42:
307:, Charlotte Jansen writes: "Ayim said she started to reflect on the museum model in Africa while working at the British Museum. Struck by how differently African objects were encountered in display cabinets in the UK with how they were actively used in festivals back home, she began to think about how material culture could be preserved and presented in a way that was more in keeping with local traditions." She is using the research gathered through the Mobile Museum to help create a new kind of museum model for the
284:, Ayim said: "It sometimes feels like everything happens in the diaspora. That's important and it's part of who we are. But now we need to focus on evolving work within our continent." She is the founder of the ANO Institute of Arts & Knowledge in Accra, and has said that "like a lot of people involved in creative work in Ghana and other parts of Africa, it feels like it's not just enough for us to produce, but that we have to provide the context and the paradigms for that production."
230:
sense that there was another narrative running just beneath the surface of the text, some alternate story that the characters I was reading about simultaneously inhabited… Kojo and Maya's migrations eventually lead them back to Ghana, where they hope to find material they need to complete their story, years in the making. A story that, like this one, will illuminate Ghana's history; a story that will coax something whole from the broken parts of their lives." In
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writes: "The encyclopaedia will consist of an open-source internet platform for documenting past, present and future
African arts and culture (starting with Ghana) and eventually will be published in 54 volumes, one for each country. An ambitious undertaking, the Cultural Encyclopaedia aims to change
240:
writes: "To date, there are only a few works of fiction that explore the
African experience within continental Europe and just a handful address the Afro-German experience, so Ayim's book is important in helping to fill this gap. As we hear Maya pondering Goethe's idea of Weltliteratur and reflecting
229:
writes: "This is a story that is obsessed with stories; indeed, 'The God Child' could be described as a series of sharply drawn short fictions, each consequential on its own, each only glancingly connected to the others… As I read this book, with all its leaps in time and space, I sometimes had the
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Oforiatta Ayim is the recipient of the 2015 Art & Technology Award from LACMA and of the 2016 AIR Award, which "seeks to honour and celebrate extraordinary
African artists who are committed to producing provocative, innovative and socially-engaging work". She was named one of the
317:, "honours and takes into account the many spirits of our communities, our environment, and our objects, both at home and those to be returned. A structure that will allow for narratives and exchange with, and across, other parts of the world, on equal terms".
340:. The pavilion was among the Biennale's most anticipated, and multiple journalists named the pavilion as a "triumph" and highlight of the Biennale, particularly in tribute to its cultural underpinnings both in the country and the diaspora.
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257:
Whilst researching for her master's degree in
African Art History, she realised all the terms and concepts used to describe Ghanaian artistic expression were Western ones. Her research for indigenous concepts led her to the
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model. She began incorporating them in her writing on cultural narratives, histories, and institutions in Africa. She speaks regularly on new models of knowledge and of museums, and devised a course on this for the
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perceptions of the continent and help alleviate the frustration of
African cultural producers concerned that their rich histories have been lost or forgotten over the decades because they lack good archives."
356:
wrote that the pavilion marked a subtle shift in balance as
African national pavilions begin to contest the historic dominance of European pavilions at the Biennale, a history intertwined with colonialism.
430:, one of 12 African women making history in 2016 and one of 100 women "building infrastructure, both literally and metaphorically, for future generations in Africa and in the Diaspora" in 2020 by
438:. and is a member of the university's Advisory Council. She received the Ghana Innovation Award in 2020 and the Woman of The Year Award in Ghana in 2021. In 2022, she was awarded the
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describes the book as an "expansive and contemplative debut, themes of art, history, literature, film, and legacy intermingle with Maya's coming-of-age. In the
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Innovator, for "finding new approaches and principles to tackle many of the intractable challenges faced on the continent", one of 50 African
Trailblazers by
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823:"Discussion: How does a curriculum introduce and structure alternate worldviews and knowledges? | University of Oxford Podcasts – Audio and Video Lectures"
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Nana
Ofosuaa Oforiatta Ayim was raised in Germany, England, and her ancestral homeland in Ghana. She studied Russian and Politics at the
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418:"40 under 40", as "one of the most talented and inspirational young people who are driving forward the art world today", a
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375:. Her films are a cross of fiction, travel essay, and documentary and have been shown at museums globally. These include
1987:
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After developing the narratives for, and curating the first institutional shows of, several
Ghanaian artists, including
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874:"Institutional Memory: One Woman's Path to Bringing the World to Africa—and Africa to the World"
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Nana
Oforiatta Ayim became a filmmaker after working with economist Thi Minh Ngo and filmmaker
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477:"#Goals: Nana Oforiatta-Ayim Is the Ghanaian Creative Preserving Africa's Artistic Past"
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927:"Nana Oforiatta Ayim's Open-Source Encyclopedia of African History Starts With Ghana"
502:"Nana Oforiatta Ayim's Open-Source Encyclopedia Of African History Starts With Ghana"
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Digital Infrastructures for Sharing Unshared Histories in European Colonial Archives
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1884:"Oxford University Appoints Nana Ofosuaa Oforiatta Ayim To Its Advisory Council"
1193:"In London, Photographer James Barnor's Virtuosic Portraits Find a New Audience"
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1116:"The Kiosk Museum : A Space of Exploration & Inclusive Representation"
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1033:"How Diverse Is African Art? A 54-Volume Encyclopedia Will Try for an Answer"
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1448:"Ghana shakes up art's 'sea of whiteness' with its first Venice pavilion"
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in New York. She completed her master's degree in African Art History at
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849:"Ghana arrives at the Venice Biennale, bringing new narratives with it"
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1423:"Why Ghana Chose 'Freedom' as the Theme of Its Venice Biennale Debut"
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1929:"Nana Ofosuaa Ayim gets 'Woman of the Year in Cultural Arts' award"
652:"The God Child by Nana Oforiatta Ayim review – An Ambitious Debut"
1735:"Nana Oforiatta-Ayim | Apollo 40 Under 40 Global | The Thinkers"
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on just how lacking world literature actually is, books such as
187:, the renowned king of Akyem Abuakwa who was hailed as the
633:"The Shortlist: Wrestling With Prejudice in Three Debut Novels"
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wrote that "a palpable sense of pride" permeated the pavilion.
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To this end, she created a pan-African Cultural Encyclopaedia.
1297:"Nana Oforiatta Ayim on Ghana's First Ever Pavilion at Venice"
993:"Nana Ofari Atta Ayim Creating Africas first art encyclopedia"
614:"Nana Oforiatta Ayim on Being a Custodian of Ghanaian History"
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and went on to work in the Department of Political Affairs at
1945:
1372:"Ghana makes pavilion debut at 2019 Venice Biennale art show"
1253:"Felicia Abban's immortalization of the Ghanian female gaze"
1810:"12 Times African Women Have Already Made History In 2016"
1323:"Ghana makes a star-studded debut at the Venice Biennale"
992:
1011:"Issue 14: Movement moving pictures a digital narrative"
1141:"Ghana's first travelling museum ready to hit the road"
547:"Meet Africa's Champion Of Change: Nana Oforiatta Ayim"
1786:"Yvonne Nelson named in Africa's 'top 50 trailblazers"
1277:"It. Was. The. Jutes. It. Was. The. Jutes. – greg.org"
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exhibition as Ghana's first ever Pavilion at the 2019
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Ghanaian-British writer, art historian and filmmaker
1091:"Historian Launches "Living History Hubs" in Ghana"
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1910:"Nana Oforiatta Ayim Wins Ghana Innovation Award"
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670:"Nana Oforiatta Ayim: Ayan — New Ways of Seeing"
434:. She was a Global South Visiting Fellow at the
273:Architectural Association School of Architecture
1228:"Portraits by Ghana's First Woman Photographer"
1174:"Could 2021 be the year of the African museum?"
1835:"Introducing OkayAfrica's 100 Women 2020 List"
1348:"A Whirlwind Tour of the 2019 Venice Biennale"
975:"Le projet toute une vie Nana Ofori Atta Ayim"
262:, a form of telling history in Ghana; and the
8:
1598:"Endelig kvalitet i Stavanger kunstforening"
1549:"Watch: Wu Tsang & Nana Oforiatta-Ayim"
902:"Breaking down artistic barriers in Ghana"
40:
29:
211:in the UK in 2019, the US in 2020 and by
1710:"Nana Oforiatta – Ayim | Author | Ghana"
245:have the potential to enrich it and, in
1662:"Art + Technology in Africa | Unframed"
464:
1574:"States in time – Film at Tate Modern"
1031:Mitic, Ginanne Brownell (2017-03-11).
369:on a new translation of his 1954 film
1064:McTernan, Billie Adwoa (2016-01-21).
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148:writer, art historian and filmmaker.
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1963:21st-century Ghanaian women writers
1172:Oforiatta Ayim, Nana (2021-01-08).
872:Ayim, Nana Oforiatta (2018-08-07).
687:Oforiatta-Ayim, Nana (2011-05-01).
297:She has also created a new type of
191:of Africa, and her great-uncle was
1066:"Rethinking space in Accra, Ghana"
249:words, bring new ways of seeing."
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1927:Gyesi, Zadok Kwame (2021-08-05).
1660:McCabe Heibel, Amy (2016-10-05).
1623:"Oil for Aladdin' lamp Symposium"
1604:(in Norwegian BokmĂĄl). 2012-11-13
1446:Higgins, Charlotte (2019-05-08).
1421:Fernandez, Mariana (2019-05-12).
332:, she curated the much acclaimed
171:Oforiatta Ayim comes from a
1686:"Cultural Encyclopaedia | LACMA"
1139:Jansen, Charlotte (2016-11-08).
900:Kinsman, Houghton (2015-08-31).
650:Manyika, Sarah L. (2019-12-27).
401:Los Angeles County Museum of Art
395:at the Kunsthall Stavanger, and
107:Writer, art historian, filmmaker
1761:"Quartz Africa Innovators 2017"
612:Attah, Ayesha H. (2020-03-03).
475:Ochieng, Akinyi (2017-08-31).
166:SOAS University of London
48:Chale Wote Street Art Festival
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2003:Ghanaian women film directors
1968:21st-century Ghanaian writers
1784:Arthur, Portia (2015-08-03).
1504:Reade, Orlando (2012-02-28).
1346:Bowles, Hamish (2019-05-20).
847:Roux, Caroline (2019-05-03).
545:Beeko, William (2020-01-23).
266:, a historical exhibition or
1759:Staff, Quartz (2017-05-05).
1529:Newman, Robin (2013-05-04).
1089:McCool, Alice (2015-12-09).
759:"Humans Of The Institution/"
631:Tope, Folarin (2020-03-03).
1226:Best, Tamara (2017-03-07).
215:in Germany in 2021. Writer
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1908:Beeko, Nana (2020-09-07).
1397:"Ghana's Erster Pavillion"
1251:Binlot, Ann (2019-06-18).
1015:Digital Development Debate
925:Frank, Alex (2017-10-20).
500:Frank, Alex (2017-10-20).
1321:Das, Jareh (2019-05-14).
1191:Liam, Hess (2021-04-22).
735:"SKD: Research currently"
278:In an interview with the
98:SOAS University of London
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2008:Ghanaian women novelists
526:"African Royal Families"
1998:Ghanaian women curators
1983:Ghanaian film directors
1973:Ghanaian art historians
1303:(in German). 2019-04-23
1480:"CCQ magazine issue 9"
787:"ARCHIVES THAT MATTER"
1860:"Nana Oforiatta Ayim"
377:Nowhere Else But Here
209:Bloomsbury Publishing
158:University of Bristol
93:University of Bristol
2018:Women art historians
1946:Dan David Prize 2022
1216:'s information blog.
436:University of Oxford
311:that, she writes in
238:Sarah Ladipo Manyika
217:Ayesha Harruna Attah
213:Penguin Random House
1988:Ghanaian historians
1641:Nana Oforiatta Ayim
1510:africasacountry.com
1506:"The Ungovernables"
1070:africasacountry.com
773:"Nordic Art Review"
721:"nanaoforiattaayim"
618:Electric Literature
565:God Child on Amazon
326:Felicia Ansah Abban
309:Government of Ghana
142:Nana Oforiatta Ayim
76:Nana Oforiatta-Ayim
34:Nana Oforiatta Ayim
18:Nana Oforiatta-Ayim
1993:Ghanaian novelists
1666:unframed.lacma.org
1602:www.aftenbladet.no
1535:Art Agenda Reviews
1114:ADA (2016-09-27).
1037:The New York Times
637:The New York Times
407:Awards and honours
290:The New York Times
131:.nanaoforiattaayim
1978:Ghanaian curators
1376:www.aljazeera.com
1178:The Art Newspaper
827:podcasts.ox.ac.uk
427:The Africa Report
348:Charlotte Higgins
343:The Art Newspaper
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