346:"), was based on a cousin of Wuolijoki's former husband called Roope Juntula. Juntula had become engaged with three village women and had also driven his Buick recklessly in the middle of the night to procure alcohol—both episodes that would be dramatised in Brecht's story. Wuolijoki suggested a collaboration with Brecht on an entry for a competition run by the Finnish Dramatists' League for a "people's play," whose deadline was to fall in October. The title page of Brecht's play describes it as "a people's play" that is "after stories and a draft play by Hella Wuolijoki." Brecht began work on his
1355:
350:
version of the story on 2 September and finished a first draft three weeks later. Along with the structural transformation from dramatic to epic, Brecht described his main tasks in re-working
Wuolijoki's original as: "to bring out the underlying
157:, Matti, as well as his daughter, Eva, whom he wants to marry off to an Attaché. Eva herself loves Matti and so Puntila has to decide whether to marry his daughter to his driver or to an Attaché, while he also deals with a drinking problem.
174:. The central relationship between Mr Puntila and Matti—in which Puntila is warm, friendly and loving when drunk, but cold, cynical and penny-pinching when sober—echoes the relationship between the Tramp and the Millionaire in
623:
intoxication to enlightened sobriety: "All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his
355:, dismantle the psychological discussions so as to make place for tales from Finnish popular life or statements of opinion, find a theatrical form for the master/man contradiction, and give the theme back its
387:. Wuolijoki translated Brecht's play into Finnish for the competition but it did not win a prize. The two authors agreed that Wuolijoki could develop the Finnish version for production throughout
592:
Quoted by
Willett and Manheim (1994, xvii). Willett and Manheim outline the changes of Wuolijoki's play that Brecht effected in his re-working in their editorial notes (1994, 399-426).
391:(for which she renamed the protagonist "Johannes Iso-Heikkilä"), while Brecht could negotiate performances anywhere else, where the royalties would be split equally between them.
184:(1931). The duality of Mr. Puntila is an example of Brecht's use of the literary device, the split character. The play is also an inspiration for some of the main characters in
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aspects." Brecht gave his story a downbeat ending, in which Matti resigns himself to the impossibility of authentic human relationships across the divide of
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A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the
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designed the sets. Brecht introduced the linking "Puntila Song" and decided to discourage the audience's
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439:; Puntila was played initially by Leonard Steckel (as with the Zurich production), then by the comedian
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An
Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
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acting is not enough in this case" and recommends an approach to staging that draws on the
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wrote a musical setting for the songs for this production, while
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from a national problem for the
Finnish, as it was dramatised in
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427:, the world-renowned theatre company that he founded in 1949 in
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754:. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen.
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Brecht's play is based on another by his host during his
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for the opening production of the first season of the
326:, a German translation of which Wuolijoki dictated to
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Brecht's play was adapted for the 1960 Austrian film
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466:characters. This production was seen by Wuolijoki.
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619:social relations effects in terms of a move from
542:Bharadwaj's interview in The Big Indian Picture
480:, and again for the 1979 Finnish-Swedish film
781:
330:during August 1940. Wuolijoki's work had the
8:
746:Willett, John and Ralph Manheim, eds. 1994.
704:"HERR PUNTILA UND SEIN KNECHT MATTI (1956)"
367:, excepting the intoxicated illusions that
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435:. Brecht co-directed this production with
371:provides. He transformed the treatment of
342:, Puntila (who is described as a "Finnish
29:
153:land-owner Puntila's relationship to his
164:" (written in 1940), Brecht warns that "
1142:The Trial of Joan of Arc at Rouen, 1431
726:"Herra Puntila ja hänen renkinsä Matti"
632:
630:
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403:, where it opened on 5 June 1948, with
1332:The Modern Theatre Is the Epic Theatre
919:Rise and Fall of the City of Mahagonny
662:
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570:
568:
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564:
544:March 2013. Retrieved 10 November 2022
870:Downfall of the Egotist Johann Fatzer
675:Willett and Manheim (1994, xix, 394).
645:Willett and Manheim (1994, xix, 389).
554:
552:
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7:
684:Willett and Manheim (1994, xx, 394).
693:Willett and Manheim (1994, xix-xx).
995:Fear and Misery of the Third Reich
636:Willett and Manheim (1994, xviii).
601:Willett and Manheim (1994, xvii).
521:. Amsterdam: Rodopi. p. 107.
477:Herr Puntila and His Servant Matti
120:Herr Puntila und sein Knecht Matti
25:
905:The Baden-Baden Lesson on Consent
574:Willett and Manheim (1994, xvii).
316:—the Finnish-Estonian playwright
1354:
1353:
1058:The Resistible Rise of Arturo Ui
988:The Horatians and the Curiatians
666:Willett and Manheim (1994, xix).
654:Willett and Manheim (1994, 389).
583:Willett and Manheim (1994, 215).
558:Willett and Manheim (1994, xvi).
507:Willett and Manheim (1994, 392).
487:It is also the source of a 1966
379:, to its epic presentation as a
1338:A Short Organum for the Theatre
1086:Schweyk in the Second World War
1030:Mother Courage and Her Children
1:
1121:Die Verurteilung des Lukullus
1072:The Visions of Simone Machard
981:Round Heads and Pointed Heads
27:German play by Bertolt Brecht
1400:Works based on Finnish works
1044:Mr Puntila and His Man Matti
946:Saint Joan of the Stockyards
455:towards Puntila by means of
110:Mr Puntila and His Man Matti
33:Mr Puntila and His Man Matti
18:Mr Puntila and his Man Matti
1390:Compositions by Paul Dessau
1051:The Good Person of Szechwan
898:The Flight Across the Ocean
609:, in a famous passage from
419:played Matti. Brecht chose
160:In his essay "Notes on the
1421:
1317:Separation of the elements
1093:The Caucasian Chalk Circle
953:The Exception and the Rule
190:Matru Ki Bijlee Ka Mandola
1351:
1202:What Keeps Mankind Alive?
842:Mysteries of a Barbershop
730:The Swedish Film Database
517:Squiers, Anthony (2014).
1181:Reminiscence of Marie A.
149:The story describes the
1385:Plays by Bertolt Brecht
1107:The Days of the Commune
849:In the Jungle of Cities
612:The Communist Manifesto
239:The Chemist's Assistant
142:and first performed in
1261:Non-Aristotelian drama
1016:How Much Is Your Iron?
1002:Señora Carrar's Rifles
118:
1325:Messingkauf Dialogues
1128:Report from Herrnburg
1037:The Trial of Lucullus
974:The Seven Deadly Sins
401:Schauspielhaus ZĂĽrich
51:5 June 1948
1405:Works about servants
1079:The Duchess of Malfi
891:The Threepenny Opera
748:Collected Plays: Six
462:for him and all the
377:The Sawdust Princess
323:The Sawdust Princess
138:. It was written in
835:Driving Out a Devil
415:played Puntila and
1163:Trumpets and Drums
821:Drums in the Night
395:Production history
332:dramatic structure
258:The Red-haired Man
171:Commedia dell'Arte
1367:
1366:
1273:Defamiliarization
1216:Einheitsfrontlied
1065:Hangmen Also Die!
877:The Elephant Calf
714:on June 12, 2018.
425:Berliner Ensemble
328:Margarete Steffin
300:
299:
288:The Parson's Wife
267:His Four Children
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73:Original language
16:(Redirected from
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1209:Solidaritätslied
884:Little Mahagonny
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443:. The composer
431:with his wife,
413:Leonard Steckel
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318:Hella Wuolijoki
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278:the parlourmaid
245:The Telephonist
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186:Vishal Bhardwaj
176:Charlie Chaplin
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1240:Theories and
1195:Pirate Jenny
1188:Alabama Song
1173:Poems, songs
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264:Red Surkkala
242:The Milkmaid
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151:aristocratic
148:
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1223:Kinderhymne
967:Kuhle Wampe
926:Der Jasager
621:ideological
470:Adaptations
445:Paul Dessau
437:Erich Engel
389:Scandinavia
340:protagonist
304:Composition
291:Woodcutters
230:The Attaché
208:a landowner
181:City Lights
134:playwright
1380:1948 plays
1374:Categories
1255:LehrstĂĽcke
1242:techniques
1230:Die Lösung
1135:Coriolanus
960:The Mother
617:capitalist
495:References
373:alcoholism
285:The Parson
282:The Lawyer
255:A Labourer
224:The Waiter
196:Characters
55:1948-06-05
38:Written by
1307:Not / But
1114:The Tutor
912:Happy End
856:Edward II
828:A Wedding
464:bourgeois
441:Curt Bois
385:class war
248:A Fat Man
227:The Judge
206:Puntila,
162:Folk Play
132:modernist
1360:Category
1156:Don Juan
1149:Turandot
1100:Antigone
804:Dramatic
409:Teo Otto
381:farcical
320:—called
272:the cook
123:) is an
741:Sources
453:empathy
421:Puntila
369:alcohol
344:Bacchus
314:Finland
270:Laina,
233:The Vet
218:Matti,
155:servant
102:, 1920s
100:Finland
96:Setting
53: (
1291:Gestus
1023:Dansen
758:
624:kind."
607:Engels
525:
357:poetic
295:
276:Fina,
128:comedy
115:German
90:comedy
77:German
67:Zurich
1284:Fabel
806:works
750:. By
460:masks
361:comic
353:farce
334:of a
310:exile
212:Eva,
83:Genre
814:Baal
756:ISBN
605:and
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144:1948
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312:in
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