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139:. Given that any reference information on any media platform concerning Haghighian has been appropriated from the bioswop project, the only externally verifiable fact concerning Haghighian and his/her/their artistic output in this Knowledge entry is that her two-channel video projection
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battle tank (designed for urban use, to “pacify” rioters or protesters) has been widely exhibited since it was first conceived in 2013. The audio sculpture covered with a blue, green and grey camouflage pattern of
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is an artist known for assuming multiple identities. Her official press releases and gallery biographies conflict on country of origin, date of birth, and place of residence.
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Her work is primarily concerned with investigating the structural underpinnings and relationships of complicity between the respective complexes of
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Her collaborations are often of an ongoing, open-ended/cumulative nature. For instance, in 2010, in collaboration with writer/researcher/curator
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announcing the nomination. As the artist's representative, Helene
Duldung read a statement and answered questions on her behalf.
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life. Haghighian creates solo and collaborative works in the fields of installation, performance, text, and sound.
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Interview on the making of the sound installation 'De paso' at La
Capella MACBA (2011)
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or has been extensively edited by the subject or by someone connected to the subject
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Haghighian's “Pssst
Leopard 2A7+”, an ongoing investigation into the German-made
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181:"'Natascha Süder Happelmann' Will Represent Germany at the 2019 Venice Biennale"
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and industry, and in turn, their roles in dictating the shape and structure of
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270:"Natascha Süder Happelmann to Represent Germany at 2019 Venice Biennale"
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baseplates was described as a sardonic travestying of the
Leopard Tank.
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for public aspects of the installation and wore a mask during the
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Interview with
Natascha Sadr-Haghighian on artistic research
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in order to support discord and negotiation in translation.
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Haghighian was chosen to represent
Germany at the 2019
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289:"Maskierte Bildhauerin baut Biennale-Pavillon"
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143:(2006) is in the permanent collection of the
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119:Haghighian rejects the totalizing ideas of
63:Learn how and when to remove this message
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287:Kaufmann, Susanne (October 25, 2018).
114:Institute for Incongruous Translation
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179:Bukuts, Carina (October 26, 2018).
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252:"Natascha Sadr Haghighian | MoMA"
207:Herbert, Martin (28 March 2013).
311:Zolghadr, Tirdad (Winter 2005).
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141:Empire of the Senseless Part II
256:Museum of Modern Art, New York
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154:. She created the persona of
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313:"Natascha Sadr Haghighian"
156:Natascha Süder Happelmann
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276:. October 25, 2018.
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258:. 2018.
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