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Nuyorican movement

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building and build high rise dorms for nearly 20 years. His efforts have been repeatedly halted by CB3, who made the building a NYC landmark shortly after he began to destroy moldings of almost a hundred years of age. The landmarking of PS 64 was an immediate reaction to the beginning of Singer's process of demolishing the building. The involvement of CB3 is especially significant, as the board grew involved after a number of Latin Kings went to them pleading for assistance in saving the building. The two groups formed an unlikely alliance in an attempt to preserve the space, and were together successful in saving it as a historic landmark, thus halting Singer's attempts at demolition and reconstruction. PS 64 was home to a number of different organizations. Besides CHARAS (formerly the Real Great Society) and El Bohio, the building was also occupied by artists and activists who rented out studio space, an art gallery, numerous art programs and afterschool programs for students, and other artistic programs and organizations centered around music, dance, and theater. Many of the activists and artists involved in the creation and preservation of the cultural space were former or active gang members, specifically members of the Latin Kings and Queens, looking to work within their communities and foster positive change. In April 1999, CHARAS cofounder Armando Perez was found murdered outside his wife's home in Queens a death which many presume was gang related, though there was no evidence found to corroborate this theory. At the time of his death, Perez had been deeply involved in the fight to save PS 64 from Gregg Singer.
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to sell the building. How Mayor de Blasio will respond is not yet known. Though perhaps one of the more powerful political leaders, he was not the first to make public attempts to retrieve the building. Councilwoman Rosie Mendez has shown open opposition to Singer during her time as councilwoman, an attitude which is held by current city councilwoman Carlina Rivera. When Rivera's campaign was endorsed by the Villager, the author of the endorsement article discussed seeing Rivera as a teenager at a protest to save the community center when it was first lost. She has been a continuous threat to Singer since. During Rivera's campaign, Singer distributed literature around the Lower East Side promoting three of Rivera's rival candidates, encouraging the community to vote for any candidate besides Rivera. Despite his efforts, he must now attempt to work with Rivera, as she poses one of his greatest obstacles. Although Singer originally proposed a demolition of the building and the development of a twenty-story dorm building, his proposals have continuously been rejected by Community Board 2, as the demolition of the building coincides with the policies for construction on a landmarked building. A more recent proposal produced by Singer shows the building in its original form, remodeled only slightly, but still acting as a dorm building for college students. As of November 2017, community activists were advocating the city Department of Buildings to void the original sale of the building to Singer and to reacquire the building
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allowed to elect and print their own currency for a year as a territory. In 1898, The United States seized control over the territory. Being a sugar cane and coffee dependent nation allowed for the United States to intervene and rule Puerto Rico politically and economically, with no intention of giving Puerto Ricans citizenship. In 1910, the American government grew fearful of an uprising. In order to keep Puerto Rico under control from being independent, the United States imposed U.S. citizenship, never consulting the actual people who resided in Puerto Rico. Since the United States only allowed or the production of sugarcane the people started to go hungry, leaving them with no choice but to leave the island in search for a better life in the United States. Puerto Ricans began to migrate to places like New York City, specifically to Puerto Rican enclaves, such as the Lower East Side, San Juan Hill, and Spanish Harlem, creating a new identity, culture, and way of life.
135:, repurposed, and appropriated into Puerto Rican immigrant life. CHARAS/El Bohio was a cultural center established in 1977. The center was built with the intention of revitalizing Loisaida, to encourage Latino pride and community action, to preserve the neighborhood and protect those still living there. The building, formerly PS 64, was abandoned by the Department of Education and taken over and remodeled by Adopt-A-Building. Much of the funding to renovate the building was provided by federal grants or directly from the City. CHARAS moved into the building shortly after, followed by the El Bohio Corporation. CHARAS was the continuation of the 143:
profusely. The original organization was built in 1964 with the intention of helping youth gang members use their skills and ideals for positive use by encouraging business development and educational programs. CHARAS was also involved actively in urban ecology, developing many of the LES community gardens. El Bohio was more artistically based, hosting cultural performances and providing a space for Latino artists to showcase their work and celebrate Latino culture through the arts.
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homeland, in this case, Puerto Rico and the migrant community, New York City. Some see the positives and negatives in this exchange, but often the homeland questions the cultural authenticity of the migrants. In salsa music, the same occurs. The Puerto Ricans question the validity and authenticity of the music. Today, salsa music has expanded to incorporate the sounds of Africa,
246:. Current organizations include The Acentos Foundation originally based in the Bronx, New York City which publishes poetry, fiction, memoir, interviews, translations, and artwork by emerging and established Latino/a writers and artists four times a year through The Acentos Review, and Capicu Cultural Showcase based in Brooklyn, New York City. 571:(b. 1954), who produced a body of work that acknowledged global struggle while remaining rooted in the Puerto Rican/Nuyorican experience. His paintings and prints are held in the collections of museums such as El Museo del Barrio, the Whitney Museum of American Art and the Metropolitan Museum of Art. 398:. Currently, groups like Circa '95 (PattyDukes & RephStar) are continuing the traditions as torchbearers of the Nuyorican hip hop movement. Thus the musical relationship between the United States and Puerto Rico has become a circular exchange and blended fusion, as embodied in the name Nuyorican. 160:
In 2017, Mayor de Blasio announced that he would be buying back PS 64 from Singer, and making efforts to revert the building back to a community center. The likelihood of this occurring was immediately shot down by Singer, who made a statement following Mayor de Blasio's claiming he had no intention
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Chino Garcia and Armando Perez were and are two of many founders and collaborators of CHARA/ El Bohio Community Center. More importantly they helped form many artists in the 1960s. They renovated classrooms into art studios and rehearsal rooms. This influenced the demographic of the Lower East Side
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Puerto Rico's history and culture in the Lower East Side, known to much of its Puerto Rican community as Loisaida, is long and extensive. From early 1400s to the end of the 1800s, Puerto Rico had slavery and was dutiful to the Spanish Crown. With granted autonomy from Spain in 1897, Puerto Rico was
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countries, creating more of a salsa fusion. In addition, with the second and third generations of Nuyoricans, the new debated and diasporic sound is hip hop. With hip hop, Nuyoricans gave back to Puerto Rico with rappers like Vico C and Big Pun, who created music that people in both New York and
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Despite massive community efforts to save the building, CHARAS/El Bohio faced numerous obstacles presented by Mayor Giuliani and Councilmember Antonio Pagán, which ultimately led to their losing of the building in the late 1990s to Gregg Singer, a developer who has been attempting to demolish the
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shows this diaspora in his salsa music by blending the sounds of the trombone, an instrument popular in the New York urban scene, and the cuatro, an instrument native to Puerto Rico and prevalent in salsa music. Furthermore, many salsa songs address this diaspora and relationship between the
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The era saw collaborations across cultural genres. Writers and poets such as Sandra María Esteves and Nicholasa Mohr alternated and complemented their prose and lyrical compositions with visual images on paper. At other times, experimental artists such as
827:. The relationships are secondary to the life of the writer as an individual, as the movie shows a non-chronological portrayal of Piñero's development as both a poet and a person. The movie blends visual and audio segments shot in short, music/ 788: 602:. Gallerists, curators, and museum directors such as Marvette Pérez, Yasmin Ramírez, Deborah Cullen, Susana Torruella Leval, Judith Escalona, Tanya Torres, and Chino Garcia have helped Puerto Rican and Nuyorican art gain recognition. 3074: 516:
neighborhood of the Bronx, provide numerous Nuyorican, Latina/o, and queer of color artists and writers with a space to present and develop their work. Other theater groups use the theaters at the
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The Nuyorican movement significantly influenced Puerto Rican literature, spurring themes such as cultural identity, civil rights, and discrimination. The Nuyorican Poets Café, a
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A newer generation of artists has likewise continued to explore Puerto Rican themes in their work. Among them are painters, muralists and conceptual artists such as
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and then to New York, only to realize that they would rather live a poor life in Puerto Rico than face discrimination in the United States. Puerto Rican actress
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and Piragua Art Space on the lower east side of Manhattan. Social and political counterparts to those establishments in late 1960s and 70s New York include the
532:, an important conceptual artist and activist, established El Museo del Barrio in 1969 as a way to promote Nuyorican art. Painters and print makers such as 2648: 2344: 3079: 3049: 2729: 2271: 1160: 2724: 871: 1448: 2844: 2418: 2381: 2213: 2157: 2129: 1135: 567:
created environments that brought together traditional aesthetic practices with political and social concerns. Also significant was painter
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With the formation of neighborhoods and culture, arose a Latin American gem formerly the P.S. 64 school building. The building was renamed
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Her company gives young actors the opportunity to participate in its productions. Some of PRTT's productions, such as Edward Gallardo's
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as a means to validate Puerto Rican experience in the United States, particularly for poor and working-class people who suffered from
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who wrote about the immigrant experience can be considered as antecedents of Nuyorican movement. Marqués's best-known play
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in the title role. In the film, Piñero's love life, with both men and women, is depicted, including with his protégé
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Puerto Rico could relate to and identify with. Other notable Puerto Ricans who made contributions to hip-hop were
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The 1970s and '80s were a key period for the rise of Nuyorican art. Graffiti-inspired artists such as
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The Nuyorican movement has always included a strong visual arts component, including arts education.
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The development of the Nuyorican music can be seen in salsa and hip hop music. Musician and singer
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Cultural movement for Puerto Ricans living in or near New York City in the late 1960s / early 1970s
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was instrumental in showcasing a distinctly Puerto Rican view of life in the U.S. and the island.
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Writing Off the Hyphen: New Critical Perspectives on the Literature of the Puerto Rican Diaspora
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is a cultural and intellectual movement involving poets, writers, musicians and artists who are
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Jesus Colon is credited as being the intellectual founding father of the "Nuyorican" movement
1965: 1307: 1008:. Laó-Montes, Agustín., Dávila, Arlene M., 1965-. New York: Columbia University Press. 2001. 2618: 2561: 1506: 802: 716: 707: 622: 599: 591: 556: 533: 497: 466: 462: 443: 363: 306: 236: 196: 184: 2628: 2596: 2489: 645: 595: 318: 278: 117: 89: 85: 62: 617: 537: 341: 1733:. University of Oklahoma: World Literature Today. September–October 2012. Archived from 583:
collaborated with his lover, Miguel Piñero; one of their collaborations is owned by the
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as a way of centering Puerto Rican artistic traditions. In photography, the group
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reclaimed it and transformed its meaning. Key cultural organizations such as the
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David Gonzalez, "Focusing on the Hidden History," Lens blog, January 24, 2012
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The Lamentable Journey of Omaha Bigelow into the Impenetrable Loisaida Jungle
418:) traces the life of a Puerto Rican family who moved from the countryside to 2601: 2376: 1023: 447: 334: 314: 267: 73: 42: 1792:"A Legend Speaks: An Interview with Nuyorican Poet Jesús Papoleto Meléndez" 811: 45:. It originated in the late 1960s and early 1970s in neighborhoods such as 2971: 2251: 1594:
Arlene Dávila, "Juan Sánchez's Nuyorican State of Mind," October 23, 2022
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Flores, Juan. "Creolite in the 'Hood: Diaspora as Source and Challenge.
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videos with typical movie narratives to show Piñero's poetics in action.
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Attorney Street (Handball Court with Autobiographical Poem by Piñero)
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There Was Never No Tomorrow, Nuyorican Pedro Pietri In His Own Words
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Boricua Literature: A Literary History of the Puerto Rican Diaspora.
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Boricua Pop: Puerto Ricans and the Latinization of American Culture.
1987: 1658:"Giannina Braschi, a celebrated member of the Nuyorican Poets group" 1431:"Pregones/PRTT | Traveling Theater in The Bronx and Manhattan" 1186:"Carlina Rivera for Council in District 2 | The Villager Newspaper" 254:
Nuyorican music became popular in the 1960s with the recordings of
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and currently directed by Rosalba Rolón, Alvan Colón-Lespier, and
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to their orchestras. This new style came to be known as the Latin
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began to develop their own unique Nuyorican music style by adding
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From Bomba to Hip-hop: Puerto Rican Culture and Latino Identity.
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Metropolitan Museum of Art. "Martin Wong (American, 1946–1999),
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Pregones Theatre: A Theatre for Social Change in the South Bronx
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Barrio Dreams: Puerto Ricans, Latinos, and the Neoliberal City.
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was originally used as an insult until leading artists such as
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In Visible Movement: Nuyorican Poetry from the Sixties to Slam
1352:. Studies in American Popular History and Culture. Routledge. 648:, author of Puerto Rican poetry classic "Yo misma fui mi ruta" 1559: 1290:"Grammy-winning Latin-jazz drummer Ray Barretto dies at 76". 710:,co-founder of Nuyorican Poet's Cafe best known for the play 1449:"PUERTO RICO HERALD Puerto Rico Profile: Judge Edwin Torres" 1430: 559:
achieved great recognition for their work. Installationists
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Latin bands who had formerly played the imported styles of
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Playwrights who pioneered the Nuyorican movement include
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Harvest of empire : a history of Latinos in America
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Queer Ricans: Cultures and Sexualities in the Diaspora.
2033:"The Prey of Demons, Miguel Piñero Wrote Like an Angel" 1714:"#BEA11: Books on Display, the Amazon Publishing Booth" 1698:. Washington, DC: Library of Congress. September 2012. 1374:"PRTT – Welcome to the Puerto Rican Travelling Theatre" 1373: 508:), established in 1998 by the dancer and choreographer 1746:
One of the most revolutionary voices in Latin American
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Hispanic and Latino American culture in New York City
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Key Terms in Latino/a Cultural and Literary Studies
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Key Terms in Latino/a Cultural and Literary Studies
2204:Torres-Padilla, Jose L. and Carmen Haydee Rivera. 2194:Madison: The University of Wisconsin Press, 1999. 2124:Minneapolis: University of Minnesota Press, 2009. 1345: 944: 227:(La Bruja), as well as non-Latino poets including 2092:Divided Borders: Essays on Puerto Rican Identity. 1006:Mambo montage : the Latinization of New York 313:. Subsequently, Nuyorican music has evolved into 2192:José, Can You See?: Latinos on and off Broadway. 2073:Berkeley: University of California Press, 2004. 1215:The Lo-Down : News from the Lower East Side 1165:The Lo-Down : News from the Lower East Side 594:, Jorge Zeno, Miguel Luciano, Miguelangel Ruiz, 37:or of Puerto Rican descent, who live in or near 1348:Teatro Hispano!: Three Major New York Companies 1051:Laó-Montes, Agustín; Dávila, Arlene M. (2001). 520:Cultural Center in Loisaida for their events. 406:Spanish-language Puerto Rican writers such as 2272: 1696:National Book Festival Transcript and Webcast 483:, a drama about prison life which received a 41:, and either call themselves or are known as 8: 1874:"The Early Days of the Nuyorican Poets Cafe" 1620:"The Early Days of the Nuyorican Poets Cafe" 1251:"Puerto Rican Literature, Art & Culture" 512:and the writer Charles Rice-González in the 430:in 1967 precisely after a successful run of 2180:New York: New York University Press, 2001. 2138:New York: New York University Press, 2004. 2108:New York: Columbia University Press, 2000. 1112:"P.S. 64/El Bohio (former) | Place Matters" 1054:Mambo Montage: The Latinization of New York 2279: 2265: 2257: 2231:WAPA TV "Orgullo Boricua: Giannina Braschi 2208:]. Seattle: U. of Washington Press, 2008. 1560:"NY LATIN AMERICAN TRIENNIAL 2019 EDITION" 951:(Rev. ed.). New York: Penguin Books. 477:. Piñero is the acclaimed playwright with 1790:Garcia, Robert Carlos (27 October 2019). 305:with "Mr. Trumpet Man", and the brothers 3060:Puerto Rican culture in New York (state) 2233:, leading lady of the Nuyorican movement 1653:Revista, Harvard Review of Latin America 504:Currently, spaces such as B.A.A.D. (the 223:, Mariposa (María Teresa Fernández) and 2725:African Burial Ground National Monument 1966:"The Creative Life: Esmeralda Santiago" 1331:Society and Literature in Latin America 981:"P.S. 64 – CHARAS, El Bohio: A History" 903: 872:Puerto Rican migration to New York City 536:, Fernando Salicrup, Marcos Dimas, and 2164:New York Ricans from the Hip Hop Zone. 1906:"Miguel Pinero's 'Short Eyes' Returns" 1692:"About Giannina Braschi: Book Fest 12" 1029: 2730:Bohemian Citizens' Benevolent Society 2152:. Iowa City: U. of Iowa Press, 2014. 1492:BAAD! Bronx Academy of Arts and Dance 614:, co-founder of Nuyorican Poet's Cafe 7: 3070:Hispanic and Latino American history 2166:New York: Palgrave Macmillan, 2003. 1809:Rodriguez, Ivelisse (9 April 2019). 1333:. Yale-New Haven Teachers Institute. 1273:"Awards and Medals from Smithsonian" 625:, author of the postmodern classics 2845:1968 New York City teachers' strike 2094:Houston: Arte Público Press, 1993. 1507:"In Bronx, Dancer Does Right Thing" 1344:De la Roche, Elisa (July 1, 1995). 1080:"At Hearing, Gang Shows New Colors" 913: 911: 909: 907: 801:The life of Nuyorcan movement poet 2809:Philippine Independence Day Parade 1872:León, Concepción de (2018-12-06). 1618:León, Concepción de (2018-12-06). 1505:La Rocco, Claudia (May 22, 2008). 540:established organizations such as 442:. Other theater companies include 195:. Prominent figures include poets 14: 402:Playwrights and theater companies 3080:20th-century American literature 2031:Shewey, Don (December 2, 2001). 1828:Cancel, Charlie (January 2021). 1712:Johnson, Hannah (May 26, 2011). 856: 842: 266:'s "El Watusi" and incorporated 133:Charas/El Bohio Community Center 3050:Cultural history of Puerto Rico 2760:New York Filipino Film Festival 2119:La Fountain-Stokes, Lawrence M. 1830:"Escaping 2020 with Good Books" 506:Bronx Academy of Arts and Dance 2796:German-American Steuben Parade 2087:16, no. 2 (Fall 2004):283–289. 428:Puerto Rican Traveling Theatre 1: 2835:New York Slave Revolt of 1712 2066:. Blackwell Publishing, 2007. 1677:. Library of Congress. 2012. 1235:Steven Wishnia (2017-11-13). 1057:. Columbia University Press. 438:concern life in a New York's 2923:Il Progresso Italo-Americano 2755:New York Asian Film Festival 1984:"Biography | Cheverote" 1253:. La Salita Cafe. 2014-09-24 370:, DJ Johnny "Juice" Rosado ( 2850:Crown Heights riots of 1991 2840:New York Conspiracy of 1741 2740:Hispanic Society of America 2190:Sandoval-Sánchez, Alberto. 1716:. Publishing Perspectives. 1078:Allon, Janet (1997-03-23). 606:Nuyorican writers and poets 147:Conflicts and controversies 3101: 2745:Indo-American Arts Council 2237:Spoken Word Column, Week I 2134:Negrón-Muntaner, Frances. 1526:Solís, Jose (2019-08-16). 805:was portrayed in the 2001 786:(also Ed Vega), author of 585:Metropolitan Museum of Art 168: 115: 2958:New Yorker Staats-Zeitung 2485:8th Avenue/Lapskaus Blvd. 2021:, retrieved May 10, 2021. 2006:, retrieved May 10, 2021. 446:, established in 1979 in 3065:Culture of Latin America 3055:Culture of New York City 2176:Sánchez-González, Lisa. 1854:(in Spanish). 2010-04-19 1731:"About Giannina Braschi" 877:Culture of New York City 215:. Later voices include 181:Alphabet City, Manhattan 3085:Puerto Rican literature 3024:Undocumented immigrants 2814:Puerto Rican Day Parade 2750:Irish Repertory Theatre 1405:Vásquez, Eva C (2003). 943:González, Juan (2011). 918:Allatson, Paul (2007). 887:Puerto Rican Literature 751:Down These Mean Streets 741:When I Was Puerto Rican 682:Jesús Papoleto Meléndez 640:United States of Banana 471:Jesús Papoleto Meléndez 177:non-profit organization 171:Puerto Rican literature 2765:Wales Week in New York 1675:National Book Festival 1325:Polio, Norine (1982). 1036:: CS1 maint: others ( 530:Raphael Montañez Ortiz 487:nomination and won an 26: 2916:Freie Arbeiter Stimme 1455:on November 13, 2004. 882:List of Puerto Ricans 770:The Accidental Native 657:Victor Hernández Cruz 165:Literature and poetry 22: 2791:Feast of San Gennaro 2786:Dominican Day Parade 1312:Streetplay Stickball 1296:. February 17, 2006. 1116:www.placematters.net 864:New York City portal 757:Edwin Torres (judge) 667:Sandra María Esteves 553:Jean-Michel Basquiat 213:Sandra María Esteves 82:Nuyorican Poets Café 24:Nuyorican Poets Café 2902:El Diario La Prensa 2735:El Museo del Barrio 2252:On Nuyorican Cinema 2019:Poets & Writers 1936:New York Daily News 892:Puerto Rican Poetry 784:Edgardo Vega Yunqué 518:Clemente Soto Vélez 360:Prince Whipper Whip 240:Cheryl Boyce Taylor 205:Edwin Torres (poet) 94:El Museo del Barrio 2871:Nuyorican Movement 2866:Harlem Renaissance 2819:Pulaski Day Parade 2699:Washington Heights 2162:Rivera, Raquel Z. 2038:The New York Times 1990:on March 21, 2016. 1878:The New York Times 1763:The New York Times 1671:"Giannina Braschi" 1624:The New York Times 1532:The New York Times 1512:The New York Times 1084:The New York Times 850:Puerto Rico portal 796:In popular culture 779:Luz María Umpierre 737:Esmeralda Santiago 297:with "Bang Bang", 229:Dael Orlandersmith 137:Real Great Society 106:ASPIRA Association 31:Nuyorican movement 27: 3032: 3031: 2828:Historical events 2805:NY Persian Parade 2801:Korean Day Parade 2318:African Americans 2214:978-0-295-98824-5 2158:978-1-60938-244-5 2130:978-0-8166-4091-1 2004:Poetry Foundation 1608:." MetMuseum.org. 1293:Houston Chronicle 1279:on June 17, 2009. 727:Abraham Rodriguez 561:Antonio Martorell 225:Caridad de la Luz 65:, ostracism, and 3092: 2619:Le Petit Senegal 2462:Native Americans 2281: 2274: 2267: 2258: 2148:Noel, Urayoan. 2069:Dávila, Arlene. 2062:Allatson, Paul. 2050: 2049: 2047: 2045: 2028: 2022: 2013: 2007: 1998: 1992: 1991: 1986:. Archived from 1980: 1974: 1973: 1961: 1955: 1954: 1947: 1941: 1940: 1927: 1921: 1920: 1918: 1917: 1902: 1896: 1895: 1893: 1892: 1869: 1863: 1862: 1860: 1859: 1844: 1838: 1837: 1825: 1819: 1818: 1806: 1800: 1799: 1787: 1781: 1780: 1778: 1777: 1755: 1749: 1748: 1743: 1742: 1727: 1721: 1720: 1709: 1703: 1702: 1688: 1682: 1681: 1667: 1661: 1660: 1648: 1642: 1641: 1639: 1638: 1615: 1609: 1602: 1596: 1588: 1582: 1574: 1568: 1567: 1556: 1550: 1549: 1547: 1546: 1523: 1517: 1516: 1502: 1496: 1495: 1484: 1478: 1477: 1476: 1475: 1463: 1457: 1456: 1451:. 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Index


Nuyorican Poets Café
Puerto Rican
New York City
Nuyoricans
Loisaida
East Harlem
Williamsburg
South Bronx
marginalization
discrimination
Nuyorican
Miguel Algarín
Nuyorican Poets Café
Charas/El Bohio
Lower East Side
El Museo del Barrio
Spanish Harlem
Young Lords
ASPIRA Association
Charas/El Bohio
Charas/El Bohio Community Center
Real Great Society
Puerto Rican literature
non-profit organization
Alphabet City, Manhattan
Miguel Piñero
Miguel Algarín
Pedro Pietri
Giannina Braschi

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