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Research was carried out on ethical issues around artists’ production and copyright with inputs from
Stephens Innocent and, later, The Artists’ Information Company (UK) which contributed to the Legislative Protection of Cultural Property in Zambia. The gallery acted as a resource, library, mentor and
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CBE in the lead-up to the
Triangle Trust-funded Mbile workshops (subsequently Insaka) which enabled artists to work freely in a democratic and sponsored environment. The Gallery was also involved in residencies for Flinto Chandia, David Chirwa and Friday Tembo in Loder’s London Gasworks Studios and
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Curation of exhibits included: “Artists
Against Apartheid” raising funds for the Dora Tamana nursery in Lusaka (1985); presentation of Stephen Kappata’s work at the Havana Biennale (1988); representation in New Art from Zambia at the Africa Centre, London and a Retrospective of the work of Henry
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Following independence in 1964, there were moves to support art (notably the establishment of the Art Centre
Foundation in 1967) but by 1978 no independent art gallery existed and much of the artwork available was colonially-influenced at a time when Zambia had turned its back on the cultural
335:, Eddie Mumba, Paulina Mubanga, Lutanda Mwamba, Adam Mwansa, Patrick Mweemba, Germain Ngoma, Blanka Novotny, Dickson Nyendwa, Vincent Phiri, Godfrey Setti, Shadreck Simukanga, Henry Tayali, Friday Tembo, Stephen Williams, Lawrence Yombwe, Cynthia Zukas and Elisha Zulu among others.
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It closed when funding could not be obtained to develop it into an Art Trust and the
Directors were unable to continue their commitment. It remained the only independent, fulltime, professionally curated art gallery at that time and for many years after.
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The creative communities in Zambia faced heartrending losses from HIV/AIDS during the period in which Mpapa
Gallery was operating. This impacted upon the sector-wide continuity of achievement, development of creative arts and stability of the art market.
393:(Bush) assumed the management of the gallery and became a Director along with Patrick Mweemba and Cynthia Zukas. All were unpaid. As the gallery developed, Lutanda Mwamba, David Chirwa and Style Kunda worked as salaried managers. .
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and to the
Chaminuka Art collection. The gallery worked on joint projects with the British, American, Italian, Norwegian (NORAD) and Russian embassies. Working with the British Council workshops for Zambian artists were led by
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providing support to freedom fighters throughout the
Southern African region (often at great cost to its own citizens in terms of access to food, security, freedom of movement and economic resources).
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It also held exhibitions of
Zambian crafts (in association with the Zintu Foundation), ceramics and photography as well as hosting visiting artists such as the American
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Tayali at the same venue (1989); Frontline Africa exhibition at
Glasgow Mayfest (1990); an exhibition of Kappata paintings at the London Festival Hall (1991) etc.
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Mpapa Gallery was formed with the specific objective of spotlighting the careers of existing Zambian artists or nurturing the development of new ones.
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During its time, Mpapa showcased the work of such artists as Flinto Chandia, David Chirwa, Mulenga Chafilwa, Tubayi Dube,
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contributed to the attendance of Zambian artists to the Pachipamwe and Thapong workshops in Zimbabwe and Botswana.
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of South Africa was exiled in Zambia from 1963 and in the 70s its Department of Arts and Culture, under
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was amassing a collection of black South African art. Her views and those of major Zambian artist
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Zukas, C; Kabungo, H; Rogers, C; Plesner, M; Kabwe, F (1988). "Henry Tayali 1943 - 1987".
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was the first independent art gallery in Zambia, existing in Lusaka from 1978 until 1996.
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Mubiana, Desmond (15 July 1985). "Mpapa Show Brings Out Ten Years of Printmaking".
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on the integrity of African art deeply influenced the founders of Mpapa.
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influences of the countries to the south which were still not liberated.
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Chibesa, David (8 October 1988). "Tayali's Art Goes on Show at Mpapa".
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Mpapa was established by Joan Pilcher and Heather Montgomerie. In 1984
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Ruth Hartley published a monograph on the Gallery's history in 2024()
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may be in need of reorganization to comply with Knowledge (XXG)'s
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MacMillan, Hugh (1997). "The Life and Art of Stephen Kappata".
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informal supplier of materials when none were available.
346:, the British holographer Patrick Keown Boyd and others.
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In the early 1970s, Zambia was one of the formidable
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590:Hartley, Ruth; Corley, John, eds. (28 June 2024).
634:Art museums and galleries disestablished in 1996
232:to make improvements to the overall structure.
624:Art museums and galleries established in 1978
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594:. Labatut-Rivière, France: Atypical Books.
50:Learn how and when to remove these messages
266:Learn how and when to remove this message
248:Learn how and when to remove this message
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87:of all important aspects of the article.
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567:African Art and Agency in the Workshop
462:The ANC in Exile in Zambia 1963 - 1994
83:Please consider expanding the lead to
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565:Kasfir, S; Kirumira, N (2013).
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592:Mpapa Gallery: A monograph
302:African National Congress
460:MacMillan, Hugh (2013).
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369:Mpapa was consulted by
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340:John Franklin Koenig
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538:(1): 20–31, 93–94.
412:Into Exile and Back
385:Directors and staff
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