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Thalmann received an MS in psychology, an MS in biology and a Master in biochemistry at the
University of Geneva. She obtained a PhD in Quantum Physics in 1977 from the same university. She started her career as an assistant professor at the University Laval in Canada, then became a professor at HEC,
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She made several original contributions in MRI segmentation methods correlated with clinical findings. She also modelled the simulation of
Virtual Ballerinas where their hip cartilage deformations can be visualized while dancing. She further demonstrates see-through knee articulations of real soccer
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Thalmann has made numerous research contributions in the general area of computer graphics and is best known for her work on simulating realistic virtual humans. She also made early contributions in computer graphics during her PhD by simulating and visualizing 3D electronic densities of the
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Thalmann has authored and co-authored more than 600 papers in the area of
Virtual Humans, social robots, VR, and 3D simulation of human articulations. She has participated in more than 45 European research projects. She has served the Computer Graphics community by creating the
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Video showing the Visuo-haptic VR System for interacting with virtual textiles and samples of cloth simulation. Haptic sensing of virtual textiles (HAPTEX) is a
European Research project in which MIRALab participates. Directed by Nadia Magnenat Thalmann.
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players. Since 2008, she has started at MIRALab, University of Geneva, a research with the humanoid robot EVA and demonstrated a first model of a realistic robot showing emotions and having a memory model. She has worked on the social autonomous robot
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Demonstration on a single user 3D application into a multi-user distributed service, a software platform developed at MIRALab, University Of Geneva, Switzerland, directed by Nadia
Magnenat Thalmann, Yvain Tisserand and Niels Nijdam.
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This film was shown in world premiere at the Place des Arts in
Montreal to celebrate 100 years of engineering in Canada. She also showed her film at the Modern Art Museum in New York in 1988 along with Canadian computer artists.
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Innovative revival of life in ancient frescos and creation of immersive narrative spaces featuring real scenes with behavioural virtual fauna and flora. Directed by Nadia
Magnenat Thalmann and Daniel Thalmann.
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Exhibition of the
Marilyn's recreation in 3D in the University of Geneva. This was an interactive project among the Professors from the Research Center. Directed by Nadia Magnenat Thalmann.
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Mixed reality show presented at
Kursaal, Bern, Switzerland, at the official ceremony of the new members of the Swiss Technical Sciences Academy, directed by Nadia Magnenat Thalmann.
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EU exhibition and conference (IST days conference), real-time performance between Nice, France, and Geneva, Switzerland, directed by Nadia
Magnenat Thalmann and Daniel Thalmann.
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Xian virtual animation about life and human interaction in ancient times. A MIRALab project in the modeling of cultural heritage in 3D. Directed by Nadia Magnenat Thalmann.
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Live show performed in Geneva for the 450th anniversary of the university. The professional ballet dancer dances with her 3D avatar, directed by Nadia Magnenat Thalmann.
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Principal components of facial animation for showing emotional speech, with different type of expressions: sad, happy and surprised. Directed by Nadia Magnenat Thalmann.
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Interaction on stage with Nadine Social Robot during the 2016 ACI Asia Business Summit, Raffles City Convention Centre, Singapore. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, produced with the MIRA Animation system, 13 min., 16mm color, directed by Philippe Bergeron, Nadia Magnenat Thalmann and Daniel Thalmann.
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Demonstration of affective memory and dialogue, on Nadine Social Robot, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
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3 min 33 sec., Mixed-reality live show, Invited presentation at the "Forum de l'hĂ´tellerie Suisse", in Montreux, Switzerland directed by Nadia Magnenat Thalmann.
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4 min 22 sec, Exhibition at the Musée de la Mode, Yverdon, Switzerland, and presented at SIGGRAPH electronic theatre 2007. Directed by Nadia Magnenat Thalmann.
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Carignan, Michel; Yang, Ying; Thalmann, Nadia Magnenat; Thalmann, Daniel (July 1, 1992). "Dressing animated synthetic actors with complex deformable clothes".
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In 2007, her film "High Fashion in Equations" has won the CGI 2007 Best International Scientific Video award and was shown at the SIGGRAPH Electronic Theatre.
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Volino, Pascal; Courchesne, Martin; Magnenat Thalmann, Nadia (1995). "Versatile and efficient techniques for simulating cloth and other deformable objects".
269:, modeled in her image, that is able to speak, recognize people and gestures, express mood and emotions, and remember actions. Nadine has been shown at the
2202:
653:
Documentary on the making of the 3D Computer-generated film Rendez Vous Ă Montreal, 14 min 48sec, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
1919:, Proceedings of the ACM 29th International Conference on Computer Animation and Social Agents (CASA 2016), pp. 1-9, Geneva, Switzerland, May 23–25, 2016
1795:
Charbonnier, Caecilia; Kolo, Frank C.; Duthon, Victoria B.; Magnenat-Thalmann, Nadia; Becker, Christoph D.; Hoffmeyer, Pierre; Menetrey, Jacques (2011).
1426:
Video demonstration on a reusable low-cost platform for digitizing and preserving traditional participative sports. Directed by Nadia Magnenat Thalmann.
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Last results of the studying of movements, materials and textures on a dress: different essays and perspectives. Directed by Nadia Magnenat Thalmann.
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5th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia, Singapore. Directed by Nadia Magnenat Thalmann.
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AAAI Video Competition 2012, Best Student Video Award. Produced by Karolina Zawieska, Bart Kevelham, Maher Ben Moussa and Nadia Magnenat Thalmann.
1172:
3D simulation of John Calvin and exhibition at the International Museum of the Reform in Geneva, Switzerland. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with cloth animation, 50 sec., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
1316:
Demonstration on sound localization by Virtual Human, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
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A video show casing the best productions of MIRALab including some interviews and explanations of our work, directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, produced with the HUMAN FACTORY system, 2 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
664:
3D Computer-generated film, produced with the HUMAN FACTORY system, 6 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
642:
3D Computer-generated film, produced with the HUMAN FACTORY system, 6 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
631:
3D Computer-generated film, produced with the HUMAN FACTORY system, 3 min., 35mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Presentation of Eva Robot, a humanoid robot head with software platform developed at MIRALab, Switzerland, directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with hand animation, 3 min., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Presentation of “Virtual Self”, Mixed-reality live show, at Kulturhalle Dampfzentrale, Bern, Switzerland, directed by Nadia Magnenat Thalmann.
708:
3D Computer-generated film, in ray tracing, with walking model, 1 min., 1 inch video, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
752:
Real-time performance between Singapore and Geneva (Virtual Shopping) at Telecom`95, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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3D Computer-generated film, produced with the MIRANIM system, 4 min., 16mm color, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Demonstration on the dynamic reconfigurable wearable interfaces for personal health data analysis, directed by Nadia Magnenat Thalmann.
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2 min, 1 inch video, Berlin, Germany. Program retransmitted on ZDF, Germany, and Marilyn sequence, directed by Nadia Magnenat Thalmann.
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In 2012, she has been a co-recipient of the Career Achievement Award by the Canadian Human Computer Communications Society in Toronto.
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7 min., 3D fashion simulation in mixed reality, Musée d’art et d’histoire, Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
41:
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Modee Spring-Summer Collection 2005 from MIRALab: animation video with recreation of a runway. Directed by Nadia Magnenat Thalmann.
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3 min 22 sec., Mixed-reality performance, “Hannover Region Stand” in Cebit, Hannover, Germany, directed by Nadia Magnenat Thalmann.
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Interactive Telecom 97, real time demo between Lausanne and Geneva, 2 min, directed by Nadia Magnenat Thalmann and Daniel Thalmann.
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Thalmann selected as a Pioneer in Information Technology at the Heinz Nixdorf Computer Museum's Electronic Wall of Fame in Germany.
34:
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Later on, she pioneered the modelling of realistic Virtual Humans, particularly producing the first simulation of a 3D version of
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Nadia Magnenat Thalmann interacting with Nadine Social Robot by reading a journal together, directed by Nadia Magnenat Thalmann.
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3D reconstruction of bones and muscles is a priority in order to help the medical research. Directed by Nadia Magnenat Thalmann.
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Nadine Social Robot starting work as a receptionist in AIA Insurance Company in Singapore. Directed by Nadia Magnenat Thalmann.
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Creation of a virtual restoration and revival of cultural heritage: The Aspendos theatre. Directed by Nadia Magnenat Thalmann.
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Recreation of a dancer's movements: hair simulation, cloths design and virtual reality. Directed by Nadia Magnenat Thalmann.
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3D Computer-generated film, in ray tracing, with cloth animation, 1 min., 1 inch video, directed by Nadia Magnenat Thalmann.
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University of Montreal until 1988. In 1989, she moved to the University of Geneva where she founded the MIRALab laboratory.
1305:
Demonstration on Virtual Human, a software platform developed at IMI, NTU, Singapore, directed by Nadia Magnenat Thalmann.
1759:, International Journal of Computer Assisted Radiology and Surgery (IF: 1.659), Springer, vol. 6, no.1, pp.45-57, May 2010
2059:
45:
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273:, in the exhibition HUMAN+: The Future of our Species, in Singapore, which has attracted more than 100 000 visitors.
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Robot Eva has also performed in a play in the Roten Fabrik Theatre at Zurich., produced by Nadia Magnenat Thalmann.
741:
3D Computer-generated film, inspired from the painting made by Hopper, 1 min, directed by Nadia Magnenat Thalmann.
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A demonstration on Nadine Social Robot having a conversation with a student. Directed by Nadia Magnenat Thalmann.
1028:
9 min. 26 sec, live Virtual Fashion show at Athénée 13, Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
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2 min 37sec, presented at the Intercontinental Hotel in Geneva, Switzerland, directed by Nadia Magnenat Thalmann.
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A New Computer Program for Generating Three-Dimensional Plots of Electronic Densities and Related Contour Levels
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3D Computer Animation film festival, opening sequence, 1 inch video, directed by Nadia Magnenat Thalmann.
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1845:, Journal of Computer Assisted Radiology and Surgery (IF: 1.66), DOI: 10.1007/s11548-015-1251-9, July 2015
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A computational approach to calculate personalized pennation angle based on MRI: effect on motion analysis
1904:
1757:
Extreme Leg Motion Analysis of Professional Ballet Dancers via MRI Segmentation of Multiple Leg Postures
1756:
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First film to mix virtual people with real ones on a real setting, directed by Nadia Magnenat Thalmann.
549:
Proceedings of the 22nd annual conference on Computer graphics and interactive techniques - SIGGRAPH '95
1715:
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3D simulation of the interior of Hagia Sophia Mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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B. Gilles, F. Kolo-Christophe, N. Magnenat Thalmann, C. Becker, S. Duc, J. Menetrey and P. Hoffmeyer,
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2 min 40 sec., Virtual Reality live show, Casino Hilton Geneva, directed by Nadia Magnenat Thalmann.
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A short trailer of Nadine Social Robot at IMI, NTU, Singapore. Directed by Nadia Magnenat Thalmann.
431:
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1981:
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Musculoskeletal MRI Segmentation Using Multi-resolution Simplex Meshes with Medial Representations
785:
3D simulation of the Xian Terracotta soldiers, 1 min 27 sec, directed by Nadia Magnenat Thalmann.
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1459:
A video showing the process in the making of Nadine's hand. Directed by Nadia Magnenat Thalmann.
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1857:"Building long-term relationships with virtual and robotic characters: The role of remembering"
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1470:
Nadine Social Robot, at the ArtScience Museum, Singapore. Directed by Nadia Magnenat Thalmann.
1205:
Investigating the link between extreme movements and hip, directed by Nadia Magnenat Thalmann.
2119:
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1161:
Simulation of a textile applied with a waterfall effect. Directed by Nadia Magnenat Thalmann.
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Simulation of the Segius and Bacchus mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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Demonstration of Facial Animation for Pocket computer. Directed by Nadia Magnenat Thalmann.
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Recognition of human gestures by Nadine Social Robot, directed by Nadia Magnenat Thalmann.
1797:"Assessment of Congruence and Impingement of the Hip Joint in Professional Ballet Dancers"
1423:
Reusable low-cost platform for digitizing and preserving traditional participative sports
2173:
514:. SIGGRAPH '92. New York, NY, USA: Association for Computing Machinery. pp. 99–104.
512:
Proceedings of the 19th annual conference on Computer graphics and interactive techniques
165:
1382:
Nadine Social Robot demonstrates her capabilities, directed by Nadia Magnenat Thalmann.
1139:
Modelling the human hip joint in extreme postures. Directed by Nadia Magnenat Thalmann.
939:
3D Recreation of hair movements with a fluid flow. Directed by Nadia Magnenat Thalmann.
89:
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Demonstration performed with Nadine Social Robot, directed by Nadia Magnenat Thalmann.
250:
40:
It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
1522:
1282:
Swissnex Singapore End of 2013 Party, Singapore, directed by Nadia Magnenat Thalmann.
1271:
Swissnex Singapore End of 2012 Party, Singapore, directed by Nadia Magnenat Thalmann.
917:
3D modelling of Hagia Sophia Mosque in Istanbul. Directed by Nadia Magnenat Thalmann.
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A. Chincisan, K. Tecante, M. Becker, N. Magnenat Thalmann, C. Hurschler, H.F. Choi,
1828:
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In 2010, Thalmann was awarded an honorary doctorate from the University of Ottawa.
1785:, Journal of Biomechanics (IF: 2.496), vol. 42, no.9, pp.1201-1205, June 19, 2009
430:
Kalra, Prem; Mangili, Angelo; Thalmann, Nadia Magnenat; Thalmann, Daniel (1992).
103:
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336:
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Opening Ceremony at AIA Finlayson Green. Directed by Nadia Magnenat Thalmann.
1150:
From motion capture to facial animation. Directed by Nadia Magnenat Thalmann.
472:
447:
432:"Simulation of Facial Muscle Actions Based on Rational Free Form Deformations"
2123:
1812:
1772:, Medical Image Analysis (IF: 3.681), Elsevier, vol.14, pp.291-302, June 2010
1290:
Refurbish a single user 3D application into a multi-user distributed service
455:
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1404:
Interaction with Nadine Social Robot, directed by Nadia Magnenat Thalmann.
1183:
Eurographics Medical 1st Prize, 2009, directed by Nadia Magnenat Thalmann.
484:
419:"Joint-dependent local deformations for hand animation and object grasping"
557:
520:
2005:
HÉCHANGES - Journal de l'École des hautes études commerciales de Montréal
287:
In 2009, she was awarded a Doctor Honoris Causa in Natural sciences from
1227:
New Media Village @ IMI, Singapore directed by Nadia Magnenat Thalmann.
417:
Magnenat-Thalmann, N.; Laperrière, R.; Thalmann, D. (December 1, 1989).
308:
for early original contribution in computer graphics in Montreal (1987).
393:
192:
scientist and robotician and is the founder and head of MIRALab at the
2047:
1917:
Combining Memory and Emotion With Dialog on Social Companion: A Review
1346:
Multiscale Biological Modalities for physiological human articulation
1005:
A Virtual rehearsal of a dancer, directed by Nadia Magnenat Thalmann.
337:"The Direction of Synthetic Actors in the Film Rendez-Vous a Montreal"
1738:
van der Plas, Wim (1987). "Animatie in Canada serieuze onderneming".
377:
1679:
Sherman, David (June 1, 1987). "Film stars of the computer screen".
1587:, Chimia, Swiss Chemical Society, vol. 31, no. 9, pp.361-362, 1977
376:
Magnenat-Thalmann, N.; Primeau, E.; Thalmann, D. (March 1, 1988).
1598:
LCAO Xα calculation of the ionization energies of small molecules
807:
Mixed Reality film, 41 sec, directed by Nadia Magnenat Thalmann.
1610:
Dabby, Victor (June 16, 1987). "And computer creates Marilyn".
1349:
MultiScale Human project, directed by Nadia Magnenat Thalmann.
1338:
MultiScale Human project, directed by Nadia Magnenat Thalmann.
829:
3D Fashion Show, 1 min., directed by Nadia Magnenat Thalmann.
588:
18:
229:
published by Springer, Germany and co editor-in-chief of the
1649:
Talbot, Paul-Henri (May 23, 1987). "Pour toute la famille".
1434:
The robot EVA playing in the Roten Fabrik theatre at Zurich
1390:
Human Robot Interaction by Upper Body Gesture Understanding
378:"Abstract muscle action procedures for human face animation"
2111:
1600:, Chemical Physics Letters, Elsevier, vol. 47, no. 3, 1977
983:
MIRALab's projects. Directed by Nadia Magnenat Thalmann.
477:
Proceedings IEEE Virtual Reality 2000 (Cat. No.00CB37048)
2022:"Un film québécois entièrement réalisé par ordinateur".
304:
In July 1987, Thalmann was named "Woman of the Year" by
196:. She has chaired the Institute for Media Innovation at
134:
The Canadian Human Computer Communications Society Award
1478:
Nadine Social Robot conversation with a student, Felix
1751:
1749:
1412:
2016 ACI Asia Business Summit - Live Call with Nadine
425:. CAN: Canadian Information Processing Society: 26–33.
33:
A major contributor to this article appears to have a
1694:
Os truques da vanguarda, Wednesday, November 25, 1987
335:Magnenat-Thalmann, Nadia; Thalmann, Daniel (1987).
157:
145:
128:
113:
99:
80:
2037:CGI 2007 Best International Scientific Video award
1213:Interactive Media with Personal Networked Devices
1279:Real-time Interaction with Nadine Humanoid Robot
771:Virtual Marilyn receives the Golden Camera Award
225:(CGI). She is the editor-in-chief of the journal
1978:"Honorary Doctorate of the University of Ottawa"
1855:Kasap, Zerrin; Magnenat-Thalmann, Nadia (2012).
306:École des hautes études commerciales de Montréal
1915:J. Zhang J, N. Magnenat Thalmann and J. Zheng,
1783:MRI-based Assessment of Hip Joint Translations
1357:Attention Control of Realistic Humanoid Robot
221:(CASA) in Geneva in 1988, as well as managing
1489:Nadine Social Robot at AIA Insurance Company
1335:3D Multiscale Subject Specific Soccer Player
8:
2003:"Femme de l'année, catégorie scientifique".
1755:J. Schmid, J. Kim and N. Magnenat Thalmann,
1639:Culture et Société, Montreal, May 21, 1987
551:. Not Known: ACM Press. pp. 137–144.
88:
77:
1929:Nadine at the Singapore ArtScience Museum
1668:. Geneva. September 24, 1987. p. 10.
1560:"Computer Animation & Virtual Worlds"
1302:A Facebook-aware Virtual Human Interface
892:S.S. Segius and Bacchus Reconstruction 1
556:
519:
473:"LoD management on animating face models"
64:Learn how and when to remove this message
2086:"Die Vision vom durchsichtigen Menschen"
1202:Biomechanical Analysis of the Hip Joint
122:École Polytechnique Fédérale de Lausanne
2118:(in German). June 5, 2012. p. 22.
1801:The American Journal of Sports Medicine
1705:Het Vrije Volk, Saturday, June 27, 1987
1515:
341:IEEE Computer Graphics and Applications
1313:Sound Localization and Classification
317:In 2012, she received the prestigious
174:Nanyang Technological University (NTU)
1716:Eurographics, Holland, November, 1987
1625:"Marilyn, Bogie star one more time".
423:Proceedings on Graphics Interface '88
7:
1768:B. Gilles and N. Magnenat Thalmann,
1727:World Premiere at the Place des Arts
1664:"Elle met Marilyn sur ordinateur!".
1113:Virtual Hagia Sophia Reconstruction
1080:Reconstruction of bones and muscles
471:Seo, Hyewon; Thalmann, N.M. (2000).
219:Computer Animation and Social Agents
2145:"HNF - Pioniere der digitalen Welt"
2084:Kaune, Juliane (February 5, 2014).
1940:Media coverage on Nadine exhibition
1596:N. Magnenat Thalmann and J. Weber,
650:Rendez Vous Ă Montreal - Making of
2228:Academic staff of Université Laval
2203:Canadian women computer scientists
969:Best Of MIRALab from 1982 to 2002
14:
1169:A Day in the Life of John Calvin
246:'s approximate solutions (1977).
2048:SIGGRAPH Electronic Theatre 2007
1257:SIGGRAPH ASIA 2012 Fashion Show
198:Nanyang Technological University
44:. Please discuss further on the
23:
2218:Swiss women computer scientists
2208:Computer graphics professionals
1268:IMI Mixed Reality Fashion Show
223:Computer Graphics International
1952:"Ehrendoktoren der Fakultäten"
1324:Affective Memory and Dialogue
1224:Virtual and Live Fashion Show
804:Marilyn at the United Nations
1:
2193:Computer graphics researchers
2090:HAZ – Hannoversche Allgemeine
1246:The Illusion of Intelligence
1191:La danse dans tous ses Ă©tats
2198:Canadian computer scientists
1956:Leibniz Universität Hannover
991:Making of “Dream of a Model
925:Expressive Speech Animation
1136:Motion Analysis of the Hip
606:Vol de RĂŞve (Dream Flight)
289:Leibniz University Hannover
166:HEC, University of Montréal
2249:
1523:European Research Projects
1456:The Making Of Nadine Hand
1069:High Fashion in Equations
947:UNILEVER - Walking Models
881:Dancing over the Internet
231:Computer Animation Journal
2213:Swiss computer scientists
2060:"Nadia Magnenat Thalmann"
1873:10.1007/s00371-011-0630-7
1629:. Montreal. May 21, 1987.
1467:ArtScience Museum Human+
1058:Modee Virtual Collection
448:10.1111/1467-8659.1130059
179:
138:
87:
2176:publications indexed by
1905:Media coverage on Nadine
1813:10.1177/0363546510386002
1124:HAPTEX cloth simulation
958:Virtual Life in Pompeii
153:Social Humanoid Robotics
2174:Nadia Magnenat Thalmann
1742:(in Dutch). p. 27.
936:Interactive Hairstyler
639:Rendez-vous Ă Montreal
436:Computer Graphics Forum
353:10.1109/MCG.1987.276934
319:Humboldt Research Award
255:Rendez-vous in Montreal
186:Nadia Magnenat Thalmann
132:Humboldt Research Award
82:Nadia Magnenat Thalmann
2024:Journal des Ingénieurs
1583:N. Magnenat Thalmann,
1147:Facial Motion Capture
760:Mariln by Geneva lake
485:10.1109/VR.2000.840494
2116:Die Tageszeitung: taz
1535:"The Visual Computer"
1500:AIA Opening Ceremony
1025:Virtual Fashion Show
782:Xian Terracotta Army
672:Les îles ont une âme
558:10.1145/218380.218432
521:10.1145/133994.134017
42:neutral point of view
1445:Nadine Social Robot
1379:Nadine Introduction
1013:Making Of Life Plus
479:. pp. 161–168.
244:Schrödinger equation
233:published by Wiley.
194:University of Geneva
170:University of Geneva
118:University of Geneva
1861:The Visual Computer
1401:Nadine Interaction
382:The Visual Computer
227:The Visual Computer
204:from 2009 to 2021.
2064:Graphics Interface
1612:The Ottawa Citizen
1180:Virtual Hip Joint
1002:The Ballet Dancer
793:Anyone for Tennis
661:Galaxy Sweetheart
394:10.1007/BF01914864
149:Computer Graphics
16:Computer scientist
1984:on August 2, 2017
1507:
1506:
1368:Nadine and Nadia
870:Charleston Party
859:Cyborg Frictions
568:978-0-89791-701-8
531:978-0-89791-479-6
277:Honors and awards
271:ArtScience Museum
190:computer graphics
183:
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140:Scientific career
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1676:
1670:
1669:
1661:
1655:
1654:
1646:
1640:
1637:
1631:
1630:
1622:
1616:
1615:
1607:
1601:
1594:
1588:
1581:
1575:
1574:
1572:
1570:
1556:
1550:
1549:
1547:
1545:
1531:
1525:
1520:
1235:Social Robotics
980:HES Sierre Show
727:Marilyn singing
589:
580:
560:
543:
523:
506:
467:
426:
413:
372:
282:Honorary degrees
162:Université Laval
94:Thalmann in 2009
92:
78:
69:
62:
58:
55:
49:
35:close connection
27:
26:
19:
2248:
2247:
2243:
2242:
2241:
2239:
2238:
2237:
2183:
2182:
2170:
2165:
2164:
2154:
2152:
2143:
2142:
2138:
2128:
2126:
2110:
2109:
2105:
2095:
2093:
2083:
2082:
2078:
2068:
2066:
2058:
2057:
2053:
2046:
2042:
2035:
2031:
2026:. Québec. 1987.
2021:
2020:
2016:
2002:
2001:
1997:
1987:
1985:
1976:
1975:
1971:
1961:
1959:
1950:
1949:
1945:
1938:
1934:
1927:
1923:
1914:
1910:
1903:
1899:
1892:
1888:
1854:
1853:
1849:
1840:
1836:
1794:
1793:
1789:
1780:
1776:
1767:
1763:
1754:
1747:
1737:
1736:
1732:
1725:
1721:
1714:
1710:
1703:
1699:
1692:
1688:
1678:
1677:
1673:
1663:
1662:
1658:
1648:
1647:
1643:
1638:
1634:
1624:
1623:
1619:
1609:
1608:
1604:
1595:
1591:
1582:
1578:
1568:
1566:
1558:
1557:
1553:
1543:
1541:
1533:
1532:
1528:
1521:
1517:
1512:
1091:Xian Real Time
837:Fashion Dreams
587:
569:
546:
532:
509:
495:
470:
429:
416:
375:
334:
331:
301:
284:
279:
239:
210:
172:
168:
164:
152:
151:Virtual Humans
150:
133:
120:
114:Alma mater
95:
83:
70:
59:
53:
50:
39:
28:
24:
17:
12:
11:
5:
2246:
2244:
2236:
2235:
2230:
2225:
2220:
2215:
2210:
2205:
2200:
2195:
2185:
2184:
2181:
2180:
2178:Google Scholar
2169:
2168:External links
2166:
2163:
2162:
2136:
2103:
2076:
2051:
2040:
2029:
2014:
1995:
1969:
1943:
1932:
1921:
1908:
1897:
1886:
1847:
1834:
1807:(3): 557–566.
1787:
1774:
1761:
1745:
1730:
1719:
1708:
1697:
1686:
1671:
1656:
1641:
1632:
1617:
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1589:
1576:
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1189:
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1129:
1125:
1122:
1118:
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1114:
1111:
1107:
1106:
1103:
1100:
1096:
1095:
1092:
1089:
1085:
1084:
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1078:
1074:
1073:
1070:
1067:
1063:
1062:
1059:
1056:
1052:
1051:
1048:
1045:
1041:
1040:
1037:
1036:PDA Pocket PC
1034:
1030:
1029:
1026:
1023:
1019:
1018:
1014:
1011:
1007:
1006:
1003:
1000:
996:
995:
992:
989:
985:
984:
981:
978:
974:
973:
970:
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962:
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952:
951:
948:
945:
941:
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937:
934:
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929:
926:
923:
919:
918:
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907:
904:
901:
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890:
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879:
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868:
864:
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860:
857:
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852:
849:
846:
842:
841:
838:
835:
831:
830:
827:
824:
820:
819:
816:
813:
809:
808:
805:
802:
798:
797:
794:
791:
787:
786:
783:
780:
776:
775:
772:
769:
765:
764:
761:
758:
754:
753:
750:
747:
743:
742:
739:
738:Broken dreams
736:
732:
731:
728:
725:
721:
720:
717:
714:
710:
709:
706:
705:Still Walking
703:
699:
698:
695:
692:
688:
687:
684:
681:
677:
676:
673:
670:
666:
665:
662:
659:
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648:
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637:
633:
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629:
626:
622:
621:
618:
615:
611:
610:
607:
604:
600:
599:
596:
593:
586:
583:
582:
581:
567:
544:
530:
507:
493:
468:
427:
414:
388:(5): 290–297.
373:
330:
327:
326:
325:
322:
315:
312:
309:
300:
297:
296:
295:
292:
283:
280:
278:
275:
251:Marilyn Monroe
238:
235:
209:
206:
181:
180:
177:
176:
159:
155:
154:
147:
143:
142:
136:
135:
130:
126:
125:
115:
111:
110:
101:
97:
96:
93:
85:
84:
81:
72:
71:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2245:
2234:
2231:
2229:
2226:
2224:
2223:Living people
2221:
2219:
2216:
2214:
2211:
2209:
2206:
2204:
2201:
2199:
2196:
2194:
2191:
2190:
2188:
2179:
2175:
2172:
2171:
2167:
2150:
2146:
2140:
2137:
2125:
2121:
2117:
2113:
2107:
2104:
2091:
2087:
2080:
2077:
2065:
2061:
2055:
2052:
2049:
2044:
2041:
2038:
2033:
2030:
2025:
2018:
2015:
2010:
2006:
1999:
1996:
1983:
1979:
1973:
1970:
1957:
1953:
1947:
1944:
1941:
1936:
1933:
1930:
1925:
1922:
1918:
1912:
1909:
1906:
1901:
1898:
1895:
1890:
1887:
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1878:
1874:
1870:
1866:
1862:
1858:
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1838:
1835:
1830:
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1822:
1818:
1814:
1810:
1806:
1802:
1798:
1791:
1788:
1784:
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1775:
1771:
1765:
1762:
1758:
1752:
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1746:
1741:
1734:
1731:
1728:
1723:
1720:
1717:
1712:
1709:
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1698:
1695:
1690:
1687:
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1675:
1672:
1667:
1660:
1657:
1652:
1645:
1642:
1636:
1633:
1628:
1621:
1618:
1614:. p. C6.
1613:
1606:
1603:
1599:
1593:
1590:
1586:
1580:
1577:
1565:
1561:
1555:
1552:
1540:
1536:
1530:
1527:
1524:
1519:
1516:
1509:
1502:
1499:
1496:
1495:
1491:
1488:
1485:
1484:
1480:
1477:
1474:
1473:
1469:
1466:
1463:
1462:
1458:
1455:
1452:
1451:
1447:
1444:
1441:
1440:
1436:
1433:
1430:
1429:
1425:
1422:
1419:
1418:
1414:
1411:
1408:
1407:
1403:
1400:
1397:
1396:
1392:
1389:
1386:
1385:
1381:
1378:
1375:
1374:
1370:
1367:
1364:
1363:
1359:
1356:
1353:
1352:
1348:
1345:
1342:
1341:
1337:
1334:
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1323:
1320:
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1315:
1312:
1309:
1308:
1304:
1301:
1298:
1297:
1292:
1289:
1286:
1285:
1281:
1278:
1275:
1274:
1270:
1267:
1264:
1263:
1259:
1256:
1253:
1252:
1248:
1245:
1242:
1241:
1237:
1234:
1231:
1230:
1226:
1223:
1220:
1219:
1215:
1212:
1209:
1208:
1204:
1201:
1198:
1197:
1193:
1190:
1187:
1186:
1182:
1179:
1176:
1175:
1171:
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1165:
1164:
1160:
1157:
1154:
1153:
1149:
1146:
1143:
1142:
1138:
1135:
1132:
1131:
1126:
1123:
1120:
1119:
1115:
1112:
1109:
1108:
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1101:
1098:
1097:
1093:
1090:
1087:
1086:
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1079:
1076:
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1071:
1068:
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1057:
1054:
1053:
1049:
1046:
1043:
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1038:
1035:
1032:
1031:
1027:
1024:
1021:
1020:
1015:
1012:
1009:
1008:
1004:
1001:
998:
997:
993:
990:
987:
986:
982:
979:
976:
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953:
949:
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938:
935:
932:
931:
927:
924:
921:
920:
916:
913:
910:
909:
905:
903:The Utopians
902:
899:
898:
894:
891:
888:
887:
883:
880:
877:
876:
872:
869:
866:
865:
861:
858:
855:
854:
850:
847:
844:
843:
839:
836:
833:
832:
828:
825:
822:
821:
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811:
810:
806:
803:
800:
799:
795:
792:
789:
788:
784:
781:
778:
777:
773:
770:
767:
766:
762:
759:
756:
755:
751:
749:Teleshopping
748:
745:
744:
740:
737:
734:
733:
729:
726:
723:
722:
718:
716:Fashion Show
715:
712:
711:
707:
704:
701:
700:
696:
693:
690:
689:
685:
682:
679:
678:
674:
671:
668:
667:
663:
660:
657:
656:
652:
649:
646:
645:
641:
638:
635:
634:
630:
627:
624:
623:
619:
616:
613:
612:
608:
605:
602:
601:
597:
594:
591:
590:
584:
578:
574:
570:
564:
559:
554:
550:
545:
541:
537:
533:
527:
522:
517:
513:
508:
504:
500:
496:
494:0-7695-0478-7
490:
486:
482:
478:
474:
469:
465:
461:
457:
453:
449:
445:
441:
437:
433:
428:
424:
420:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
374:
370:
366:
362:
358:
354:
350:
346:
342:
338:
333:
332:
328:
323:
320:
316:
313:
310:
307:
303:
302:
298:
293:
290:
286:
285:
281:
276:
274:
272:
268:
262:
258:
256:
252:
247:
245:
236:
234:
232:
228:
224:
220:
214:
207:
205:
203:
199:
195:
191:
187:
178:
175:
171:
167:
163:
160:
156:
148:
144:
141:
137:
131:
127:
123:
119:
116:
112:
109:
105:
102:
98:
91:
86:
79:
76:
68:
65:
57:
54:December 2021
47:
43:
38:
36:
30:
21:
20:
2155:December 15,
2153:. Retrieved
2148:
2139:
2129:December 15,
2127:. Retrieved
2115:
2106:
2096:December 15,
2094:. Retrieved
2089:
2079:
2069:December 15,
2067:. Retrieved
2063:
2054:
2043:
2032:
2023:
2017:
2008:
2004:
1998:
1986:. Retrieved
1982:the original
1972:
1962:December 15,
1960:. Retrieved
1955:
1946:
1935:
1924:
1911:
1900:
1889:
1864:
1860:
1850:
1837:
1804:
1800:
1790:
1777:
1764:
1739:
1733:
1722:
1711:
1700:
1689:
1680:
1674:
1665:
1659:
1650:
1644:
1635:
1626:
1620:
1611:
1605:
1592:
1579:
1569:December 15,
1567:. Retrieved
1563:
1554:
1544:December 15,
1542:. Retrieved
1538:
1529:
1518:
598:Description
548:
511:
476:
442:(3): 59–69.
439:
435:
422:
385:
381:
347:(12): 9–19.
344:
340:
329:Bibliography
263:
259:
253:in the film
248:
240:
230:
226:
215:
211:
185:
184:
158:Institutions
139:
75:
60:
51:
32:
2233:1946 births
2151:(in German)
2092:(in German)
1958:(in German)
1653:. Montreal.
1627:The Gazette
1102:Hair Dance
815:Cyberdance
585:Filmography
321:in Germany.
100:Nationality
2187:Categories
2149:www.hnf.de
2011:(6). 1987.
1988:August 17,
1510:References
694:Flashback
628:Eglantine
2124:0931-9085
2112:"DER TAG"
1867:: 87–97.
1666:La Suisse
1651:La Presse
1564:Wiley.com
914:CAHRISMA
456:1467-8659
402:1432-2315
361:1558-1756
208:Biography
202:Singapore
46:talk page
1881:17756628
1829:46725738
1821:21160017
1681:Playback
1539:Springer
1158:Ruban 2
617:Nirvana
410:15791501
369:12591680
237:Research
108:Canadian
540:7379736
503:1426606
464:8727599
291:(2009).
257:(1987)
200:(NTU),
2122:
1894:Nadine
1879:
1827:
1819:
1740:CADCAM
1047:ERATO
848:Orbit
826:Kathy
595:Title
577:379810
575:
565:
538:
528:
501:
491:
462:
454:
408:
400:
367:
359:
299:Awards
267:Nadine
146:Fields
129:Awards
124:(EPFL)
1877:S2CID
1825:S2CID
1497:2018
1486:2018
1475:2017
1464:2017
1453:2017
1442:2017
1431:2017
1420:2016
1409:2016
1398:2016
1387:2016
1376:2016
1365:2016
1354:2016
1343:2015
1332:2015
1321:2014
1310:2014
1299:2014
1287:2013
1276:2013
1265:2012
1254:2012
1243:2012
1232:2011
1221:2011
1210:2010
1199:2010
1188:2009
1177:2009
1166:2009
1155:2008
1144:2008
1133:2008
1121:2007
1110:2007
1099:2006
1088:2006
1077:2005
1066:2005
1055:2004
1044:2004
1033:2004
1022:2004
1010:2004
999:2003
988:2003
977:2003
966:2002
955:2002
944:2001
933:2001
922:2001
911:2001
900:2001
889:2000
878:2000
867:1999
856:1999
845:1998
834:1998
823:1998
812:1997
801:1997
790:1997
779:1997
768:1996
757:1995
746:1995
735:1994
724:1993
713:1992
702:1991
691:1990
680:1990
669:1988
658:1988
647:1987
636:1987
625:1987
614:1985
603:1982
592:Year
573:S2CID
536:S2CID
499:S2CID
460:S2CID
406:S2CID
365:S2CID
188:is a
104:Swiss
2157:2021
2131:2021
2120:ISSN
2098:2021
2071:2021
1990:2017
1964:2021
1817:PMID
1571:2021
1546:2021
683:Iad
563:ISBN
526:ISBN
489:ISBN
452:ISSN
398:ISSN
357:ISSN
1869:doi
1809:doi
553:doi
516:doi
481:doi
444:doi
390:doi
349:doi
2189::
2147:.
2114:.
2088:.
2062:.
2007:.
1954:.
1875:.
1865:28
1863:.
1859:.
1823:.
1815:.
1805:39
1803:.
1799:.
1748:^
1562:.
1537:.
571:.
561:.
534:.
524:.
497:.
487:.
475:.
458:.
450:.
440:11
438:.
434:.
421:.
404:.
396:.
384:.
380:.
363:.
355:.
343:.
339:.
106:,
2159:.
2133:.
2100:.
2073:.
2009:3
1992:.
1966:.
1883:.
1871::
1831:.
1811::
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