Knowledge (XXG)

Nanban art

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or folding screens are particularly notable, with over 90 pairs surviving to this day. These vibrant paintings depicted foreigners of all colors arriving in Japanese ports and walking in the streets of Japanese inland towns
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of c.1611-1614, Kobe City Museum. It is a work that fuses Western themes and techniques with Japanese techniques.
183:(see figure 1). Another popular subject within Nanban art was the depiction of foreign warriors. Artists of the 128: 639: 199:
and alternative materials and techniques, appear to have had little lasting influence in Japan. Given the
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Hasegawa Nobukata painting of a religious man with children. Edo period, early 17th century.
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in the 1850s and the 1860s, there is evidence of earlier Japanese influence in the art of
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Hasegawa Nobukata painting of two "Western warriors." Edo period, early 17th century.
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of the sixteenth and seventeenth centuries influenced by contact with the
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Nanban art developed after the first Portuguese ships arrived in
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Obras-primas dos biombos Nanban, Japão-Portugal século XVII
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Screen painting of foreign ship and Europeans in Japan.
301:influenced pre-Hispanic lacquerware resulting in 27:Japanese art genre of the 16th and 17th centuries 195:. Canons of western art of the period, such as 535:Japanese Architecture and Art Net Users System 469:Japanese Architecture and Art Net Users System 312: 203:from the end of the sixteenth century and the 175: 108: 91: 306: 223:Painting from Momoyama period (1573-1615) by 8: 403: 401: 289:did not develop in the west until after the 227:of a European woman playing a viola de mano. 75:produced and exported at the request of the 201:persecution and prohibition of Christianity 506: 191:in combining foreign subject matter with 137:, originally referring to the peoples of 430: 428: 275:Namban art, screen painting, circa 1600. 169:and other objects were produced, Nanban 79:. Azuchi–Momoyama period, 16th century, 50: 29: 642:, Chandeigne, 2015 (978-2-36732-121-9) 489:Testa, Giuseppina Aurora (2020-07-03). 397: 213: 335:Museums with collections of Nanban art 7: 376:Japanese words of Portuguese origin 640:Nanban Folding Screen Masterpieces 123:from Europe and specifically from 25: 609:"Biombos Namban (Namban screens)" 268: 256: 244: 232: 216: 557:Namban: Art in Viceregal Mexico 1: 613:Museu Nacional de Arte Antiga 555:Lake, Rodrigo Rivero (2006). 346:Museu Nacional de Arte Antiga 40:of c.1570-1616 attributed to 331:(Mexico) from 1565 to 1815. 187:were joined by those of the 435:Okamoto, Yoshitomo (1972). 313: 193:Japanese styles of painting 698: 581:"Kobe City Museum e-guide" 115:or 'Southern barbarians', 56:Western Kings on Horseback 323:, which traveled between 307: 176: 165:in 1543. While Christian 109: 92: 677:Japan–Portugal relations 645:(pt) Alexandra Curvelo, 638:(en) Alexandra Curvelo, 350:Museu do Oriente, Lisbon 682:History of art in Japan 437:The Namban Art of Japan 83: 81:Kyushu National Museum 64: 48: 70: 54: 33: 651:, Chandeigne, 2015 ( 299:Japanese lacquerware 73:Japanese lacquerware 303:Mexican lacquerware 147:Nanban trade period 508:10.5209/eiko.73275 371:Hasekura Tsunenaga 291:reopening of Japan 197:linear perspective 129:Sino-Japanese word 84: 65: 49: 657:978-2-36732-120-2 566:978-84-7506-693-6 327:(Philippines) to 281:Reverse influence 225:Hasegawa Nobukata 16:(Redirected from 689: 629: 628: 626: 624: 615:. Archived from 605: 599: 598: 596: 594: 585: 577: 571: 570: 552: 546: 545: 543: 541: 527: 521: 520: 510: 486: 480: 479: 477: 475: 461: 455: 454: 432: 423: 422:Kobe City Museum 417: 411: 410:Kobe City Museum 405: 341:Kobe City Museum 318: 311:, from Japanese 310: 272: 260: 248: 236: 220: 181: 179: 178: 114: 112: 111: 97: 95: 94: 77:Society of Jesus 46:Kobe City Museum 21: 697: 696: 692: 691: 690: 688: 687: 686: 662: 661: 633: 632: 622: 620: 607: 606: 602: 592: 590: 583: 579: 578: 574: 567: 554: 553: 549: 539: 537: 531:"Nanban-byoubu" 529: 528: 524: 488: 487: 483: 473: 471: 463: 462: 458: 451: 434: 433: 426: 418: 414: 406: 399: 394: 357: 337: 321:Manila Galleons 295:Colonial Mexico 283: 276: 273: 264: 261: 252: 249: 240: 237: 228: 221: 173: 159: 106: 89: 28: 23: 22: 15: 12: 11: 5: 695: 693: 685: 684: 679: 674: 664: 663: 631: 630: 619:on 20 May 2011 600: 572: 565: 547: 522: 481: 456: 449: 424: 412: 396: 395: 393: 390: 389: 388: 383: 378: 373: 368: 363: 356: 353: 352: 351: 348: 343: 336: 333: 282: 279: 278: 277: 274: 267: 265: 262: 255: 253: 250: 243: 241: 238: 231: 229: 222: 215: 158: 155: 145:. During the 143:Southeast Asia 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 694: 683: 680: 678: 675: 673: 670: 669: 667: 660: 658: 654: 650: 649: 643: 641: 636: 635:bibliography 618: 614: 610: 604: 601: 589: 582: 576: 573: 568: 562: 558: 551: 548: 536: 532: 526: 523: 518: 514: 509: 504: 500: 496: 495:Eikón / Imago 492: 485: 482: 470: 466: 460: 457: 452: 450:0-8348-1008-5 446: 442: 438: 431: 429: 425: 421: 416: 413: 409: 404: 402: 398: 391: 387: 384: 382: 379: 377: 374: 372: 369: 367: 364: 362: 359: 358: 354: 349: 347: 344: 342: 339: 338: 334: 332: 330: 326: 322: 317: 316: 309: 304: 300: 296: 292: 288: 280: 271: 266: 259: 254: 247: 242: 235: 230: 226: 219: 214: 212: 210: 206: 202: 198: 194: 190: 186: 172: 168: 164: 156: 154: 152: 148: 144: 140: 136: 135: 130: 126: 122: 118: 105: 101: 88: 82: 78: 74: 69: 62: 61: 57: 53: 47: 43: 39: 38: 32: 19: 672:Japanese art 646: 644: 637: 634: 621:. Retrieved 617:the original 603: 591:. Retrieved 575: 556: 550: 538:. Retrieved 525: 498: 494: 484: 472:. Retrieved 459: 436: 415: 361:Nanban trade 284: 160: 132: 121:missionaries 103: 100:Japanese art 86: 85: 58: 55: 35: 441:Weatherhill 189:Tosa school 185:Kanō school 42:Kanō Naizen 666:Categories 559:. Turner. 465:"Nanban-e" 392:References 366:Kirishitan 207:policy of 139:South Asia 131:, Chinese 127:. It is a 98:refers to 87:Nanban art 18:Namban art 588:Kobe City 517:2254-8718 501:: 35–57. 623:28 March 593:28 March 540:28 March 474:28 March 381:Yamato-e 355:See also 329:Acapulco 287:Japonism 205:Tokugawa 125:Portugal 420:泰西王侯騎馬図 157:History 117:traders 34:Nanban 655:  563:  515:  447:  386:Nanman 325:Manila 285:While 209:sakoku 163:Kyushu 134:Nánmán 104:Nanban 584:(PDF) 315:makie 308:maque 171:byōbu 167:icons 151:Japan 60:byōbu 37:byōbu 653:ISBN 625:2011 595:2011 561:ISBN 542:2011 513:ISSN 476:2011 445:ISBN 408:南蛮屏風 177:南蛮屏風 141:and 119:and 93:南蛮美術 503:doi 305:or 668:: 659:) 611:. 586:. 533:. 511:. 497:. 493:. 467:. 443:. 439:. 427:^ 400:^ 297:. 153:. 110:南蛮 71:A 44:, 627:. 597:. 569:. 544:. 519:. 505:: 499:9 478:. 453:. 180:) 174:( 113:) 107:( 96:) 90:( 20:)

Index

Namban art

byōbu
Kanō Naizen
Kobe City Museum

byōbu

Japanese lacquerware
Society of Jesus
Kyushu National Museum
Japanese art
traders
missionaries
Portugal
Sino-Japanese word
Nánmán
South Asia
Southeast Asia
Nanban trade period
Japan
Kyushu
icons
byōbu
Kanō school
Tosa school
Japanese styles of painting
linear perspective
persecution and prohibition of Christianity
Tokugawa

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