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that
Dempster is often drunkenly abusive to her, which drives her to drink as well. One night her husband turns her out of the house; she takes refuge with a neighbour. There, she recalls an encounter she had once had with Mr Tryan at the sickbed of a member of his flock, during which she had been struck both by his suffering and by his compassion, and this memory prompts her to ask him if he might come to see her. He visits her and encourages her in her struggle against her dependence on alcohol and in her religious conversion. Shortly afterwards, Robert Dempster is thrown from his gig and seriously injured. Upon discovering what has happened, Janet, forgiving him, returns to her home and nurses him throughout his subsequent illness, until he dies a few weeks later. Tryan continues to guide Janet toward redemption and self-sufficiency following the death of her husband. She, in turn, persuades him to move out of his inhospitable accommodation and into a house that she has inherited. It is hinted that a romantic relationship might subsequently develop between the two. His unselfish devotion to his needy parishioners has taken its toll on his health, however; he succumbs to
432:, and Barton is plunged into sadness at the loss. Barton's parishioners, who were so unsympathetic to him as their minister, support him and his family in their grief: "There were men and women standing in that churchyard who had bandied vulgar jests about their pastor, and who had lightly charged him with sin, but now, when they saw him following the coffin, pale and haggard, he was consecrated anew by his great sorrow, and they looked at him with respectful pity". Just as Barton is beginning to come to terms with Milly's death, he gets more bad news: the vicar, Mr. Carpe, will be taking over at Shepperton church; Barton is given six months' notice to leave. He has no choice but to comply, but is disheartened, having at last won the sympathies of the parishioners. Barton believes that the request was unfair, knowing that the vicar's brother-in-law is in search of a new parish in which to work. However, he resigns himself to the move and at length obtains a living in a distant manufacturing town.
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of these stories, I have never seen the like of; and they have impressed me in a manner that I should find it very difficult to describe to you. if I had the impertinence to try. In addressing these few words of thankfulness to the creator of the Sad
Fortunes of the Rev. Amos Barton, and the sad love-story of Mr. Gilfil, I am (I presume) bound to adopt the name that it pleases that excellent writer to assume. I can suggest no better one: but I should have been strongly disposed, if I had been left to my own devices, to address the said writer as a woman. I have observed what seemed to me such womanly touches in those moving fictions, that the assurance on the title-page is insufficient to satisfy me even now. If they originated with no woman, I believe that no man ever before had the art of making himself mentally so like a woman since the world began.
532:"Amos Barton" focuses on a figure who singularly fails to live out the religion he professes, but becomes an image of Christ through his suffering and grief, and, through his trials rather than through his successes, at last wins the love of his flock. In "Janet's Repentance", "Tryan, dying of tuberculosis at the age of thirty-three, is even more overtly an image of Christ than Amos Barton, embodying as well as preaching the gospel of forgiveness and redemption." Mr Gilfil in his later years also practises a doctrinally indistinct but none the less generous and kindly Christian lifestyle, demonstrating his beliefs through his actions rather than through any overt exposition of faith.
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252:, on 6 November 1856. At first it appeared anonymously, at Lewes' insistence. "I am not at liberty to reveal the veil of anonymity β even as regards social position. Be pleased, therefore, to keep the whole secret." Public and professional curiosity was not to be suppressed, however, and on 5 February 1857 the author's 'identity' was revealed to Blackwood's: "Whatever may be the success of my stories, I shall be resolute in preserving my incognito ... and accordingly I subscribe myself, best and most sympathising of editors, Yours very truly George Eliot."
760:: one contemporary review noted approvingly that "the fictitious element is securely based upon a broad groundwork of actual truth, truth as well in detail as in general". Due to its subject matter, it was widely assumed to be the work of a real-life country parson; one such even attempted to take the credit. Popular opinion in Eliot's home town attributed the work to a Mr Joseph Liggins, who attempted ineffectually to deny the rumours, and eventually accepted the undeserved celebrity. George Eliot's "identity" was revealed in a letter to
287:. Likewise, "Janet's Repentance" was largely based on events that took place in Nuneaton when the young Mary Anne Evans was at school, and which were recounted to her by her friend and mentor Maria Lewis. Mr Tryan is an idealised version of the evangelical curate John Edmund Jones, who died when Evans was aged twelve; the Dempsters seem to have been based on the lawyer J. W. Buchanan and his wife Nancy. Tryan's main area of concern, Paddiford Common, "hardly recognisable as a common at all", is similarly based on a real-life location,
645:β formerly the ward of Sir Christopher Cheverel, and subsequently curate of Shepperton, he is at the time the story takes place chaplain at Cheverel Manor. He is a tall, strong young man, devoted to Tina. "His healthy open face and robust limbs were after an excellent pattern for everyday wear". (By the time he appears at the beginning of "The Sad Fortunes of the Reverend Amos Barton" he has become "an excellent old gentleman, who smoked very long pipes and preached very short sermons".)
599:. She lives with a man who is popularly thought to be her lover, but is in fact her half-brother. Following this man's marriage (to Alice her maid) she asks the Bartons to be allowed to stay for a few weeks. This becomes months and the parishioners suspect that she is Mr Barton's mistress. She appears not to be concerned either by the damage she is inflicting on Barton's reputation, or about the increased strain she is putting on the household finances and, by extension, Milly.
651:β a young girl of Italian parentage, but brought up in England by the childless Sir Christopher and Lady Cheverel. Her mother and siblings died in an epidemic; her father copied music for a living until his death. Having had a commission from Lady Cheverel, he entrusted his daughter to her. She is a passionate creature, feeling joy and grief intensely. In appearance, she is small and dark, and Sir Christopher often calls her his "black-eyed monkey".
1714:"The Cheverels of Cheverel manor β by Lady Newdigate-Newdegate author of 'Gossip from a Muniment Room' β With Illustrations from Family Portraits", Longmans Green & Co, 1898. see also "Cavalier and Puritan in the days of the Stuarts: compiled from the private papers and diary of Sir Richard Newdigate, second Baronet, with extracts from ms. news-letters addressed to him between 1675 and 1689", by Lady Anne Emily Garnier Newdigate-Newdegate".
453:
673:β wife of Sir Christopher, a "rather cold" woman. She has decided views about the propriety of a wife's submitting to her husband, and is somewhat disapproving of the headstrong Miss Assher as a result. "She is nearly fifty, but her complexion is still fresh and beautiful... her proud pouting lips, and her head thrown a little backward as she walks, give an expression of hauteur which is not contradicted by the cold grey eyes."
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716:β Mr Crewe is the long-established curate of Milby. Initially somewhat ridiculed by his parishioners, who laugh amongst themselves at his brown wig and his odd speaking voice, he gains support as the anti-Tryanite campaign mobilises. Mrs Crewe is old and deaf, and a great friend of Janet Dempster's. She pretends not to notice Janet's drinking problem.
692:β the recently appointed minister at the chapel of ease at Paddiford Common. He is young, but in poor health. Theologically, he is an evangelical. He explains to Janet Dempster that he entered the Church as a result of deep grief and remorse following the death of Lucy, a young woman whom he enticed to leave her home and then abandoned.
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heart condition. Tina runs away, and Gilfil and Sir
Christopher fear that she has committed suicide. However, a former employee of Sir Christopher and Lady Cheverel returns to the manor to inform them that Tina has taken refuge with him and his wife. Gilfil seeks her out, helps her recover and marries her. It is hoped that marriage and
449:
experiences as chaplain at
Cheverel Manor and his love for Caterina Sarti. Caterina, known to the family as 'Tina', is an Italian orphan and the ward of Sir Christopher and Lady Cheverel, who took her into their care following the death of her father. In 1788 she is companion to Lady Cheverel and a talented amateur singer.
698:β wife of Robert Dempster. Described as a tall woman with dark hair and eyes, she has been married for fifteen years. She has turned to alcohol as an escape from her domestic problems. Initially she is strongly "anti-Tryanite", but reassesses her judgement of the clergyman after she meets him at a parishioner's sickbed.
160:, before being released as a two-volume set by Blackwood and Sons in January 1858. The three stories are set during the last twenty years of the eighteenth century and the first half of the nineteenth century over a fifty-year period. The stories take place in and around the fictional town of Milby in the
227:, which expounded her feelings on the subject. Moreover, the choice of a religious topic for "one of the most famous agnostics in the country" would have seemed ill-advised. The adoption of a pen name also served to obscure Evans' somewhat dubious marital status (she was openly living with the married
468:
to press his suit to Miss Assher. He is then invited to the
Asshers' home, and afterwards returns to Cheverel Manor, bringing with him Miss Assher and her mother. Wybrow dies unexpectedly. Gilfil, finding a knife on Tina, fears that she has killed him, but the cause of death is in fact a pre-existing
776:
I have been so strongly affected by the two first tales in the book you have had the kindness to send me, through Messrs. Blackwood, that I hope you will excuse my writing to you to express my admiration of their extraordinary merit. The exquisite truth and delicacy both of the humour and the pathos
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would show the clergy in their 'human', rather than their 'theological' aspect. In fact, Eliot found the two aspects inseparable." Both "Mr Gilfil's Love Story" and "Janet's
Repentance" are more concerned with an important female character than the clergyman, notwithstanding the title of the former.
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at
Paddiford Common, Milbyβs residents are bitterly divided by religious differences. One party, headed by the lawyer Robert Dempster, vigorously supports the old curate, Mr Crewe; the other is equally biased in favour of the newcomer. Edgar Tryan is an evangelical, and his opponents consider him to
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was met with 'just and discerning applause', and considerable speculation as to the identity of its author. Sales were no better than satisfactory, following a first printing of 1,500 copies, but
Blackwood was none the less confident of Eliot's talent. Early reviewers deemed the writer "religious,
505:
on the part of Mr Tryan; in
Dempster's wife, Janet, however, it stems from her affection for Mr Crewe and his wife, and from her feeling that it is unkind to subject them to so much stress in their declining years. She supports her husband in a malicious campaign against Mr Tryan, despite the fact
448:
is titled "Mr. Gilfil's Love-Story" and concerns the life of a clergyman named
Maynard Gilfil. We are introduced to Mr Gilfil in his capacity as the vicar of Shepperton, 'thirty years ago' (presumably the late 1820s) but the central part of the story begins in June 1788 and concerns his youth, his
424:
Barton and Milly become acquainted with Countess Caroline Czerlaski. When the Countess' brother, with whom she lives, gets engaged to be married to her maid, she leaves home in protest. Barton and his wife accept the Countess into their home, much to the disapproval of the congregation, who assume
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and a tendency... to moralize", but affirms that "these stories are germinal for the George Eliot to come". "The emergent novelist is glimpsed in the way in which the three scenes interpenetrate to establish a densely textured, cumulative study of a particular provincial location, its beliefs and
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caused some alarm among those who β rightly or wrongly β suspected that they had been the models for the characters, few of whom are described in a flattering manner. Eliot was forced to apologise to John Gwyther, who had been the local curate in her childhood, and to whom the character of Barton
463:
Gilfil's love for Tina is not reciprocated; she is infatuated with Captain Anthony Wybrow, nephew and heir of Sir Christopher Cheverel. Sir Christopher intends Wybrow to marry a Miss Beatrice Assher, the daughter of a former sweetheart of his, and that Tina will marry Gilfil. Wybrow, aware of and
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Church, reassessing its relationship to Roman Catholicism. Thus in the early 19th century Midlands that George Eliot would later depict, various religious ideas can be identified: the tension between the Established and the Dissenting Churches, and the differing strands within Anglicanism itself,
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George Eliot moves beyond religious doctrine and examines how beliefs are expressed in action, drawing attention to a number of social issues. Amos Barton, delivering incomprehensible sermons to the inhabitants of the workhouse, can hardly afford to feed his own family. In contrast, the bachelor
435:
The story concludes twenty years later with Barton at his wife's grave with one of his daughters, Patty. In the intervening years much has changed for Barton; his children have grown up and gone their separate ways. His son Richard is particularly mentioned as having shown talent as an engineer.
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is inadequate, and he relies on the hard work of Milly, his wife, to help keep the family. Barton is new to the village and subscribes to unpopular religious ideas; not all of the congregation accept him, but he feels that it is especially important to imbue them with what he sees as orthodox
556:
Even the quasi-Gothic melodrama of "Mr Gilfil's Love Story" raises some questions about social issues, dealing as it does with class, gender, and the aristocratic patronage of the arts. Captain Wybrow's privilege (as a male of higher status) over Caterina is exposed, as is the abuse of that
578:, while other features of his belief seem more Evangelical. Either way, he is unpopular with his parishioners, being more concerned with their spiritual lives than with their practical needs. Physically, he is of nondescript appearance: "a narrow face of no particular complexion β even the
1839:
679:β daughter of an old flame of Sir Christopher's, she is intended by him to be Captain Wybrow's bride. A proud, beautiful woman, she feels it beneath her dignity to contend with Tina, who is considerably lower than her in terms of social status, for Captain Wybrow's affections.
595:β a glamorous neighbour of somewhat dubious reputation. She is "a little vain, a little ambitious, a little selfish, a little shallow, and frivolous, a little given to white lies". She is thought to be an impostor, but she really is a widow of an emigrant
219:, "George Eliot". Her reasons for so doing are complex. While it was common for women to publish fiction under their own names, "lady novelists" had a reputation with which Evans did not care to be associated. In 1856 she had published an essay in the
661:, but selfish and shallow. He suffers from "palpitations". Having encouraged Tina's affections, he feels them to be a "nuisance" once he is engaged to Miss Assher, and cannot understand why the two women find it difficult to get on with each other.
657:β nephew and heir of Sir Christopher, who has gone to considerable trouble and expense to ensure that the estate will pass to Wybrow, rather than his mother, Sir Christopher's sister. He is an extremely good-looking young man, compared by Eliot to
373:
in 1739 presented particular challenges to the Established Church. Evangelicalism, at first confined to the Dissenting Churches, soon found adherents within the Church of England itself. Meanwhile, at the other end of the religious spectrum, the
557:
privilege. Similarly, Sir Christopher's autocratic sway over his household and his estate is questioned: while his wishes for Maynard Gilfil and Caterina are ultimately fulfilled, it is at the expense of his dearer project, the inheritance.
473:, combined with Gilfil's love for her, which she now reciprocates, will endue her with a new zest for life. However, she dies in childbirth soon afterwards, leaving the curate to live out the rest of his life alone and to die a lonely man.
667:β "as fine a specimen of the old English gentleman as could well have been found in those days of cocked hats and pigtails", the Baronet. He is somewhat autocratic, but good-natured and affectionate towards his family and household.
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her to be his mistress. The Countess becomes a burden on the already stretched family, accepting their hospitality and contributing little herself. With Milly pregnant and ill, the children's nurse convinces the Countess to leave.
589:β Amos' wife. Long-suffering, loving and patient, she represents all the virtues that Barton lacks himself. A "large, fair gentle Madonna", she works hard with mending and housework to sustain the family on their limited income.
704:β a lawyer of Milby. He is widely acknowledged as a skilled attorney, albeit not necessarily completely honest in his dealings. He drinks to excess and, when drunk, is given to abusing his wife, both verbally and physically.
150:'s first published work of fiction, is an 1858 collection of three short stories, published in book form; it was the first of her works to be released under her famous pseudonym. The stories were first published in
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that has attacked it seems to have been of a mongrel, indefinite kind β with features of no particular shape, and an eye of no particular expression... surmounted by a slope of baldness gently rising from brow to
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was issued by Lady Newdigate-Newdegate In this book, the letters written by Lady Hester Margaretta Mundy Newdigate to her husband Sir Roger Newdigate are compiled and commented that had inspired Eliot's
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has been reprinted in book form several times since 1858, including five editions within Eliot's lifetime. The three stories were released separately by Hesperus Press over the years 2003 to 2007. A
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is also unusual: a "perspective on female alcoholism unmitigated by maternalism, poverty or wandering husbands necessary to a credibly sympathetic presentation of a "respectable" female alcoholic".
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and refused to take a position as governess in a Nonconformist household. This distinction is important; during the nineteenth century it had significant implications for class and status. The
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domestic violence. "Its hallmarks are male aggression, female passivity and lack of self-esteem, and the wilful inaction of the surrounding community." (Lawson) The treatment of the heroine's
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of Shepperton, a village near Milby. A pious man, but "sadly unsuited to the practice of his profession", Barton attempts to ensure that his congregation remains firmly within the care of the
350:
is sympathetic to the Church and its ministers, however; Eliot "was too secure in her own naturalistic ethics to need to become crudely anti-religious. What she demanded was a freedom from
369:, religion in England was undergoing significant changes. While Dissenting (Nonconformist) Churches had been established as early as the Church of England itself, the emergence of
574:β curate of the parish of Shepperton following the death of Mr Gilfil (see below). His theology is complex; his emphasis on the authority of the Church appears to be derived from
338:, including Tryan, are portrayed as being members of it.) By 1842 she had become agnostic, refusing to attend church with her father. Her friendship with Charles and Cara Bray,
710:β Janet's mother. She subscribes to no particular religious doctrine, believing that she can find all the spiritual support that she needs through her own study of the Bible.
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of her youth in the 1830s and her crisis of faith and search for a secular alternative to Christianity in the 1840s". (During her evangelical phase, she was an evangelical
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compliant to his uncle's intentions, nonetheless continues to flirt with Tina, causing her to fall deeply in love with him. This continues until Wybrow goes to
196:
In 1856, Marian (or Mary Ann) Evans was, at the age of 36, already a renowned figure in Victorian intellectual circles, having contributed numerous articles to
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George Eliot's intellectual journey to agnosticism had been circuitous, taking in "the easygoing Anglicanism of her family in the 1820s... the severe
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clergyman, but is not necessarily centred upon him. Eliot examines, among other things, the effects of religious reform and the tension between the
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789:, her style and manner as a novelist were still in the making". Ewen detects "an obvious awkwardness in the handling of the materials of the
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of Chilvers Coton, whose wife was an intimate friend of the young Mary Ann Evans' mother, became the story of
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Edgar Tryan embraces a life of poverty through choice, so that he can relate to his poorer parishioners.
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has been interpreted mainly in relation to Eliot's later works. It has been claimed that "in
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wrote to Eliot to express his approval of the book, and was among the first to suggest that
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632:. With the exception of the eldest two, they are not distinctively characterised.
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1936:
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527:, but is not always the explicit focus. "Lewes had promised Blackwood that the
279:, is recognisably that at Chilvers Coton. Further, the scandal attached to the
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set in the town of Milby itself. After Reverend Mr Tryanβs appointment to the
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enjoyed a unique position as the established church, and all the clergymen in
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was seeking to emphasise the Church of England's identity as a catholic and
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459:, where Eliot's father was estate manager, and the model for Cheverel Manor
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It was largely due to the persuasion and influence of Lewes that the three
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Gray, Donald. 'George Eliot and her publishers' in ed. Levine, George.
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The Marked Body: Domestic Violence in Mid-Nineteenth-Century Literature
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Bodenheimer, Rosemarie. 'A Woman of Many Names' in ed. Levine, George.
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The Marked Body: Domestic Violence in Mid-Nineteenth-Century Literature
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presents, unusually for the nineteenth century, a realist depiction of
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The Cambridge History of English and American Literature in 18 Volumes
1920:
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George Eliot: A Critical Study of her Life, Writings and Philosophy
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The Library of Literary Criticism of English and American Authors
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be no better than a dissenter. Opposition is based variously in
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1519:. Cambridge: Cambridge University Press, 2001. pp. 186β187.
756:] knowledge of the human heart". It was praised for its
1247:"The Sage of Unbelief: George Eliot and Unorthodox Choices"
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George Eliot's life as related in her letters and journals
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without cant or intolerance" and "strong in his [
1647:
Ewen, Frederic; Jeffrey L. Wollock; Aaron Kramer (2007).
1271:
Ewen, Frederic; Jeffrey L. Wollock; Aaron Kramer (2007).
1012:"'Silly Novels by Lady Novelists': essay by George Eliot"
1784:, Estes and Lauriat, 1894. Scanned illustrated book via
275:
became Milby. Shepperton Church, described in detail in
215:. For her first foray into fiction she chose to adopt a
1636:. Vol. 7. Buffalo, New York: Moulton. p. 181.
326:; Maria Lewis, her mentor during this period, was anti-
1115:
George Eliot: Her Links With Nuneaton and Warwickshire
1075:. Cambridge: Cambridge University Press, 2001. p 29.
605:β the children's nurse, fiercely protective of Milly.
358:, intolerance and inhumanity in the preachers of the
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1964:
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745:diplomatically noncommittal. However, the complete
255:For the settings of the stories, Eliot drew on her
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2063:Works originally published in Blackwood's Magazine
1826:, from the International Library of Early Journals
1813:, from the International Library of Early Journals
1800:, from the International Library of Early Journals
1608:
1532:
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1830:Mr Gilfil's Love Story at Internet Movie Database
903:"George Eliot: Review of Scenes of Clerical Life"
1224:. Oxford: Oxford University Press. p. 69.
1197:. Oxford: Oxford University Press. p. 67.
408:The titular character is the new curate of the
365:During the period that George Eliot depicts in
311:History of the Church of England β 19th Century
1539:. New Haven and London: Yale University Press.
993:. No. 66. pp. 442β61. Archived from
926:The Pub in Literature: England's Altered State
730:himself bore more than a passing resemblance.
404:"The Sad Fortunes of the Reverend Amos Barton"
1866:
566:"The Sad History of the Reverend Amos Barton"
8:
1798:The Sad Fortunes of the Reverend Amos Barton
277:The Sad Fortunes of the Reverend Amos Barton
250:The Sad Fortunes of the Reverend Amos Barton
156:over the course of the year 1857, initially
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523:The theme of religion is always present in
27:1858 short story collection by George Eliot
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1859:
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1093:. Whitefish: Kessinger. pp. 239β240.
882:
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267:became Cheverel Manor, and its owner, Sir
44:Frontispiece of 1906 Macmillan edition of
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18:Mr. Gilfil's Love Story (short story)
1439:. University of Missouri Press. pp.
737:was mixed, with Blackwood's close friend
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1388:
1134:Lawson, Kate; Shakinovsky, Lynn (2002).
954:Lawson, Kate; Shakinovsky, Lynn (2002).
203:and translated into English influential
1734:. Jennifer Gribble. New York: Penguin.
1517:The Cambridge Companion to George Eliot
1435:Fallenness in Victorian Women's Writing
1073:The Cambridge Companion to George Eliot
1062:, New York 1965: AMS Press Inc., p. 169
842:
798:Subsequent releases and interpretations
1535:George Eliot's Scenes of Clerical Life
1331:Landow, George P. (14 October 2002).
865:. The Literary Dictionary Company Ltd
428:Milly and her baby die following its
7:
1653:. New York: NYU Press. p. 457.
1502:Ward, A. W., and Waller, A. R., eds.
1277:. New York: NYU Press. p. 458.
1042:"Review: The Mystery of Amos Barton"
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772:might have been written by a woman.
497:disagreement and on a suspicion of
1615:. Michigan: T. Yoseloff. pp.
1586:. Philadelphia: Hubbard Brothers.
1040:Hughes, Kathryn (6 January 2007).
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901:Litvinoff, Adrian (11 June 2008).
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861:Uglow, Nathan (10 October 2002).
813:" was released in 1920, starring
1989:Impressions of Theophrastus Such
1955:
1834:
1769:Scenes of Clerical Life, Vol. II
1221:George Eliot: Authors in Context
1194:George Eliot: Authors in Context
987:"Silly Novels by Lady Novelists"
636:
476:
439:
248:. He submitted the first story,
122:Print (hardback & paperback)
2043:British short story collections
1757:Scenes of Clerical Life, Vol. I
1630:Moulton, Charles Wells (1904).
1333:"Typology in Victorian Fiction"
436:Patty remains with her father.
1822:β scanned magazine containing
1818:Blackwood's Edinburgh Magazine
1809:β scanned magazine containing
1805:Blackwood's Edinburgh Magazine
1796:β scanned magazine containing
1792:Blackwood's Edinburgh Magazine
985:Eliot, George (October 1856).
225:Silly Novels by Lady Novelists
1:
1087:Cooke, George Willis (2004).
826:Newdigate-Newdegate Cheverels
2038:1858 short story collections
1431:Logan, Deborah Anna (1998).
1245:Frome, Susan (1 July 2006).
271:, Sir Christopher Cheverel.
1844:public domain audiobook at
1650:A Half-Century of Greatness
1607:Crompton, Margaret (1960).
1506:. New York: Putnam, 1907β21
1303:The History Channel website
1274:A Half-Century of Greatness
931:Manchester University Press
608:Amos and Milly's children:
593:Countess Caroline Czerlaski
2079:
794:customs and way of life."
308:
1953:
1553:Scenes from Clerical Life
1531:Noble, Thomas A. (1965).
923:Earnshaw, Steven (2000).
863:"Scenes of Clerical Life"
587:Mrs Amelia "Milly" Barton
440:"Mr. Gilfil's Love Story"
37:
1686:. Movies & TV Dept.
1684:"Mr Gilfil's Love Story"
741:"dead against Amos" and
665:Sir Christopher Cheverel
637:"Mr Gilfil's Love Story"
33:Scenes of Clerical Life
2053:William Blackwood books
1973:Scenes of Clerical Life
1965:Short story collections
1929:Felix Holt, the Radical
1841:Scenes of Clerical Life
1781:Scenes of Clerical Life
1731:Scenes of Clerical Life
1611:George Eliot, the Woman
1121:29 January 2008 at the
964:Press. pp. 61β84.
831:Scenes of Clerical Life
811:Mr. Gilfil's Love Story
803:Scenes of Clerical Life
787:Scenes of Clerical Life
783:Scenes of Clerical Life
770:Scenes of Clerical Life
747:Scenes of Clerical Life
721:Reception and criticism
525:Scenes of Clerical Life
486:Scenes of Clerical Life
446:Scenes of Clerical Life
367:Scenes of Clerical Life
348:Scenes of Clerical Life
336:Scenes of Clerical Life
143:Scenes of Clerical Life
85:Short story compilation
46:Scenes of Clerical Life
1811:Mr Gilfil's Love Story
1728:Eliot, George (1998).
1692:. 2011. Archived from
1580:Parton, James (1886).
1365:Mr Gilfil's Love Story
1363:; Kirsty Gunn (2006).
1305:. 2008. Archived from
817:as Maynard Gilfil and
779:
655:Captain Anthony Wybrow
460:
301:
2058:Works by George Eliot
1905:The Mill on the Floss
1014:. The British Library
997:on 21 September 2008.
774:
733:Initial criticism of
649:Caterina "Tina" Sarti
484:is the only story in
455:
297:
168:concerns a different
48:drawn by Hugh Thomson
1559:The Atlantic Monthly
1171:The Nuneaton Society
1144:Press. p. 167.
690:Reverend Edgar Tryan
684:"Janet's Repentance"
677:Miss Beatrice Assher
572:Reverend Amos Barton
477:"Janet's Repentance"
153:Blackwood's Magazine
1583:Daughters of Genius
1299:"Church of England"
1218:Dolin, Tim (2005).
1191:Dolin, Tim (2005).
725:The publication of
444:The second work in
263:became Shepperton;
34:
2033:1857 short stories
2012:George Henry Lewes
1824:Janet's Repentance
1689:The New York Times
1555:, by George Eliot"
991:Westminster Review
815:R. Henderson Bland
543:Janet's Repentance
482:Janet's Repentance
461:
302:
245:Edinburgh Magazine
238:first appeared in
229:George Henry Lewes
221:Westminster Review
200:Westminster Review
2020:
2019:
824:In 1898 the work
421:Christian views.
414:Church of England
332:Church of England
305:Religious context
186:domestic violence
139:
138:
111:Publication place
94:William Blackwood
16:(Redirected from
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510:and dies young.
209:Ludwig Feuerbach
162:English Midlands
127:Followed by
102:Publication date
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1981:The Lifted Veil
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1412:Eliot, p. xviii
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1394:Eliot, p. xxiii
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1750:External links
1748:
1747:
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1696:on 21 May 2011
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1673:Eliot, p. xiii
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1807:, March 1857
1804:
1797:
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1786:Google Books
1780:
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1710:
1698:. Retrieved
1694:the original
1687:
1678:
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1610:
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1575:
1563:. Retrieved
1558:
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1526:
1516:
1511:
1503:
1486:
1481:Eliot, p. 41
1477:
1472:Eliot, p. 19
1468:
1463:Eliot, p. 18
1459:
1434:
1426:
1417:
1408:
1399:
1364:
1340:. Retrieved
1336:
1311:. Retrieved
1307:the original
1302:
1293:
1273:
1266:
1254:. Retrieved
1251:The Humanist
1250:
1240:
1220:
1213:
1193:
1186:
1174:. Retrieved
1170:
1165:Lee, Peter.
1160:
1140:. New York:
1136:
1129:
1114:
1109:
1089:
1082:
1072:
1067:
1059:
1054:
1046:The Guardian
1045:
1016:. Retrieved
1006:
995:the original
990:
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960:. New York:
956:
949:
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918:
906:. Retrieved
867:. Retrieved
830:
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823:
802:
801:
790:
786:
782:
780:
775:
769:
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746:
739:W. G. Hamley
734:
732:
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724:
713:
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695:
689:
676:
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664:
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616:("Dickey"),
613:
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597:Polish count
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399:Plot summary
393:Broad church
383:between the
366:
364:
347:
335:
323:
314:
299:George Eliot
289:Stockingford
284:
276:
257:Warwickshire
254:
249:
243:
235:
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224:
220:
197:
195:
165:
151:
148:George Eliot
142:
141:
140:
130:
68:Hugh Thomson
58:George Eliot
45:
29:
2007:Griff House
1940:(1871β1872)
1937:Middlemarch
1924:(1862β1863)
1820:, July 1857
1700:11 November
1565:11 November
1490:Eliot, p. 9
1342:11 November
1313:24 November
1256:11 November
908:11 November
819:Mary Odette
807:silent film
735:Amos Barton
727:Amos Barton
508:consumption
457:Arbury Hall
389:high church
317:Calvinistic
285:Amos Barton
265:Arbury Hall
259:childhood.
205:theological
174:Established
158:anonymously
64:Illustrator
2027:Categories
1774:Faded Page
1762:Faded Page
1593:0548344264
1561:. May 1858
1378:1843911426
1367:. London:
1176:5 December
869:28 October
837:References
809:based on "
708:Mrs Raynor
561:Characters
551:alcoholism
471:motherhood
385:low church
352:fanaticism
340:Unitarians
309:See also:
192:Background
182:alcoholism
178:Dissenting
96:& Sons
1897:Adam Bede
762:The Times
743:Thackeray
547:bourgeois
503:hypocrisy
495:doctrinal
380:apostolic
371:Methodism
207:works by
132:Adam Bede
90:Publisher
1846:LibriVox
1776:(Canada)
1764:(Canada)
1119:Archived
659:Antinous
580:smallpox
519:Religion
391:and the
344:Coventry
324:Anglican
273:Nuneaton
217:pen name
176:and the
170:Anglican
74:Language
2000:Related
1058:Cross,
1018:17 June
758:realism
614:Richard
583:crown."
418:stipend
223:titled
77:English
1992:(1879)
1984:(1859)
1976:(1857)
1948:(1876)
1932:(1866)
1921:Romola
1916:(1861)
1908:(1860)
1900:(1859)
1889:Novels
1738:
1657:
1590:
1447:
1375:
1281:
1228:
1201:
1148:
1097:
968:
937:
791:Scenes
630:Walter
626:Chubby
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