257:"In this project, she specifically parodies information delivery systems and (American) media culture. It is an interactive Net art project that aims to foster a new viewer outlook with respect to cultural identity and accepted social practices that are one-sided.” AND "Wylde addresses the ideas of society being consumed with the need to attain information by partially obscuring information from the viewer. Moreover, she continues to cleverly play with viewer expectations for she does not allow the headlines to run consistent with the newspaper format headings. In both respects, the viewers’ expectations are not met – they do not receive the information they want. These ideas closely mimic Wylde's underlying theme of how the media controls/manipulates information and only disseminates information they think should be important to the masses.” Joe continues, "It is also important to note Wylde’s tactic with respect to further addressing the idea that the media only distributes one-way communication to its viewers. Newspapers can be perceived as a social construction that propagates information for a specific purpose. Through her web project viewers are afforded 'two-way communication' where they are free to not only take in media headlines and personal entries, but are also afforded the opportunity to voice their questions and opinions.”
316:, "Kent Manske and Nanette Wylde created a large-scale participatory piece. What it looks like is a giant mason jar with the word “preserves” written across it. And they invite viewers to write on a little tag with a little string on it. And they write on it something that they would love to preserve as part of their culture or their food, and then they tie it on to that board. So it’s a really wonderful community engagement piece."
115:
Wylde is a narrative artist with focus on storytelling with socio-cultural content. Many of her works are about stereotyping and involve cultural critique. Her themes include re-interpreting historical perspectives, and the reliability of information-based media. Later works have an environmental
122:
Many reviewers comment on the humor in Wylde's work. In a discussion of a
Jessica Gomula exhibition, Kim De Vries references Wylde, "This irreverence can be found in other artists working today such as Nanette Wylde . . . and reflects a contemporary skepticism about artistic theories and
199:. The project was feminist in content, focusing on women's history and celebrating female diversity. The project included an interactive installation of images mounted on small wood blocks which the audience could move about on a series of small shelves to create their own narratives.
249:
does not require the reader to input material, it does work to restate the reader in relation to the material she is reading. In short, It requires us to change our perspective and insert ourselves into the textual community to experience new points of view.”
116:
focus. She often includes audience participatory elements in her projects which allow participants to contribute to the works in meaningful and permanent ways. Wylde considers herself to be a conceptual artist and calls herself a cultural worker.
284:
project, which are free fill-out-form pamphlets on different subjects is one example. She works in the community by creating opportunities for other artists in the form of exhibitions and publications. Exhibitions Wylde has curated include
1393:
207:
Wylde creates net.art projects and electronic projects which required a computer to be experienced, most frequently in an electronic flipbook format. Her electronic projects often allow audience input. Many use the computer's
190:
software, to create images in 1991. She often combined software with traditional printmaking such as lithography and relief printing. Her work is included in several early software (Photoshop and
Painter) publications.
194:
Wylde began working in interactive multimedia in 1994 while studying at Ohio State
University's Advanced Computing Center for Art and Design. Her graduate thesis project was an interactive multimedia artwork titled
22:
is an
American artist and writer. Wylde is known for her early incorporation of digital media as a fine art media, her work in net.art, electronic literature, and artwork which takes book form.
245:
toys with our expectations. Combining racial and ethnic groups with the politics of everyday activities, the texts consistently test our assumptions and challenges us to rethink them. While
126:
Collaboration with other artists is common in Wylde's practice with her primary collaboration partner being Kent Manske. Notable projects Manske and Wylde have worked together on include
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Wylde makes books under the imprint Hunger Button Books. Her artist's books have exhibited widely, won awards, and are included in international book arts collections.
2304:
305:
at Yolo Arts in
Woodland, California. She creates publications featuring other artists' work in the form of exhibition catalogs and an annual anthology titled
2274:
2264:
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1925:"Al-Mutanabbi Street Starts Here Artists' Books Collection, 2007-2015 | Rare Book & Manuscript Library | Columbia University Libraries Finding Aids"
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works along similar lines but more closely shows a genealogy with text-based experiments by feminist artists like Jenny Holzer and
233:“Drawing from three different data streams, these texts recombine them to create instant works of art from a community experience.
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1968:
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movements as such; a resistance to taking any of this system of artistic production and criticism too seriously.”
77:
856:
A brief history... interactive multimedia art installation: discussion of process, media, content, and response
215:
80:
in
Behavioral Science (1986), and an Associate degree from West Valley College in Saratoga, California (1981).
1787:
759:
783:
2244:
979:
Rettberg, Scott (2008). "Dada Redux: Elements of
Dadaist Practice in Contemporary Electronic Literature".
482:
The Center for the Study of the Book, The
Bodleian Libraries, University of Oxford, Oxford, United Kingdom
26:
1540:
1045:
2309:
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784:"PRINTERESTING · The thinking person's favorite online resource for interesting printmaking miscellany"
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2169:. San Francisco Center for the Book. San Francisco: Imprint of the San Francisco Center for the Book.
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823:"A feast for the eyes: Palo Alto Art Center's latest exhibit explores cuisine, community and culture"
1924:
1738:
434:
Achenbach
Foundation for Graphic Arts, Fine Arts Museums of San Francisco, San Francisco, California
440:
archive, Rare Book and
Manuscript Library, Butler Library, Columbia University, New York, New York
1394:"'You are the tree': Redwood City exhibit incorporates local business byproducts into commentary"
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2053:"10 amazing human inventions that I use almost daily and am truly grateful for | WorldCat.org"
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at California State University in Chico and at The Mohr Gallery in Mountain View, California;
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1829:"Interview with the Curators – Women Eco Artists Dialog: The Legacy of Jo Hanson – Yolo Arts"
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Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Haus Potsdamer Straße, Berlin, Germany
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where she studied interactive multimedia and printmaking (1996), a Bachelor's from
2017:
2164:
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in which the artwork references or takes book form. She was commissioned by The
54:
241:. Exploring our expectations of social posturing and the politics of rhetoric,
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2052:
1762:
1614:
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1230:"Cultural Spectacle Investigation: Las Vegas by Nanette Wylde and Kent Manske"
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1170:. Turlock, Ca: University Art Gallery. California State University Stanislaus.
1489:
952:
745:
611:"The fascinating world of book arts: 3 Bay Area makers share their stories"
382:, social practice project, democratic multiple, net.art, installation, 2006
583:
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at WORKS San Jose and Gallery Route One in Pt. Reyes Station, California;
1897:
1665:
1516:
1371:(1st ed.). Berkeley, CA: The CODEX Foundation. pp. 556–561.
736:
Wylde, Nanette (2024). "Marrying Form and Concept in Conceptual Art".
635:
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Her works are taught in university level literature and art classes.
1849:
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660:
2140:"I keep forgetting to breathe - Cornell University Library Catalog"
1255:"Art Feature: "Meaning Matters" in playful university art exhibit"
352:
228:
1292:"Foodies : seven West Coast foodie vignettes | WorldCat.org"
874:"Arts4All | Mountain View | Community School of Music & Arts"
1993:"Nanette Wylde: Encyclopedic: Weathered Volumes, New Book Works"
356:, digital poetry generator, electronic literature, net.art, 2001
1022:"Nanette Wylde: About so many things – ISEA Symposium Archives"
488:
University of California, Berkeley: Artists' Books Collection
473:
Savannah College of Art and Design, Jen Library, Savannah, GA
1689:
1341:"Entanglements a curated collection of contemporary culture"
1639:
Digital Prohibition: Piracy and Authorship in New Media Art
710:"Exhibit features one-of-a-kind prints inspired by nature"
312:
Curator Gregory Flood says of the social practice project
119:
Her electronic works have been exhibited internationally.
1517:"Small Plates Books | San Francisco Center for the Book"
1439:"In new Redwood City artwork, the community is the tree"
1392:
correspondent, Nick Bradley Daily Journal (2020-03-07).
388:, artist's book, San Francisco Center for the Book, 2008
253:
Elizabeth Joe writes about Wylde's 2003 net.art project
1094:
1069:
555:
509:
University of Washington Libraries, Seattle, Washington
41:
with other artists. She works in many media including
1123:"Media Art 2024 | Festival Internacional de la Imagen"
920:. 2007-08-07. Archived from the original on 2007-08-07
876:. 2022-03-03. Archived from the original on 2022-03-03
786:. 2009-08-15. Archived from the original on 2009-08-15
506:
University of Pennsylvania Libraries, Philadelphia, PA
69:
Wylde was born in California and grew up in San Jose.
455:
George Mason University, Fenwick Library, Fairfax, VA
280:
Wylde works in the art genre of social practice. Her
1641:(1st ed.). New York, NY: Continuum. p. 4.
412:, with Kent Manske, sculpture and installation, 2020
400:, with Kent Manske, sculpture and installation, 2015
479:
Stanford University Libraries, Stanford, California
458:
Harvard University Fine Arts Library, Cambridge, MA
868:
866:
464:Olin Library, Cornell University, Ithica, New York
983:(11). Digital Art & Culture Conference Perth.
449:Decker Library, Maryland Institute College of Art
368:, conceptual series of intaglio prints, 2003–2004
1969:"Nanette Wylde: Encyclopedic: Weathered Volumes"
1613:Pacific, University of the (November 15, 2001).
937:: CS1 maint: bot: original URL status unknown (
893:: CS1 maint: bot: original URL status unknown (
803:: CS1 maint: bot: original URL status unknown (
83:Wylde claims her early influences to be artists
1592:. Chapel Hill, NC: Ventana Press. p. 240.
685:"Stretcher | Features | Corporate Art Expo '07"
534:. Chapel Hill, NC: Ventana Press. p. 392.
467:San Francisco Public Library, San Francisco, CA
167:book projects in 2008. The book she created is
1369:Extraction : art on the edge of the abyss
2077:"I keep forgetting to breathe | WorldCat.org"
1666:"Electronic Literature Collection Volume One"
1318:Manske, Kent; Wilde, Nanette; Press, PreNeo.
8:
2330:Ohio State University Graduate School alumni
2166:Gray matter gardening: how to weed your mind
386:Gray Matter Gardening: How to weed your mind
169:Gray Matter Gardening: how to weed your mind
500:University of Iowa Library, Iowa City, Iowa
497:University of Colorado Boulder, Boulder, CO
485:Tufts University Tisch Library, Medford, MA
328:, interactive multimedia installation, 1996
218:writes about Wylde's electronic flipbooks,
72:Wylde's education includes an MFA from the
2315:California State University, Chico faculty
2230:Digital Visions interview by Elizabeth Joe
446:Boise State University Albertson's Library
404:Foodies: Seven West Coast Foodie Vignettes
1788:"Biophilia: humans and the natural world"
995:"Nanette Wylde – ISEA Symposium Archives"
1615:"Campus art center displays new artwork"
957:Extraction: Art on the Edge of the Abyss
530:London, Sherry; Grossman, Rhoda (1994).
443:Baylor University Libraries, Waco, Texas
2305:Artists from the San Francisco Bay Area
1253:Democrat, Woodland Daily (2008-03-13).
519:
470:Santa Clara University, Santa Clara, CA
406:, with Kent Manske, artists' book, 2017
182:Wylde began using digital media tools,
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760:"Web Gallery | The de Young Open 2023"
708:staff, Palo Alto Weekly (2022-06-09).
424:, electronic literature, net.art, 2023
348:, electronic literature, net.art, 2000
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503:University of Michigan, Ann Arbor, MI
366:ebaybies: genuine and lasting friends
7:
1541:"Truth: Artist Books and Broadsides"
859:(Thesis). The Ohio State University.
605:
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293:at Art Ark in San Jose, California;
2275:21st-century American women writers
2265:21st-century American women artists
2255:20th-century American women artists
1949:"Fung Collaboratives | Description"
1715:"Eco Echo on view through April 15"
491:UC Davis Shields Library, Davis, CA
452:Duke University Library, Durham, NC
1168:Infinite Transformations of Desire
270:Electronic Literature Organization
14:
161:San Francisco Center for the Book
2340:San Jose State University alumni
2335:People from San Jose, California
1929:findingaids.library.columbia.edu
266:Electronic Literature Collection
1739:"Eco Echo: Unnatural Selection"
1182:"Hello Catty! by Nanette Wylde"
416:Encyclopedic: Weathered Volumes
1814:Conceptually Bound 3 Catalogue
821:Joondeph, Akhil (2024-06-20).
438:Almutanabbi Street Starts Here
392:On Judgment: the book of bully
107:at San Jose State University.
1:
2320:Electronic literature writers
2270:21st-century American writers
2260:21st-century American artists
2250:20th-century American artists
2206:"Sonnets 2016 – The Conveyor"
2116:"Hello Catty! | WorldCat.org"
1690:"Meaning Maker: This is Art!"
494:UC Santa Cruz, Santa Cruz, CA
418:, conceptual book works, 2023
360:The Daily Planet Interactive,
255:The Daily Planet Interactive:
1811:Nanette Wylde (2007-10-21).
461:MIT Libraries, Cambridge, MA
203:Electronic works and net.art
25:Wylde makes works which are
2280:American conceptual artists
2144:catalog.library.cornell.edu
764:deyoungopen2023.artcall.org
340:, electronic flipbook, 1998
334:, electronic flipbook, 1997
260:Wylde's electronic project
2361:
2300:American women printmakers
2290:American new media artists
1786:miller, joe (2023-10-06).
1713:miller, joe (2018-02-19).
1670:collection.eliterature.org
1437:Kane, Karla (2020-02-19).
1026:isea-archives.siggraph.org
999:isea-archives.siggraph.org
16:American artist and writer
2285:American feminist artists
1637:Guertin, Carolyn (2012).
738:The California Printmaker
264:is included in the first
155:Wylde works in the genre
78:San Jose State University
1850:"The HOPS AHEAD exhibit"
584:"Nanette Wylde | ELMCIP"
163:for their first year of
65:Early life and education
2163:Wylde, Nanette (2008).
1398:San Mateo Daily Journal
853:Wylde, Nanette (1996).
661:"The NEXT Search Space"
303:The Legacy of Jo Hanson
1621:: 1 – via JSTOR.
1166:De Vries, Kim (2008).
1050:soundsrite.uws.edu.au
394:, artist's book, 2012
326:A Brief History . . .
150:
74:Ohio State University
2295:American printmakers
1588:Abes, Cathy (1994).
1490:"Storyland | ELMCIP"
981:Fiberculture Journal
338:about so many things
103:, and studying with
37:, and often involve
2120:search.worldcat.org
2081:search.worldcat.org
2057:search.worldcat.org
1367:Pelts, Sam (2020).
1296:search.worldcat.org
297:at WORKS San Jose;
2345:Women book artists
1422:has generic name (
299:Conceptually Bound
2018:"I will remember"
1743:GALLERY ROUTE ONE
1545:GALLERY ROUTE ONE
1467:writing.upenn.edu
689:www.stretcher.org
268:published by the
101:Christine Tamblyn
27:interdisciplinary
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224:Belief Manifesto
142:You are the Tree
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1565:"Nanette Wylde"
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