382:, saying, "There are dreams, there are nightmares, and then there are those night visions that don't quite qualify as either, the unnerving images and dialogues that rattle about your head in your waking life for the rest of the day and reveal strange, forgotten details every time you pick at them. That's the kind of stuff we need to be talking about if we're going to call Braids 'dream-pop' as so many others have".
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395:— an at times nutty, at times serene, mash-up of pastoral guitar babble, minimal orchestral drones, loopy chorale vocals and porous, roiling rhythms". Asked if the band was sick of the Animal Collective comparisons, Raphaelle Standell-Preston said: "Not at all. We were 17 when we first discovered the record
315:
Standell-Preston, the chief lyricist, said the album describes "the changes in her life from
Calgary schoolgirl to Montreal musician, and the discovery of sexuality and relationships along the way". She also remarked in 2013 that "everything besides the title track is so angry. I was so upset and
1138:
reviewer Dan Stubbs, pointing out the way "the band's youth shines through the lyrics". "The quartet's bracing debut... is almost
Inception-like in its warping of reality, equally tactile and dissolute, cerebral and surreal and ultimately haunting for its refusal to answer questions the same way
29:
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as the "beguiling, bewitching debut album" calling it "this young year's early champion, an engrossing album that bears the very real possibility that you won’t 'get it' even after a dozen listens". "What's most astonishing is the fact that
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The big thing for us was being sure of when we'd reached excellence, knowing which of the 400 guitar takes or vocal tracks was the perfect one. I was in tears at points because I felt I was falling short of perfection. We really overworked
415:, so that's a novel I grew up with. Plath was a big influence on me when I was younger and feeling a bit morose and dark. As I'm getting older I'm like Jesus, Sylvia, lighten up". The title of the song "Lammicken" was taken from
297:
The album was self-produced, although not due to its low budget. "It was primarily for creative control. None of us had recorded before so it took a really long time to get it right – about nine months", the singer explained.
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is self-produced, and that it's so self-assured," argued Andrew
Winistorfer. "You’ll probably listen to more immediate albums this year, but few will have the down-the-rabbit-hole quality that marks
368:
with foul-mouthed lyrics", making this girl's psyche preparation a fascinating thing to watch. "This is a band that is all about abstraction, experimentation and, most important, obfuscation", a
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interview, it cost less than $ 500 to make. "We just had to rent drum mics and cover the mastering. I guess we only have to sell about 100 copies to break even!",
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put it, the band's debut "takes the beatific psychedelic washes of Animal
Collective back to the testy clatter of punk-folk wild women
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in
September 2009. The recording of the album was completed during the winter of 2010. After negotiating with labels in the
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met with much critical acclaim. "Braids' uniquely feminine experimental pop is largely a success", argued
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reference in the track "Plath Heart", the singer said: "My mother, who's a writer, did her thesis on
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Upon its release, the album received generally good reviews from music critics. Aggregating website
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1477:"SXSW Interview with Blue Hawaii - KCSB-FM 91.9 in Santa Barbara | KCSB-FM 91.9 in Santa Barbara"
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for success". "Rarely do teenage kicks result in such eloquent, nuanced records as this", wrote
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would release the album in the United States. According to the band's
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1375:. May 2011. New Albums review. Introducing Braids. Q&A. p.118
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on
January 18, 2011 (April 11 in the UK) to critical acclaim.
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Review: Braids: Native
Speaker · Music Review · The A.V. Club
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1113:
reported a score of 7.4 based on 19 professional reviews.
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1169:
Taylor Smith – bass, guitar, samples, percussion, vocals
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Braids – Native
Speaker | Music Review | Tiny Mix Tapes
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Braids – Native
Speaker (album review ) | Sputnikmusic
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425:meaning of the word, "weakness of a lamb".
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405:instead of going inside". Explaining the
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316:felt like the world was really unfair".
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433:Native Speaker peaked at No. 33 on the
309:Raphaelle Standell-Preston, Q interview
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358:as possible influences. According to
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1623:Braids: Native Speaker | PopMatters
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1513:Braids – Chart history | Billboard
1502:Braids – Chart history | Billboard
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324:The band’s way of mixing pop and
227:is the debut studio album by the
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372:reviewer remarked. Ian Cohen of
16:2011 studio album by Braids
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1:
1321:"Native Speaker album review"
1185:Marc Rimmer – design, visuals
270:and Canada, Braids announced
1543:Consequence of Sound review.
1166:Austin Tufts – drums, vocals
1163:Katie Lee – keyboard, vocals
320:Musical style and influences
258:The band started working on
437:chart and at No. 13 on the
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1748:Raphaelle Standell-Preston
1345:. Braidsmusic.blogspot.com
1341:BRAIDS (4 November 2010).
1158:Raphaelle Standell-Preston
292:Raphaelle Standell-Preston
1742:
1610:"Braids - Native Speaker"
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1182:Harris Newman – mastering
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418:Tess of the d’Urbervilles
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52:18 January 2011
26:
1696:Native Speaker credits.
313:
1855:Kanine Records albums
1160:– guitar, lead vocals
1139:twice," according to
435:Billboard Heatseekers
1850:Braids (band) albums
1584:. www.eyeweekly.com.
1569:. drownedinsound.com
450:Professional ratings
208:Released: 8 May 2011
1529:– blurt-online.com.
1119:magazine described
683:New Musical Express
451:
1791:Flourish // Perish
1612:. 20 January 2011.
1565:2011-04-14 at the
1444:. – pitchfork.com.
1417:Andrew Winistorfer
1343:"BRAIDS: friends!"
449:
445:Critical reception
165:Flourish // Perish
1845:2011 debut albums
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336:Animal Collective
326:avant-garde music
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278:would distribute
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1798:Deep in the Iris
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1483:on 25 March 2016
1479:. Archived from
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1423:. Prefix review.
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1072:Tiny Mix Tapes
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352:Siouxsie Sioux
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284:Kanine Records
282:in Canada and
280:Native Speaker
272:Chad Vangaalen
260:Native Speaker
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248:Kanine Records
242:, released by
224:Native Speaker
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1776:Studio albums
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1290:"Little Hand"
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1246:"Glass Deers"
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1235:"Plath Heart"
1234:
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1200:Track listing
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1060:The A.V. Club
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1485:. Retrieved
1481:the original
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37:Studio album
1698:– AllMusic.
1553:Jazz Monroe
1268:"Lammicken"
423:Old English
276:Flemish Eye
244:Flemish Eye
85:avant-garde
1839:Categories
1823:Set Pieces
1668:"Braids –
1373:Q magazine
1349:2012-03-03
1327:2011-01-01
1323:. AllMusic
1301:References
1279:"Same Mum"
1224:"Lemonade"
847:PopMatters
645:Eye Weekly
304:ourselves.
294:remarked.
254:Background
198:"Lemonade"
143:chronology
81:Indie rock
56:2011-01-18
1768:Vince Man
1765:Katie Lee
1404:. – Spin.
1141:Pitchfork
380:dream pop
375:Pitchfork
366:post-rock
274:'s label
96:dream pop
1599:. – NME.
1563:Archived
1179:– mixing
470:AllMusic
356:Yeasayer
331:Allmusic
264:Montreal
236:art rock
229:Canadian
131:Producer
92:art rock
68:Montreal
64:Recorded
49:Released
39: by
1681:23 June
1527:review.
1147:Credits
441:chart.
429:Release
344:Karen O
183:Singles
169:(2013)
160:(2011)
54: (
1736:Braids
1597:review
1582:review
1560:review
1460:review
1442:review
1402:review
1216:Length
1191:
1117:Prefix
463:Rating
460:Source
370:Prefix
354:, and
240:Braids
141:Braids
135:Braids
102:Length
42:Braids
1213:Title
507:Blurt
403:Feels
398:Feels
340:Björk
238:band
185:from
119:Label
76:Genre
1683:2011
1489:2017
1462:. –
1293:4:27
1282:7:01
1271:4:35
1260:8:24
1249:8:09
1238:4:25
1227:6:46
986:Spin
361:Spin
1815:EPs
1209:No.
746:Now
569:CoS
385:As
262:in
88:pop
1841::
1674:.
1555:.
1449:^
1429:^
1409:^
1391:^
1358:^
1309:^
1287:7.
1276:6.
1265:5.
1254:4.
1243:3.
1232:2.
1221:1.
1143:.
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346:,
342:,
338:,
306:–
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1685:.
1672:"
1491:.
1466:.
1352:.
1330:.
1135:Q
1065:B
910:Q
288:Q
246:/
234:/
109::
58:)
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