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Nastagio degli Onesti

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situation and prepares a lavish banquet in the same place of the forest on the following Friday, inviting the relatives of his beloved together with his parents. As Nastagio predicted, at the end of the dinner the horrifying scene is repeated with the same harrowing and pitiful consequences. With this he gets the desired effect: after the hunter once again explains the reasons for the girl's fate to all of those present at the dinner, the girl loved by Nastagio realizes she had stepped on the love felt by Nastagio and, for fear of suffering the same fate of the victim before her, she changes her mind and immediately agrees to the marriage, transforming his hate into love. So the Sunday after they marry, and all the women of Ravenna learn to be more kind to their love.
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with a black sword intending to kill her. Nastagio tries to defend her, but the knight presents himself as Guido of Anastagi and tells of how he had once loved this woman, but because she did not love him, he had himself committed suicide. When the girl died without any regrets for the misery she had
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Nastagio understands the events to be of divine will and resigns himself to being an onlooker. He witnesses the agony inflicted on the young girl by the rider, after which the two are forced to start the chase again and disappear from Nastagio's sight. The young man decides to take advantage of the
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In the novel appear many words belonging to the language of courtly love. The lady is arrogant, disdainful, and haughty, though in this case, these negative qualities are in the very structure of the story, as it will give women an example of how they should not behave. Eventually the lady is
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inflicted on her admirer, she was sentenced to the cruel punishment of being hunted. Every Friday, the girl would have to undergo the killing and subsequent restoration of their bodies for as many years as it had been months that she had rejected her wooer.
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Two characters of the novel, the black knight and the woman on the run, are damned in hell. There has been no sign of repentance for their sins, and that is suicide for him and the refusal of love for her. By Boccaccio, then, love, even in its component
245:); The girl, however, does not return the love of Nastagio; indeed she takes pleasure in refusing it. Nastagio tries to forget the noble girl. Failing this he starts to hate her. This drives him to attempt suicide several times with no success. 218:. The eighth story of the fifth day, it tells of the unrequited love of the nobleman Nastagio for a girl who will eventually be induced to accept Nastagio's affection by the appearance of a rejected lover and her beloved. 295:, in the second half of the nineteenth century they were dispersed: three are now in the Prado, and only one, the last, has returned to its original location after being, among other things, in the Collection Watney of 248:
Seeing Nastagio's despair, his friends and relatives advise him to go to Ravenna, in order to forget his unfulfilled love. The young man, unable to continue ignoring this advice, moves to
234:. To get her attention, Nastagio begins to squander his money on banquets and parties organized only for her (a reference to the economy that links this story to that of 369: 46: 364: 316:, receives a positive evaluation: everyone has the right to love and be loved in return, so the woman was guilty for not having loved. 116: 97: 69: 249: 76: 50: 347:
promoted for her sincere love, not for fear of punishment which would have incurred, and in the end she falls for Nastagio.
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made a series of four panels that illustrate many episodes of the story by Boccaccio, thought to have been commissioned by
230:, made rich after the death of his father and uncle. He falls in love with a girl of a noble family, the daughter of Paul 83: 374: 35: 65: 54: 39: 324: 292: 280: 235: 199: 340: 240: 259:
at dusk, where he sees a girl running naked in tears, being chased by two dogs trying to bite her and a
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is the protagonist in one of the one hundred short stories contained in
331:, is inserted by Boccaccio in a setting very different from natural to 260: 227: 300: 180: 161: 142: 135:
Nastagio meets the woman and the knight in the pine forest of Ravenna
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in which assumes traits much less gruesome and more like those of a
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Even the scene of the "infernal hunt", already present in
255:One Friday in early May, Nastagio walks through a 8: 53:. Unsourced material may be challenged and 16:Character from Boccaccio's Decameron (V, 8) 117:Learn how and when to remove this message 7: 226:Nastagio degli Onesti is a noble in 51:adding citations to reliable sources 291:of that year. Originally stored in 14: 192:Marriage of Nastagio degli Onesti 23: 283:in 1483 as a gift to Giannozzo 1: 370:Male characters in literature 252:, not far from his hometown. 365:Characters in The Decameron 391: 307:Style and interpretations 173:The banquet in the forest 293:Palazzo Pucci, Florence 281:Lorenzo the Magnificent 66:"Nastagio degli Onesti" 236:Frederick of Alberighi 202: 183: 164: 145: 341:sacred representation 206:Nastagio degli Onesti 189: 170: 151: 132: 47:improve this article 287:at his marriage to 375:Fictional nobility 329:Pietro della Vigna 216:Giovanni Boccaccio 203: 184: 165: 146: 277:Sandro Botticelli 154:Killing the woman 127: 126: 119: 101: 382: 244: 122: 115: 111: 108: 102: 100: 59: 27: 19: 390: 389: 385: 384: 383: 381: 380: 379: 355: 354: 353: 309: 274: 238: 224: 123: 112: 106: 103: 60: 58: 44: 28: 17: 12: 11: 5: 388: 386: 378: 377: 372: 367: 357: 356: 352: 349: 337:locus amoenus 308: 305: 273: 270: 223: 220: 125: 124: 107:September 2015 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 387: 376: 373: 371: 368: 366: 363: 362: 360: 350: 348: 344: 342: 338: 334: 330: 326: 322: 321:Divine Comedy 317: 315: 306: 304: 302: 298: 294: 290: 289:Lucrezia Bini 286: 282: 278: 271: 269: 265: 262: 258: 253: 251: 246: 242: 237: 233: 229: 221: 219: 217: 213: 212: 211:The Decameron 207: 201: 200:Palazzo Pucci 197: 193: 188: 182: 178: 174: 169: 163: 159: 155: 150: 144: 140: 136: 131: 121: 118: 110: 99: 96: 92: 89: 85: 82: 78: 75: 71: 68: –  67: 63: 62:Find sources: 56: 52: 48: 42: 41: 37: 32:This article 30: 26: 21: 20: 345: 336: 318: 310: 275: 266: 254: 247: 225: 209: 205: 204: 191: 190:Botticelli, 172: 171:Botticelli, 153: 152:Botticelli, 134: 133:Botticelli, 113: 104: 94: 87: 80: 73: 61: 45:Please help 33: 257:pine forest 239: [ 359:Categories 351:References 314:hedonistic 232:Traversari 77:newspapers 297:Charlbury 34:does not 196:Florence 228:Ravenna 91:scholar 55:removed 40:sources 323:, the 301:London 261:Knight 250:Classe 181:Madrid 162:Madrid 143:Madrid 93:  86:  79:  72:  64:  333:Dante 325:Canto 285:Pucci 243:] 177:Prado 158:Prado 139:Prado 98:JSTOR 84:books 335:, a 222:Plot 70:news 38:any 36:cite 327:of 299:at 272:Art 214:by 49:by 361:: 343:. 303:. 241:it 198:, 194:, 179:, 175:, 160:, 156:, 141:, 137:, 120:) 114:( 109:) 105:( 95:· 88:· 81:· 74:· 57:. 43:.

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Prado
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Florence
Palazzo Pucci
The Decameron
Giovanni Boccaccio
Ravenna
Traversari
Frederick of Alberighi

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