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middle-class capitalist society in 1950s
Britain. While no one member of the Birling family is solely responsible for Eva's death, together they function as a hermetic class system that exploits neglected, vulnerable women, with each example of exploitation leading collectively to Eva's social exclusion, despair and suicide. The play also arguably acts as a critique of Victorian-era notions of middle-class philanthropy towards the poor, which is based on the presumption of the charity-givers' social superiority and on a severe moral judgement of the "deserving poor". The romantic idea of gentlemanly chivalry towards "fallen women" is also debunked as being based on male lust and sexual exploitation of the weak by the powerful. In Goole's final speech, Eva Smith is called a representation of millions of vulnerable working-class people, and the speech can be read as a call to action to English society to take more responsibility for working-class people, prefiguring the development of the post-World War II
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that Smith had been irresponsible and suggested that she find the father and get him to face his responsibilities; Smith said that she had refused to accept any more money from the father once she knew it had been stolen. Despite vigorous cross-examination from the
Inspector, Sybil denies any wrongdoing. Goole plays his final card, forcing Sybil to lay the blame on the "drunken young man" who had got Smith pregnant. It slowly dawns on the rest of the family, except Sybil, that Eric is the young man in question, and "Mrs. Birling" was the first name that had come to Smith's mind because he had fathered her child.
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inspector named Goole. To confirm this, Birling makes a phone call to his friend the chief constable, who confirms that there is no
Inspector Goole on the force. Gerald points out that they could not be sure that Goole had shown the same photograph to the different members of the family; there could have been several young women, and they did not know that any of them had died. Gerald phones the infirmary, and they confirm that no one has died there that day, and they haven't had a suicide in months. The family conclude that the Inspector was a fraud and that they have been the victims of a hoax.
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Eva's downfall, and encouraging her family to do the same. By the play's end her social conscience has been awakened and she has a new awareness of her responsibilities to others. She represents the younger generation's break from the selfish behaviour and capitalist views of its elders. Sheila shows her naivety and lack of maturity in the way she reacts to her father. She is quick to apologise, it is clear that she is keen to behave well. She also refers to her father as 'Daddy', a childish term. As the play progresses, Sheila's character develops and she begins to stand up for herself.
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right for her. Smith, now employed at this shop, also helped with the trying-on. Sheila realised that the dress didn't suit her; Smith held the dress against herself and Sheila could see that it looked much better on her. Seeing Smith smiling at the other assistant, Sheila took umbrage and angrily ordered the manager of the department store to fire her. Sheila's real motivation, which she ashamedly confesses, was the jealousy that she felt towards Smith, perceiving her as prettier than herself. Eric leaves the dining room.
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to take any responsibility for Eva's death. He remains unaffected by the suicide, and his concerns appear to be the avoidance of public scandal, the recovery of the money Eric stole from the company, and the resumption of Sheila and Gerald's engagement, which promises to effect a Croft-Birling merger (which looks likely to bring about a monopoly). Arthur
Birling is used by Priestley as a dramatic vehicle to criticise capitalism, the arrogance of the wealthy middle class, and the ignorance of the older generation.
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her and their child, but she refused the stolen money and broke up with Eric. Birling and Sybil are outraged by Eric's behaviour, and the evening dissolves into angry recriminations. The
Inspector reminds the family that actions have consequences and that all people are intertwined in one society, stating: "if men will not learn that lesson, then they will be taught it in fire and blood and anguish." He leaves.
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struggling to cope financially, and was out of place there, Gerald gave her money and arranged for her to move temporarily into a vacant flat belonging to one of his friends. Gerald reveals that he began a relationship with Smith over the summer, but parted with her after a few months. Sheila, disheartened, returns her engagement ring to Gerald, who leaves the house, saying he will return.
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527:, and was widely praised for making the work involving and politically relevant for a modern audience. The production is often credited with single-handedly rediscovering Priestley's works and "rescuing" him from the reputation of being obsolete and class-bound, although the production had some detractors, including
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The struggle between the embattled patriarch Arthur
Birling and Inspector Goole has been interpreted by many critics as a symbolic confrontation between capitalism and socialism, and it arguably demonstrates Priestley's socialist political criticism of the perceived selfishness and moral hypocrisy of
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Sheila
Birling is the daughter of Arthur and Sybil Birling, and the older sister of Eric. Sheila begins as a naive and self-centred young woman, but becomes the most sympathetic member of the group over the course of the play, revealing insecurity about her appearance, showing remorse for her part in
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Birling's greatest worry is the scandal that will arise from Eric's theft of his firm's money, which will come out at the inquest. The family begin to question if "Goole" was a real police inspector. Gerald returns, and reveals that he had met a police sergeant he knew, who did not know of any police
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Eric enters, and after brief questioning from Goole, breaks down and admits responsibility for the pregnancy: he had forced himself on Smith after a drinking spree at the Palace Bar. After finding out that Smith was pregnant, Eric stole £50 (some £7,300 in 2023) from his father's business to support
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Sybil
Birling, "a rather cold woman" of about fifty, is Arthur's wife, from a higher social class than his. As the leader of a charitable organisation, she assumes a social and moral superiority over Inspector Goole, whose questioning style she frequently describes as "impertinent" and "offensive".
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man in his middle fifties". He represents the ruling capitalist class, repeatedly describing himself with pride as a "hard-headed businessman", and is arguably the main subject of
Priestley's social critique. Dominant, arrogant, self-centred, and morally blind, he shows his stubbornness by refusing
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The
Inspector turns his attention to Sybil, a patron of a charity that helps women in difficult situations, which Smith (by then pregnant and destitute) had turned to for help, using the name "Mrs. Birling". Sybil, seeing this as impertinence, convinced the committee to deny her a grant. She argued
171:, magistrate and local politician, celebrates his daughter Sheila's engagement to a rival magnate's son, Gerald Croft. Also present are Birling's wife Sybil and their son Eric (whose drinking problem the family discreetly ignores). After dinner, Sheila and Sybil leave the dining room to go into the
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Apparently a police inspector, sent to investigate a suicide. He seems to be familiar with every detail of the case already, interrogating the family solely to expose their guilt rather than to discover unknown information. Many critics and audiences have interpreted Goole's role as that of an
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Gerald and the older Birlings celebrate in relief, but Eric and Sheila continue to rue their own and the others' actions. The phone rings: it is the police, who tell Birling that a young woman has just died on her way to the infirmary in a suspected suicide, and that a policeman is on his way to
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Sheila (having been sent by her mother to bring Birling, Eric and Gerald to the drawing room) is shown a photograph of Smith. She explains that once, when she was out shopping with her mother, Sheila saw a dress she liked and tried it on, even though her mother and an assistant thought it wasn't
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The son of Sir George and Lady Croft of Crofts Limited, a friendly competitor of Birling and Company, and the fiancé of Sheila. The revelation of Gerald's affair with Eva puts an end to the engagement, though Sheila commends him for his truthfulness and for his initial compassion towards Smith.
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Sybil enters the dining room. The Inspector mentions that Smith subsequently used the name Daisy Renton. Gerald is noticeably startled, and admits to having met a woman of that name in the Palace Bar, where Smith had resorted to prostitution to sustain herself. Seeing that Smith was hungry and
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Goole produces a photograph of Smith and shows it to Birling, who acknowledges that she worked in one of his factories. He admits to having dismissed her for leading strike action, with most of the female workers demanding equal pay to males. Despite admitting that he left Smith without a job,
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Goole, who explains that earlier that day he had seen the dead body of a young woman named Eva Smith, who had died by drinking disinfectant. He has been given the "duty" of investigating her death and the Birlings' involvement in it. He has seen her diary, which mentions members of the Birling
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in September 1992. Daldry's concept was to reference two eras: the 1945 post-war era, when the play was written, and the ostensible historical setting for the work in pre-war 1912; this emphasised the way the character Goole was observing, and deploring, the Birling family's behaviour from
155:, the play has also been hailed as a scathing criticism of the hypocrisies of Victorian and Edwardian English society and as an expression of Priestley's socialist political principles. The play is notable amongst students as many British schools study it as a prescribed text for the
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Like her husband, she refuses to accept responsibility for the death of Eva Smith and is more concerned with maintaining the family's reputation, even going so far as to lie and deny that she recognises Smith's picture. She derides women like Eva as immoral, dishonest, and greedy.
242:". It is suggested in the final scene that a real investigation will follow Goole's, and his purpose has been to warn the family in advance and encourage them to accept responsibility for their wrongdoing. The inspector is the drive for Priestley's socialist views within the play.
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285:" character with a drinking habit, who forced himself on Eva and made her pregnant. He is distanced from the rest of the family and feels he cannot talk to them about his problems. With his sister, he repents of, and accepts responsibility for, the way he treated Eva.
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The (deceased) young woman who represents the working class in a capitalist society. She is described as young and pretty, with dark eyes. Her parents were dead, and she had no one to turn to when she was unable to support herself through honest employment.
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in London the following year. It is one of Priestley's best-known works for the stage and is considered to be one of the classics of mid-20th century English theatre. The play's success and reputation were boosted by a successful revival by English director
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and Leningrad's Comedy Theatre), as a suitable British venue could not be found. Priestley had written the play in a single week and all Britain's theatres had already been booked for the season. The play had its first British production in 1946 at the
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The play is a three-act drama which takes place on a single night on 5 April 1912. The play focuses on the prosperous upper-middle-class Birling family, who live in a comfortable home in the fictional town of Brumley, "an industrial city in the
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Another production opened on 25 October 1995 at the Garrick Theatre and ran for six years until its transfer to the Playhouse Theatre in 2001. In 2009 it reopened at the Novello Theatre for a year-long run, followed by another transfer to
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340:. It has been read as a parable about the destruction of Victorian social values and the disintegration of pre-World War I English society, and Goole's final speech has been interpreted variously as a quasi-Christian vision of
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question the family. The Inspector's identity is left unexplained, but it is clear that the family's confessions over the course of the evening have all been true, and that public disgrace will soon befall them.
151:". The family is visited by a man calling himself Inspector Goole, who questions the family about the suicide of a working-class woman in her mid-twenties. Long considered part of the repertory of classic
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Highly successful after its first and subsequent London productions, the play is now considered one of Priestley's greatest works, and it has been the subject of a variety of critical interpretations.
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in November 2016, with Liam Brennan in the name part. Brennan once again starred as Inspector Goole in a 2022 tour of the UK billed as the production's Thirtieth Anniversary Tour.
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After the new wave of social realist theatre in the 1950s and 1960s, the play fell out of fashion and was dismissed as an example of outdated
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Sheila recognises a picture of Eva presented by the Inspector, as Gerald looks on. A 2012 production by OVO theatre company,
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the middle class family was at the centre of much of Priestley's work ... most clearly perhaps in 'An Inspector Calls'.
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The play is set in 1912, at the Birlings' large home in the industrial town of Brumley. Arthur Birling, a wealthy
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Eric Birling is the son of Arthur and Sybil Birling and the younger brother of Sheila. Eric is presented as a "
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Gale, Maggie (2004). "Theatre and drama between the wars". In Nicholls, Peter; Marcus, Laura (eds.).
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The Stephen Daldry production went on a tour of the UK in 2011 and continued to tour into 2020, with
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on 21 October 1947 and ran for 95 performances until 10 January 1948. The production was staged by
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on 14 April then transferred to London's Westminster Theatre on 13 May 1987. The cast included
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and Liam Brennan among the actors playing Inspector Goole. The production returned to the
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The evening is interrupted when the maid announces the arrival of a man calling himself
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1460:"An Inspector Calls (lost television adaptation of play; 1948) – The Lost Media Wiki"
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787:"J B Priestley's scrapbook containing programmes and reviews for An Inspector Calls"
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The play has been adapted to film or television at least eleven times, including:
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1257:"An Inspector Calls review – Stephen Daldry helps make the case for justice"
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and produced by Courtney Burr and Lassor H. Grosberg. The cast included
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100 Objects from Special Collections at the University of Bradford
961:"An Inspector Calls Context Notes – Learn GCSE English Literature"
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The Twelve Seasons of the Edinburgh Gateway Company, 1953 – 1965
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881:. Cambridge, England: Cambridge University Press. p. 328.
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The Oxford companion to twentieth-century literature in English
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The play was produced and performed at the Ferdowsi Theatre in
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was first performed in 1945 in two Russian theatres (Moscow's
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The Cambridge history of twentieth-century English literature
1435:"An Inspector Calls at Novello Theatre and others 2009–2010"
1092:
The Theatre Book of the Year: A Record and an Interpretation
1012:. Yorkshire, England: University of Bradford. 15 June 2011.
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A 1948 British television film, produced by Harold Clayton
461:, Manchester, with Geraldine Alexander as Sheila Birling,
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played Inspector Goole in a 1987 production directed by
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as Arthur Birling, Marian Spencer as Sybil Birling and
994:. Vol. III. London: Heinemann. pp. xii–xiii.
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They Walk in the City: The Lovers in the Stone Forest
1006:"Remember Eva Smith: The Inspector's Russian Journey"
856:(1992 ed.). London: Heinemann. pp. xi–xiv.
1169:"An Inspector Calls at Theatr Clwyd and others 1987"
1036:"For Students and Teachers | jbpriestleysociety.com"
937:. England: englishmadesimple.org. 15 November 2020.
824:. Oxford, England: Oxford University Press. p.
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This article is about the play. For other uses, see
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1194:"An Inspector Calls at Lyttelton Theatre 1992–1993"
324:. Following several successful revivals (including
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2514:Drama Desk Award for Outstanding Revival of a Play
1090:Nathan, George Jean (1948). "An Inspector Calls".
817:
757:"An Inspector Calls – Context and Political Views"
525:Drama Desk Award for Outstanding Revival of a Play
1410:"An Inspector Calls at Garrick Theatre 1995–2001"
539:) on 27 April 1994 and played 454 performances.
187:Birling denies any responsibility for her death.
711:1994 Drama Desk Award for Best Revival of a Play
573:in December 2009, running for only four months.
1144:"An Inspector Calls at The Royal Exchange 1986"
1106:"An Inspector Calls at Booth Theatre 1947–1948"
523:Priestley's own cultural viewpoint. It won the
442:in the late 1940s, based on the translation by
1094:. New York: Alfred A. Knopf. pp. 113–115.
687:A 2018 British film, directed by Jason Farries
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8:
852:Priestley, J. B. (1947). Bezant, Tim (ed.).
706:1993 Laurence Olivier Award for Best Revival
399:The first Broadway production opened at the
613:, directed by A. Proshkin and L. Ishimbaeva
479:and designed by Daphne Dare that opened at
446:. It was staged in the first season of the
250:Arthur Birling is "a heavy-looking, rather
143:in 1992 and a tour of the UK in 2011–2012.
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714:1994 Tony Award for Best Revival of a Play
506:A revival of the play by British director
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992:Introduction to the Plays of J.B.Priestly
1066:"An Inspector Calls at New Theatre 1946"
854:An Inspector Calls: A Play in Three Acts
847:
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727:An Inspector Calls: A Play in Three Acts
2825:Laurence Olivier Award for Best Revival
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1286:Morley, Sheridan (25 September 1992).
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535:opened at the Royale Theatre (now the
3104:Tony Award for Best Revival of a Play
1390:from the original on 8 September 2019
729:(First ed.). London: Heinemann.
320:, but it became a staple of regional
53:First edition (1947) with dust jacket
7:
3416:Laurence Olivier Award-winning plays
1330:from the original on 26 October 2016
1267:from the original on 7 February 2018
1233:from the original on 8 February 2018
971:from the original on 5 December 2019
941:from the original on 7 February 2023
931:"Inspector Goole Character Analysis"
1300:from the original on 5 October 2015
1133:, St. Giles Press, Edinburgh, p. 44
1016:from the original on 7 October 2015
767:from the original on 8 October 2018
32:An Inspector Calls (disambiguation)
1360:from the original on 11 April 2012
1129:Edinburgh Gateway Company (1965),
761:OxNotes – English Literature Notes
25:
1255:Gardner, Lyn (13 November 2016).
797:from the original on 21 June 2021
3391:British plays adapted into films
1505:An Inspector Calls
1488:
1046:from the original on 18 May 2017
631:A 1982 British television serial
3277:Who's Afraid of Virginia Woolf?
3172:One Flew Over the Cuckoo's Nest
2698:Who's Afraid of Virginia Woolf?
3401:Drama Desk Award-winning plays
990:Priestley, J. B. (1950).
679:A 2015 British television film
348:and as a socialist manifesto.
1:
3188:Long Day's Journey into Night
2977:Long Day's Journey into Night
2612:Long Day's Journey into Night
633:, directed by Michael Simpson
457:directed a production at the
302:Edna is the Birlings' maid.
122:written by English dramatist
1738:Sir Michael & Sir George
1223:"Revisiting Inspector Calls"
306:Reception and interpretation
27:1945 play by J. B. Priestley
1813:The Town Major of Miracourt
328:'s 1992 production for the
159:English Literature course.
3442:
1621:(1932 with Gerald Bullett)
1510:Internet Broadway Database
1324:Internet Broadway Database
1040:www.jbpriestleysociety.com
627:, directed by Bruno Kaspar
29:
3110:
2520:
2480:
1706:Low Notes on a High Level
1380:"An Inspector Calls cast"
906:"Modern texts and poetry"
725:Priestley, J. B. (1947).
620:, directed by A. Proshkin
448:Edinburgh Gateway Company
126:, first performed in the
46:
3421:Tony Award-winning plays
3406:Plays by J. B. Priestley
3052:A Streetcar Named Desire
3001:Ma Rainey's Black Bottom
2905:Mourning Becomes Electra
2130:Mr. Kettle and Mrs. Moon
1618:I'll Tell You Everything
1589:(1929 with Hugh Walpole)
1354:www.aninspectorcalls.com
816:Stringer, Jenny (1996).
763:. England: OxNotes.com.
2342:Film and TV adaptations
2315:Over The Long High Wall
2283:British Women Go To War
1954:Mystery of Greenfingers
1938:I Have Been Here Before
1823:Short story collections
1439:www.abouttheartists.com
1414:www.abouttheartists.com
1198:www.abouttheartists.com
1173:www.abouttheartists.com
1148:www.abouttheartists.com
1110:www.abouttheartists.com
1070:www.abouttheartists.com
662:directed by Saron Dutta
3301:A View from the Bridge
3148:A View from the Bridge
2993:A View from the Bridge
2765:How I Learned to Drive
2722:A View from the Bridge
2668:A View from the Bridge
2566:A View from the Bridge
2259:Midnight on the Desert
1674:Three Men in New Suits
698:Awards and nominations
550:
537:Bernard Jacobs Theatre
493:Charlotte Attenborough
220:Eva Smith/Daisy Renton
2953:Cat on a Hot Tin Roof
2267:We Live In Two Worlds
2157:The Chapman of Rhymes
2018:How Are They at Home?
1922:Bees on the Boat Deck
1722:Saturn Over the Water
1698:Festival at Farbridge
1221:(23 September 2009).
965:OxNotes GCSE Revision
692:Yvonne Arnaud Theatre
666:A 2015 Hong Kong film
656:A 2010 Bengali film,
650:radio play, starring
640:radio play, starring
597:A 1965 Bengali film,
545:
318:"drawing room" dramas
3325:The Boys in the Band
3245:The Norman Conquests
2660:The Norman Conquests
2402:(1966 sci-fi series)
2334:(1977 autobiography)
2331:Instead Of The Trees
2323:Particular Pleasures
2294:(1962 autobiography)
2278:(1939 autobiography)
2262:(1937 autobiography)
2243:Self-selected Essays
2227:Papers from Lilliput
1930:Time and the Conways
1666:Daylight on Saturday
1350:"An Inspector Calls"
1320:"An Inspector Calls"
1288:"Stop messing about"
616:A 1979 Soviet film,
609:A 1973 Soviet film,
499:as Gerald Croft and
469:as Inspector Goole.
465:as Eric Birling and
435:as Inspector Goole.
431:as Eric Birling and
380:as Inspector Goole,
153:drawing-room theatre
3285:A Raisin in the Sun
3269:Death of a Salesman
3213:Glengarry Glen Ross
3156:Death of a Salesman
2746:The Waverly Gallery
2690:Death of a Salesman
2574:Death of a Salesman
2382:The Good Companions
2358:The Good Companions
2114:Treasure on Pelican
2034:Ever Since Paradise
2002:They Came to a City
1978:Johnson Over Jordan
1970:When We Are Married
1866:The Good Companions
1762:It's an Old Country
1730:The Shapes of Sleep
1658:Blackout in Gretley
1650:Let the People Sing
1594:The Good Companions
935:English Made Simple
791:The British Library
690:A 2022 play at the
623:A 1983 Swiss film,
589:A 1954 British film
495:as Sheila Birling,
491:as Arthur Birling,
419:as Sheila Birling,
411:as Arthur Birling,
388:as Sheila Birling,
130:in 1945 and at the
3411:Off-Broadway plays
3198:(a combination of
3132:A Delicate Balance
3116:An Inspector Calls
3039:No Ceremony (2021)
3033:Cyrano de Bergerac
2856:An Inspector Calls
2550:A Delicate Balance
2534:An Inspector Calls
2474:An Inspector Calls
2431:An Inspector Calls
2415:An Inspector Calls
2398:Out of the Unknown
2390:The Old Dark House
2366:An Inspector Calls
2350:The Old Dark House
2275:Rain Upon Godshill
2270:(1937 documentary)
2122:The White Countess
2074:Summer Day's Dream
2050:The Rose and Crown
2026:An Inspector Calls
1994:Goodnight Children
1914:Duet in Floodlight
1839:The Carfitt Crisis
1794:Found, Lost, Found
1384:An Inspector Calls
1219:Woodeson, Nicholas
625:E Inspäkter chunnt
551:
487:as Sybil Birling,
423:as Sybil Birling,
365:An Inspector Calls
115:An Inspector Calls
42:An Inspector Calls
18:Mr. Arthur Birling
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1570:Adam in Moonshine
1464:lostmediawiki.com
835:978-0-19-212271-1
659:Thana Theke Aschi
638:BBC World Service
600:Thana Theke Aschi
571:Wyndham's Theatre
520:Lyttelton Theatre
503:as Eric Birling.
415:as Gerald Croft,
396:as Eric Birling.
386:Margaret Leighton
384:as Gerald Croft,
322:repertory theatre
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88:Original language
16:(Redirected from
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2409:(1967 TV series)
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1986:The Long Mirror
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413:John Buckmaster
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390:Julien Mitchell
376:in London with
369:Kamerny Theatre
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1496:Theatre portal
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1482:External links
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1296:. p. 53.
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508:Stephen Daldry
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459:Royal Exchange
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3180:Private Lives
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2423:Lost Empires
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1519:GCSE English
1504:
1469:16 September
1467:. Retrieved
1463:
1454:
1442:. Retrieved
1438:
1429:
1417:. Retrieved
1413:
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1291:
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1261:The Guardian
1260:
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801:29 September
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769:. Retrieved
760:
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670:Raymond Wong
657:
624:
617:
610:
598:
593:Guy Hamilton
580:
567:
561:in London's
552:
533:Philip Bosco
505:
481:Theatr Clwyd
471:
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444:Bozorg Alavi
437:
398:
364:
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350:
312:
309:
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289:Gerald Croft
283:Jack the Lad
280:
277:Eric Birling
271:
262:
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232:
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209:
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197:
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189:
185:
177:
173:drawing room
166:
145:
128:Soviet Union
118:is a modern
114:
113:
112:
36:
3357:Appropriate
3341:Take Me Out
3124:The Heiress
2897:Uncle Vanya
2781:Appropriate
2542:The Heiress
2472:Awards for
2433:(2015 film)
2417:(1982 film)
2392:(1963 film)
2384:(1957 film)
2368:(1954 film)
2360:(1933 film)
2352:(1932 film)
2211:Non-fiction
2184:Jamaica Inn
2168:Screenplays
1778:Out Of Town
1626:Wonder Hero
648:BBC Radio 4
577:Adaptations
555:Tom Mannion
501:Adam Godley
421:Doris Lloyd
374:New Theatre
360:Productions
132:New Theatre
72:6 July 1945
3386:1945 plays
3380:Categories
2937:Saint Joan
2457:(daughter)
2235:Open House
1858:Time Plays
1770:London End
1682:Bright Day
1444:20 January
1419:20 January
1394:5 February
1334:26 October
1271:7 February
1237:7 February
1203:20 January
1178:20 January
1153:20 January
1115:20 January
1075:20 January
975:8 December
945:29 October
743:References
674:Herman Yau
652:Toby Jones
477:Peter Dews
463:Hugh Grant
252:portentous
215:Characters
59:Written by
3336:(2020/21)
2832:1991–2000
1906:Cornelius
1578:Benighted
1304:4 October
1020:4 October
771:8 October
605:Hiren Nag
559:Playhouse
548:St Albans
473:Tom Baker
450:in 1953.
427:as Edna,
346:judgement
315:bourgeois
236:homophone
183:family.
180:Inspector
3293:Skylight
3195:Henry IV
2864:Machinal
2840:Pericles
2620:Henry IV
1890:Eden End
1815:" (1930)
1388:Archived
1358:Archived
1328:Archived
1298:Archived
1265:Archived
1231:Archived
1044:Archived
1014:Archived
969:Archived
939:Archived
795:Archived
765:Archived
735:59564726
719:Editions
642:Bob Peck
563:West End
453:In 1986
417:Rene Ray
163:Synopsis
139:for the
2442:Related
1786:Snoggle
1610:Faraway
1508:at the
1364:9 April
915:4 March
646:A 2010
636:A 1998
611:He came
104:Setting
91:English
3360:(2024)
3352:(2023)
3344:(2022)
3328:(2019)
3320:(2018)
3312:(2017)
3309:Jitney
3304:(2016)
3296:(2015)
3288:(2014)
3280:(2013)
3272:(2012)
3264:(2011)
3256:(2010)
3253:Fences
3248:(2009)
3240:(2008)
3232:(2007)
3224:(2006)
3216:(2005)
3208:(2004)
3204:Part 2
3200:Part 1
3191:(2003)
3183:(2002)
3175:(2001)
3167:(2000)
3159:(1999)
3151:(1998)
3143:(1997)
3135:(1996)
3127:(1995)
3119:(1994)
3063:(2024)
3055:(2023)
3047:(2022)
3036:(2020)
3028:(2019)
3020:(2018)
3012:(2017)
3004:(2016)
2996:(2015)
2988:(2014)
2985:Ghosts
2980:(2013)
2972:(2012)
2964:(2011)
2956:(2010)
2948:(2009)
2940:(2008)
2932:(2007)
2924:(2006)
2916:(2005)
2913:Hamlet
2908:(2004)
2900:(2003)
2875:(1995)
2867:(1994)
2859:(1993)
2851:(1992)
2843:(1991)
2784:(2024)
2776:(2023)
2768:(2022)
2757:(2020)
2749:(2019)
2741:(2018)
2733:(2017)
2730:Jitney
2725:(2016)
2717:(2015)
2709:(2014)
2701:(2013)
2693:(2012)
2685:(2011)
2677:(2010)
2674:Fences
2663:(2009)
2655:(2008)
2647:(2007)
2639:(2006)
2631:(2005)
2623:(2004)
2615:(2003)
2607:(2002)
2599:(2001)
2591:(2000)
2583:(1999)
2569:(1998)
2561:(1997)
2553:(1996)
2545:(1995)
2537:(1994)
2529:(1993)
2426:(1986)
2326:(1975)
2318:(1972)
2310:(1970)
2302:(1964)
2286:(1943)
2254:(1934)
2246:(1932)
2238:(1927)
2230:(1922)
2222:(1922)
2203:(1950)
2195:(1940)
2187:(1939)
2179:(1934)
2160:(1918)
2149:Poetry
2141:(1957)
2133:(1955)
2125:(1954)
2117:(1953)
2109:(1953)
2101:(1953)
2093:(1952)
2085:(1950)
2077:(1949)
2069:(1948)
2061:(1947)
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2045:(1947)
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2021:(1944)
2013:(1944)
2005:(1943)
1997:(1942)
1989:(1940)
1981:(1939)
1973:(1938)
1965:(1938)
1957:(1937)
1949:(1937)
1941:(1937)
1933:(1937)
1925:(1936)
1917:(1935)
1909:(1935)
1901:(1934)
1893:(1934)
1885:(1932)
1877:(1932)
1869:(1931)
1860:series
1842:(1974)
1834:(1953)
1797:(1976)
1789:(1971)
1781:(1968)
1773:(1968)
1765:(1967)
1757:(1966)
1749:(1965)
1741:(1964)
1733:(1962)
1725:(1961)
1717:(1954)
1709:(1954)
1701:(1951)
1693:(1947)
1685:(1946)
1677:(1945)
1669:(1943)
1661:(1942)
1653:(1939)
1645:(1938)
1637:(1936)
1629:(1933)
1613:(1932)
1605:(1930)
1597:(1929)
1581:(1927)
1573:(1927)
1562:Novels
1050:25 May
885:
860:
832:
733:
703:Awards
81:Moscow
3060:Vanya
3009:Yerma
1850:Plays
338:Ibsen
240:ghoul
99:Drama
96:Genre
3202:and
1471:2023
1446:2023
1421:2023
1396:2020
1366:2012
1336:2016
1306:2015
1273:2018
1239:2018
1205:2023
1180:2023
1155:2023
1117:2023
1077:2023
1052:2017
1022:2015
977:2019
947:2022
917:2024
883:ISBN
858:ISBN
830:ISBN
803:2019
773:2018
731:OCLC
672:and
440:Iran
344:and
342:hell
336:and
334:Shaw
298:Edna
157:GCSE
1517:in
826:330
518:'s
3382::
2894:/
2671:/
2577:/
1462:.
1437:.
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1259:.
1247:^
1229:.
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1038:.
1008:.
967:.
963:.
933:.
908:.
891:.
844:^
828:.
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1024:.
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866:.
838:.
805:.
775:.
737:.
34:.
20:)
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