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Nadia Magnenat Thalmann

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Thalmann received an MS in psychology, an MS in biology and a Master in biochemistry at the University of Geneva. She obtained a PhD in Quantum Physics in 1977 from the same university. She started her career as an assistant professor at the University Laval in Canada, then became a professor at HEC,
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She made several original contributions in MRI segmentation methods correlated with clinical findings. She also modelled the simulation of Virtual Ballerinas where their hip cartilage deformations can be visualized while dancing. She further demonstrates see-through knee articulations of real soccer
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Thalmann has made numerous research contributions in the general area of computer graphics and is best known for her work on simulating realistic virtual humans. She also made early contributions in computer graphics during her PhD by simulating and visualizing 3D electronic densities of the
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Thalmann has authored and co-authored more than 600 papers in the area of Virtual Humans, social robots, VR, and 3D simulation of human articulations. She has participated in more than 45 European research projects. She has served the Computer Graphics community by creating the
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Video showing the Visuo-haptic VR System for interacting with virtual textiles and samples of cloth simulation. Haptic sensing of virtual textiles (HAPTEX) is a European Research project in which MIRALab participates. Directed by Nadia Magnenat Thalmann.
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players. Since 2008, she has started at MIRALab, University of Geneva, a research with the humanoid robot EVA and demonstrated a first model of a realistic robot showing emotions and having a memory model. She has worked on the social autonomous robot
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Demonstration on a single user 3D application into a multi-user distributed service, a software platform developed at MIRALab, University Of Geneva, Switzerland, directed by Nadia Magnenat Thalmann, Yvain Tisserand and Niels Nijdam.
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This film was shown in world premiere at the Place des Arts in Montreal to celebrate 100 years of engineering in Canada. She also showed her film at the Modern Art Museum in New York in 1988 along with Canadian computer artists.
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Innovative revival of life in ancient frescos and creation of immersive narrative spaces featuring real scenes with behavioural virtual fauna and flora. Directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Exhibition of the Marilyn's recreation in 3D in the University of Geneva. This was an interactive project among the Professors from the Research Center. Directed by Nadia Magnenat Thalmann.
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Mixed reality show presented at Kursaal, Bern, Switzerland, at the official ceremony of the new members of the Swiss Technical Sciences Academy, directed by Nadia Magnenat Thalmann.
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EU exhibition and conference (IST days conference), real-time performance between Nice, France, and Geneva, Switzerland, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Xian virtual animation about life and human interaction in ancient times. A MIRALab project in the modeling of cultural heritage in 3D. Directed by Nadia Magnenat Thalmann.
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Live show performed in Geneva for the 450th anniversary of the university. The professional ballet dancer dances with her 3D avatar, directed by Nadia Magnenat Thalmann.
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Principal components of facial animation for showing emotional speech, with different type of expressions: sad, happy and surprised. Directed by Nadia Magnenat Thalmann.
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Interaction on stage with Nadine Social Robot during the 2016 ACI Asia Business Summit, Raffles City Convention Centre, Singapore. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, produced with the MIRA Animation system, 13 min., 16mm color, directed by Philippe Bergeron, Nadia Magnenat Thalmann and Daniel Thalmann.
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Demonstration of affective memory and dialogue, on Nadine Social Robot, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
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3 min 33 sec., Mixed-reality live show, Invited presentation at the "Forum de l'hĂ´tellerie Suisse", in Montreux, Switzerland directed by Nadia Magnenat Thalmann.
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4 min 22 sec, Exhibition at the Musée de la Mode, Yverdon, Switzerland, and presented at SIGGRAPH electronic theatre 2007. Directed by Nadia Magnenat Thalmann.
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Carignan, Michel; Yang, Ying; Thalmann, Nadia Magnenat; Thalmann, Daniel (July 1, 1992). "Dressing animated synthetic actors with complex deformable clothes".
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In 2007, her film "High Fashion in Equations" has won the CGI 2007 Best International Scientific Video award and was shown at the SIGGRAPH Electronic Theatre.
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Volino, Pascal; Courchesne, Martin; Magnenat Thalmann, Nadia (1995). "Versatile and efficient techniques for simulating cloth and other deformable objects".
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Documentary on the making of the 3D Computer-generated film Rendez Vous Ă  Montreal, 14 min 48sec, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
1919:, Proceedings of the ACM 29th International Conference on Computer Animation and Social Agents (CASA 2016), pp. 1-9, Geneva, Switzerland, May 23–25, 2016 1795:
Charbonnier, Caecilia; Kolo, Frank C.; Duthon, Victoria B.; Magnenat-Thalmann, Nadia; Becker, Christoph D.; Hoffmeyer, Pierre; Menetrey, Jacques (2011).
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Video demonstration on a reusable low-cost platform for digitizing and preserving traditional participative sports. Directed by Nadia Magnenat Thalmann.
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Last results of the studying of movements, materials and textures on a dress: different essays and perspectives. Directed by Nadia Magnenat Thalmann.
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5th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia, Singapore. Directed by Nadia Magnenat Thalmann.
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AAAI Video Competition 2012, Best Student Video Award. Produced by Karolina Zawieska, Bart Kevelham, Maher Ben Moussa and Nadia Magnenat Thalmann.
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3D simulation of John Calvin and exhibition at the International Museum of the Reform in Geneva, Switzerland. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with cloth animation, 50 sec., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Demonstration on sound localization by Virtual Human, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
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A video show casing the best productions of MIRALab including some interviews and explanations of our work, directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, produced with the HUMAN FACTORY system, 2 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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3D Computer-generated film, produced with the HUMAN FACTORY system, 6 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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3D Computer-generated film, produced with the HUMAN FACTORY system, 6 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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3D Computer-generated film, produced with the HUMAN FACTORY system, 3 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Presentation of Eva Robot, a humanoid robot head with software platform developed at MIRALab, Switzerland, directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with hand animation, 3 min., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Presentation of “Virtual Self”, Mixed-reality live show, at Kulturhalle Dampfzentrale, Bern, Switzerland, directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with walking model, 1 min., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Real-time performance between Singapore and Geneva (Virtual Shopping) at Telecom`95, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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3D Computer-generated film, produced with the MIRANIM system, 4 min., 16mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Demonstration on the dynamic reconfigurable wearable interfaces for personal health data analysis, directed by Nadia Magnenat Thalmann.
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2 min, 1 inch video, Berlin, Germany. Program retransmitted on ZDF, Germany, and Marilyn sequence, directed by Nadia Magnenat Thalmann.
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In 2012, she has been a co-recipient of the Career Achievement Award by the Canadian Human Computer Communications Society in Toronto.
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7 min., 3D fashion simulation in mixed reality, Musée d’art et d’histoire, Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
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Modee Spring-Summer Collection 2005 from MIRALab: animation video with recreation of a runway. Directed by Nadia Magnenat Thalmann.
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3 min 22 sec., Mixed-reality performance, “Hannover Region Stand” in Cebit, Hannover, Germany, directed by Nadia Magnenat Thalmann.
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Interactive Telecom 97, real time demo between Lausanne and Geneva, 2 min, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Thalmann selected as a Pioneer in Information Technology at the Heinz Nixdorf Computer Museum's Electronic Wall of Fame in Germany.
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Later on, she pioneered the modelling of realistic Virtual Humans, particularly producing the first simulation of a 3D version of
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Nadia Magnenat Thalmann interacting with Nadine Social Robot by reading a journal together, directed by Nadia Magnenat Thalmann.
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3D reconstruction of bones and muscles is a priority in order to help the medical research. Directed by Nadia Magnenat Thalmann.
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Nadine Social Robot starting work as a receptionist in AIA Insurance Company in Singapore. Directed by Nadia Magnenat Thalmann.
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Creation of a virtual restoration and revival of cultural heritage: The Aspendos theatre. Directed by Nadia Magnenat Thalmann.
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Recreation of a dancer's movements: hair simulation, cloths design and virtual reality. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with cloth animation, 1 min., 1 inch video, directed by Nadia Magnenat Thalmann.
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University of Montreal until 1988. In 1989, she moved to the University of Geneva where she founded the MIRALab laboratory.
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Demonstration on Virtual Human, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
1759:, International Journal of Computer Assisted Radiology and Surgery (IF: 1.659), Springer, vol. 6, no.1, pp.45-57, May 2010 2059: 45: 1928: 1726: 1693: 288: 273:, in the exhibition HUMAN+: The Future of our Species, in Singapore, which has attracted more than 100 000 visitors. 1559: 1437:
Robot Eva has also performed in a play in the Roten Fabrik Theatre at Zurich., produced by Nadia Magnenat Thalmann.
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3D Computer-generated film, inspired from the painting made by Hopper, 1 min, directed by Nadia Magnenat Thalmann.
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A demonstration on Nadine Social Robot having a conversation with a student. Directed by Nadia Magnenat Thalmann.
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9 min. 26 sec, live Virtual Fashion show at Athénée 13, Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
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2 min 37sec, presented at the Intercontinental Hotel in Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
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A New Computer Program for Generating Three-Dimensional Plots of Electronic Densities and Related Contour Levels
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3D Computer Animation film festival, opening sequence, 1 inch video, directed by Nadia Magnenat Thalmann.
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A computational approach to calculate personalized pennation angle based on MRI: effect on motion analysis
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Extreme Leg Motion Analysis of Professional Ballet Dancers via MRI Segmentation of Multiple Leg Postures
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First film to mix virtual people with real ones on a real setting, directed by Nadia Magnenat Thalmann.
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Proceedings of the 22nd annual conference on Computer graphics and interactive techniques - SIGGRAPH '95
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3D simulation of the interior of Hagia Sophia Mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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B. Gilles, F. Kolo-Christophe, N. Magnenat Thalmann, C. Becker, S. Duc, J. Menetrey and P. Hoffmeyer,
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2 min 40 sec., Virtual Reality live show, Casino Hilton Geneva, directed by Nadia Magnenat Thalmann.
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A short trailer of Nadine Social Robot at IMI, NTU, Singapore. Directed by Nadia Magnenat Thalmann.
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Musculoskeletal MRI Segmentation Using Multi-resolution Simplex Meshes with Medial Representations
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3D simulation of the Xian Terracotta soldiers, 1 min 27 sec, directed by Nadia Magnenat Thalmann.
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A video showing the process in the making of Nadine's hand. Directed by Nadia Magnenat Thalmann.
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Nadine Social Robot, at the ArtScience Museum, Singapore. Directed by Nadia Magnenat Thalmann.
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Investigating the link between extreme movements and hip, directed by Nadia Magnenat Thalmann.
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Simulation of a textile applied with a waterfall effect. Directed by Nadia Magnenat Thalmann.
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Simulation of the Segius and Bacchus mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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Demonstration of Facial Animation for Pocket computer. Directed by Nadia Magnenat Thalmann.
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Recognition of human gestures by Nadine Social Robot, directed by Nadia Magnenat Thalmann.
1797:"Assessment of Congruence and Impingement of the Hip Joint in Professional Ballet Dancers" 1423:
Reusable low-cost platform for digitizing and preserving traditional participative sports
2173: 514:. SIGGRAPH '92. New York, NY, USA: Association for Computing Machinery. pp. 99–104. 512:
Proceedings of the 19th annual conference on Computer graphics and interactive techniques
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Nadine Social Robot demonstrates her capabilities, directed by Nadia Magnenat Thalmann.
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Modelling the human hip joint in extreme postures. Directed by Nadia Magnenat Thalmann.
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3D Recreation of hair movements with a fluid flow. Directed by Nadia Magnenat Thalmann.
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Demonstration performed with Nadine Social Robot, directed by Nadia Magnenat Thalmann.
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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Swissnex Singapore End of 2013 Party, Singapore, directed by Nadia Magnenat Thalmann.
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Swissnex Singapore End of 2012 Party, Singapore, directed by Nadia Magnenat Thalmann.
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3D modelling of Hagia Sophia Mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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A. Chincisan, K. Tecante, M. Becker, N. Magnenat Thalmann, C. Hurschler, H.F. Choi,
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In 2010, Thalmann was awarded an honorary doctorate from the University of Ottawa.
1785:, Journal of Biomechanics (IF: 2.496), vol. 42, no.9, pp.1201-1205, June 19, 2009 430:
Kalra, Prem; Mangili, Angelo; Thalmann, Nadia Magnenat; Thalmann, Daniel (1992).
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Opening Ceremony at AIA Finlayson Green. Directed by Nadia Magnenat Thalmann.
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From motion capture to facial animation. Directed by Nadia Magnenat Thalmann.
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Refurbish a single user 3D application into a multi-user distributed service
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Interaction with Nadine Social Robot, directed by Nadia Magnenat Thalmann.
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Eurographics Medical 1st Prize, 2009, directed by Nadia Magnenat Thalmann.
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HÉCHANGES - Journal de l'École des hautes études commerciales de Montréal
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In 2009, she was awarded a Doctor Honoris Causa in Natural sciences from
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New Media Village @ IMI, Singapore directed by Nadia Magnenat Thalmann.
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Magnenat-Thalmann, N.; Laperrière, R.; Thalmann, D. (December 1, 1989).
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for early original contribution in computer graphics in Montreal (1987).
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scientist and robotician and is the founder and head of MIRALab at the
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Combining Memory and Emotion With Dialog on Social Companion: A Review
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Multiscale Biological Modalities for physiological human articulation
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A Virtual rehearsal of a dancer, directed by Nadia Magnenat Thalmann.
337:"The Direction of Synthetic Actors in the Film Rendez-Vous a Montreal" 1738:
van der Plas, Wim (1987). "Animatie in Canada serieuze onderneming".
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Sherman, David (June 1, 1987). "Film stars of the computer screen".
1587:, Chimia, Swiss Chemical Society, vol. 31, no. 9, pp.361-362, 1977 376:
Magnenat-Thalmann, N.; Primeau, E.; Thalmann, D. (March 1, 1988).
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LCAO Xα calculation of the ionization energies of small molecules
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Mixed Reality film, 41 sec, directed by Nadia Magnenat Thalmann.
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Dabby, Victor (June 16, 1987). "And computer creates Marilyn".
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MultiScale Human project, directed by Nadia Magnenat Thalmann.
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MultiScale Human project, directed by Nadia Magnenat Thalmann.
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3D Fashion Show, 1 min., directed by Nadia Magnenat Thalmann.
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published by Springer, Germany and co editor-in-chief of the
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Talbot, Paul-Henri (May 23, 1987). "Pour toute la famille".
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The robot EVA playing in the Roten Fabrik theatre at Zurich
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Human Robot Interaction by Upper Body Gesture Understanding
378:"Abstract muscle action procedures for human face animation" 2111: 1600:, Chemical Physics Letters, Elsevier, vol. 47, no. 3, 1977 983:
MIRALab's projects. Directed by Nadia Magnenat Thalmann.
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Proceedings IEEE Virtual Reality 2000 (Cat. No.00CB37048)
2022:"Un film québécois entièrement réalisé par ordinateur". 304:
In July 1987, Thalmann was named "Woman of the Year" by
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The Canadian Human Computer Communications Society Award
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Nadine Social Robot conversation with a student, Felix
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2016 ACI Asia Business Summit - Live Call with Nadine
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A major contributor to this article appears to have a
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Os truques da vanguarda, Wednesday, November 25, 1987
335:Magnenat-Thalmann, Nadia; Thalmann, Daniel (1987). 157: 145: 128: 113: 99: 80: 2037:CGI 2007 Best International Scientific Video award 1213:Interactive Media with Personal Networked Devices 1279:Real-time Interaction with Nadine Humanoid Robot 771:Virtual Marilyn receives the Golden Camera Award 225:(CGI). She is the editor-in-chief of the journal 1978:"Honorary Doctorate of the University of Ottawa" 1855:Kasap, Zerrin; Magnenat-Thalmann, Nadia (2012). 306:École des hautes Ă©tudes commerciales de MontrĂ©al 1915:J. Zhang J, N. Magnenat Thalmann and J. Zheng, 1783:MRI-based Assessment of Hip Joint Translations 1357:Attention Control of Realistic Humanoid Robot 221:(CASA) in Geneva in 1988, as well as managing 1489:Nadine Social Robot at AIA Insurance Company 1335:3D Multiscale Subject Specific Soccer Player 8: 2003:"Femme de l'annĂ©e, catĂ©gorie scientifique". 1755:J. Schmid, J. Kim and N. Magnenat Thalmann, 1639:Culture et SociĂ©tĂ©, Montreal, May 21, 1987 551:. Not Known: ACM Press. pp. 137–144. 88: 77: 1929:Nadine at the Singapore ArtScience Museum 1668:. Geneva. September 24, 1987. p. 10. 1560:"Computer Animation & Virtual Worlds" 1302:A Facebook-aware Virtual Human Interface 892:S.S. Segius and Bacchus Reconstruction 1 556: 519: 473:"LoD management on animating face models" 64:Learn how and when to remove this message 2086:"Die Vision vom durchsichtigen Menschen" 1202:Biomechanical Analysis of the Hip Joint 122:École Polytechnique FĂ©dĂ©rale de Lausanne 2118:(in German). June 5, 2012. p. 22. 1801:The American Journal of Sports Medicine 1705:Het Vrije Volk, Saturday, June 27, 1987 1515: 341:IEEE Computer Graphics and Applications 1313:Sound Localization and Classification 317:In 2012, she received the prestigious 174:Nanyang Technological University (NTU) 1716:Eurographics, Holland, November, 1987 1625:"Marilyn, Bogie star one more time". 423:Proceedings on Graphics Interface '88 7: 1768:B. Gilles and N. Magnenat Thalmann, 1727:World Premiere at the Place des Arts 1664:"Elle met Marilyn sur ordinateur!". 1113:Virtual Hagia Sophia Reconstruction 1080:Reconstruction of bones and muscles 471:Seo, Hyewon; Thalmann, N.M. (2000). 219:Computer Animation and Social Agents 2145:"HNF - Pioniere der digitalen Welt" 2084:Kaune, Juliane (February 5, 2014). 1940:Media coverage on Nadine exhibition 1596:N. Magnenat Thalmann and J. Weber, 650:Rendez Vous Ă  Montreal - Making of 2228:Academic staff of UniversitĂ© Laval 2203:Canadian women computer scientists 969:Best Of MIRALab from 1982 to 2002 14: 1169:A Day in the Life of John Calvin 246:'s approximate solutions (1977). 2048:SIGGRAPH Electronic Theatre 2007 1257:SIGGRAPH ASIA 2012 Fashion Show 198:Nanyang Technological University 44:. Please discuss further on the 23: 2218:Swiss women computer scientists 2208:Computer graphics professionals 1268:IMI Mixed Reality Fashion Show 223:Computer Graphics International 1952:"Ehrendoktoren der Fakultäten" 1324:Affective Memory and Dialogue 1224:Virtual and Live Fashion Show 804:Marilyn at the United Nations 1: 2193:Computer graphics researchers 2090:HAZ – Hannoversche Allgemeine 1246:The Illusion of Intelligence 1191:La danse dans tous ses Ă©tats 2198:Canadian computer scientists 1956:Leibniz Universität Hannover 991:Making of “Dream of a Model 925:Expressive Speech Animation 1136:Motion Analysis of the Hip 606:Vol de RĂŞve (Dream Flight) 289:Leibniz University Hannover 166:HEC, University of MontrĂ©al 2249: 1523:European Research Projects 1456:The Making Of Nadine Hand 1069:High Fashion in Equations 947:UNILEVER - Walking Models 881:Dancing over the Internet 231:Computer Animation Journal 2213:Swiss computer scientists 2060:"Nadia Magnenat Thalmann" 1873:10.1007/s00371-011-0630-7 1629:. Montreal. May 21, 1987. 1467:ArtScience Museum Human+ 1058:Modee Virtual Collection 448:10.1111/1467-8659.1130059 179: 138: 87: 2176:publications indexed by 1905:Media coverage on Nadine 1813:10.1177/0363546510386002 1124:HAPTEX cloth simulation 958:Virtual Life in Pompeii 153:Social Humanoid Robotics 2174:Nadia Magnenat Thalmann 1742:(in Dutch). p. 27. 936:Interactive Hairstyler 639:Rendez-vous Ă  Montreal 436:Computer Graphics Forum 353:10.1109/MCG.1987.276934 319:Humboldt Research Award 255:Rendez-vous in Montreal 186:Nadia Magnenat Thalmann 132:Humboldt Research Award 82:Nadia Magnenat Thalmann 2024:Journal des IngĂ©nieurs 1583:N. Magnenat Thalmann, 1147:Facial Motion Capture 760:Mariln by Geneva lake 485:10.1109/VR.2000.840494 2116:Die Tageszeitung: taz 1535:"The Visual Computer" 1500:AIA Opening Ceremony 1025:Virtual Fashion Show 782:Xian Terracotta Army 672:Les Ă®les ont une âme 558:10.1145/218380.218432 521:10.1145/133994.134017 42:neutral point of view 1445:Nadine Social Robot 1379:Nadine Introduction 1013:Making Of Life Plus 479:. pp. 161–168. 244:Schrödinger equation 233:published by Wiley. 194:University of Geneva 170:University of Geneva 118:University of Geneva 1861:The Visual Computer 1401:Nadine Interaction 382:The Visual Computer 227:The Visual Computer 204:from 2009 to 2021. 2064:Graphics Interface 1612:The Ottawa Citizen 1180:Virtual Hip Joint 1002:The Ballet Dancer 793:Anyone for Tennis 661:Galaxy Sweetheart 394:10.1007/BF01914864 149:Computer Graphics 16:Computer scientist 1984:on August 2, 2017 1507: 1506: 1368:Nadine and Nadia 870:Charleston Party 859:Cyborg Frictions 568:978-0-89791-701-8 531:978-0-89791-479-6 277:Honors and awards 271:ArtScience Museum 190:computer graphics 183: 182: 140:Scientific career 74: 73: 66: 37:with its subject. 2240: 2161: 2160: 2158: 2156: 2141: 2135: 2134: 2132: 2130: 2108: 2102: 2101: 2099: 2097: 2081: 2075: 2074: 2072: 2070: 2056: 2050: 2045: 2039: 2034: 2028: 2027: 2019: 2013: 2012: 2000: 1994: 1993: 1991: 1989: 1980:. 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Montreal. 1627:The Gazette 1102:Hair Dance 815:Cyberdance 585:Filmography 321:in Germany. 100:Nationality 2187:Categories 2149:www.hnf.de 2011:(6). 1987. 1988:August 17, 1510:References 694:Flashback 628:Eglantine 2124:0931-9085 2112:"DER TAG" 1867:: 87–97. 1666:La Suisse 1651:La Presse 1564:Wiley.com 914:CAHRISMA 456:1467-8659 402:1432-2315 361:1558-1756 208:Biography 202:Singapore 46:talk page 1881:17756628 1829:46725738 1821:21160017 1681:Playback 1539:Springer 1158:Ruban 2 617:Nirvana 410:15791501 369:12591680 237:Research 108:Canadian 540:7379736 503:1426606 464:8727599 291:(2009). 257:(1987) 200:(NTU), 2122:  1894:Nadine 1879:  1827:  1819:  1740:CADCAM 1047:ERATO 848:Orbit 826:Kathy 595:Title 577:379810 575:  565:  538:  528:  501:  491:  462:  454:  408:  400:  367:  359:  299:Awards 267:Nadine 146:Fields 129:Awards 124:(EPFL) 1877:S2CID 1825:S2CID 1497:2018 1486:2018 1475:2017 1464:2017 1453:2017 1442:2017 1431:2017 1420:2016 1409:2016 1398:2016 1387:2016 1376:2016 1365:2016 1354:2016 1343:2015 1332:2015 1321:2014 1310:2014 1299:2014 1287:2013 1276:2013 1265:2012 1254:2012 1243:2012 1232:2011 1221:2011 1210:2010 1199:2010 1188:2009 1177:2009 1166:2009 1155:2008 1144:2008 1133:2008 1121:2007 1110:2007 1099:2006 1088:2006 1077:2005 1066:2005 1055:2004 1044:2004 1033:2004 1022:2004 1010:2004 999:2003 988:2003 977:2003 966:2002 955:2002 944:2001 933:2001 922:2001 911:2001 900:2001 889:2000 878:2000 867:1999 856:1999 845:1998 834:1998 823:1998 812:1997 801:1997 790:1997 779:1997 768:1996 757:1995 746:1995 735:1994 724:1993 713:1992 702:1991 691:1990 680:1990 669:1988 658:1988 647:1987 636:1987 625:1987 614:1985 603:1982 592:Year 573:S2CID 536:S2CID 499:S2CID 460:S2CID 406:S2CID 365:S2CID 188:is a 104:Swiss 2157:2021 2131:2021 2120:ISSN 2098:2021 2071:2021 1990:2017 1964:2021 1817:PMID 1571:2021 1546:2021 683:Iad 563:ISBN 526:ISBN 489:ISBN 452:ISSN 398:ISSN 357:ISSN 1869:doi 1809:doi 553:doi 516:doi 481:doi 444:doi 390:doi 349:doi 2189:: 2147:. 2114:. 2088:. 2062:. 2007:. 1954:. 1875:. 1865:28 1863:. 1859:. 1823:. 1815:. 1805:39 1803:. 1799:. 1748:^ 1562:. 1537:. 571:. 561:. 534:. 524:. 497:. 487:. 475:. 458:. 450:. 440:11 438:. 434:. 421:. 404:. 396:. 384:. 380:. 363:. 355:. 343:. 339:. 106:, 2159:. 2133:. 2100:. 2073:. 2009:3 1992:. 1966:. 1883:. 1871:: 1831:. 1811:: 1683:. 1573:. 1548:. 579:. 555:: 542:. 518:: 505:. 483:: 466:. 446:: 412:. 392:: 386:3 371:. 351:: 345:7 67:) 61:( 56:) 52:( 48:.

Index

close connection
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Swiss
Canadian
University of Geneva
École Polytechnique Fédérale de Lausanne
Université Laval
HEC, University of Montréal
University of Geneva
Nanyang Technological University (NTU)
computer graphics
University of Geneva
Nanyang Technological University
Singapore
Computer Animation and Social Agents
Computer Graphics International
Schrödinger equation
Marilyn Monroe
Rendez-vous in Montreal
Nadine
ArtScience Museum
Leibniz University Hannover
École des hautes études commerciales de Montréal
Humboldt Research Award
"The Direction of Synthetic Actors in the Film Rendez-Vous a Montreal"
doi
10.1109/MCG.1987.276934

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