as Janaki 514: 508: 505: 499: 496:V. K. Ramasamy 493: 487: 481: 474: 472: 469: 424: 421: 284:V. K. Ramasamy 260:romantic drama 200: 199: 196: 192: 191: 188: 184: 183: 180: 177: 174: 173: 171: 170: 159: 157: 154: 151: 150: 145: 143: 138: 135: 134: 129: 125: 124: 122: 121: 116: 110: 108: 104: 103: 98: 97:Cinematography 94: 93: 91: 90: 85: 79: 77: 73: 72: 67: 63: 62: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 13: 10: 9: 6: 4: 3: 2: 6795: 6784: 6781: 6779: 6776: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6719: 6716: 6714: 6711: 6709: 6706: 6704: 6701: 6699: 6696: 6694: 6691: 6689: 6686: 6685: 6683: 6673: 6668: 6663: 6661: 6651: 6649: 6639: 6635: 6630: 6620: 6615: 6614: 6610: 6609: 6607: 6603: 6597: 6592: 6591: 6587: 6585: 6580: 6579: 6575: 6573: 6568: 6567: 6563: 6561: 6556: 6555: 6551: 6549: 6544: 6543: 6539: 6537: 6532: 6531: 6527: 6525: 6520: 6519: 6515: 6513: 6508: 6507: 6503: 6501: 6496: 6495: 6491: 6489: 6484: 6483: 6479: 6477: 6472: 6471: 6467: 6465: 6460: 6459: 6455: 6453: 6448: 6447: 6443: 6441: 6436: 6435: 6431: 6429: 6424: 6423: 6419: 6417: 6412: 6411: 6407: 6405: 6400: 6399: 6395: 6393: 6388: 6387: 6383: 6381: 6376: 6375: 6371: 6369: 6364: 6363: 6359: 6358: 6356: 6352: 6346: 6341: 6340: 6336: 6334: 6329: 6328: 6324: 6322: 6317: 6316: 6312: 6310: 6305: 6304: 6303:The Terrorist 6300: 6298: 6293: 6292: 6291:Kadhal Kottai 6288: 6286: 6281: 6280: 6276: 6274: 6269: 6268: 6264: 6262: 6257: 6256: 6252: 6250: 6245: 6244: 6240: 6238: 6233: 6232: 6228: 6226: 6221: 6220: 6216: 6214: 6209: 6208: 6204: 6202: 6196: 6194: 6189: 6188: 6184: 6182: 6177: 6176: 6172: 6170: 6165: 6164: 6160: 6158: 6153: 6152: 6148: 6146: 6141: 6140: 6136: 6134: 6129: 6128: 6124: 6122: 6117: 6116: 6112: 6111: 6109: 6105: 6092: 6090: 6085: 6084: 6080: 6078: 6073: 6072: 6068: 6066: 6061: 6060: 6055: 6054: 6050: 6048: 6043: 6042: 6037: 6036: 6032: 6030: 6025: 6024: 6019: 6018: 6014: 6013: 6011: 6007: 6001: 5996: 5995: 5991: 5989: 5984: 5983: 5979: 5977: 5971: 5969: 5964: 5963: 5959: 5957: 5951: 5949: 5944: 5943: 5939: 5937: 5931: 5929: 5924: 5923: 5919: 5917: 5912: 5911: 5907: 5905: 5900: 5899: 5895: 5893: 5888: 5887: 5883: 5881: 5876: 5875: 5871: 5869: 5864: 5863: 5859: 5857: 5852: 5851: 5847: 5845: 5840: 5839: 5835: 5833: 5828: 5827: 5823: 5821: 5816: 5815: 5811: 5809: 5804: 5803: 5799: 5797: 5792: 5791: 5787: 5785: 5780: 5779: 5775: 5774: 5771: 5768: 5764: 5754: 5749: 5748: 5743: 5742: 5738: 5736: 5731: 5730: 5725: 5724: 5720: 5718: 5713: 5712: 5707: 5706: 5702: 5700: 5695: 5694: 5690: 5688: 5683: 5682: 5678: 5676: 5671: 5670: 5666: 5664: 5659: 5658: 5653: 5652: 5648: 5647: 5645: 5641: 5635: 5630: 5629: 5625: 5623: 5618: 5617: 5613: 5611: 5605: 5603: 5597: 5595: 5589: 5587: 5581: 5579: 5574: 5573: 5569: 5568: 5565: 5562: 5558: 5554: 5547: 5542: 5540: 5535: 5533: 5528: 5527: 5524: 5512: 5509: 5507: 5504: 5502: 5499: 5497: 5494: 5492: 5489: 5488: 5486: 5482: 5475: 5474: 5470: 5469: 5467: 5463: 5456: 5455: 5451: 5448: 5447: 5443: 5440: 5439: 5435: 5432: 5431: 5427: 5426: 5424: 5420: 5413: 5412: 5408: 5405: 5404: 5400: 5397: 5396: 5392: 5389: 5388: 5384: 5381: 5380: 5376: 5373: 5372: 5368: 5365: 5364: 5360: 5357: 5356: 5352: 5349: 5348: 5344: 5343: 5341: 5339:Films written 5337: 5330: 5329: 5325: 5322: 5321: 5317: 5314: 5313: 5309: 5306: 5305: 5301: 5298: 5297: 5293: 5290: 5289: 5285: 5282: 5281: 5277: 5274: 5273: 5269: 5266: 5265: 5261: 5258: 5257: 5253: 5250: 5249: 5245: 5242: 5241: 5237: 5234: 5233: 5229: 5226: 5225: 5224:Alai Payuthey 5221: 5218: 5217: 5213: 5210: 5209: 5205: 5202: 5201: 5197: 5194: 5193: 5189: 5186: 5185: 5181: 5178: 5177: 5173: 5170: 5169: 5165: 5162: 5161: 5157: 5154: 5153: 5149: 5146: 5145: 5141: 5138: 5137: 5133: 5130: 5129: 5125: 5122: 5121: 5117: 5114: 5113: 5109: 5106: 5105: 5101: 5100: 5098: 5094: 5090: 5083: 5078: 5076: 5071: 5069: 5064: 5063: 5060: 5053: 5049: 5045: 5044: 5040: 5037: 5032: 5028: 5027: 5023: 5022: 5018: 5011: 5005: 5001: 4997: 4992: 4988: 4982: 4978: 4977:Penguin Books 4974: 4973: 4968: 4964: 4960: 4958:0-19-563579-5 4954: 4950: 4946: 4942: 4938: 4934: 4930: 4926: 4925: 4920: 4916: 4912: 4910:9788124103449 4906: 4902: 4897: 4893: 4891:81-8205-366-8 4887: 4883: 4878: 4874: 4868: 4865:. Routledge. 4864: 4859: 4855: 4853:0-85229-760-2 4849: 4845: 4840: 4836: 4830: 4826: 4822: 4817: 4813: 4811:0-415-93845-7 4807: 4803: 4799: 4794: 4793: 4788: 4771: 4767: 4766: 4761: 4754: 4751: 4738: 4734: 4733: 4728: 4727:"Well-served" 4721: 4718: 4713: 4709: 4708:Thamizh Padam 4703: 4700: 4695: 4689: 4686: 4673: 4669: 4668: 4663: 4656: 4653: 4640: 4636: 4635: 4630: 4623: 4620: 4607: 4603: 4599: 4592: 4589: 4576: 4572: 4571: 4566: 4560: 4557: 4544: 4540: 4536: 4532: 4526: 4523: 4510: 4506: 4505: 4500: 4493: 4490: 4477: 4473: 4472: 4467: 4460: 4457: 4444: 4440: 4439: 4434: 4428: 4425: 4412: 4408: 4407: 4402: 4396: 4393: 4380: 4376: 4375: 4370: 4366: 4360: 4357: 4344: 4340: 4339: 4334: 4327: 4324: 4311: 4307: 4306: 4301: 4294: 4291: 4278: 4274: 4273: 4268: 4261: 4258: 4245: 4241: 4240: 4235: 4229: 4226: 4213: 4209: 4208: 4203: 4196: 4193: 4180: 4176: 4175: 4170: 4163: 4160: 4147: 4143: 4142: 4137: 4130: 4127: 4114: 4110: 4109: 4104: 4098: 4095: 4082: 4078: 4077: 4072: 4066: 4063: 4050: 4046: 4045: 4040: 4033: 4030: 4026: 4021: 4018: 4015:, p. 72. 4014: 4009: 4006: 4003:, p. 86. 4002: 3997: 3994: 3981: 3977: 3976: 3971: 3964: 3962: 3958: 3946:on 9 May 2016 3945: 3941: 3940: 3935: 3929: 3926: 3923:, p. 46. 3922: 3917: 3914: 3901: 3897: 3896: 3891: 3884: 3881: 3865: 3861: 3854: 3848: 3845: 3833:on 6 May 1999 3832: 3828: 3827: 3826:Deccan Herald 3822: 3815: 3812: 3799: 3795: 3794: 3789: 3783: 3780: 3767: 3763: 3762: 3757: 3750: 3747: 3731: 3727: 3720: 3714: 3711: 3706: 3694: 3693: 3688: 3682: 3679: 3674: 3662: 3658: 3657: 3652: 3646: 3643: 3638: 3626: 3622: 3621: 3616: 3610: 3607: 3594: 3590: 3589: 3584: 3577: 3574: 3561: 3557: 3556: 3551: 3547: 3541: 3538: 3525: 3521: 3520: 3515: 3510: 3508: 3498: 3495: 3482: 3478: 3477: 3472: 3465: 3462: 3449: 3445: 3444: 3439: 3433: 3430: 3425: 3413: 3409: 3408: 3403: 3396: 3393: 3380: 3376: 3372: 3365: 3362: 3349: 3345: 3344: 3339: 3332: 3329: 3325: 3320: 3317: 3304: 3300: 3299: 3294: 3288: 3285: 3281: 3276: 3273: 3260: 3256: 3255: 3250: 3243: 3240: 3227: 3223: 3219: 3217: 3209: 3206: 3193: 3189: 3188: 3183: 3177: 3174: 3161: 3157: 3153: 3147: 3145: 3143: 3139: 3135: 3130: 3127: 3124:, p. 42. 3123: 3119: 3114: 3111: 3098: 3094: 3093: 3088: 3081: 3078: 3065: 3061: 3060: 3055: 3048: 3045: 3032: 3028: 3027: 3022: 3015: 3012: 3008: 3003: 3001: 2997: 2994:, p. 40. 2993: 2989: 2984: 2981: 2968: 2964: 2963: 2958: 2954: 2947: 2945: 2941: 2928: 2924: 2923: 2918: 2911: 2908: 2895: 2891: 2890: 2885: 2878: 2875: 2871: 2866: 2863: 2858: 2854: 2850: 2846: 2840: 2837: 2834:, p. 33. 2833: 2828: 2825: 2812: 2808: 2807: 2802: 2795: 2792: 2779: 2775: 2774: 2769: 2762: 2759: 2746: 2742: 2738: 2734: 2728: 2726: 2722: 2719:, p. 32. 2718: 2713: 2710: 2706: 2701: 2698: 2685: 2681: 2675: 2673: 2669: 2656: 2652: 2651: 2646: 2639: 2636: 2632: 2627: 2624: 2621:, p. 42. 2620: 2615: 2613: 2609: 2596: 2592: 2591: 2586: 2579: 2576: 2563: 2559: 2558: 2553: 2546: 2543: 2530: 2526: 2525: 2520: 2513: 2510: 2497: 2493: 2492: 2487: 2480: 2477: 2464: 2460: 2456: 2452: 2446: 2443: 2440:, p. 40. 2439: 2434: 2431: 2427: 2422: 2419: 2406: 2402: 2401: 2396: 2390: 2387: 2384:, p. 36. 2383: 2378: 2376: 2374: 2370: 2357: 2353: 2352: 2347: 2343: 2337: 2334: 2321: 2317: 2316: 2311: 2305: 2302: 2289: 2285: 2284: 2279: 2272: 2270: 2268: 2266: 2264: 2262: 2258: 2245: 2241: 2240: 2235: 2228: 2226: 2222: 2209: 2205: 2204: 2199: 2192: 2190: 2188: 2186: 2182: 2169: 2165: 2164: 2159: 2152: 2150: 2148: 2146: 2142: 2129: 2125: 2124: 2119: 2112: 2109: 2096: 2092: 2091: 2086: 2080: 2077: 2064: 2060: 2059: 2054: 2047: 2044: 2041:, p. 52. 2040: 2035: 2032: 2019: 2015: 2014: 2009: 2002: 1999: 1986: 1982: 1981: 1976: 1970: 1968: 1966: 1964: 1962: 1960: 1956: 1953:, p. 44. 1952: 1947: 1944: 1941:, p. 10. 1940: 1935: 1933: 1929: 1926:, p. 24. 1925: 1920: 1917: 1913: 1908: 1905: 1902:, p. 31. 1901: 1896: 1894: 1892: 1890: 1886: 1883:, p. 29. 1882: 1877: 1875: 1871: 1868:, p. 38. 1867: 1862: 1860: 1858: 1854: 1851:, p. 22. 1850: 1845: 1843: 1841: 1839: 1835: 1822: 1818: 1817: 1812: 1805: 1802: 1789: 1785: 1784: 1779: 1772: 1769: 1756: 1752: 1751: 1746: 1739: 1737: 1733: 1729: 1724: 1722: 1720: 1718: 1716: 1714: 1712: 1708: 1695: 1691: 1690: 1685: 1678: 1676: 1674: 1672: 1668: 1664: 1660: 1655: 1652: 1645: 1635: 1632: 1626: 1623: 1619: 1615: 1611: 1605: 1602: 1598: 1594: 1588: 1585: 1578: 1576: 1574: 1570: 1569: 1564: 1563: 1558: 1557: 1556:Thamizh Padam 1551: 1549: 1548: 1543: 1539: 1535: 1531: 1530: 1525: 1524:Vaibhav Reddy 1521: 1520: 1515: 1511: 1507: 1506: 1501: 1497: 1495: 1494: 1489: 1488: 1483: 1482: 1477: 1476: 1471: 1470: 1465: 1464: 1459: 1458: 1453: 1449: 1442: 1440: 1438: 1437: 1432: 1428: 1427: 1422: 1417: 1413: 1408: 1406: 1401: 1397: 1396: 1391: 1390: 1385: 1378: 1374: 1373: 1368: 1367: 1362: 1358: 1351: 1349: 1347: 1343: 1339: 1335: 1331: 1324: 1322: 1320: 1319: 1314: 1310: 1309: 1304: 1300: 1293: 1287: 1284: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1262: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1243:9 August 1987 1241: 1239: 1235: 1232: 1229: 1227: 1224: 1222: 1219: 1217: 1216:2 August 1987 1214: 1212: 1208: 1205: 1202: 1200: 1197: 1194: 1191: 1187: 1176:Recipient(s) 1165: 1159: 1157: 1155: 1154: 1148: 1143: 1142: 1137: 1136:Jayamanmadhan 1133: 1129: 1125: 1124: 1119: 1111: 1109: 1107: 1103: 1099: 1095: 1091: 1087: 1083: 1076: 1074: 1072: 1068: 1064: 1057: 1052: 1044: 1042: 1040: 1039: 1034: 1029: 1024: 1020: 1019: 1014: 1012: 1011:Spanish music 1008: 1003: 999: 995: 991: 987: 983: 979: 972: 967: 965: 957: 956: 950: 948: 943: 939: 935: 934: 929: 924: 922: 918: 914: 913: 908: 904: 900: 899: 894: 893: 888: 884: 883: 878: 877: 872: 867: 860: 858: 856: 852: 848: 844: 839: 837: 833: 829: 825: 821: 817: 811: 809: 805: 801: 797: 790: 788: 785: 781: 777: 773: 768: 766: 762: 758: 754: 753: 748: 744: 740: 736: 732: 728: 724: 716: 714: 712: 711:Thota Tharani 708: 707:V. T. Vijayan 704: 700: 699:P. C. Sreeram 696: 692: 688: 687:Sujatha Films 684: 680: 676: 672: 668: 667: 662: 658: 654: 650: 647: 643: 642: 637: 633: 629: 625: 620: 618: 614: 610: 606: 605: 600: 596: 592: 588: 584: 580: 576: 572: 571: 566: 562: 554: 549: 543: 540: 537: 534: 533: 529: 528: 524: 521: 518: 515: 513:as the lawyer 512: 509: 506: 503: 500: 497: 494: 491: 488: 485: 482: 479: 476: 475: 470: 468: 466: 460: 456: 452: 448: 444: 442: 437: 434: 430: 422: 420: 418: 417: 412: 408: 407: 402: 398: 394: 390: 386: 382: 377: 373: 371: 370:V. T. Vijayan 367: 363: 362:Thota Tharani 359: 358:P. C. Sreeram 355: 351: 347: 343: 339: 335: 334:Sujatha Films 331: 327: 323: 319: 315: 314: 309: 304: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 261: 249: 208: 207: 197: 193: 189: 185: 181: 175: 161: 160: 158: 152: 148: 147:Sujatha Films 144: 136: 133: 130: 126: 120: 119:V. T. Vijayan 117: 115: 112: 111: 109: 105: 102: 101:P. C. Sreeram 99: 95: 89: 86: 84: 81: 80: 78: 74: 71: 68: 64: 60: 56: 53: 50: 46: 39: 34: 29: 26: 22: 6629: 6611: 6605:2021–present 6588: 6576: 6564: 6552: 6540: 6528: 6516: 6504: 6492: 6480: 6468: 6456: 6444: 6432: 6420: 6410:Aadum Koothu 6408: 6396: 6384: 6372: 6360: 6337: 6325: 6313: 6301: 6289: 6277: 6265: 6253: 6243:Thevar Magan 6241: 6229: 6217: 6205: 6185: 6174: 6173: 6161: 6149: 6137: 6125: 6113: 6081: 6069: 6057: 6051: 6039: 6033: 6021: 6015: 5992: 5980: 5960: 5940: 5920: 5908: 5896: 5884: 5872: 5860: 5848: 5836: 5824: 5812: 5800: 5788: 5776: 5745: 5739: 5727: 5721: 5709: 5703: 5691: 5679: 5667: 5655: 5649: 5626: 5614: 5572:Malaikkallan 5570: 5471: 5452: 5446:Nerrukku Ner 5444: 5436: 5428: 5409: 5401: 5393: 5385: 5377: 5369: 5361: 5353: 5345: 5326: 5318: 5310: 5302: 5294: 5286: 5278: 5270: 5262: 5254: 5246: 5238: 5230: 5222: 5214: 5206: 5198: 5190: 5182: 5174: 5166: 5158: 5150: 5142: 5135: 5134: 5126: 5120:Pagal Nilavu 5118: 5110: 5102: 5042: 5025: 4995: 4971: 4940: 4923: 4900: 4881: 4862: 4843: 4820: 4797: 4789:Bibliography 4774:. 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Sankaran 461: 457: 453: 449: 445: 438: 426: 414: 404: 397:Tamil cinema 392: 375: 374: 329: 321: 317: 311: 305: 288:Ra. Sankaran 205: 204: 203: 178:Running time 155:Release date 25: 6175:Mouna Ragam 5898:Veguli Penn 5874:Iru Kodugal 5681:Kula Deivam 5496:Filmography 5160:Geethanjali 5136:Mouna Ragam 5128:Idaya Kovil 5089:Mani Ratnam 5043:Mouna Ragam 5026:Mouna Ragam 4694:Mouna Ragam 4645:11 December 4612:29 February 4602:Behindwoods 4549:29 February 4515:29 February 4482:22 February 4433:"Raja Rani" 4283:16 February 3895:India Today 3804:28 February 3761:South Scope 3739:11 February 3667:22 February 3588:India Today 3550:"மௌன ராகம்" 3514:Mouna Ragam 3385:18 February 3280:Rangan 2012 3265:28 February 3166:13 February 3134:Rangan 2012 3122:Rangan 2012 2992:Rangan 2012 2957:Mouna Ragam 2933:5 September 2900:15 November 2870:Rangan 2012 2832:Rangan 2012 2784:6 September 2717:Rangan 2012 2645:"Cine quiz" 2631:Rangan 2012 2619:Rangan 2012 2601:14 November 2535:28 February 2459:Behindwoods 2451:Iyer, Anuja 2438:Rangan 2012 2382:Rangan 2012 2326:4 September 2294:3 September 2039:Rangan 2012 2024:15 November 1991:1 September 1951:Rangan 2012 1939:Rangan 2012 1924:Rangan 2012 1912:Rangan 2012 1900:Rangan 2012 1881:Rangan 2012 1866:Rangan 2012 1849:Rangan 2012 1794:22 February 1761:22 February 1728:Rangan 2012 1659:Rangan 2012 1542:Mouna Ragam 1534:Mouna Ragam 1510:Mouna Ragam 1448:Mouna Ragam 1431:Mouna Ragam 1416:Mouna Ragam 1392:(1992) and 1377:Mouna Ragam 1369:(1987) and 1357:Mouna Ragam 1330:Mouna Ragam 1318:Chandrodaya 1315:in 1999 as 1299:Mouna Ragam 1253:Mani Ratnam 1226:Mani Ratnam 1199:Mani Ratnam 1153:India Today 1138:(a duo) of 1132:Mouna Ragam 1106:Mouna Ragam 1098:Mouna Ragam 1082:Mouna Ragam 1056:Mouna Ragam 1028:Mouna Ragam 971:Mouna Ragam 936:(1982) and 921:chick flick 917:Mouna Ragam 903:Mouna Ragam 866:Mouna Ragam 776:Mouna Ragam 765:Prabhu Deva 731:Idaya Kovil 695:Mouna Ragam 679:Idaya Kovil 671:Kovaithambi 661:action film 624:Mouna Ragam 617:Idaya Kovil 609:Mouna Ragam 604:Idaya Kovil 599:Mouna Ragam 583:short story 579:Mouna Ragam 561:Mani Ratnam 555:Development 542:Prabhu Deva 416:Chandrodaya 413:in 1999 as 403:in 1992 as 393:Mouna Ragam 376:Mouna Ragam 350:Ilaiyaraaja 330:Mouna Ragam 318:Mouna Ragam 308:short story 290:, Bhaskar, 264:Mani Ratnam 206:Mouna Ragam 182:145 minutes 132:Ilaiyaraaja 66:Produced by 61:Mani Ratnam 52:Mani Ratnam 48:Directed by 31:Mouna Ragam 6688:1986 films 6682:Categories 6315:House Full 5651:Andha Naal 5465:Television 5430:Dasarathan 5176:Thalapathi 4776:9 February 4743:16 October 4449:16 October 4417:16 October 4385:16 October 4316:14 October 4272:Rediff.com 4185:28 October 4152:16 October 4119:16 October 4108:Rediff.com 4087:10 October 4055:18 October 4013:Joshi 2006 3986:16 October 3975:Rediff.com 3906:16 October 3873:5 February 3837:19 October 3793:Rediff.com 3546:ஜெயமன்மதன் 3487:15 October 3418:21 October 3324:Kumar 1995 3309:22 October 3103:11 October 2973:21 October 2817:8 November 2806:PopMatters 2661:16 October 2469:25 October 2411:15 October 2362:16 October 2250:5 November 2174:25 October 2101:4 February 1646:References 1412:Rediff.com 1192:July 1987 1002:nadaswaram 912:PopMatters 851:India Gate 834:, and the 550:Production 530:Uncredited 166:1986-08-15 139:Production 58:Written by 6530:Visaranai 6354:2001–2020 6255:Mahanadhi 6107:1981–2000 6017:Pasamalar 5766:1961–1980 5693:Mudhalali 5560:1954–1960 5491:Accolades 5454:Five Star 5371:Taj Mahal 5347:Chatriyan 5328:Thug Life 4975:. India: 4939:(1998) . 4765:The Hindu 4732:The Hindu 4667:The Hindu 4634:The Hindu 4374:The Hindu 4305:The Hindu 4207:The Hindu 4044:The Hindu 3507:மௌன ராகம் 3254:The Hindu 3232:26 August 3187:Raaga.com 3156:Mossymart 3092:The Hindu 3059:The Hindu 3026:The Hindu 2889:The Hindu 2650:The Hindu 2568:28 August 2557:The Hindu 2524:The Hindu 2502:25 August 2351:The Hindu 2283:The Hindu 2203:The Hindu 2058:The Hindu 2013:The Hindu 1783:The Hindu 1750:The Hindu 1700:28 August 1597:The Hindu 1514:Sri Divya 1481:Raja Rani 1173:Category 1160:Accolades 1130:, giving 1112:Reception 1067:LP record 1023:The Hindu 1018:The Hindu 994:The Hindu 990:S. Janaki 847:Taj Mahal 739:Anant Nag 636:Malayalam 409:, and in 107:Edited by 6398:Navarasa 6267:Nammavar 6053:Karpagam 6023:Kumudham 5484:See also 5473:Navarasa 5395:Ok Jaanu 5387:Saathiya 5272:Raavanan 5216:Dil Se.. 4969:(2012). 4921:(2002). 4770:Archived 4737:Archived 4672:Archived 4639:Archived 4606:Archived 4543:Archived 4476:Archived 4379:Archived 4349:11 March 4343:Archived 4310:Archived 4277:Archived 4212:Archived 4049:Archived 3980:Archived 3900:Archived 3864:Archived 3798:Archived 3661:Archived 3625:Archived 3593:Archived 3524:Archived 3481:Archived 3448:Archived 3443:ABP Live 3412:Archived 3379:Archived 3348:Archived 3198:10 March 3160:Archived 3097:Archived 3064:Archived 3037:2 August 3031:Archived 2967:Archived 2894:Archived 2811:Archived 2778:Archived 2751:30 April 2745:Archived 2595:Archived 2562:Archived 2529:Archived 2496:Archived 2463:Archived 2320:Archived 2288:Archived 2208:Archived 2168:Archived 2128:Archived 2095:Archived 2063:Archived 2018:Archived 1821:Archived 1788:Archived 1755:Archived 1522:(2013). 1496:(2016). 1478:(2011), 1472:(2008), 1466:(2008), 1460:(1999), 1400:staccato 1375:(1988). 1361:art film 982:Broadway 889:remake, 814:father ( 800:Alwarpet 761:Kanchana 703:B. Lenin 511:Kanchana 486:as Divya 465:stops it 385:Filmfare 366:B. Lenin 292:Kanchana 195:Language 128:Music by 114:B. 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Index

Mouna Ragam (disambiguation)

Mani Ratnam
G. Venkateswaran
Mohan
Revathi
P. C. Sreeram
B. Lenin
V. T. Vijayan
Ilaiyaraaja
Sujatha Films
/ˈmnəˈrɑːɡəm/
romantic drama
Mani Ratnam
G. Venkateswaran
Mohan
Revathi
Karthik
V. K. Ramasamy
Ra. Sankaran
Kanchana
Sonia
arranged marriage
short story
Pallavi Anu Pallavi
development hell
Sujatha Films
Madras
Delhi
Agra

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