Knowledge (XXG)

Nathan Lyons

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in 1974. This book is the first instance of Lyons's creative exploration of the extended meaning forged from reading his photographs as diptychs contained within a larger sequence. In 1978 one of his images was included in the seminal exhibition "Mirrors and Windows" at MoMA. In 1987 he exhibited an
83:, Alfred, New York where he studied business and marketing. In 1950 he enlisted in the United States Air Force as a photographer and reported to Grenier Air Force Base in Manchester, New Hampshire. Between 1951 and 1953 he served as senior photographer in a photo intelligence unit in Kimpo, Korea. 78:
In 1945 Lyons became interested in photography after viewing a darkroom demonstration and he began to photograph with a plastic Falcon camera while working in his family's glass and mirror business. In 1947 he received a camera as a graduation gift and between 1947 and 1948 he photographed around
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In 1953 Lyons returned to the United States and worked for the Air Force as a staff news writer and public relations photographer in Marietta, Georgia. In 1954 following honorable discharge from the Air Force he returned to Alfred University where he majored in English literature and minored in
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In 2001 Lyons retired from Visual Studies Workshop and began his series After 9/11, which he completed in 2003. In 2006 he exhibited his three completed series: Notations in Passing, Riding First Class on the Titanic! and After 9/11 in the exhibition, "Trilogy" at
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is a nonprofit membership organization that provides a forum for the discussion of photography and related media as a means of creative expression and cultural insight. In 1969 Lyons resigned from George Eastman House and founded
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In 1962, "recognizing the growing importance of photography at museums and university art departments, he organized a conference for curators and teachers that evolved into the Society for Photographic Education. The
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his first solo exhibition in 1963. Lyons's curatorial aim was to promote the notion of a photographer's distinct "point of view" and individual creative motivations. Additionally, Lyons validated and defined the
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in Rochester, which established a course of study relating to the history and practice of the photographic art form and curatorial studies specifically pertaining to the medium of photography. He started the
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Edited by Lyons. "Prepared by the George Eastman House of Photography on the occasion of the exhibition 'Photography in the twentieth century, ' which opened at the National Gallery of Canada in February of
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magazine. In 1960 he was appointed assistant director and began a series of exhibitions on the work of young contemporary photographers. At this time he was also named the regional editor of
215:. An exhibition of works by all three artists accompanied the book and was displayed at the Poindexter Gallery, New York. Six of Lyons's photographs were also included in the exhibition 184:
magazine published by George Eastman House. In 1983 he organized Oracle, an annual meeting of curators and directors of photographic institutions. He was a founding trustee of the
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and further explored the aesthetic in his lecture "Photography and the Picture Experience" regarding the snapshot as "authentic picture form." Lyons also organized the exhibitions
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http://www.worldcat.org/title/persistence-of-vision-donald-blumberg-charles-gill-robert-heinecken-ray-k-metzker-jerry-n-uelsmann-john-wood/oclc/268657&referer=brief_results
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Edited by Lyons. "Prepared on the occasion of the exhibition, 'Vision and expression, ' which opened at the George Eastman House in February of 1969."
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http://www.worldcat.org/title/toward-a-social-landscape-bruce-davidson-lee-friedlander-garry-winogrand-danny-lyons-duane-michals/oclc/542009
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The Persistence of Vision: Donald Blumberg, Charles Gill, Robert Heinecken, Ray K. Metzker, Jerry N. Uelsmann, John Wood.
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Notations in Passing, 1970: Photographs by Nathan Lyons from the Collection of the National Gallery of Canada, Ottawa.
26:, and educator. He exhibited his photographs from 1956 onwards, produced books of his own and edited those of others. 235: 1087: 1039: 281: 250: 1135: 171: 38: 685: 562: 1024: 746: 711: 507:
Toward a Social Landscape: Bruce Davidson, Lee Friedlander, Garry Winogrand, Danny Lyons, Duane Michals.
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Toward a Social Landscape: Bruce Davidson, Lee Friedlander, Garry Winogrand, Danny Lyons, Duane Michals
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was completed in 1999 and the works exhibited in various public institutions and museums including the
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In 1961 Lyons curated the exhibition "Seven Contemporary Photographers" that included the work of
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Times Square, New York and assisted various photographers. From 1948 to 1950 Lyons enrolled at
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and exhibited works from all four of his series at the Bruce Silverstein Gallery in 2014.
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who became his primary mentor and an influential force behind Lyons's creative practice.
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Nathan Lyons: Selected Essays, Lectures, and Interviews; Edited by Jessica S. McDonald
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1985: National Endowment for the Arts Senior Fellowship to continue his work on
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http://www.worldcat.org/title/photography-in-the-twentieth-century/oclc/603791
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theatre. He also studied photography and exhibition design with the artist
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Lyons was also a curator of photography and an associate director at the
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Andover, MA: Addison Gallery of American Art; Cambridge, MA: MIT, 1999.
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New York: Horizon Press, 1966. Edited by Lyons. Photographs by
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In 2011 he published a text-image collaboration with the poet
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as the director of public information and assistant editor of
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http://www.worldcat.org/title/vision-and-expression/oclc/8528
776:"Nathan Lyons Is Out To Find Elusive Meaning Of Our Culture" 491:
Howard Greenberg Gallery, 2008. Photographs by Minor White.
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early version of this series called Verbal Landscape at the
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In 1964 Lyons's photographs were included in the exhibition
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Newport Daily News 3 February 1962. Accessed November 2014.
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A Photographer Who Refused to Think Like a Photographer
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2000: Infinity Award for Lifetime Achievement from the
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Fellowship to complete his series Notations in Passing.
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Nathan Lyons: Return Your Mind To Its Upright Position
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http://museum.icp.org/museum/exhibitions/nathan_lyons/
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Indepth Arts News: "Nathan Lyons: A Survey, 1957-2000"
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Under the Sun: The Abstract Art of Camera Abstraction.
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After graduating in 1957, Lyons began working for the
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Eye Mind Spirit: The Enduring Legacy of Minor White.
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The Sense of Abstraction in Contemporary Photography
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Photographers on Photography. A Critical Anthology.
191:In 2008 he organized the retrospective exhibition 1136:"Grants in Support of New Writing on Photography" 974:, Liggett, Helen. University of Minnesota Press. 314:Notations in Passing: Visualized by Nathan Lyons. 253:. His work was also included in the exhibition, 246:Notations in Passing: Visualized by Nathan Lyons 209:Under the Sun: The Abstract Art of Camera Vision 636:. University of Texas Press. Accessed May 2014. 644: 642: 188:(NYFA) and served as chair from 1976 to 1993. 404:, 1960. Photographs by Lyons, Syl Labrot and 295:In 2013 he completed his fourth publication, 8: 740: 738: 736: 734: 732: 730: 728: 255:Photography and Art; Interactions since 1945 650:"2000 Infinity Award: Lifetime Achievement" 1121:"National Endowment Awards Grants in Arts" 589:2006: Honorary Doctorate of Fine Art from 582:2004: Honorary Doctorate of Fine Art from 561:1995: Honorary Doctorate of Fine Art from 629: 627: 625: 378:Return Your Mind To Its Upright Position. 1126:30 October 1984. Accessed November 2014. 297:Return Your Mind to Its Upright Position 193:John Wood: On the Edge of Clear Meaning, 1025:After 9/11: Photographs by Nathan Lyons 781:19 April 1985. Accessed November 2014. 609: 708:"In Memoriam: Nathan Lyons, 1930–2016" 682:"Famed photographer Nathan Lyons dies" 408:. With an introduction by Glyph Press. 211:along with the artists Syl Labrot and 37:and, in 1969, founded the independent 1138:, The Reva and David Logan Foundation 771: 769: 460:Photography in the Twentieth Century. 155:Photography in the Twentieth Century, 7: 962:12 May 2000. Accessed November 2014. 745:Grimes, William (1 September 2016). 706:Hostetler, Lisa (1 September 2016). 596:2016: Honoree: Visionary Award, The 238:, New York. In 1971 Lyons exhibited 1015:, The Cultural Landscape Foundation 994:International Center of Photography 878:International Center of Photography 654:International Center of Photography 577:International Center of Photography 380:Rochester, NY: ARTISANworks, 2014. 197:International Center of Photography 68:International Center of Photography 821:Society for Photographic Education 570:Society for Photographic Education 556:Riding First Class on the Titanic! 422:. Photographs by Lyons, poetry by 334:Rochester, NY: Focal Point, 1980. 276:was held at George Eastman House. 266:Riding First Class on the Titanic! 244:He published his first major book 167:Society for Photographic Education 44:Society for Photographic Education 14: 680:Lahman, Sean (1 September 2016). 346:Riding 1st class on the Titanic!. 274:Nathan Lyons: A Survey, 1957–2000 207:In 1960 Lyons published the book 332:Nathan Lyons: Works in Progress. 259:Los Angeles County Museum of Art 186:New York Foundation for the Arts 1013:"George Eastman House Curators" 798:. New York, NY: Horizon Press. 549:National Endowment for the Arts 477:New York: Horizon Press, 1969. 462:New York: Horizon Press, 1967. 270:Addison Gallery of American Art 232:Photography in the Fine Arts IV 202: 174:. Three years later he founded 568:1997: Honored Educator by the 499:. Edited by Lyons. Preface by 161:1969 at George Eastman House. 74:Education and military service 1: 584:Rhode Island School of Design 431:Publications edited by Lyons 364:Yale University Art Gallery 230:at MoMA and the exhibition 81:Technical College at Alfred 66:In 2000 Lyons received the 1226: 902:"The Sense of Abstraction" 889:Photo Exhibit Opens Monday 874:"John Wood: Quiet Protest" 833:"Nathan Lyons (1930-2016)" 414:Revere, PA: Lodima, 2011. 236:Metropolitan Museum of Art 151:The Persistence of Vision, 1040:Bruce Silverstein Gallery 448:New York: Horizon, 1967. 426:. Edition of 3000 copies. 282:Bruce Silverstein Gallery 251:Albright Knox Art Gallery 930:"The Photographer's Eye" 442:, 1966. Edited by Lyons. 412:Whiteout: Dead man poems 393:Publications with others 360:After 9/11: Photographs. 203:Lyons's own photography 172:Visual Studies Workshop 39:Visual Studies Workshop 1190:American photographers 686:Democrat and Chronicle 563:Corcoran School of Art 475:Vision and Expression. 228:The Photographer's Eye 159:Vision and Expression, 1210:Photography academics 1195:American art curators 1036:Nathan Lyons: Trilogy 712:George Eastman Museum 308:Publications by Lyons 118:Ralph Eugene Meatyard 16:American photographer 1200:Photography curators 937:Museum of Modern Art 909:Museum of Modern Art 221:Museum of Modern Art 101:George Eastman House 31:George Eastman House 1205:Photography critics 1055:Copper Canyon Press 593:, Alfred, New York. 137:, Lee Friedlander, 50:regional editor of 35:Rochester, New York 1124:The New York Times 1000:2014-11-29 at the 960:The New York Times 957:Photography Review 862:The New York Times 839:. 1 September 2016 752:The New York Times 656:. 26 February 2000 565:, Washington, D.C. 223:(MoMA), New York. 131:snapshot aesthetic 591:Alfred University 386:978-0-615-94266-7 1217: 1164: 1163: 1161: 1159: 1145: 1139: 1133: 1127: 1118: 1112: 1107: 1101: 1096: 1090: 1085: 1079: 1074: 1068: 1063: 1057: 1048: 1042: 1033: 1027: 1022: 1016: 1010: 1004: 988: 982: 972:Urban Encounters 969: 963: 954: 948: 947: 945: 943: 934: 926: 920: 919: 917: 915: 906: 898: 892: 886: 880: 871: 865: 855: 849: 848: 846: 844: 829: 823: 814: 808: 807: 788: 782: 773: 764: 763: 761: 759: 742: 723: 722: 720: 718: 703: 697: 696: 694: 692: 677: 666: 665: 663: 661: 646: 637: 631: 620: 614: 402:George Braziller 1225: 1224: 1220: 1219: 1218: 1216: 1215: 1214: 1170: 1169: 1168: 1167: 1157: 1155: 1147: 1146: 1142: 1134: 1130: 1119: 1115: 1108: 1104: 1097: 1093: 1086: 1082: 1075: 1071: 1064: 1060: 1049: 1045: 1034: 1030: 1023: 1019: 1011: 1007: 1002:Wayback Machine 989: 985: 970: 966: 955: 951: 941: 939: 932: 928: 927: 923: 913: 911: 904: 900: 899: 895: 887: 883: 872: 868: 856: 852: 842: 840: 831: 830: 826: 815: 811: 790: 789: 785: 779:Chicago Tribune 774: 767: 757: 755: 744: 743: 726: 716: 714: 705: 704: 700: 690: 688: 679: 678: 669: 659: 657: 648: 647: 640: 632: 623: 615: 611: 606: 544: 527:Garry Winogrand 515:Lee Friedlander 433: 406:Walter Chappell 395: 362:New Haven, CT: 316:Cambridge, MA: 310: 305: 213:Walter Chappell 205: 147:Garry Winogrand 126:Lee Friedlander 97: 95:Curatorial work 76: 57:and founder of 17: 12: 11: 5: 1223: 1221: 1213: 1212: 1207: 1202: 1197: 1192: 1187: 1182: 1172: 1171: 1166: 1165: 1149:"Nathan Lyons" 1140: 1128: 1113: 1102: 1091: 1080: 1069: 1058: 1043: 1028: 1017: 1005: 996:press release 983: 980:978-0816641260 964: 949: 921: 893: 881: 866: 850: 824: 809: 783: 765: 724: 698: 667: 638: 621: 608: 607: 605: 602: 601: 600: 594: 587: 580: 573: 566: 559: 552: 543: 540: 539: 538: 511:Bruce Davidson 504: 497:978-0974886305 486: 472: 457: 443: 432: 429: 428: 427: 409: 394: 391: 390: 389: 375: 372:978-0300101829 357: 354:978-0262621359 343: 329: 309: 306: 304: 301: 204: 201: 135:Bruce Davidson 122:Ray K. Metzker 96: 93: 75: 72: 15: 13: 10: 9: 6: 4: 3: 2: 1222: 1211: 1208: 1206: 1203: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1177: 1175: 1154: 1150: 1144: 1141: 1137: 1132: 1129: 1125: 1122: 1117: 1114: 1111: 1106: 1103: 1100: 1095: 1092: 1089: 1084: 1081: 1078: 1073: 1070: 1067: 1062: 1059: 1056: 1052: 1051:"Marvin Bell" 1047: 1044: 1041: 1037: 1032: 1029: 1026: 1021: 1018: 1014: 1009: 1006: 1003: 999: 995: 992: 987: 984: 981: 977: 973: 968: 965: 961: 958: 953: 950: 938: 931: 925: 922: 910: 903: 897: 894: 890: 885: 882: 879: 875: 870: 867: 863: 859: 854: 851: 838: 834: 828: 825: 822: 818: 813: 810: 805: 801: 797: 793: 792:Lyons, Nathan 787: 784: 780: 777: 772: 770: 766: 754: 753: 748: 741: 739: 737: 735: 733: 731: 729: 725: 713: 709: 702: 699: 687: 683: 676: 674: 672: 668: 655: 651: 645: 643: 639: 635: 630: 628: 626: 622: 618: 613: 610: 603: 599: 595: 592: 588: 586:, Providence. 585: 581: 578: 574: 571: 567: 564: 560: 557: 553: 550: 546: 545: 541: 536: 532: 528: 524: 523:Duane Michals 520: 516: 512: 508: 505: 502: 501:Peter Bunnell 498: 494: 490: 487: 484: 480: 476: 473: 469: 465: 461: 458: 455: 451: 447: 444: 441: 440:Prentice Hall 438: 435: 434: 430: 425: 421: 420:9781888899702 417: 413: 410: 407: 403: 400: 397: 396: 392: 387: 383: 379: 376: 373: 369: 365: 361: 358: 355: 351: 347: 344: 341: 337: 333: 330: 327: 326:9780262620284 323: 319: 315: 312: 311: 307: 302: 300: 298: 294: 290: 285: 283: 277: 275: 271: 267: 262: 260: 256: 252: 247: 242: 241: 237: 233: 229: 224: 222: 218: 214: 210: 200: 198: 194: 189: 187: 183: 179: 178: 173: 168: 162: 160: 156: 152: 148: 144: 143:Duane Michals 140: 136: 132: 127: 124:. Lyons gave 123: 119: 114: 112: 111: 106: 102: 94: 92: 90: 84: 82: 73: 71: 69: 64: 63: 61: 56: 54: 49: 45: 40: 36: 32: 27: 25: 21: 1156:. Retrieved 1153:Lucie Awards 1143: 1131: 1116: 1105: 1094: 1083: 1072: 1061: 1046: 1031: 1020: 1008: 986: 967: 952: 940:. Retrieved 924: 912:. Retrieved 896: 884: 869: 864:21 May 2009. 853: 841:. Retrieved 827: 812: 795: 791: 786: 756:. Retrieved 750: 715:. Retrieved 701: 689:. Retrieved 658:. Retrieved 612: 598:Lucie Awards 555: 506: 488: 474: 459: 445: 436: 411: 398: 377: 359: 345: 331: 313: 303:Publications 296: 292: 286: 284:, New York. 278: 273: 265: 263: 254: 245: 243: 239: 231: 227: 225: 216: 208: 206: 195:held at the 192: 190: 181: 180:, a play on 175: 163: 158: 154: 150: 115: 108: 104: 98: 85: 77: 65: 58: 51: 47: 28: 20:Nathan Lyons 19: 18: 1185:2016 deaths 1180:1930 births 1158:2 September 942:1 September 914:1 September 843:2 September 758:2 September 717:1 September 691:1 September 660:2 September 424:Marvin Bell 289:Marvin Bell 264:The series 1174:Categories 837:Light Work 604:References 519:Danny Lyon 177:Afterimage 157:1967, and 139:Danny Lyon 113:magazine. 60:Afterimage 817:"History" 293:Whiteout. 291:entitled 89:John Wood 998:Archived 794:(1966). 366:, 2003. 340:10192898 320:, 1974. 153:, 1967, 110:Aperture 53:Aperture 257:at the 234:at the 219:at the 24:curator 978:  804:542009 802:  547:1974: 542:Awards 535:542009 533:  525:, and 495:  481:  471:1967." 468:603791 466:  454:268657 452:  418:  384:  370:  352:  338:  324:  48:Image, 933:(PDF) 905:(PDF) 182:Image 105:Image 1160:2016 976:ISBN 944:2016 916:2016 845:2016 800:OCLC 760:2016 719:2016 693:2016 662:2016 531:OCLC 493:ISBN 483:8528 479:OCLC 464:OCLC 450:OCLC 416:ISBN 382:ISBN 368:ISBN 350:ISBN 336:OCLC 322:ISBN 145:and 120:and 1038:at 318:MIT 33:in 1176:: 1151:. 1053:, 935:. 907:. 876:, 860:, 835:. 819:, 768:^ 749:. 727:^ 710:. 684:. 670:^ 652:. 641:^ 624:^ 529:. 521:, 517:, 513:, 261:. 199:. 141:, 1162:. 946:. 918:. 847:. 806:. 762:. 721:. 695:. 664:. 579:. 572:. 558:. 503:. 388:. 374:. 356:. 342:. 328:. 129:" 62:. 55:,

Index

curator
George Eastman House
Rochester, New York
Visual Studies Workshop
Society for Photographic Education
Aperture
Afterimage
International Center of Photography
Technical College at Alfred
John Wood
George Eastman House
Aperture
Ralph Eugene Meatyard
Ray K. Metzker
Lee Friedlander
snapshot aesthetic
Bruce Davidson
Danny Lyon
Duane Michals
Garry Winogrand
Society for Photographic Education
Visual Studies Workshop
Afterimage
New York Foundation for the Arts
International Center of Photography
Walter Chappell
Museum of Modern Art
Metropolitan Museum of Art
Albright Knox Art Gallery
Los Angeles County Museum of Art

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