Natalie Clifford Barney - Knowledge (XXG)

716: 44: 1845:. She has the lead role as Dame Evangeline Musset, "who was in her Heart one Grand Red Cross for the Pursuance, the Relief and the Distraction, of such Girls as in their Hinder Parts, and their Fore Parts, and in whatsoever Parts did suffer them most, lament Cruelly". " Pioneer and a Menace" in her youth, Dame Musset has reached "a witty and learned Fifty"; she rescues women in distress, dispenses wisdom, and upon her death is elevated to sainthood. Also appearing pseudonymously are de Gramont, Brooks, Dolly Wilde, Hall and her partner Una, Lady Troubridge, Janet Flanner and Solita Solano, and Mina Loy. The obscure language, inside jokes, and ambiguity of 784: 918: 1613: 1427: 906: 620: 232: 1244: 642: 392: 1498:

once Barney had given in. At the same time, while Brooks was devoted to Barney, she did not want to live with her as a full-time couple; she disliked Paris, disdained Barney's friends, hated the constant socializing on which Barney thrived, and felt that she was fully herself only when alone. To accommodate Brooks's need for solitude they built a summer home consisting of two separate wings joined by a dining room, which they called

1817: 1490: 1379: 344: 241: 5590: 474:, while Barney became fascinated with Vivien after hearing her recite one of her poems, which Barney described as "haunted by the desire for death". Their romantic relationship was also a creative exchange that inspired both of them to write. Barney provided a feminist theoretical framework which Vivien explored in her poetry. They adapted the imagery of the 357:. They became acquainted during summer vacations in Bar Harbor, Maine, and began a sexual relationship during one such trip in 1893. Barney likened Palmer's appearance to that of a medieval virgin. The two remained close for several years. As young adults in Paris they shared an apartment at 4 rue Chalgrin and eventually took their own residences in 798:, first in Neuilly but mostly at her home at 20, Rue Jacob, in Paris. Her salon was a weekly, Friday gathering at which people met to socialize and discuss literature, art, music and any other topic of interest. Though she hosted some of the most prominent male writers of her time, Barney strove to shed light on female writers and their work. 1340:, "Misunderstanding, or Sappho's Lawsuit", gathered historical writings about homosexuality along with her own commentary. She also covered topics such as alcohol, friendship, old age, and literature, writing "Novels are longer than life" and "Romanticism is a childhood ailment; those who had it young are the most robust." A third volume, 1151:) Barney drew a social diagram which crowded the names of over a hundred people who had attended the salon into a rough map of the house, garden and Temple of Friendship. The first half of the book had reminiscences of 13 male writers she had known or met over the years and the second half had a chapter for each member of her 1006: 1527:

conscientiously but futilely for Brooks' favor. This culminated in Brooks' ultimatum, delivered in 1931, in which she described Wilde as a rat "gnawing at the very foundation of our friendship". Barney chose Brooks and separated from Wilde; Brooks later allowed Wilde to return and became less critical of Wilde's ways.

856:"Temple of Friendship" tucked into one corner. In this new location, the salon grew a more prim outward face, with poetry readings and conversation, perhaps because Barney had been told the pavilion's floors would not hold up to large dancing parties. Frequent guests during this period included poets Pierre Louÿs and 602:. Responding to the lesbian themes in the poetry, Barney began corresponding with Custance and exchanging poems. The two met in 1901 at Barney and Vivien's home in Paris, and they soon began a short romantic relationship. While Barney's infidelity aggravated Vivien, Custance was also pursuing a relationship with 1473:

Though the two conducted their affair clandestinely, de Gramont's husband found them out and attempted to stop them from seeing each other. He was unsuccessful, and he divorced de Gramont in 1920 after a period of separation. In 1918 she and Barney wrote up a marriage contract stating: "No one union

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Brooks tolerated Barney's casual affairs well enough to tease her about them, and had a few of her own over the years, but could become jealous when a new love became serious. Usually she simply left town, but at one point she gave Barney an ultimatum to choose between her and Dolly Wilde—relenting

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Barney's support of Wilde included occasional permission to stay for a few weeks at Rue Jacob. Brooks' disapproval of the relationship increased over the years, aggravated by Wilde's presence in Barney's home. Wilde, the only of Barney's loves to share her enthusiastic rejection of monogamy, strove

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themes, describing war as an "involuntary and collective suicide ordained by man". In war, she said, men "father death as women mother life, with courage and without choice". The epigrammatic form makes it difficult to determine the details of Barney's views; ideas are presented only to be dropped,

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over Christianity. After the death of Barney's father in 1902, his approximately $ 9 million fortune ($ 317 million in 2018) was left in trust with annual income to be split equally between Barney, her mother, and her sister. His death and the money freed her from any need to conceal the authorship

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at a New York hotel. Wilde scooped her up as she ran past him fleeing a group of small boys and held her out of their reach. Then he sat her down on his knee and told her a story. The next day he joined Barney and her mother on the beach, and Wilde inspired Alice to pursue art seriously, which she

189:. The salon closed for the duration of World War II while Barney lived in Italy with Brooks. She initially espoused some pro-fascist views, but supported the Allies by the end of the war. After the war, she returned to Paris, resumed the salon, and continued influencing or inspiring writers such as 1665:

In the late 1960s Brooks became increasingly reclusive and paranoid; she sank into a depression and refused to see the doctors Barney sent. Bitter at Lahovary's presence during their last years, which she had hoped they would spend exclusively together, she finally broke off contact with Barney.

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has been described as "apprentice work", a classifier which betrays its historical significance. According to biographer Suzanne Rodriguez, the collection's publication meant that Barney became the first woman poet to openly write about the love of women since Sappho. Her mother contributed pastel

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It is possible that the anti-Semitic passages in her memoir were intended to be used as evidence that she was not Jewish; alternatively, she may have been influenced by Ezra Pound's anti-Semitic radio broadcasts. Whatever the case, she did help a Jewish couple escape Italy, providing passage on a

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and the last of her family to bear the Wilde name. She was renowned for her epigrammatic wit but, unlike her famous uncle, never managed to apply her gifts to any publishable writing; her letters are her only legacy. She did some work as a translator and was often supported by others, including

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for more than 60 years, bringing together writers and artists from around the world, including many leading figures in French, American, and British literature. Attendees of various sexualities expressed themselves and mingled comfortably at the weekly gatherings. She worked to promote writing by

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Barney stood to inherit some family wealth held in trust if she either married or waited for her father's death. While courting de Pougy, Barney was engaged to Robert Cassat, a member of another wealthy railroad family. Barney was open with Cassat about her love of women and relationship with de

441:. During intermission, Barney (as "Flossie") compares Hamlet's plight with that of women: "What is there for women who feel the passion for action when pitiless Destiny holds them in chains? Destiny made us women at a time when the law of men is the only law that is recognized." She also wrote 1758:

as the salon hostess Valérie Seymour, a symbol of self-acceptance in contrast with the protagonist's self hatred. Hall wrote: "Valérie, placid and self-assured, created an atmosphere of courage; everyone felt very normal and brave when they gathered together at Valérie Seymour's." According to

323:. As the rebellious and unconventional daughter of one of the wealthiest families in town, she was often mentioned in Washington newspapers. In her early twenties she made headlines by galloping through Bar Harbor while driving a second horse on a lead ahead of her, riding astride instead of 1446:

after her birth; she did not have any access to her step-mother's wealth. She looked back on this lost world of wealth and privilege with little regret, and became known as the "red duchess" for her support of socialism. Encouraged by her father to wed into security, she married Philibert de

1786:. Barney is Laurette Wells, a salon hostess who spends much of the novel trying to win back an ex-lover loosely based on Renée Vivien. The book's portrayal of her is, at times, harshly critical, but she is the only person whose company Marion enjoys. Marion tells Wells that she is "perverse 816:

appointments with academics could coexist in a kind of cheerful, cross-pollinating, cognitive dissonance". The range of sexualities welcomed at the salon was also uncommon in Paris, and Barney's openness with her own sexuality made her salon comfortable to homosexual or bisexual attendees.

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in his thirties. He was impressed enough to invite her to one of the Sunday gatherings at his home, at which he usually received only a small group of old friends. She was a rejuvenating influence in his life, coaxing him out for evening car rides, dinners at the Rue Jacob, a masked

1692:. In the 1980s Barney began to be recognized for what Karla Jay calls an "almost uncanny anticipation" of the concerns of later feminist writers. English translations of some of her memoirs, essays, and epigrams appeared in 1992, but most of her plays and poetry are untranslated. 1608:

until the mid-1950s, when Barney met her last new love, Janine Lahovary, the wife of a retired Romanian ambassador. Lahovary made a point of winning Brooks's friendship, Barney reassured Brooks that their relationship still came first, and the triangle appeared to be stable.

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Pougy. In the hopes of securing the Barney trust money, the three briefly considered a rushed wedding between Barney and Cassat and an adoption of de Pougy. When Cassat ended the engagement, Barney attempted unsuccessfully to persuade her father to give her the money anyway.

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separated her from Barney; she fled Paris for England while Barney went to Italy with Brooks. She died in 1941 from causes never fully explained; with one of the most common speculations being a paraldehyde overdose. Her will, written in 1932, named Barney as her only heir.

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said Barney "writes odes to men's lips and eyes; not like a novice, either". However, a headline in a society gossip paper cried out "Sappho Sings in Washington" and this alerted her father, who bought and destroyed the publisher's remaining stock and printing plates.

1406:, Barney had become more widely known for her many relationships than for her writing or her salon. She once wrote out a list, divided into three categories: liaisons, demi-liaisons, and adventures. Colette was a demi-liaison, while the artist and furniture designer 1442:, she had grown up among the aristocracy; when she was a child, according to Janet Flanner, "peasants on her farm ... begged her not to clean her shoes before entering their houses". Her father's ancestors had squandered their fortune and he married into the 1328:

seem to contradict others. Some critics interpret her as saying that the aggression that leads to war is visible in all male relationships. Karla Jay, however, argues that her philosophy was not that sweeping, and is better summed up by the epigram "Those who

561:, who herself had an affair with Barney in 1906, was Vivien's friend and neighbor. According to Colette, Vivien ate almost nothing and drank heavily, even rinsing her mouth with perfumed water to hide the smell. Colette's account has led some to call Vivien an 546:, where they lived happily together for a short time and discussed starting a school of poetry for women like the one which Sappho, according to tradition, had founded on Lesbos some 2,500 years before. However, Vivien soon got a letter from her lover Baroness 2654:

As to the moving tributes by Yanette Deletang-Tardif, Anne-Marie Kegels and Lucienne Desnoues they represent the admiration of three of the more interesting laureates of the Prix Renee Vivien which, since 1949, the Amazon has awarded to women poets writing in

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may have led Barney to leave Neuilly in 1909. According to a contemporary newspaper article, her landlord objected to her holding an outdoor performance of a play about Sappho, which he felt "followed nature too closely". She canceled her lease and rented the

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Like Vivien, Wilde was intensely self-destructive and struggled deeply with mental illness. She attempted suicide several times, and spent much of her life addicted to alcohol and heroin. Barney, a vocal opponent of drug use and alcoholism, financed

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the sailor, she does so out of grief that Phaon is marrying the woman she loves. The play incorporates quotations from Sappho's fragments, with Barney's own footnotes in Greek, and was performed with ancient Greek-inspired music and dance.

1519: 204:(the Amazon), and Barney's association with both de Gourmont and the nickname lasted until her death. Her life and love affairs served as inspiration for many novels written by others, ranging from de Pougy's erotic French bestseller 524:, which Barney was unwilling to agree to. While Barney was visiting her family in Washington, D.C. in 1901, Vivien stopped answering her letters. Barney tried to get her back for years, at one point persuading a friend, operatic 707:. Barney also dedicated the book to him. The first of the dialogues is set in ancient Greece and contains a long description of Sappho, who is "more faithful in her inconstancy than others in their fidelity". Another argues for 1398:

she wrote "One is unfaithful to those one loves in order that their charm does not become mere habit". While she could be quite jealous herself, she actively encouraged at least some of her lovers to be non-monogamous as well.

365:. Their relationship did not survive this turn of events: Barney took a dim view of Angelos and heated letters were exchanged. Later in their lives the friendship was repaired through correspondence and reunions in New York. 981:

and whose 40 members included no women at the time. Unlike the French Academy, Barney's was not a formal organization but rather a series of readings held as part of the regular Friday salons. Honorees included Colette,

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Barney did not take her poetry as seriously as Vivien did, saying "if I had one ambition it was to make my life itself into a poem". Her plays were only performed through amateur productions in her garden. According to

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about the affair. Although Barney failed to find a publisher for the book and later called it naïve and clumsy, it is notable for its discussion of homosexuality, which Barney regarded as natural and compared to

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The salon, which had altered from the days of the tableaux, still held its own in the literary world, and the Prix Renée Vivien (of 500,000 francs) enable young writers such as Marguerite Yourcenar to establish

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By the end of 1899, the two had broken up after quarreling repeatedly over Barney's desire to "rescue" de Pougy from her life as a courtesan. Despite the breakup, the two continued having liaisons for decades.

852:, and her salon was held there until the late 1960s. This was a small two-story house, separated on three sides from the main building on the street. Next to the pavilion was a large, overgrown garden with a 1454:

introduced Barney and de Gramont in 1909 or 1910. The couple shared academic interests and attended Remy de Gourmont's salon together. Barney wrote an unpublished novel inspired by their early relationship,

424:). Published in 1901, the book and its sexually suggestive scenes became the talk of Paris, reprinted more than 70 times in its first year. Barney was soon well known as the model for one of the characters. 1469:

De Gramont accepted Barney's nonmonogamy—perhaps reluctantly at first—and went out of her way to be gracious to her other lovers, always including Brooks when she invited Barney to vacation in the country.

715: 1763:, "There was probably no lesbian in the four decades between 1928 and the late 1960s capable of reading English or any of the eleven languages into which the book was translated who was unfamiliar with 1624:

was an intermittent guest for almost ten years; he described the decor as "totally turn-of-the-century" and remembered that Barney introduced him to the models for several characters in Marcel Proust's

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heritage, and since she spent the war in Florence with Brooks, was investigated by Italian authorities because of this; she was able to escape their attention after her sister Laura arranged for a

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Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner,

531:, to sing under Vivien's window so she could throw a poem (wrapped around a bouquet of flowers) up to Vivien on her balcony. Both flowers and poem were intercepted and returned by a governess. 542:), an intensely personal prose poem about their relationship which was presented as a single handwritten copy to Vivien in an attempt to win her back. They reconciled and traveled together to 1486:

and was noted for her somber palette of gray, black, and white. During the 1920s she painted portraits of several members of Barney's social circle, including de Gramont and Barney herself.

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As recently as 1950, 41 years after Miss Vivien's death, she endowed a Renee Vivien poetry prize and became chairman of a committee of the French Society of Men of Letters which awards it

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and died the following year. In a memoir written fifty years later, Barney said, "She could not be saved. Her life was a long suicide. Everything turned to dust and ashes in her hands."

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was destroyed by bombing. After the war, Brooks declined to live with Barney in Paris; she remained in Italy, and they visited each other frequently. Their relationship remained mostly

1410:, with whom she had an off-and-on affair for several years, was listed as an adventure. Among the liaisons—the relationships that she considered most important—were Custance, Vivien, 2021: 3681:, p. 181. "I would be asked at dinner parties what I was working on and, replying, 'Natalie Clifford Barney,' I expected the usual post Jean Chalon response, 'What? The lesbian 361:. Barney frequently solicited Palmer's help in her romantic pursuits of other women, including Pauline Tarn. Palmer ultimately left Barney's side for Greece and eventually married 1695:

Her indirect influence on literature, through her salon and her many literary friendships, can be seen in the number of writers who have addressed or portrayed her in their works.

1747:(2001) is a historical novel about Barney's salon. The English translation by Sally Hamilton and Suzanne Stroh was published as an audiobook read by Suzanne Stroh under the title 3785:

Sources differ on the year of their meeting. Jay, Rodriguez, and Souhami place the meeting in 1910 (Rodriguez says "probably"). Rapazzini says 1909, producing a letter from the

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thinking she would break up with her in person. Vivien planned to meet Barney in Paris afterward, but instead stayed with the Baroness. This time, the breakup was permanent.

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as the aggressors. Therefore, pro-Fascism seemed to her to be a logical consequence of her pacifism. An unpublished memoir she wrote during the war years is pro-Fascist and

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Barney continued to write to her, but received no replies. Brooks died in December 1970, and Barney on February 2, 1972, aged 95, from heart failure. She is buried at

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of the novel is a hermaphrodite named Marion who lives a double life, frequenting literary salons in female dress, then changing from skirt to trousers to attend gay

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of her books; she never used a pseudonym again. She considered scandal "the best way of getting rid of nuisances" (meaning heterosexual attention from young men).

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at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and

1218:—literally, thoughts. This literary form had been associated with salon culture in France since the 17th century, when the genre was perfected at the salon of 1849:

have kept critics arguing about whether it is an affectionate satire or a bitter attack, but Barney herself loved the book and reread it throughout her life.

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The salon resumed in 1949 and continued to attract young writers for whom it was as much a piece of history as a place where literary reputations were made.

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shall be so strong as this union, nor another joining so tender—nor relationship so lasting". The relationship continued until de Gramont's death in 1954.

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda

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to describe love between women, also finding examples of heroic women in history and myth. Sappho was an especially important influence and they studied

5560: 5617: 4822: 490: 5647: 388:. Although de Pougy was one of the most famous women in France, constantly sought after by wealthy and titled men, Barney's audacity charmed her. 153:, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and 1705:, 1903) by Colette contains a brief appearance by Barney as "Miss Flossie", echoing the nickname she had earlier been given in de Pougy's novel 1735: 5399: 5062: 4665: 1882: 659: 3024: 1965:(London: Eric Partridge, Ltd., 1930; Orono, Maine: National Poetry Foundation, 1987) facsimile reprint with an afterword by Edward Lorusso 1296:; the letters were later collected in book form. He died in 1915, but the nickname he gave her would stay with her all her life—even her 4522: 1863:, believed to have been written in 1926, was published in 2013. It was translated into English by Chelsea Ray and published in 2016 as 254:

of Barney at age ten that hung on the wall of her salon at 20, Rue Jacob. Second: Barney at about age 13, painted by Alice Pike Barney.

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In addition to its focus on women, Barney's salon was distinguished by its deliberately international character. She brought together

270: 2729: 763:, most of them lacked coherent plots and "would probably baffle even the most sympathetic audience". After 1910 she mostly wrote the 5682: 5667: 5652: 5439: 5420: 5373: 5315: 5294: 5267: 5246: 5110: 5035: 4999: 4980: 4957: 4901: 4882: 4857: 4812: 4763: 4728: 4703: 4644: 4625: 4606: 4580: 4557: 4536: 4511: 2823: 2678: 1798:.... ou are capable of loving someone just as they are, even a thief—in that lies your only fidelity. And so you have my respect." 582: 3009:

How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States

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and as Barney put it, "she had found new inspiration through me, almost without knowing me". Barney felt Vivien had cast her as a

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In the 1900s Barney held early gatherings of the salon at her house in Neuilly. The entertainment included poetry readings and

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illustrations of the poems' subjects, wholly unaware three of the four women who modelled for her were her daughter's lovers.

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Barney later said she knew she was a lesbian by age twelve, and she was determined to "live openly, without hiding anything".

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By the end of Natalie Barney's life her work had been largely forgotten. In 1979, Barney was honored with a place setting in

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Barney's longest relationship was with the American painter Romaine Brooks, whom she met around 1915. Brooks specialized in

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Lucie Delarue-Mardrus wrote love poems to Barney in the early years of the century, and in 1930 depicted her in a novel,

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ship to the United States. By the end of the war her sympathies had again changed, and she saw the Allies as liberators.

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several times; to no avail. Wilde even emerged from one nursing-home stay with a new dependency on the sleeping draught

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Barney did not return to writing epigrams, but did publish two volumes of memoirs about other writers she had known,

1263:, a French poet, literary critic, and philosopher who had become a recluse after contracting the disfiguring disease 5129:

Livia, Anna (1995). "Introduction: Lucie Delarue-Mardrus and the Phrenetic Harlequinade". In Delarue-Mardrus (ed.).

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Reviews were generally positive and glossed over the lesbian theme of the poems, some even misrepresenting it. The

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in her home town of Dayton, Ohio. The marker is the first in Ohio to note the sexual orientation of its honoree.

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En souvenir de son amie, Miss Barney a fondé le " Prix Renée Vivien " que décerne la Société des Gens de Lettres

1563:, complained that Barney "talked a lot of half-baked nonsense about the tyranny of fascism". Barney herself had 1315:), her most overtly political work. In the first section, "Sexual Adversity, War, and Feminism", she developed 497: 292:

Like many girls of her time, Barney had a haphazard education. Her interest in the French language began with a

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never attended a Friday but did come once to talk with Barney about lesbian culture whilst doing research for

974: 1418:. Many of her affairs, like those with Colette and Lucie Delarue-Mardrus, evolved into lifelong friendships. 5552: 1979: 1662:, 1963). She also worked to find a publisher for Brooks's memoirs and to place her paintings in galleries. 1411: 1240:

such as "There are more evil ears than bad mouths" and "To be married is to be neither alone nor together."

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A rétabli le prix Renée Vivien dont elle est la Présidente (depuis 1950) à la Société des gens de lettres

1670:, Paris, Île-de-France, France. She left some of her writing, including more than 40,000 letters, to the 4874: 2011: 1729:... The charm of peril emanated from her and drew me inexorably." Remy de Gourmont addressed her in his 1451: 1426: 1276:. He turned some of their wide-ranging conversations into a series of letters that he published in the 894: 354: 301: 300:

stories aloud to her, so she would have to learn quickly to understand them. She and her younger sister

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women and hosted a "Women's Academy" (L'Académie des Femmes) in her salon as a response to the all-male

2016: 577: 1489: 1354:(1930) was Barney's only book written entirely in English, as well as her only novel. Illustrated by 954:, and, while her own taste in music leaned towards the traditional, she hosted premieres of Antheil's 486:

so as to read the surviving fragments of her poetry in the original. Both wrote plays about her life.

5612: 5607: 1643:, who in 1980—eight years after Barney's death—became the first female member of the French Academy. 1640: 812:. The salon Biographer Joan Schenkar described Barney's salon as "a place where lesbian assignations 905: 881:

and Barney hosted a Women's Congress for Peace. Other visitors to the salon during the war included

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and had many overlapping long and short-term relationships, including on-and-off romances with poet

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Ezra Pound was a close friend of Barney's and often visited. The two schemed together to subsidize

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and came out in 1920, bringing together romantic poetry in both French and English. Barney asked

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version of the legend of Sappho's death: instead of throwing herself off a cliff for the love of

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never made an appearance at the salon. James Joyce came once or twice but did not care for it.

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in which she described reclining at de Pougy's feet in a screened box at the theater, watching

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Stimpson, Catharine R. (Winter 1981). "Zero Degree Deviancy: The Lesbian Novel in English".

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Livia, Anna (1992). "The Trouble with Heroines: Natalie Clifford Barney and Anti-Semitism".

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Wild Girls: Paris, Sappho, and Art: The Lives and Loves of Natalie Barney and Romaine Brooks

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became a regular after her partner Stein's death in 1946. Fridays in the 1960s honored

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of Clermont-Tonnerre, was a writer best known for her popular memoirs. A descendant of

1370:, is a collection of hymns, poems and epigrams, much like Barney's own other writings. 1363: 1355: 1264: 1173: 1159: 1137: 1090: 1053: 1025: 983: 951: 931: 872: 821: 809: 599: 483: 475: 395: 377: 209: 186: 174: 166: 98: 391: 343: 5601: 5515: 5458: 5410: 5363: 5354: 5225: 5188: 5093: 4969: 4940: 4868: 4843: 4688: 4528: 2737:'A foreign language which you understand': The art and life of Djuna Barnes 1892–1982 2629: 1621: 1568: 1543: 1407: 1359: 1190: 1107: 1085: 1021: 943: 886: 865: 849: 543: 528: 525: 437: 305: 277:. Albert Barney partially inherited his family's railroad car manufacturing company, 251: 190: 5047: 1378: 962:. It was also at Barney's salon that Pound met his longtime mistress, the violinist 5085: 5009:

Gogibu, Vincent (January 2005). "Sur la correspondance inédite Gourmont / Valéry".

4950:

Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930

4741:

Tsvetaeva, Marina; trans. Sonja Franeta (October 31, 1994). "Letter to an Amazon".

1810: 1683: 1587: 1572: 1547: 1387: 1269: 1115: 1103: 1095: 1081: 1037: 1033: 1017: 999: 987: 882: 857: 512: 479: 458:. "My queerness," she said, "is not a vice, is not deliberate, and harms no one." 262: 70: 49: 836: 240: 4797: 4756:

The lady with the Borzoi : Blanche Knopf, literary tastemaker extraordinaire

4547: 2858: 2809: 2770: 2668: 2633: 973:(Women's Academy) to honor women writers. This was a response to the influential 466:

In November 1899, Barney met the poet Pauline Tarn, better known by her pen name

5571: 5455:

glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

5144:

glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

2818:]. 9° édition (in French). Paris, F: Editions Jacques Lafitte. p. 197. 1839: 1835: 1779: 1739:. She also appeared in later novels by writers who never met her. Anna Livia's 1579: 1536: 1511: 1415: 1119: 1002:

and posthumously, Renée Vivien. The academy's activities wound down after 1927.

947: 935: 890: 853: 829: 380:

at a dance hall in Paris, Barney presented herself at de Pougy's residence in a

297: 285: 5257: 4524:

Wild Heart: A Life: Natalie Clifford Barney and the Decadence of Literary Paris

767:

and memoirs, for which she is better known. Her last book of poetry was called

5239:

Who's who in Gay and Lesbian History: From Antiquity to World War II, Volume 1

1605: 1462: 1077: 978: 963: 805: 802: 772: 730:

was published in 1910, after Vivien's death. That same year, Barney published

704: 668: 347: 324: 146: 17: 5499: 4773: 4675: 2870: 2833: 2784: 1402:

Due in part to Jean Chalon's early biography of her, published in English as

576:

In 1949, two years after the death of Hélène van Zuylen, Barney restored the

5147: 4620:. Translated by Gatton, John Spalding. New York: New York University Press. 1824:

Barney and the women in her social circle are the subject of Djuna Barnes's

1386:

Despite several of her lovers' objections, Barney practiced, and advocated,

1297: 1029: 938:

so they could leave their jobs and focus on writing, but Valéry found other

833: 825: 760: 520:... entirely in suffering" for the sake of her art. Vivien also believed in 374: 293: 5476:"The Salon of Natalie Clifford Barney: An Interview with Berthe Cleyrergue" 1959:(Paris: Emile Paul, New York: Doran, 1920) – bilingual collection of poetry 1247:

Remy de Gourmont with Élisabeth de Gramont and Barney in 1913. Drawing by

871:

During World War I, the salon became a haven for those opposed to the war.

696: 5217: 5180: 5163:

Love, Heather (Summer 2000). "Hard Times and Heartaches: Radclyffe Hall's

4655: 1559:

Barney's attitudes during World War II have been controversial. In 1937,

1518: 130:(October 31, 1876 – February 2, 1972) was an American writer who hosted a 5584: 5392:

Behind Straight Curtains: towards a queer feminist theory of architecture

3682: 3491:, p. 26 all refer to de Gourmont's condition simply as "lupus", but 1546:

and refused surgery, seeking alternative treatments. The following year,

1483: 1320: 1316: 1304:

left readers wanting to know more about the woman who had inspired them.

1231: 995: 991: 845: 708: 570: 551: 521: 455: 158: 154: 139: 5535: 5018: 1447:

Clermont-Tonnere and had two daughters. He was violent and tyrannical.

5507: 5346: 5259:

Truly Wilde: The Unsettling Story of Dolly Wilde, Oscar's Unusual Niece

1842: 1813:, is "an entirely cryptic, paranoid, overwhelming piece of reverie". 1435: 1394:

she argued in favor of multiple relationships and against jealousy; in

1292: 1236: 939: 764: 657:

In 1900, Barney published her first book, a collection of poems called

558: 135: 5475: 5197: 4932: 1591: 1564: 1016:

Other visitors to the salon during the 1920s included French writers

385: 150: 5580: 319:

area of Washington D.C., spending summers at their large cottage in

5491: 5338: 4924: 4845:

The Suspicion of Virtue: Women Philosophers in Neoclassical France

3885:

The exact date of Barney and Brooks' first meeting is uncertain.

1815: 1783: 1611: 1517: 1488: 1425: 1377: 1273: 1242: 1004: 782: 751: 714: 488: 410:

Their on-and-off affair became the subject of de Pougy's tell-all

390: 342: 4896:. Translated by Anna Livia. New York: New York University Press. 2779:] (in French). Paris, F: Editions J. Peyronnet. p. 233. 1790:... dissolute, self-centered, unfair, stubborn, sometimes miserly 2857:

Lottman, Herbert R. (September 28, 1969). Brown, Francis (ed.).

2769:

Paul-Margueritte, Eve; Paul-Margueritte, Lucie (July 12, 1951).

2739:(Ph.D.). University of Leicester. Docket U058027. Archived from 1733:, and Truman Capote mentioned her in his last, unfinished novel 507: 1172:

packed the salon in 1932. At another Friday salon in the 1930s

977:(French Academy) which had been founded in the 17th century by 738:), a collection of short plays and poems. One of the plays was 4911:

Denkinger, Marc (December 1937). "Remy de Gourmont Critique".

2730:"4. Barnes Among Women 1920–39: Ladies Almanack and Biography" 1794:... a genuine rebel, ever ready to incite others to rebellion 5105:. Washington, DC: Smithsonian Institution Press. p. 24. 3757: 3755: 2673:. New York (New York), USA: Simon and Schuster. p. 176. 775:

to edit the poems, but ignored his detailed recommendations.

4141: 4139: 3701:, p. 298 give slightly different accounts of this list. 2692:

In 1949 she would endow a Renée Vivien Prize for women poets

687:

To escape her father's sway Barney published her next book,

269:. Alice learned to love the arts from her father, who owned 180:

Barney hosted a salon at her home at 20-22 rue Jacob in the

3797: 3795: 3527: 3525: 1333:

war lack the love of an adequate sport—the art of living."

1300:

identifies her as "the Amazon of Remy de Gourmont"—and his

1978:(New Victoria Publishers, 1992); edited and translated by 1820:

Historical marker honoring Barney, in Dayton's Cooper Park

1199:, though he ended up too nervous to bring up the subject. 719:

A gathering in Barney's garden, possibly a performance of

218:, the most famous lesbian novel of the twentieth century. 4637:

A Perilous Advantage: The Best of Natalie Clifford Barney

2103: 2101: 1976:

A Perilous Advantage: The Best of Natalie Clifford Barney

1709:. Renée Vivien wrote many poems about her, as well as a 1255:

Her literary career got a boost after she sent a copy of

1185:

Of the famous Modernist writers who spent time in Paris,

2338: 2336: 828:

performed a dance once, riding into the garden naked as

557:

Vivien's health declined rapidly after this. The author

5198:"Elisabeth de Gramont, Natalie Barney's 'eternal mate'" 2772:

Deux frères, deux sœurs : deux époques littéraires

2547: 2545: 1838:

style, with Barnes's own illustrations in the style of

384:

costume and announced she was a "page of love" sent by

5566:

Letter from Natalie Clifford Barney to Liane de Pougy

5432:

Portrait of a Seductress: The World of Natalie Barney

4870:

Olga Rudge and Ezra Pound: "What Thou Lovest Well..."

4461: 3893:, p. 223 puts it "around the start of the war"; 3542: 3540: 1721:, 1904), in which Barney is described as having "eyes 5474:

Orenstein, Gloria Feman; Cleyrergue, Berthe (1979).

1801:

After meeting Barney in the 1930s, the Russian poet

315:

When she was ten, her family moved from Ohio to the

312:. As an adult, she spoke and wrote French fluently. 5415:. Chapel Hill: University of North Carolina Press. 4635:Barney, Natalie Clifford (1992). Anna Livia (ed.). 3889:, p. 29 says "probably... on the eve of war"; 1040:. English-language writers also visited, including 580:with a financial grant under the authority of the 200:addressed public letters to her using the nickname 104: 94: 78: 56: 34: 5281:Between Me and Life: A Biography of Romaine Brooks 5278: 5049:Contingent loves: Simone de Beauvoir and sexuality 5046: 4968: 4796: 4687: 4568: 4495: 1362:being and reads the book of their own life. This 586:and took on the chairmanship of the jury in 1950. 27:American playwright, poet and novelist (1876–1972) 5237:. In Aldrich, Robert; Wotherspoon, Garry (eds.). 2076:, pp. 94–95, 273–275; regarding the fame of 569:. In 1908 she attempted suicide by overdosing on 353:Barney's earliest intimate relationship was with 304:attended Les Ruches, a French boarding school in 3495:, p. 1148 and other French sources such as 2146:, p. 31. Barney recounted this incident in 496:(standing) and Barney; posing for a portrait in 284:When Barney was five years old, she encountered 138:, often thematically tied to her lesbianism and 5365:Paris Was a Woman: Portraits From the Left Bank 4389: 1852:On October 26, 2009, Barney was honored with a 1168:, recently banned in the UK. A reading by poet 1076:(the first Nobel laureate from Asia), Romanian 4919:(4). Modern Language Association: 1147–1160. 2001:, 2016); edited and translated by Chelsea Ray 632:of her cousin Ellen Goin, an illustration in 8: 4639:. Norwich, VT: New Victoria Publishers Inc. 4164:, p. 315 calls this a plausible theory. 2777:Two brothers, two sisters, two literary eras 794:For over 60 years, Barney hosted a literary 5530:The Temple of Friendship at ruevisconti.com 5072:Hawthorne, Melanie (2012). "You are Here". 3901:, p. 145 says "probably in 1915"; and 1991:, 1992); translated by John Spalding Gatton 1352:The One Who is Legion, or A.D.'s After-Life 1094:style), journalist, activist and publisher 4786:: CS1 maint: location missing publisher ( 4739:can be found in Castle's anthology and in 3507:, the disease now commonly known as lupus. 2808:Lafitte, Jacques; Taylor, Stephen (1969). 42: 31: 5678:American women dramatists and playwrights 4269: 4257: 4233: 4209: 4185: 4173: 4161: 4130: 4118: 4094: 4070: 4034: 4022: 3986: 3974: 3938: 3914: 3902: 3890: 3873: 3861: 3849: 3825: 3813: 3801: 3773: 3761: 3746: 3734: 3698: 3642: 3630: 3582: 3570: 3558: 3516: 3492: 3484: 3444: 3432: 3408: 3396: 3372: 3360: 3324: 3312: 3276: 3264: 3236: 3188: 3164: 3140: 3080: 3044: 2957: 2945: 2917: 2905: 2893: 2599: 2563: 2488: 2463: 2438: 2426: 2414: 2402: 2390: 2327: 2315: 2303: 2291: 2279: 2267: 2255: 2231: 2219: 2195: 2171: 2159: 2143: 2131: 2119: 2107: 2073: 1214:, 1910) was Barney's first collection of 1182:, an opera based on a libretto by Stein. 5633:American LGBT dramatists and playwrights 4690:Women of the Left Bank: Paris, 1900–1940 4365: 4329: 4082: 4058: 4046: 3998: 3694: 3666: 3618: 3531: 3384: 3288: 3248: 3224: 3212: 3200: 3176: 3152: 3092: 2670:Woman+woman: attitudes toward lesbianism 2243: 2207: 2092: 824:(in which Colette sometimes performed). 598:in 1900, a debut collection of poems by 427:Barney herself contributed a chapter to 289:did despite her husband's disapproval. 5449:Inness, Sherrie A. (October 20, 2005). 5368:. San Francisco: Harper San Francisco. 4825:. The Columbus Dispatch. Archived from 4601:. New York: New York University Press. 4245: 4197: 4106: 3962: 3950: 3894: 3837: 3722: 3420: 3336: 3056: 3025:"Consumer Price Index (estimate) 1800–" 2728:Tyler-Bennett, Deborah (October 1993). 2715: 2616: 2575: 2476: 2378: 2366: 2354: 2342: 2183: 2081: 2032: 875:gave a reading from his anti-war novel 5285:. Garden City, NY: Doubleday. p. 4807:. New York: New York Review of Books. 4779: 4473: 4449: 4425: 4413: 4401: 4305: 4221: 3898: 3787:Bibliothèque littéraire Jacques-Doucet 3710: 3654: 3606: 3594: 3496: 3480: 3468: 3456: 3348: 3300: 3116: 2969: 2703: 2536: 2500: 2451: 1672:Bibliothèque littéraire Jacques-Doucet 787:Barney, c. 1890–1910, photographed by 196:Barney had a wide literary influence. 4975:. New York: William Morrow & Co. 4754:Claridge, Laura P. (April 12, 2016). 4437: 4377: 4157: 4145: 3678: 3023:Federal Reserve Bank of Minneapolis. 2929: 1493:Barney and Romaine Brooks, circa 1915 169:and longer relationships with writer 7: 4743:The Harvard Gay & Lesbian Review 4735:English translations of Tsvetaeva's 4353: 4341: 3104: 3068: 1957:Poems & Poèmes: Autres Alliances 1892:(Paris: La Plume, 1901; as "Tryphé") 1883:Quelques Portraits-Sonnets de Femmes 769:Poems & Poemes: Autres Alliances 660:Quelques Portraits-Sonnets de Femmes 648:Quelques Portraits-Sonnets de Femmes 634:Quelques Portraits-Sonnets de Femmes 516:and that she wanted "to lose herself 5623:20th-century American women writers 5561:When Natalie Barney met Oscar Wilde 5551:(1.1 linear ft.) are housed at the 5538:(102 linear ft.) are housed at the 5532:(French language, dozens of photos) 5103:Alice Pike Barney: Her Life and Art 4952:. Oxford: Oxford University Press. 4317: 4293: 4281: 4010: 3926: 3886: 3546: 3488: 3128: 2634:"Combat with the Amazon of letters" 2587: 2551: 2524: 2512: 1539:, then available over-the-counter. 1286:a French word that can mean either 1118:(the bookstore owner who published 911:Two-story pavilion at 20, Rue Jacob 893:, who came while on leave from the 5703:Lesbian dramatists and playwrights 5196:Rapazzini, Francesco (Fall 2005). 4616:Barney, Natalie Clifford (1992a). 1088:(also known as Genêt, who set the 699:. The name came from the works of 25: 5663:American people of Jewish descent 4654:Barney, Natalie Clifford (2016). 3789:'s collection of Barney material. 1068:. Barney also hosted German poet 703:, who helped edit and revise the 5588: 5581:Works by Natalie Clifford Barney 5572:Works by Natalie Clifford Barney 5549:Romaine Brooks Papers, 1940–1968 4657:Women lovers, or The third woman 4552:. New York: St. Martin's Press. 1995:Women Lovers, or The Third Woman 1940:(Paris: Mercure de France, 1963) 1928:(Paris: Mercure de France, 1939) 1725:... as sharp and blue as a blade 1542:In 1939, she was diagnosed with 916: 904: 832:on a white horse harnessed with 640: 618: 265:, to Albert Clifford Barney and 239: 230: 5618:20th-century American novelists 5011:Bulletin des études valéryennes 4892:Delarue-Mardrus, Lucie (1995). 3905:, p. 17 says October 1916. 3263:, November 14, 1909. Quoted in 2811:Qui est qui en France 1969–1970 1944:Amants féminins ou la troisième 1865:Women Lovers or The Third Woman 1861:Amants féminins ou la troisième 1162:drew a crowd reading her novel 447:Letters to a Woman I Have Known 118:wrote drama, literature, poetry 5648:American expatriates in France 5434:. New York: Crown Publishers. 5233:Robinson, Christopher (2001). 5210:Johns Hopkins University Press 5086:10.1179/1478731811Z.0000000009 5013:(in French) (98–99): 235–247. 4992:Paris was Yesterday: 1925–1939 2863:The New York Times Book Review 2393:, pp. 91, 95–97, 102–103. 1926:Nouvelles Pensées de l'Amazone 1582:propaganda that portrayed the 1515:Barney, whom she met in 1927. 1342:Nouvelles Pensées de l'Amazone 946:. Pound introduced Barney to 665:Some Portrait-Sonnets of Women 478:along with the conventions of 308:, France, founded by feminist 48:Barney in 1898, photograph by 1: 2816:Who's who in France 1969–1970 1999:University of Wisconsin Press 1510:Dolly Wilde was the niece of 1272:, even a short cruise on the 1230:, were short, often one-line 956:Symphony for Five Instruments 695:, 1901), under the pseudonym 606:, who she would later marry. 5390:Bonnevier, Katarina (2007). 5307:The Trials of Radclyffe Hall 5053:. U of Virginia P. pp. 4758:(First ed.). New York. 4716:The Literature of Lesbianism 3519:, pp. 191–196, 199–201. 3505:systemic lupus erythematosus 3017:American Antiquarian Society 2997:American Antiquarian Society 2944:, March 9, 1901. Quoted in 1594:, apparently with approval. 1430:Élisabeth de Gramont in 1889 1392:Cinq Petits Dialogues Grecs, 1307:Barney obliged in 1920 with 279:Barney & Smith Car Works 5587:(public domain audiobooks) 5045:Hawthorne, Melanie (2000). 4521:Rodriguez, Suzanne (2002). 1890:Cinq Petits Dialogues Grecs 1578:Nevertheless, she believed 1110:, art collector and patron 689:Cinq Petits Dialogues Grecs 583:Société des gens de lettres 261:Barney was born in 1876 in 182:6th arrondissement of Paris 5749: 5235:"Barney, Natalie Clifford" 5169:Journal of Lesbian Studies 5138:Lockard, Ray Anne (2002). 5131:The Angel and the Perverts 4971:Surpassing the Love of Men 4967:Faderman, Lillian (1981). 4894:The Angel and the Perverts 4873:. New Haven & London: 4488:Books about Natalie Barney 4462:The Columbus Dispatch 2009 2859:"In Search of Miss Barney" 1776:The Angel and the Perverts 1571:document attesting to her 1434:Élisabeth de Gramont, the 1346:New Thoughts of the Amazon 969:In 1927 Barney started an 723:with Barney and Eva Palmer 693:Five Short Greek Dialogues 594:Barney purchased and read 373:In 1899, after seeing the 149:. Inspired by the work of 5733:Writers from Dayton, Ohio 5693:Burials at Passy Cemetery 5262:. New York: Basic Books. 4721:Columbia University Press 4696:University of Texas Press 3897:, p. 137 says 1915; 3167:, pp. xvi, 154, 177. 2638:ADAM International Review 1989:New York University Press 1934:(Paris: Flammarion, 1960) 1922:(Paris: Emile Paul, 1929) 1916:(Paris: Emile Paul, 1920) 1803:Marina Ivanovna Tsvetaeva 1754:Barney appears in Hall's 1179:Four Saints in Three Acts 994:, Lucie Delarue-Mardrus, 789:Frances Benjamin Johnston 41: 5683:American women novelists 5668:American poets in French 5653:American lesbian writers 5556:Archives of American Art 5412:Women's writing in exile 5409:Broe, Mary Lynn (1993). 5394:. Stockholm: Axl Books. 5277:Secrest, Meryle (1974). 5026:Hall, Radclyffe (1981). 4948:Dorf, Samuel N. (2019). 4850:Cornell University Press 4842:Conley, John J. (2002). 4504:Indiana University Press 4236:, pp. 336, 353–354. 3953:, pp. 137–139, 146. 2667:Klaich, Dolores (1974). 2602:, pp. 116, 186–187. 2405:, pp. 103, 264–266. 2282:, pp. 149, 164–165. 1886:(Paris: Ollendorf, 1900) 1686:'s feminist work of art 1404:Portrait of a Seductress 848:on Rue Jacob in Paris's 5638:American LGBT novelists 5553:Smithsonian Institution 5310:. New York: Doubleday. 5304:Souhami, Diana (1999). 5256:Schenkar, Joan (2000). 5101:Kling, Jean L. (1994). 4990:Flanner, Janet (1979). 4799:The Pure and the Impure 4567:Wickes, George (1976). 4546:Souhami, Diana (2005). 4498:The Amazon and the Page 4452:, pp. xxxii–xxxiv. 3435:, pp. 249–50, 301. 2644:(299). London, UK: 5–24 1946:(Paris: ErosOnyx, 2013) 1859:Barney's French novel, 1834:written in an archaic, 1749:A Night at the Amazon's 1390:. As early as 1901, in 1170:Edna St. Vincent Millay 1066:William Carlos Williams 506:Vivien saw Barney as a 128:Natalie Clifford Barney 36:Natalie Clifford Barney 5673:American salon-holders 5544:University of Maryland 5362:Weiss, Andrea (1995). 5165:The Well of Loneliness 5028:The Well of Loneliness 4867:Conover, Anne (2001). 4713:Castle, Terry (2003). 4618:Adventures of the Mind 4597:Barnes, Djuna (1992). 2222:, pp. 59–60, 191. 2148:Adventures of the Mind 2070:The Well of Loneliness 1985:Adventures of the Mind 1821: 1765:The Well of Loneliness 1756:The Well of Loneliness 1745:Un soir chez l'Amazone 1719:A Woman Appeared to Me 1627:In Search of Lost Time 1617: 1590:, quoting speeches by 1555:World War II and after 1523: 1494: 1431: 1383: 1382:Olive Custance in 1902 1368:The Love-Lives of A.D. 1252: 1226:, like de Sablé's own 1196:In Search of Lost Time 1165:The Well of Loneliness 1149:Adventures of the Mind 1013: 942:and Eliot refused the 791: 724: 503: 399: 350: 215:The Well of Loneliness 5698:LGBT people from Ohio 5430:Chalon, Jean (1979). 5218:10.1353/scr.2005.0053 5181:10.1300/J155v04n02_08 4994:. New York: Penguin. 4875:Yale University Press 4571:The Amazon of Letters 4001:, pp. 7–14, 359. 2539:, pp. 19, 24–25. 2417:, pp. 91, 93–94. 2369:, pp. 18–19, 21. 2330:, pp. 87–88, 92. 2012:LGBT culture in Paris 1963:The One Who Is Legion 1920:Aventures de l'Esprit 1914:Pensées d'une Amazone 1910:(Paris: Sansot, 1910) 1904:(Paris: Sansot, 1910) 1898:(Paris: Sansot, 1910) 1819: 1772:L'Ange et les Pervers 1731:Letters to the Amazon 1615: 1521: 1492: 1452:Lucie Delarue-Mardrus 1429: 1381: 1348:), appeared in 1939. 1338:Pensées d'une Amazone 1313:Thoughts of an Amazon 1309:Pensées d'une Amazone 1302:Letters to the Amazon 1246: 1145:Aventures de l'Esprit 1011:Aventures de l'Esprit 1008: 895:French Foreign Legion 786: 718: 628:, by Barney's mother 492: 394: 346: 5688:American women poets 5461:on September 1, 2006 5202:South Central Review 5122:A Perilous Advantage 4737:Letter to the Amazon 4575:. New York: Putnam. 4390:Delarue-Mardrus 1995 4025:, pp. 280, 299. 3977:, pp. 227, 295. 3351:, pp. 153, 167. 3191:, pp. 180, 183. 2613:Souvenirs Indiscrets 2566:, pp. 131, 186. 2306:, pp. 308, 330. 1970:English translations 1932:Souvenirs Indiscrets 1807:Letter to the Amazon 1660:Traits and Portraits 1648:Souvenirs Indiscrets 1641:Marguerite Yourcenar 1561:Una, Lady Troubridge 1533:drug detoxifications 1422:Élisabeth de Gramont 1412:Élisabeth de Gramont 1282:, addressing her as 960:First String Quartet 923:Temple of Friendship 808:with members of the 650:, 1900 edition cover 470:. For Vivien it was 443:Lettres à une Connue 171:Élisabeth de Gramont 5728:Novelists from Ohio 5643:American LGBT poets 5628:Activists from Ohio 5536:Djuna Barnes Papers 5124:. pp. 181–193. 4494:Jay, Karla (1988). 4440:, pp. 151–153. 4344:, pp. 115–116. 4332:, pp. 369–373. 4260:, pp. 362–365. 4224:, pp. 255–256. 4212:, pp. 341–344. 4188:, pp. 326–327. 4148:, pp. 192–193. 4097:, pp. 323–324. 4049:, pp. 280–293. 4037:, pp. 300–301. 3941:, pp. 295–301. 3852:, pp. 198–199. 3828:, pp. 227–228. 3776:, pp. 197–199. 3749:, pp. 196–199. 3621:, pp. 298–299. 3561:, pp. 257–258. 3487:, p. 190, and 3447:, pp. 250–251. 3399:, pp. 246–247. 3327:, pp. 243–250. 3315:, pp. 221–223. 3303:, pp. 108–109. 3203:, pp. 174–175. 3143:, pp. 255–256. 3083:, pp. 203–204. 3047:, pp. 150–151. 2908:, pp. 125–127. 2746:on November 1, 2018 2515:, pp. xii–xiv. 2491:, pp. 105–106. 2466:, pp. 95, 101. 2294:, pp. 169–171. 1938:Traits et Portraits 1896:Actes et entr'actes 1805:addressed her in a 1715:Une femme m'apparut 1656:Traits et Portraits 1652:Indiscreet Memories 1602:Villa Trait d'Union 1522:Dolly Wilde in 1925 1500:Villa Trait d'Union 1374:Major relationships 1336:Another section of 1153:Académie des Femmes 1074:Rabindranath Tagore 1050:F. Scott Fitzgerald 1046:W. Somerset Maugham 971:Académie des Femmes 736:Acts and Interludes 732:Actes et Entr'actes 604:Lord Alfred Douglas 472:love at first sight 334:Early relationships 250:First: Painting by 5708:Lesbian memoirists 5658:American pacifists 5030:. New York: Avon. 3697:, p. 156 and 3633:, p. 303–304. 2578:, pp. 87, 95. 2527:, pp. 63, 67. 2064:Barney's roles in 2017:Renée Vivien Prize 1822: 1702:Claudine and Annie 1618: 1524: 1495: 1457:L’Adultère ingénue 1440:Henry IV of France 1432: 1384: 1364:book-within-a-book 1253: 1203:Epigrams and novel 1158:In the late 1920s 1143:For her 1929 book 1130:Tamara de Lempicka 1070:Rainer Maria Rilke 1064:, T. S. Eliot and 1014: 975:Académie Française 862:Philippe Berthelot 792: 725: 673:Quelques Portraits 578:Renée Vivien Prize 534:In 1904 she wrote 504: 400: 363:Angelos Sikelianos 351: 271:Pike's Opera House 5713:Lesbian novelists 5576:Project Gutenberg 5401:978-91-975901-6-7 5140:"Brooks, Romaine" 5064:978-0-8139-1974-4 4667:978-0-299-30693-9 4428:, pp. 9, 34. 4392:, pp. 80–81. 4380:, pp. 22–23. 4320:, pp. 9, 13. 4085:, pp. 37–48. 3876:, pp. 7, 24. 3713:, pp. 9, 87. 3501:lupus tuberculeux 3375:, pp. 69–74. 3107:, pp. 57–64. 3071:, pp. 57–60. 2972:, pp. 50–52. 2942:Washington Mirror 2554:, pp. 11–15. 2475:As translated in 2450:As translated in 2318:, pp. 88–93. 2258:, pp. 56–58. 2162:, pp. 30–31. 2134:, pp. 10–14. 2072:are discussed in 1854:historical marker 1444:Rothschild family 1279:Mercure de France 1058:Sherwood Anderson 681:Washington Mirror 548:Hélène van Zuylen 321:Bar Harbor, Maine 267:Alice Pike Barney 125: 124: 16:(Redirected from 5740: 5592: 5591: 5540:McKeldin Library 5519: 5470: 5468: 5466: 5457:. Archived from 5451:"Novel: Lesbian" 5445: 5426: 5405: 5379: 5358: 5327:Critical Inquiry 5321: 5300: 5284: 5273: 5252: 5229: 5192: 5159: 5157: 5155: 5150:on March 8, 2007 5146:. Archived from 5134: 5133:. pp. 1–60. 5125: 5116: 5097: 5068: 5052: 5041: 5022: 5005: 4986: 4974: 4963: 4944: 4907: 4888: 4863: 4838: 4836: 4834: 4829:on June 29, 2012 4818: 4803:. Translated by 4802: 4795:Colette (2000). 4791: 4785: 4777: 4750: 4734: 4709: 4693: 4679: 4650: 4631: 4612: 4591:Other references 4586: 4574: 4563: 4542: 4517: 4501: 4477: 4471: 4465: 4459: 4453: 4447: 4441: 4435: 4429: 4423: 4417: 4411: 4405: 4399: 4393: 4387: 4381: 4375: 4369: 4363: 4357: 4351: 4345: 4339: 4333: 4327: 4321: 4315: 4309: 4303: 4297: 4291: 4285: 4279: 4273: 4267: 4261: 4255: 4249: 4243: 4237: 4231: 4225: 4219: 4213: 4207: 4201: 4195: 4189: 4183: 4177: 4171: 4165: 4160:, p. 191. 4155: 4149: 4143: 4134: 4128: 4122: 4116: 4110: 4104: 4098: 4092: 4086: 4080: 4074: 4068: 4062: 4056: 4050: 4044: 4038: 4032: 4026: 4020: 4014: 4008: 4002: 3996: 3990: 3984: 3978: 3972: 3966: 3960: 3954: 3948: 3942: 3936: 3930: 3924: 3918: 3912: 3906: 3883: 3877: 3871: 3865: 3859: 3853: 3847: 3841: 3835: 3829: 3823: 3817: 3811: 3805: 3799: 3790: 3783: 3777: 3771: 3765: 3764:, pp. 8–10. 3759: 3750: 3744: 3738: 3732: 3726: 3720: 3714: 3708: 3702: 3692: 3686: 3676: 3670: 3664: 3658: 3652: 3646: 3640: 3634: 3628: 3622: 3616: 3610: 3604: 3598: 3592: 3586: 3580: 3574: 3568: 3562: 3556: 3550: 3544: 3535: 3529: 3520: 3514: 3508: 3478: 3472: 3466: 3460: 3454: 3448: 3442: 3436: 3430: 3424: 3418: 3412: 3406: 3400: 3394: 3388: 3382: 3376: 3370: 3364: 3358: 3352: 3346: 3340: 3334: 3328: 3322: 3316: 3310: 3304: 3298: 3292: 3286: 3280: 3274: 3268: 3258: 3252: 3246: 3240: 3234: 3228: 3222: 3216: 3210: 3204: 3198: 3192: 3186: 3180: 3174: 3168: 3162: 3156: 3150: 3144: 3138: 3132: 3126: 3120: 3114: 3108: 3102: 3096: 3090: 3084: 3078: 3072: 3066: 3060: 3054: 3048: 3042: 3036: 3035: 3033: 3031: 3020: 3014: 3000: 2994: 2979: 2973: 2967: 2961: 2955: 2949: 2939: 2933: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2884: 2879: 2877: 2854: 2848: 2847: 2842: 2840: 2805: 2799: 2798: 2793: 2791: 2766: 2760: 2759: 2753: 2751: 2745: 2734: 2725: 2719: 2713: 2707: 2701: 2695: 2694: 2689: 2687: 2664: 2658: 2657: 2651: 2649: 2626: 2620: 2609: 2603: 2597: 2591: 2585: 2579: 2573: 2567: 2561: 2555: 2549: 2540: 2534: 2528: 2522: 2516: 2510: 2504: 2498: 2492: 2486: 2480: 2473: 2467: 2461: 2455: 2448: 2442: 2436: 2430: 2424: 2418: 2412: 2406: 2400: 2394: 2388: 2382: 2376: 2370: 2364: 2358: 2352: 2346: 2340: 2331: 2325: 2319: 2313: 2307: 2301: 2295: 2289: 2283: 2277: 2271: 2265: 2259: 2253: 2247: 2241: 2235: 2229: 2223: 2217: 2211: 2205: 2199: 2193: 2187: 2181: 2175: 2169: 2163: 2157: 2151: 2141: 2135: 2129: 2123: 2122:, pp. 1–14. 2117: 2111: 2105: 2096: 2090: 2084: 2062: 2056: 2055: 2053: 2051: 2041:"Natalie Barney" 2037: 1797: 1793: 1789: 1761:Lillian Faderman 1736:Answered Prayers 1728: 1724: 1697:Claudine s'en va 1689:The Dinner Party 1261:Remy de Gourmont 1187:Ernest Hemingway 1112:Peggy Guggenheim 920: 908: 644: 622: 610:Poetry and plays 519: 451:epistolary novel 275:Cincinnati, Ohio 255: 243: 234: 198:Remy de Gourmont 85: 82:February 2, 1972 67:October 31, 1876 66: 64: 46: 32: 21: 5748: 5747: 5743: 5742: 5741: 5739: 5738: 5737: 5598: 5597: 5589: 5526: 5473: 5464: 5462: 5448: 5442: 5429: 5423: 5408: 5402: 5389: 5386: 5384:Further reading 5376: 5361: 5324: 5318: 5303: 5297: 5276: 5270: 5255: 5249: 5232: 5195: 5162: 5153: 5151: 5137: 5128: 5119: 5113: 5100: 5071: 5065: 5044: 5038: 5025: 5008: 5002: 4989: 4983: 4966: 4960: 4947: 4910: 4904: 4891: 4885: 4866: 4860: 4841: 4832: 4830: 4821: 4815: 4805:Herma Briffault 4794: 4778: 4766: 4753: 4740: 4731: 4712: 4706: 4684:Benstock, Shari 4682: 4668: 4653: 4647: 4634: 4628: 4615: 4609: 4599:Ladies Almanack 4596: 4593: 4583: 4566: 4560: 4545: 4539: 4520: 4514: 4502:. Bloomington: 4493: 4490: 4485: 4480: 4472: 4468: 4460: 4456: 4448: 4444: 4436: 4432: 4424: 4420: 4412: 4408: 4400: 4396: 4388: 4384: 4376: 4372: 4364: 4360: 4352: 4348: 4340: 4336: 4328: 4324: 4316: 4312: 4304: 4300: 4292: 4288: 4284:, p. xiii. 4280: 4276: 4268: 4264: 4256: 4252: 4244: 4240: 4232: 4228: 4220: 4216: 4208: 4204: 4196: 4192: 4184: 4180: 4172: 4168: 4156: 4152: 4144: 4137: 4129: 4125: 4117: 4113: 4105: 4101: 4093: 4089: 4081: 4077: 4069: 4065: 4057: 4053: 4045: 4041: 4033: 4029: 4021: 4017: 4009: 4005: 3997: 3993: 3985: 3981: 3973: 3969: 3961: 3957: 3949: 3945: 3937: 3933: 3925: 3921: 3913: 3909: 3884: 3880: 3872: 3868: 3864:, pp. 6–7. 3860: 3856: 3848: 3844: 3836: 3832: 3824: 3820: 3812: 3808: 3800: 3793: 3784: 3780: 3772: 3768: 3760: 3753: 3745: 3741: 3737:, pp. 7–8. 3733: 3729: 3721: 3717: 3709: 3705: 3693: 3689: 3677: 3673: 3665: 3661: 3653: 3649: 3641: 3637: 3629: 3625: 3617: 3613: 3605: 3601: 3593: 3589: 3581: 3577: 3569: 3565: 3557: 3553: 3545: 3538: 3530: 3523: 3515: 3511: 3483:, p. 120, 3479: 3475: 3467: 3463: 3455: 3451: 3443: 3439: 3431: 3427: 3419: 3415: 3407: 3403: 3395: 3391: 3383: 3379: 3371: 3367: 3363:, pp. 255. 3359: 3355: 3347: 3343: 3339:, pp. 2–3. 3335: 3331: 3323: 3319: 3311: 3307: 3299: 3295: 3287: 3283: 3275: 3271: 3259: 3255: 3247: 3243: 3235: 3231: 3223: 3219: 3211: 3207: 3199: 3195: 3187: 3183: 3175: 3171: 3163: 3159: 3155:, p. xiii. 3151: 3147: 3139: 3135: 3127: 3123: 3115: 3111: 3103: 3099: 3091: 3087: 3079: 3075: 3067: 3063: 3055: 3051: 3043: 3039: 3029: 3027: 3022: 3012: 3004:McCusker, J. J. 3002: 2992: 2984:McCusker, J. J. 2982: 2980: 2976: 2968: 2964: 2956: 2952: 2940: 2936: 2928: 2924: 2916: 2912: 2904: 2900: 2892: 2888: 2875: 2873: 2856: 2855: 2851: 2838: 2836: 2826: 2807: 2806: 2802: 2789: 2787: 2768: 2767: 2763: 2749: 2747: 2743: 2732: 2727: 2726: 2722: 2714: 2710: 2702: 2698: 2685: 2683: 2681: 2666: 2665: 2661: 2647: 2645: 2628: 2627: 2623: 2610: 2606: 2598: 2594: 2586: 2582: 2574: 2570: 2562: 2558: 2550: 2543: 2535: 2531: 2523: 2519: 2511: 2507: 2499: 2495: 2487: 2483: 2474: 2470: 2462: 2458: 2449: 2445: 2437: 2433: 2425: 2421: 2413: 2409: 2401: 2397: 2389: 2385: 2377: 2373: 2365: 2361: 2353: 2349: 2341: 2334: 2326: 2322: 2314: 2310: 2302: 2298: 2290: 2286: 2278: 2274: 2266: 2262: 2254: 2250: 2242: 2238: 2230: 2226: 2218: 2214: 2206: 2202: 2194: 2190: 2182: 2178: 2170: 2166: 2158: 2154: 2142: 2138: 2130: 2126: 2118: 2114: 2106: 2099: 2091: 2087: 2063: 2059: 2049: 2047: 2045:Brooklyn Museum 2039: 2038: 2034: 2030: 2008: 1972: 1953: 1878: 1873: 1847:Ladies Almanack 1827:Ladies Almanack 1795: 1791: 1787: 1726: 1722: 1707:Idylle Saphique 1680: 1633:Alice B. Toklas 1557: 1508: 1480: 1461:The Adulterous 1424: 1376: 1220:Madame de Sablé 1205: 1134:Marie Laurencin 1072:, Bengali poet 1062:Thornton Wilder 1042:Ford Madox Ford 928: 927: 926: 925: 924: 921: 913: 912: 909: 864:and translator 781: 655: 654: 653: 652: 651: 645: 637: 636: 623: 612: 592: 567:chloral hydrate 517: 476:Symbolist poets 464: 433:Sarah Bernhardt 429:Idylle Saphique 418:Idylle Saphique 371: 341: 336: 317:Sheridan Circle 310:Marie Souvestre 259: 258: 257: 256: 249: 246: 245: 244: 236: 235: 224: 206:Idylle Saphique 121: 90: 87: 83: 74: 68: 62: 60: 52: 37: 28: 23: 22: 15: 12: 11: 5: 5746: 5744: 5736: 5735: 5730: 5725: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5685: 5680: 5675: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5600: 5599: 5594: 5593: 5578: 5569: 5563: 5558: 5546: 5533: 5525: 5524:External links 5522: 5521: 5520: 5492:10.1086/493633 5486:(3): 484–496. 5471: 5446: 5440: 5427: 5421: 5406: 5400: 5385: 5382: 5381: 5380: 5374: 5359: 5339:10.1086/448159 5333:(2): 363–379. 5322: 5316: 5301: 5295: 5274: 5268: 5253: 5247: 5230: 5193: 5175:(2): 115–128. 5160: 5135: 5126: 5117: 5111: 5098: 5069: 5063: 5042: 5036: 5023: 5006: 5000: 4987: 4981: 4964: 4958: 4945: 4925:10.2307/458509 4908: 4902: 4889: 4883: 4864: 4858: 4839: 4819: 4813: 4792: 4764: 4751: 4729: 4710: 4704: 4680: 4666: 4651: 4645: 4632: 4626: 4613: 4607: 4592: 4589: 4588: 4587: 4581: 4564: 4558: 4543: 4537: 4518: 4512: 4489: 4486: 4484: 4481: 4479: 4478: 4466: 4454: 4442: 4430: 4418: 4406: 4404:, p. 658. 4394: 4382: 4370: 4368:, p. 322. 4358: 4356:, p. 352. 4346: 4334: 4322: 4310: 4298: 4286: 4274: 4270:Hawthorne 2012 4262: 4258:Rodriguez 2002 4250: 4248:, p. 194. 4238: 4234:Rodriguez 2002 4226: 4214: 4210:Rodriguez 2002 4202: 4200:, p. 368. 4190: 4186:Rodriguez 2002 4178: 4176:, p. 317. 4174:Rodriguez 2002 4166: 4162:Rodriguez 2002 4150: 4135: 4133:, p. 324. 4131:Rodriguez 2002 4123: 4121:, p. 311. 4119:Rodriguez 2002 4111: 4109:, p. 332. 4099: 4095:Rodriguez 2002 4087: 4075: 4073:, p. 318. 4071:Rodriguez 2002 4063: 4061:, p. 269. 4051: 4039: 4035:Rodriguez 2002 4027: 4023:Rodriguez 2002 4015: 4003: 3991: 3989:, p. 223. 3987:Rodriguez 2002 3979: 3975:Rodriguez 2002 3967: 3965:, p. 277. 3955: 3943: 3939:Rodriguez 2002 3931: 3919: 3917:, p. 224. 3915:Rodriguez 2002 3907: 3903:Rapazzini 2005 3891:Rodriguez 2002 3878: 3874:Rapazzini 2005 3866: 3862:Rapazzini 2005 3854: 3850:Rodriguez 2002 3842: 3840:, p. 138. 3830: 3826:Rodriguez 2002 3818: 3814:Rapazzini 2005 3806: 3802:Rapazzini 2005 3791: 3778: 3774:Rodriguez 2002 3766: 3762:Rapazzini 2005 3751: 3747:Rodriguez 2002 3739: 3735:Rapazzini 2005 3727: 3715: 3703: 3699:Rodriguez 2002 3687: 3671: 3669:, p. 360. 3659: 3657:, p. 103. 3647: 3645:, p. 139. 3643:Rodriguez 2002 3635: 3631:Rodriguez 2002 3623: 3611: 3609:, p. 123. 3599: 3597:, p. 118. 3587: 3585:, p. 259. 3583:Rodriguez 2002 3575: 3573:, p. 257. 3571:Rodriguez 2002 3563: 3559:Rodriguez 2002 3551: 3536: 3534:, p. 296. 3521: 3517:Rodriguez 2002 3509: 3493:Denkinger 1937 3485:Rodriguez 2002 3473: 3461: 3449: 3445:Rodriguez 2002 3437: 3433:Rodriguez 2002 3425: 3413: 3411:, p. 260. 3409:Rodriguez 2002 3401: 3397:Rodriguez 2002 3389: 3387:, p. 139. 3377: 3373:Hawthorne 2000 3365: 3361:Rodriguez 2002 3353: 3341: 3329: 3325:Rodriguez 2002 3317: 3313:Rodriguez 2002 3305: 3293: 3291:, p. 195. 3281: 3279:, p. 177. 3277:Rodriguez 2002 3269: 3267:, p. 172. 3265:Rodriguez 2002 3261:Dayton Journal 3253: 3251:, p. 144. 3241: 3239:, p. 183. 3237:Rodriguez 2002 3229: 3227:, p. 164. 3217: 3215:, p. 165. 3205: 3193: 3189:Rodriguez 2002 3181: 3169: 3165:Rodriguez 2002 3157: 3145: 3141:Rodriguez 2002 3133: 3121: 3109: 3097: 3095:, p. 291. 3085: 3081:Rodriguez 2002 3073: 3061: 3059:, p. 275. 3049: 3045:Rodriguez 2002 3037: 3021:1800–present: 2974: 2962: 2960:, p. 123. 2958:Rodriguez 2002 2950: 2948:, p. 121. 2946:Rodriguez 2002 2934: 2932:, p. 137. 2922: 2920:, p. 115. 2918:Rodriguez 2002 2910: 2906:Rodriguez 2002 2898: 2896:, p. 119. 2894:Rodriguez 2002 2886: 2849: 2824: 2800: 2761: 2720: 2718:, p. 262. 2708: 2706:, p. 198. 2696: 2679: 2659: 2632:, ed. (1962). 2630:Grindea, Miron 2621: 2604: 2600:Rodriguez 2002 2592: 2580: 2568: 2564:Rodriguez 2002 2556: 2541: 2529: 2517: 2505: 2493: 2489:Rodriguez 2002 2481: 2468: 2464:Rodriguez 2002 2456: 2443: 2439:Rodriguez 2002 2431: 2427:Rodriguez 2002 2419: 2415:Rodriguez 2002 2407: 2403:Rodriguez 2002 2395: 2391:Rodriguez 2002 2383: 2371: 2359: 2347: 2332: 2328:Rodriguez 2002 2320: 2316:Rodriguez 2002 2308: 2304:Rodriguez 2002 2296: 2292:Rodriguez 2002 2284: 2280:Rodriguez 2002 2272: 2270:, p. 150. 2268:Rodriguez 2002 2260: 2256:Rodriguez 2002 2248: 2246:, p. 272. 2236: 2232:Rodriguez 2002 2224: 2220:Rodriguez 2002 2212: 2200: 2196:Rodriguez 2002 2188: 2186:, p. 262. 2176: 2172:Rodriguez 2002 2164: 2160:Rodriguez 2002 2152: 2144:Rodriguez 2002 2136: 2132:Rodriguez 2002 2124: 2120:Rodriguez 2002 2112: 2108:Rodriguez 2002 2097: 2095:, p. 177. 2085: 2074:Rodriguez 2002 2057: 2031: 2029: 2026: 2025: 2024: 2022:Lesbian Poetry 2019: 2014: 2007: 2004: 2003: 2002: 1992: 1982: 1971: 1968: 1967: 1966: 1960: 1952: 1949: 1948: 1947: 1941: 1935: 1929: 1923: 1917: 1911: 1908:Eparpillements 1905: 1902:Je me souviens 1899: 1893: 1887: 1877: 1874: 1872: 1869: 1679: 1676: 1668:Passy Cemetery 1616:Barney's grave 1556: 1553: 1507: 1504: 1479: 1478:Romaine Brooks 1476: 1423: 1420: 1414:, Brooks, and 1396:Éparpillements 1375: 1372: 1360:hermaphroditic 1356:Romaine Brooks 1265:lupus vulgaris 1257:Éparpillements 1249:André Rouveyre 1208:Éparpillements 1204: 1201: 1174:Virgil Thomson 1160:Radclyffe Hall 1138:Isadora Duncan 1054:Sinclair Lewis 1026:Anatole France 984:Gertrude Stein 952:George Antheil 922: 915: 914: 910: 903: 902: 901: 900: 899: 873:Henri Barbusse 810:French Academy 780: 777: 728:Je Me Souviens 646: 639: 638: 624: 617: 616: 615: 614: 613: 611: 608: 600:Olive Custance 591: 590:Olive Custance 588: 552:Constantinople 536:Je Me Souviens 463: 460: 396:Liane de Pougy 378:Liane de Pougy 370: 369:Liane de Pougy 367: 340: 337: 335: 332: 248: 247: 238: 237: 229: 228: 227: 226: 225: 223: 220: 210:Radclyffe Hall 187:French Academy 175:Romaine Brooks 167:Liane de Pougy 165:and courtesan 157:. She opposed 132:literary salon 123: 122: 120: 119: 116: 113:literary salon 108: 106: 105:Known for 102: 101: 99:Passy Cemetery 96: 92: 91: 88: 86:(aged 95) 80: 76: 75: 69: 58: 54: 53: 47: 39: 38: 35: 26: 24: 18:Natalie Barney 14: 13: 10: 9: 6: 4: 3: 2: 5745: 5734: 5731: 5729: 5726: 5724: 5721: 5719: 5718:Lesbian poets 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5684: 5681: 5679: 5676: 5674: 5671: 5669: 5666: 5664: 5661: 5659: 5656: 5654: 5651: 5649: 5646: 5644: 5641: 5639: 5636: 5634: 5631: 5629: 5626: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5605: 5603: 5596: 5586: 5582: 5579: 5577: 5573: 5570: 5567: 5564: 5562: 5559: 5557: 5554: 5550: 5547: 5545: 5541: 5537: 5534: 5531: 5528: 5527: 5523: 5517: 5513: 5509: 5505: 5501: 5497: 5493: 5489: 5485: 5481: 5477: 5472: 5465:September 19, 5460: 5456: 5452: 5447: 5443: 5441:0-517-53264-6 5437: 5433: 5428: 5424: 5422:9780807818497 5418: 5414: 5413: 5407: 5403: 5397: 5393: 5388: 5387: 5383: 5377: 5375:0-06-251313-3 5371: 5367: 5366: 5360: 5356: 5352: 5348: 5344: 5340: 5336: 5332: 5328: 5323: 5319: 5317:0-385-48941-2 5313: 5309: 5308: 5302: 5298: 5296:0-385-03469-5 5292: 5288: 5283: 5282: 5275: 5271: 5269:0-465-08772-8 5265: 5261: 5260: 5254: 5250: 5248:0-415-15982-2 5244: 5241:. Routledge. 5240: 5236: 5231: 5227: 5223: 5219: 5215: 5211: 5207: 5203: 5199: 5194: 5190: 5186: 5182: 5178: 5174: 5170: 5166: 5161: 5154:September 21, 5149: 5145: 5141: 5136: 5132: 5127: 5123: 5118: 5114: 5112:1-56098-344-2 5108: 5104: 5099: 5095: 5091: 5087: 5083: 5079: 5075: 5070: 5066: 5060: 5056: 5051: 5050: 5043: 5039: 5037:0-380-54247-1 5033: 5029: 5024: 5020: 5016: 5012: 5007: 5003: 5001:0-14-005068-X 4997: 4993: 4988: 4984: 4982:0-688-00396-6 4978: 4973: 4972: 4965: 4961: 4959:9780190612092 4955: 4951: 4946: 4942: 4938: 4934: 4930: 4926: 4922: 4918: 4914: 4909: 4905: 4903:0-8147-5098-2 4899: 4895: 4890: 4886: 4884:0-300-08703-9 4880: 4876: 4872: 4871: 4865: 4861: 4859:0-8014-4020-3 4855: 4851: 4847: 4846: 4840: 4828: 4824: 4820: 4816: 4814:0-940322-48-X 4810: 4806: 4801: 4800: 4793: 4789: 4783: 4775: 4771: 4767: 4765:9780374114251 4761: 4757: 4752: 4748: 4744: 4738: 4732: 4730:0-231-12510-0 4726: 4722: 4718: 4717: 4711: 4707: 4705:0-292-79040-6 4701: 4697: 4692: 4691: 4685: 4681: 4677: 4673: 4669: 4663: 4659: 4658: 4652: 4648: 4646:0-934678-38-3 4642: 4638: 4633: 4629: 4627:0-8147-1178-2 4623: 4619: 4614: 4610: 4608:0-8147-1180-4 4604: 4600: 4595: 4594: 4590: 4584: 4582:0-399-11864-0 4578: 4573: 4572: 4565: 4561: 4559:0-312-34324-8 4555: 4551: 4550: 4544: 4540: 4538:0-06-093780-7 4534: 4530: 4529:HarperCollins 4526: 4525: 4519: 4515: 4513:0-253-20476-3 4509: 4505: 4500: 4499: 4492: 4491: 4487: 4482: 4475: 4470: 4467: 4463: 4458: 4455: 4451: 4446: 4443: 4439: 4434: 4431: 4427: 4422: 4419: 4415: 4410: 4407: 4403: 4398: 4395: 4391: 4386: 4383: 4379: 4374: 4371: 4367: 4366:Faderman 1981 4362: 4359: 4355: 4350: 4347: 4343: 4338: 4335: 4331: 4330:Stimpson 1981 4326: 4323: 4319: 4314: 4311: 4308:, p. 98. 4307: 4302: 4299: 4296:, p. xv. 4295: 4290: 4287: 4283: 4278: 4275: 4272:, p. 91. 4271: 4266: 4263: 4259: 4254: 4251: 4247: 4242: 4239: 4235: 4230: 4227: 4223: 4218: 4215: 4211: 4206: 4203: 4199: 4194: 4191: 4187: 4182: 4179: 4175: 4170: 4167: 4163: 4159: 4154: 4151: 4147: 4142: 4140: 4136: 4132: 4127: 4124: 4120: 4115: 4112: 4108: 4103: 4100: 4096: 4091: 4088: 4084: 4083:Schenkar 2000 4079: 4076: 4072: 4067: 4064: 4060: 4059:Schenkar 2000 4055: 4052: 4048: 4047:Schenkar 2000 4043: 4040: 4036: 4031: 4028: 4024: 4019: 4016: 4013:, p. 32. 4012: 4007: 4004: 4000: 3999:Schenkar 2000 3995: 3992: 3988: 3983: 3980: 3976: 3971: 3968: 3964: 3959: 3956: 3952: 3947: 3944: 3940: 3935: 3932: 3929:, p. 31. 3928: 3923: 3920: 3916: 3911: 3908: 3904: 3900: 3896: 3892: 3888: 3882: 3879: 3875: 3870: 3867: 3863: 3858: 3855: 3851: 3846: 3843: 3839: 3834: 3831: 3827: 3822: 3819: 3816:, p. 12. 3815: 3810: 3807: 3804:, p. 11. 3803: 3798: 3796: 3792: 3788: 3782: 3779: 3775: 3770: 3767: 3763: 3758: 3756: 3752: 3748: 3743: 3740: 3736: 3731: 3728: 3725:, p. 43. 3724: 3719: 3716: 3712: 3707: 3704: 3700: 3696: 3695:Schenkar 2000 3691: 3688: 3684: 3680: 3675: 3672: 3668: 3667:Schenkar 2000 3663: 3660: 3656: 3651: 3648: 3644: 3639: 3636: 3632: 3627: 3624: 3620: 3619:Benstock 1986 3615: 3612: 3608: 3603: 3600: 3596: 3591: 3588: 3584: 3579: 3576: 3572: 3567: 3564: 3560: 3555: 3552: 3549:, p. 29. 3548: 3543: 3541: 3537: 3533: 3532:Benstock 1986 3528: 3526: 3522: 3518: 3513: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3482: 3477: 3474: 3471:, p. 97. 3470: 3465: 3462: 3459:, p. 20. 3458: 3453: 3450: 3446: 3441: 3438: 3434: 3429: 3426: 3423:, p. 48. 3422: 3417: 3414: 3410: 3405: 3402: 3398: 3393: 3390: 3386: 3385:Claridge 2016 3381: 3378: 3374: 3369: 3366: 3362: 3357: 3354: 3350: 3345: 3342: 3338: 3333: 3330: 3326: 3321: 3318: 3314: 3309: 3306: 3302: 3297: 3294: 3290: 3289:Schenkar 2000 3285: 3282: 3278: 3273: 3270: 3266: 3262: 3257: 3254: 3250: 3249:Schenkar 2000 3245: 3242: 3238: 3233: 3230: 3226: 3225:Schenkar 2000 3221: 3218: 3214: 3213:Schenkar 2000 3209: 3206: 3202: 3201:Schenkar 2000 3197: 3194: 3190: 3185: 3182: 3179:, p. 12. 3178: 3177:Schenkar 2000 3173: 3170: 3166: 3161: 3158: 3154: 3153:Schenkar 2000 3149: 3146: 3142: 3137: 3134: 3131:, p. 53. 3130: 3125: 3122: 3119:, p. 19. 3118: 3113: 3110: 3106: 3101: 3098: 3094: 3093:Benstock 1986 3089: 3086: 3082: 3077: 3074: 3070: 3065: 3062: 3058: 3053: 3050: 3046: 3041: 3038: 3026: 3018: 3011: 3010: 3005: 2998: 2991: 2990: 2985: 2978: 2975: 2971: 2966: 2963: 2959: 2954: 2951: 2947: 2943: 2938: 2935: 2931: 2926: 2923: 2919: 2914: 2911: 2907: 2902: 2899: 2895: 2890: 2887: 2883: 2872: 2868: 2864: 2860: 2853: 2850: 2846: 2835: 2831: 2827: 2825:9782857840138 2821: 2817: 2813: 2812: 2804: 2801: 2797: 2786: 2782: 2778: 2774: 2773: 2765: 2762: 2758: 2742: 2738: 2731: 2724: 2721: 2717: 2712: 2709: 2705: 2700: 2697: 2693: 2682: 2680:9780671216955 2676: 2672: 2671: 2663: 2660: 2656: 2643: 2639: 2635: 2631: 2625: 2622: 2619:, p. 52. 2618: 2614: 2608: 2605: 2601: 2596: 2593: 2590:, p. 19. 2589: 2584: 2581: 2577: 2572: 2569: 2565: 2560: 2557: 2553: 2548: 2546: 2542: 2538: 2533: 2530: 2526: 2521: 2518: 2514: 2509: 2506: 2503:, p. 15. 2502: 2497: 2494: 2490: 2485: 2482: 2479:, p. 57. 2478: 2472: 2469: 2465: 2460: 2457: 2454:, p. 40. 2453: 2447: 2444: 2441:, p. 97. 2440: 2435: 2432: 2429:, p. 95. 2428: 2423: 2420: 2416: 2411: 2408: 2404: 2399: 2396: 2392: 2387: 2384: 2381:, p. 21. 2380: 2375: 2372: 2368: 2363: 2360: 2357:, p. 12. 2356: 2351: 2348: 2345:, p. 18. 2344: 2339: 2337: 2333: 2329: 2324: 2321: 2317: 2312: 2309: 2305: 2300: 2297: 2293: 2288: 2285: 2281: 2276: 2273: 2269: 2264: 2261: 2257: 2252: 2249: 2245: 2244:Benstock 1986 2240: 2237: 2234:, p. 52. 2233: 2228: 2225: 2221: 2216: 2213: 2210:, p. 38. 2209: 2208:Robinson 2001 2204: 2201: 2198:, p. 39. 2197: 2192: 2189: 2185: 2180: 2177: 2174:, p. 62. 2173: 2168: 2165: 2161: 2156: 2153: 2149: 2145: 2140: 2137: 2133: 2128: 2125: 2121: 2116: 2113: 2110:, p. 44. 2109: 2104: 2102: 2098: 2094: 2093:Schenkar 2000 2089: 2086: 2083: 2079: 2075: 2071: 2067: 2066:Sapphic Idyll 2061: 2058: 2046: 2042: 2036: 2033: 2027: 2023: 2020: 2018: 2015: 2013: 2010: 2009: 2005: 2000: 1996: 1993: 1990: 1986: 1983: 1981: 1977: 1974: 1973: 1969: 1964: 1961: 1958: 1955: 1954: 1950: 1945: 1942: 1939: 1936: 1933: 1930: 1927: 1924: 1921: 1918: 1915: 1912: 1909: 1906: 1903: 1900: 1897: 1894: 1891: 1888: 1885: 1884: 1880: 1879: 1875: 1870: 1868: 1866: 1862: 1857: 1855: 1850: 1848: 1844: 1841: 1837: 1833: 1829: 1828: 1818: 1814: 1812: 1808: 1804: 1799: 1785: 1781: 1777: 1773: 1768: 1766: 1762: 1757: 1752: 1750: 1746: 1742: 1738: 1737: 1732: 1720: 1716: 1712: 1708: 1704: 1703: 1698: 1693: 1691: 1690: 1685: 1677: 1675: 1673: 1669: 1663: 1661: 1657: 1653: 1649: 1644: 1642: 1638: 1637:Mary McCarthy 1634: 1630: 1628: 1623: 1622:Truman Capote 1614: 1610: 1607: 1603: 1599: 1595: 1593: 1589: 1585: 1581: 1576: 1574: 1570: 1566: 1562: 1554: 1552: 1549: 1545: 1544:breast cancer 1540: 1538: 1534: 1528: 1520: 1516: 1513: 1505: 1503: 1501: 1491: 1487: 1485: 1477: 1475: 1471: 1467: 1465: 1464: 1458: 1453: 1448: 1445: 1441: 1437: 1428: 1421: 1419: 1417: 1413: 1409: 1408:Eyre de Lanux 1405: 1400: 1397: 1393: 1389: 1380: 1373: 1371: 1369: 1365: 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C. Mardrus 863: 859: 855: 851: 850:Latin Quarter 847: 842: 838: 835: 831: 827: 823: 818: 815: 811: 807: 804: 799: 797: 790: 785: 778: 776: 774: 770: 766: 762: 756: 753: 749: 745: 741: 737: 733: 729: 722: 717: 713: 710: 706: 702: 698: 694: 690: 685: 682: 677: 674: 670: 666: 662: 661: 649: 643: 635: 631: 627: 621: 609: 607: 605: 601: 597: 589: 587: 585: 584: 579: 574: 572: 568: 564: 560: 555: 553: 549: 545: 541: 537: 532: 530: 527: 526:mezzo-soprano 523: 515: 514: 509: 502: 500: 495: 491: 487: 485: 481: 477: 473: 469: 461: 459: 457: 452: 448: 444: 440: 439: 434: 430: 425: 423: 422:Sapphic Idyll 419: 415: 414: 408: 404: 397: 393: 389: 387: 383: 379: 376: 368: 366: 364: 360: 356: 349: 345: 338: 333: 331: 328: 326: 322: 318: 313: 311: 307: 306:Fontainebleau 303: 299: 295: 290: 287: 282: 280: 276: 272: 268: 264: 253: 252:Carolus-Duran 242: 233: 221: 219: 217: 216: 211: 207: 203: 199: 194: 192: 191:Truman Capote 188: 183: 178: 176: 172: 168: 164: 160: 156: 152: 148: 143: 141: 137: 133: 129: 117: 114: 110: 109: 107: 103: 100: 97: 93: 89:Paris, France 81: 77: 72: 59: 55: 51: 45: 40: 33: 30: 19: 5595: 5483: 5479: 5463:. 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