116:'s multi-layered narrative structure as an "engine of forgetfulness" which, because the reader's response is primarily on the emotional and sensory level, can be read using the model of Alzheimer's disease. Guertin attributes this response to information overload and the complexity of the narrative, which the reader finds difficult to retain in the form of any coherent trajectory. Though she is right about information overload as the text unfolds simultaneously in several spatio-temporal zones, this layered unfolding functions not so much to cause the reader's dementia as to make him return to the text repeatedly. The meaning emerges in the reading and rereading of
94:: "Carolyn Guertin has described the potential of networked feminism as hacktivism, observing that “when postfeminisms meet the new media they encourage these kinds of pleasures in the confusion of boundaries between bodies, texts, technologies, politics, and cultures” (Guertin). While one hopes that we are now decidedly post-“postfeminism,” the idea of networked feminism as crossing (and erasing) boundaries."
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in London, Ontario; and is a member of the graduate faculty at
Transart Institute in Berlin, Germany. She was Senior McLuhan Fellow and SSHRC Postdoctoral Fellow at the
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stating, "Guertin does present a cogent argument on the validity of cyberfeminism as one facet of postfeminism by presenting several cyberfeminist collectives"
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Guertin has PhD with a study of women’s writing, born-digital narrative and the technologies of memory in The
Department of English and Film Studies at the
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Senior McLuhan Fellow and SHRCC Postdoctoral Fellow at the McLuhan
Program in Culture and Technology at the University of Toronto
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Reconfiguring
Publishing, 012 Mobile Bodies, Zones of Attention and Tactical Media Interventions, University of Innsbruck, 2011
695:"Visualising Networks of Electronic Literature: Dissertations and the Creative Works They Cite › electronic book review"
767:
212:
Narrative
Architectures After the Book: New Containers & Standards for Stories in Digital Culture, Common Ground, 2006
59:
123:
In a discussion of female subjectivity, Jessica
Laccetti cites Guertin repeatedly. As does Lisa Joyce in the article
497:"Cyber|literature and Multicourses: Rescuing Electronic Literature from Infanticide › electronic book review"
230:
Queen Bees and the Hum of the Hive An
Overview of Feminist Hypertext's Subversive Honeycombings, BeeHive , 1998
206:
Art at the
Interstice, 2008 Beyond The Threshold: The Dynamic Interface as Permeable Technology, Springer, 2008
203:
All The Rage: The
Digital Body and Deadly Play in the Age of the Suicide Bomber, Rowman & Littlefield, 2008
674:"From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communities › electronic book review"
433:
412:
762:
757:
455:"Towards a Loosening of Categories: Multi-Mimesis, Feminism, and Hypertext › electronic book review"
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Gesturing Toward the Visual: Virtual
Reality, Hypertext & Embodied Feminist Criticism, Surfaces, 1999
79:
67:
43:
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Quantum Feminist Mnemotechnics: The Archival Text, Digital Narrative and The Limits of Memory, 2003
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Multi-Dimensional Dementia: M.D. Coverley’s Califia and the Aesthetics of Forgetting, Zazil, 2001
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392:"Re:traced Threads: Generating Feminist Textile Art with Tracery › electronic book review"
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549:
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570:"Electronic Literature as Digital Humanities: An Introduction › electronic book review"
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Handholding, Remixing, and the Instant Replay: New Narratives in a Postnarrative World, 2007
22:
is a Canadian artist, scholar, and author. Guertin is known for critical writing related to
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From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communities, (EBR, 2005)
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Three-Dimensional Dementia: Hypertext Fiction and the Aesthetics of Forgetting, 1999
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From Cyborgs to Hacktivists: Postfeminist Disobedience and Virtual Communities, 2005
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Narrative (Pre)Occupations: Self-Surveillance, Participation, and Public Space, 2012
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Cyberfeminist Literary Space: Performing the Electronic Manifesto, Bloomsbury, 2020
27:
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Cyber|literature and Multicourses: Rescuing Electronic Literature from Infanticide
656:"All the rage: Digital bodies and deadly play in the age of the suicide bomber"
144:
Outstanding Early Career Award from the Canadian Society for Digital Humanities
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as different trajectories come together in the reader's version of the story."
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Convergence: The International Journal of Research into New Media Technologies
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The Attributes of Heartbreak (or Gilgamesh, Twelve Leagues He Travelled), 2001
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Electronic Literature as Digital Humanities: Contexts, Forms, and Practices
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Digital Prohibition Piracy and Authorship in New Media Art, Continuum, 2012
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Gaming the City: Telephone City and Social Spaces of Transformation, 2014
188:
Alternative Avenues in Digital Poetics and Post-Literary Studies, 2012
413:"Then isn't it all just 'hacktivism'? › electronic book review"
434:"Unraveling the Tapestry of Califia › electronic book review"
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and literatures, global digital culture, information aesthetics,
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Re:traced Threads: Generating Feminist Textile Art with Tracery
367:
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arts, participatory cultures, theoretical work in emergent
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Digital Prohibition Piracy and Authorship in New Media Art
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Guertin is a faculty of Information and Media Studies at
476:"Introduction: Waves › electronic book review"
590:Guertin, Carolyn; Buettner, Angi (November 2014).
82:, Canada. She went to Burnhamthrope Collegiate
8:
544:Dene Grigar, James O’Sullivan, ed. (2020).
157:Wandering Meimei / Meimei Liu Lang Ji, 2014
185:Introduction: "We are the uninvited", 2014
233:Web Hyperfiction Reading List, Feed, 1995
64:McLuhan Program in Culture and Technology
260:Transart Institute for Creative Research
200:Seeing Story and Mapping Narrative, 2011
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718:Carolyn Guertin-ELMCIP BTH Workshop
106:Unraveling the Tapestry of Califia
90:Anastasia Salter cites Guertin in
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97:Kareem Metula reviews Guertin's
654:Guertin, Carolyn (2007-01-01).
548:. Bloomsbury. pp. 80–91.
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320:"Carolyn Guertin | ELMCIP"
16:Canadian artist and writer
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608:10.1177/1354856514542074
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160:Dorothy's Mirror, 2012
80:University of Alberta
68:University of Toronto
768:Writers from Toronto
125:Introduction: Waves,
372:www.spenational.org
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238:References
48:technology
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36:hacktivism
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