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377:. Here the artists "mount translucent prints and drawings on top of video monitors, which appear to bring moving images to life on paper." According to Chris Roper of South Africa's Mail and Guardian, "The work is funny, pretty and accessible, but itâs also complicated, surprising, exceedingly well crafted and rewards a long-term relationship." The works pay homage to and cite a number of artists, including
354:, Stern challenges power relations between artists and critics, and black and white â as well as electrical "power structures" â by convincing South African arts writer, and editor of Art South Africa magazine, Sean O'Toole, to give up electricity for 24 hours; Stern hired workers off the street to follow O'Toole around his apartment with hand-crank generators and bulbs for the evening.
236:, especially in relation to the body and embodiment. He states that his interactive work treats "the body and art as cooperative sites of potential resistance," seeing them as mutable entities that "per-form" themselves in relation to their environments, rather than being extant and "pre-formed." Stern's other work often attempts to bring his ideas around
417:"Second Life as a medium much like oil paint or marble, hand-drawing two Second Life avatars and pulling them from out of their universe and into ours. In the gallery, they exist on two large screens facing each other, and the viewer may only encounter them by walking between the screens." The piece directly references both the book "Given Time," by
481:. Although the creators encouraged editors to strictly follow Knowledge guidelines in editing the page, Knowledge editors determined its intent was nonetheless in violation of site rules, and it was deleted within 15 hours of its initial posting. The resulting controversy received national coverage, including an article in
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Art Awards, South Africa's largest contemporary art competition at the time. Both years, he won prizes for interactive installations, and is credited with being "at least partly responsible for opening space within that national art event for interactive or New Media work generally." From
December
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since its inception, and was an artist in residence with them in 2006 and 2007, the second year of which he ran the program. He believes that "as many people as possible need to see art and talk about it" because it "always brings... value" to "the cultural sphere"; he uses CC as a "tactic for the
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art work explores "the juxtaposition of old and new media and illuminates the possibilities and limitations of both." "Given Time," for example, enacts a permanent "connection between two simulated people staring wordlessly at each other across real space." According to John
Mitchell, Stern uses
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In 2006 and 2007, Stern held two solo exhibitions of his "Compressionist" prints in South Africa. The series premiered in "Time and Seeing" at
Pretoria's experimental Outlet Gallery, and a much larger body of work, including digital and traditional prints, opened as 'Call and Response' at
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Stern's interactive art is centered around bodily provocations, often asking his viewers to "perform" â whether publicly or privately. His pieces attempt to "get people to move in ways they normally wouldn't," and accent said movements in relation to their surroundings. His installation,
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later claimed Stern and
Kildall had infringed on the Knowledge trademark with their own website, wikipediaart.org. The artists publicly released a letter they received in March 2009 from a law firm requesting that they turn over their domain name to Knowledge.
319:, to explore the fragility of language. He has also worked on collaborative multimedia performances that explore similar issues, usually with more explicit political messages, such as challenging the discourse surrounding HIV/AIDS in South Africa.
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created a
Knowledge article called "Knowledge Art", which sought to "invite performative utterances in order to change" what content was acceptable to include in the article itself. It that was simultaneously a self-referential
350:, physically erect temporary, 3D architectural structures made of rope. Each of these custom "public spaces" are "activated" only through their "contact with people," and take on different meanings in each context. And in
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In June 2011 Stern again worked with
Kaganovich on "Strange Vegetation", a project involving "breathing" latex sculptures that react to changes in light and temperature. The installation was displayed at the
510:'s Brillo Boxes." Yale research fellow Claire Gordon called the article an example of the "feedback loop" of "Knowledgeâs totalizing claims to knowledge" in a 2011 Huffington Post report.
556:. According to Stern and Kildall, the goal of "Tweets In Space" is to activate "a potent conversation about communication and life that traverses beyond our borders or understanding."
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most effective art work, and with the recognition that this will only bring more value â both culturally and monetarily â to work more generally, whether it's for sale or not."
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scanner while Stern walked through the pond. In
October 2011, Stern and Jessica Meuninck-Ganger's collaborative project "13 Views of a Journey" opened at the
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in
Milwaukee, Wisconsin. In August of the same year Stern's exhibit "Giverny of the Midwest" opened at Gallery AOP in Johannesburg. The exhibit, inspired by
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launched as part of a solo exhibition at
Greylocks Arts in March 2010. The show, which also exhibited "Distill Life" works, was curated by Jo-Anne Green of
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to fundraise the money needed to access a transmitter capable of reaching the planet. In addition, code developed for the project is planned for release to
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In 2012, Stern and
Kildall again partnered on a project called "Tweets In Space", inviting participants to submit tweets to be transmitted to the planet
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and music led to his interest in the relationships between the body and text, and eventually to that of broadly interpreted notions of
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owner and curator Haydn Shaughnessy selected five artists working in and with modern technologies: Stern along with Chris Ashley from
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were presented as part of the "Passing Between" solo exhibition at Gallery AOP in Johannesburg, as well as solo exhibitions at the
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a collaboration with Yevgeniya Kaganovich," premiered in the Art History Gallery at the University of Wisconsin in December 2010.
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Transmediale Award finalist, two Brett Kebble Art Awards, Leonardo Abstracts Top Ranking (MIT Press)
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Schumacher, Mary Louise. "New moves for old wave art," Milwaukee Journal Sentinel. April 2010.
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Johnson, Paddy. iCommons: Art Intercom, featuring artist Nathaniel Stern (interview, 2007).
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Mitchell, John. "Virtual world crosses over to our own," North Adams Transcript, March 2010.
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2004 to January 2005, Stern held his first major solo exhibition, The Storytellers, at the
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Johnson, Paddy (2007). iCommons: Art Intercom, featuring artist Nathaniel Stern,
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Sassen, Robyn (2005). "Nathaniel Stern". Art South Africa Magazine, Summer 2005
1033:"Given Time": Mixed Reality Art Installation Connects Avatars Across Real Space
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style, where he often plays out characters he has created, or uses
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Stern graduated with a degree in Textiles and Apparel Design from
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Throughout his career, Stern's work has also been shown at the
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Stern's "Distill Life" works, multimedia collaborations with
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Passing Between: Nathaniel Stern and Jessica Meuninck-Ganger
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Arrested Time: Nathaniel Stern with Jessica Meuninck-Ganger
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Tweets in Space: Contacting E.T., 140 Characters at a Time
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Bad at Sports Episode 244: Interview with Nathaniel Stern
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Gordon (Yale research fellow), Claire (6 February 2011).
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Bad at Sports Episode 244: Interview with Nathaniel Stern
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that began in 2009, combine various forms of traditional
185:, graduating in 2001. He later taught digital art at the
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has since been included in the Internet Pavilion of the
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for 2009. In 2011 it appeared in a revised form at the
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and in festivals and performances all over the world.
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campus featuring a blend of print and video imagery.
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In 2003 and 2004, Stern exhibited at the now defunct
334:, for example, he has volunteers from the streets of
1364:(audio interview for streaming, download or podcast)
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The South African Art Times. Retrieved on 2012-09-12
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Moody, Tom (2007). Sentimental Constructions Review
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festival in Berlin, where it was an award finalist.
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ArtThrob Project: Like the city, a work in progress
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502:compared the incident to the "outrage inspired by
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988:Art Spot, The Times, South Africa. February 2010
1330:The Sunday Independent. Retrieved on 2012-09-12
1393:A R T T H R O B _ A R T B I O: Nathaniel Stern
280:His early (2005) and ongoing "Compressionist"
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1339:Schumacher, Mary Louise (October 20, 2011).
1289:"Strange Vegetation" blooms at Villa Terrace
1231:Scientific American. Retrieved on 2012-09-12
1178:The Internet Pavilion at the Venice Biennale
1125:Knowledge Art: Vandalism or Performance Art?
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1291:Third Coast Digest. Retrieved on 2012-09-12
1264:Catch of the day: Second Lifeâs new gallery
1244:Scientific American. Retrieved on 2012-9-21
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632:and Elaine Erickson Gallery in Wisconsin.
37:Nathaniel Stern scanning lilies in Indiana
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1480:University of WisconsinâMilwaukee faculty
1376:NYArts Magazine: "Between Text and Flesh"
1343:Journal Sentinel. Retrieved on 2012-09-12
1315:Monday 25: Interview with Nathaniel Stern
1304:Journal Sentinel. Retrieved on 2012-09-12
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538:International Symposium on Electronic Art
189:, while also practicing as an artist, in
157:of Art and Mechanical Engineering at the
121:(born 1977) is an American/South African
1300:Schumacher, Mary Louise (July 8, 2011).
1266:, The Guardian. Retrieved on 2009-01-30.
1022:(PDF Catalogue). Retrieved on 2010-06-16
1004:(PDF Catalogue). Retrieved on 2010-06-16
964:Profundity and plasticity for the greedy
885:(PDF Catalogue). Retrieved on 2007-07-20
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1313:van Rensburg, Wilhelm (July 25, 2011).
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896:DVblog: Woody Allen and Nathaniel Stern
765:Open Web Award 2011 Nominees Announced!
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453:. He has been a contributing member of
197:from 2001 - 2006. He holds a PhD from
179:Interactive Telecommunications Program
1341:Top picks for Gallery Night & Day
1302:Yevgeniya Kaganovich at Villa Terrace
1287:Moriarty, Judith Ann (June 8, 2011).
721:Inter-Society for the Electronic Arts
177:in 1999, and went on to study at the
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1203:Finally, a chance to tweet to aliens
650:Villa Terrace Decorative Arts Museum
1326:Corrigall, Mary (August 22, 2011).
966:, Mail and Guardian. February 2010.
697:International Print Center New York
209:, where he wrote a dissertation on
1435:American interdisciplinary artists
1214:Chakelian, Anoosh (May 10, 2012).
1152:"The Truth According to Knowledge"
685:Museum of Contemporary Art, Sydney
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1218:Time.com. Retrieved on 2012-09-12
1079:from the original on 16 June 2020
909:Mail and Guardian: G'Town in Jozi
352:Doin' my Part to Lighten the Load
252:and print by combining them with
159:University of WisconsinâMilwaukee
1227:Scharf, Caleb A. (May 2, 2012).
749:ArtThrob ArtBio: Nathaniel Stern
701:Herbert F. Johnson Museum of Art
468:On February 14, 2009, Stern and
445:, and many of his pieces, under
330:, playful and political. In his
1369:Art Space Talk: Nathaniel Stern
1242:Tweets In Space Are Go - TODAY!
1158:. HuffPost Contributor platform
811:Art Space Talk: Nathaniel Stern
709:John Michael Kohler Arts Center
660:, featured images of a pond in
244:to more traditional forms like
187:University of the Witwatersrand
689:South African National Gallery
499:The Milwaukee Journal Sentinel
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1430:American installation artists
1395:(South African feature, 2006)
1205:Cnet. Retrieved on 2012-09-12
1201:Katz, Leslie (May 15, 2012).
979:, Sheperd Express, April 2010
1411:(Johannesburg, South Africa)
1140:, Milwaukee Journal Sentinel
1035:, New World Notes, June 2010
894:Szpakowski, Michael (2006).
423:"Untitled (Perfect Lovers),"
1440:American multimedia artists
1378:(bio on Stern's work, 2006)
860:Rhizome.org: Compressionism
46:1977 (age 46–47)
18:American artist (born 1977)
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1445:American new media artists
1360:MacKenzie, Duncan. (2010)
1356:Nathaniel Stern's web site
1053:MacKenzie, Duncan. (2010)
433:Stern and Creative Commons
111:http://nathanielstern.com/
1455:Cornell University alumni
1101:, The Wall Street Journal
1057:. Retrieved on 2010-06-16
911:. Retrieved on 2007-07-20
898:. Retrieved on 2007-07-20
862:. Retrieved on 2007-07-31
858:Stern, Nathaniel (2005).
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813:. Retrieved on 2009-01-31
797:. Retrieved on 2007-07-20
751:. Retrieved on 2007-07-20
548:. Stern and Kildall used
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1328:Creating New Impressions
1138:Deconstructing Knowledge
1069:"Concept: Knowledge Art"
1000:Ridgway, Nicole (2010).
928:Retrieved on 2009-01-30.
793:Ridgway, Nicole (2006).
693:Johannesburg Art Gallery
571:Johannesburg Art Gallery
437:Stern is an advocate of
324:interventionist projects
317:found footage from films
135:public art interventions
1367:Sherwin, Brian. (2008)
1067:Kildall, Scott (2009).
1018:Green, Jo-Anne (2010).
941:Retrieved on 2009-01-30
874:Kellner, Clive (2006).
809:Sherwin, Brian (2008).
747:Borland, Ralph (2006).
717:Museum of Wisconsin Art
630:Museum of Wisconsin Art
626:Jessica Meuninck-Ganger
585:was launched. For its
484:The Wall Street Journal
363:Jessica Meuninck-Ganger
300:. These are colored in
292:â avowedly referencing
240:, embodiment, time and
220:Stern's early study of
83:Trinity College, Dublin
1450:American video artists
1404:Knowledge Art web site
1399:Nathaniel Stern's blog
1031:Wagner, James (2010).
937:Rossouw, Chad (2008).
907:Botha, Nadine (2005).
670:Haggerty Museum of Art
605:, Claire Keating from
298:Abstract Expressionism
1475:South African artists
1262:Hooper, Mark (2008).
1192:, The Sunday Guardian
591:Crossing the Void II,
427:FĂ©lix GonzĂĄlez-Torres
1278:, nathanielstern.com
1112:Giga Law Firm letter
713:Milwaukee Art Museum
674:Marquette University
624:collaborations with
489:Wikimedia Foundation
313:performative writing
153:. He is currently a
1099:The Internet as Art
778:"The Implicit Body"
705:Pretoria Art Museum
421:, and the art work
183:New York University
79:New York University
1465:Modern printmakers
1127:, PBS: Media-Shift
1114:, wikipediaart.org
881:2011-10-03 at the
845:2007-09-04 at the
834:2009-02-23 at the
387:Eadweard Muybridge
383:Katsushika Hokusai
171:Cornell University
75:Cornell University
1374:Ridgway, Nicole.
1136:Schumacher, Mary
876:Call and Response
620:In 2010, Stern's
615:San Francisco, CA
403:Utagawa Hiroshige
399:William Kentridge
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191:Johannesburg
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139:installation
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1470:Net.artists
1425:1977 births
1409:Gallery AOP
1371:(interview)
599:Jon Coffelt
595:Oakland, CA
583:Second Life
581:Gallery in
560:Exhibitions
554:open source
542:Albuquerque
508:Andy Warhol
494:Mike Godwin
410:Second Life
367:printmaking
326:are always
238:performance
230:performance
226:slam poetry
151:printmaking
127:photography
57:Nationality
1419:Categories
656:'s series
634:Given Time
546:New Mexico
275:stuttering
215:embodiment
587:inaugural
579:Ten Cubed
550:RocketHub
375:machinima
359:Milwaukee
336:Dubrovnik
309:video art
302:Photoshop
290:landscape
258:networked
246:sculpture
155:Professor
143:video art
93:New media
71:Education
1156:HuffPost
1077:Archived
879:Archived
843:Archived
832:Archived
534:GJ 667Cc
455:iCommons
322:Stern's
307:Stern's
286:scanners
61:American
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1387:Part II
1180:, Wired
1162:16 June
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926:Part II
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672:on the
662:Indiana
412:-based
361:artist
340:Croatia
260:media.
254:digital
250:drawing
207:Ireland
147:net.art
107:Website
1383:Part I
922:Part I
829:Part I
487:. The
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203:Dublin
165:Career
99:Awards
727:Notes
613:from
601:from
371:video
369:with
1164:2020
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