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Though
Lexington was not a well-established center of photography, Meatyard did not consider himself a "Southern" or regional photographer. His work was beginning to be recognized nationally at the time of his death, shown and collected by some prominent museums and published in magazines. He
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An autodidact and voracious reader, Meatyard worked in productive bursts, often leaving his film undeveloped for long stretches, then working feverishly in the makeshift darkroom in his home. "His approach was somewhat improvisational and very heavily influenced by the
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Meatyard married
Madelyn McKinney. They had three children: Michael (born 1950); Melissa (born 1959); and Christopher (born 1955). Meatyard died of cancer in 1972. He was described as a "bookish Zenmaster also served as president of the local
340:. Merton appeared in a number of Meatyard's experimental photographs taken on the grounds of the monastery, and they shared an interest in literature, philosophy, and Eastern and Western spirituality. Meatyard wrote Merton's eulogy in the
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Much of his work was made in abandoned farmhouses in the central
Kentucky bluegrass region during family weekend outings and in derelict spaces around Lexington. Some of his earliest camera work was made in the traditionally
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to continue working as an optician for Tinder-Krausse-Tinder, a company which also sold photographic equipment. The owners of the company were active members of the
Lexington Camera Club, for which the Art Department of the
561:, Smithsonian Magazine, November 2011, p. 12. "Meatyard was a quiet, diffident, charming person on the surface, but he was a known ruse of the American genius."
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321:. The two frequently traveled into the Appalachian foothills. Berry and Meatyard's book contributed to saving the gorge from destruction by a proposed
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Meatyard was a close acquaintance of several well-known writers in the
Kentucky literary renaissance of the 1960s and 1970s, including his neighbor
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Meatyard purchased his first camera in 1950 to photograph his newborn first child, and subsequently worked primarily with a
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462:, 2002) 125 pages. Three critical texts, "Lucybelle" with 34 additional previously unpublished Meatyard photographs.
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Ralph Eugene
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of the time." He used his children in his work addressing the surreal "masks" of identity.
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6cm square medium-format camera. He joined the
Lexington Camera club and the
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During the mid-1950s, Meatyard attended a series of summer workshops run by
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Rhem, James (Author); & Meatyard, Ralph Eugene (Photographer), 1999,
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Meatyard was also a friend and correspondent of
Catholic monk and writer
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dam. Meatyard's ashes were scattered in the gorge after his death.
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Meatyard, Ralph Eugene; & Davenport, Guy (Essay), 2005,
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neighborhood around
Lexington's Old Georgetown Street.
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Mirrors and
Windows: American Photography since 1960
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263:in 1954. At the Lexington Camera Club he met
196:(May 15, 1925 – May 7, 1972) was an American
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485:Ralph Eugene Meatyard: An American Visionary
417:Ralph Eugene Meatyard: Emblems & Rites
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109:Learn how and when to remove this message
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357:exhibited with photographers including
282:, who fostered Meatyard's interest in
243:He moved with his new wife Madelyn to
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216:and raised in the nearby town of
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605:People from Normal, Illinois
615:Photographers from Kentucky
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427:and notes by Arnold Gassan.
402:and flipped burgers at the
344:shortly after his death in
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220:. When he turned 18 during
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315:The Unforeseen Wilderness
559:The Man Behind the Masks
415:Halls, James Baker, ed.
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58:"Ralph Eugene Meatyard"
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250:University of Kentucky
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515:OCLC:636218389 p. 3
442:Phaidon Press 2002
338:Bardstown, Kentucky
334:Abbey of Gethsemani
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478:Photopoche, No: 87
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41:Please help
36:verification
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595:1972 deaths
590:1925 births
575:View Images
557:David Zax,
383:Eikoh Hosoe
367:Minor White
363:Ansel Adams
352:Photography
280:Minor White
218:Bloomington
186:Photography
172:Nationality
156:May 7, 1972
584:Categories
492:References
487:, Rizzoli.
292:jazz music
257:Rolleiflex
232:under the
137:1925-05-15
99:April 2021
69:newspapers
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398:and the
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234:GI Bill
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