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Nema aviona za Zagreb

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501:. In 1967 Meher Baba was near the end of his life and in strict seclusion. Through the help of numerous contacts with people he met in his travels who had met Baba in the 60s, including Irwin Luck, Rick Chapman, and Robert Dreyfuss, Van Gasteren was at last able to reach Baba's secretary and arrange a meeting. Van Gasteren told Baba, "The appearance of the Avatar in my film is more than functional, it is necessary, to give all the other happenings and sequences the final and right dimension." The terms were that the shooting could only take place on 20 September 1967, during a short period when Baba would be coming out of seclusion for three hours in order to wash the feet of seven lepers, the last of such an occasion in Baba's life. Van Gasteren was told that if he was there on time, he could film and interview Baba. Van Gasteren arrived in 31: 879: 313:. In the two skillfully interwoven interviews, a flower-bedecked Leary boasts that people come to his estate to find God through LSD, while the grieving parents puzzle over what went wrong with their son, who had been so healthy and virtuous. These conversations only leave Louis with more questions. He then goes to India to question the spiritual master 248:
As the film opens, a ninety-year-old Louis van Gasteren—a documentary filmmaker and artist famed in the Netherlands—is seated in a video editing suite, watching scenes of himself in the 1960s, a time when "anything was possible." He reflects on how much he has changed, and that he is that same person
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Vimeo.com called the film "a journey in spiritual and geographical terms" and Realtofilm.nl wrote, "The film not only gives a peak into a fascinating era, it is a highly original autobiographical portrait." Some reviews were negative. Yara Plasman of Filmtotaal.nl described the film as "a veritable
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In his editing room at ninety years old, Louis van Gasteren at last reveals the heart-breaking event that blocked him from completing the film in the ensuing decades. But now, he says, after more than forty years, he finally found the courage to do it. With this we see him jump from an airplane and
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From the time of these encounters, the style and pace of the film quicken. Interspersed with shots of his enchanting baby daughter as she takes her first steps and grows into childhood, Van Gasteren turns his attention to his art, to meeting artists, intellectuals, and scientists of the ’60s in the
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In 1964 van Gasteren decided to film all his movements, both outward and inner. He narrates early in the film, "I wanted to make a film about my memories, my observations and experiences. As a filmmaker, I can make that visible." Explaining his idea to his wife in the film, he says, "I want to show
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He begins to be more critical of his assumptions about life and what he was told in his youth, and conducts a series of experiments to test them. Next he questions what he really sees, how many different angles and dimensions man can perceive, and whether life is simply one big illusion. To answer
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was the cinematographer on the principal scenes of the film, including scenes in New York, Vancouver, San Francisco, Timothy Leary in Millbrook, and Meher Baba in India. Additional cameramen during the very long shooting period included Milek Knebel, Theo Hogers, Roeland Kerbosch, Olof Smit, Bert
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At the end of the film we see Louis drive down a road and reach a dead end where a mountain of rubble has collapsed into the road. He steps out of the car in silence and faces the mountainous obstacle. It seems to symbolize that he had come to a halting place in the film's story, or a terminus in
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At last Louis travels to the Spanish seaside and seems to resolve the loss of his mother by rescuing a man-sized living turtle being sold at market. Together with his children, Louis rows the gasping turtle out into the harbor and releases it back into the sea, to the joy of the whole family. The
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First asserting that his own experience of God is continuous, Meher Baba explains that the upliftment produced by drugs is only temporary and thus not a true realization of Divinity; in the end, drugs lead only to madness, delusion, and hypocrisy. After one more disillusioning scene in Millbrook,
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and soundman Peter Brugman, and was shown around the location in preparation for the following day's shoot and met Baba. The following day, 20 September, the crew filmed forty minutes of film footage of Baba and the surrounding area, including the interview seen in the film. About half of this
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Shortly afterward, it is reported that a young American has died from jumping out a window while tripping on LSD, apparently believing he could fly like a bird. Troubled by this, Louis travels to a U.S. military base in Germany to talk to the boy's parents, as well as to
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on the occasion of Van Gasteren's 90th birthday, 20 November 2012. Louis van Gasteren was present at the opening and afterwards was interviewed by journalist Raymond van den Boogaard. On 30 November there was a public interview with the author by television critic
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Filming stalled in 1969. After two attempts to complete the film in the 70s and 80s, a final attempt to edit the film was begun in 2009 by filmmaker and editor Ilja Lammers who began to gather and assemble the material. The 35mm film was digitized by
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everything, because every observation I make fits in with that. Look Jacq, every step I take (he takes a deliberate step forward in the room) – also inwards (points to his chest) – everything I am involved in (gestures at the objects in the room)."
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Louis closes the door on drugs. He tells us that he stopped using LSD after it became illegal, but adds that had it not been for LSD, he would surely have taken his own life, just as his mother and grandfather did.
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and life as such cannot be tied down. You are in them, yet always off the mark." What this means is never entirely clear, but what we see is that from this point forward Louis becomes a sincere seeker of truth.
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From there Louis begins to recall his own youthful memories. His father, Louis van Gasteren, Sr., was a famous actor, and his mother, Elise Menagé Challa, was a singer who gave up the concert stage to promote
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The film takes a turn of style as Van Gasteren begins to act, playing himself as a good-timer who cheats on his wife with casual encounters. In the course of his travels he runs into an Italian journalist in
212:. The film is a retrospective of events in the director's life from 1964 to 1969, filmed by him in that period and reflected on from his vantage point over 40 years later at the age of 90. It is also 284:). Not knowing the language, they find the expression hilarious, and repeat it wherever they go. But later, when alone, the expression begins to haunt Louis. It becomes a personal catchphrase. "What 532:
and EYE Film Institute and the film was finished in 2012, 48 years after principal photography began. The film premiered at EYE on Van Gasteren's 90th birthday. Gasteren was present at the opening.
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and traveled rural Spain to learn the songs of the peasants. We learn that his mother died by suicide a few months after his father's death, and thoughts of his parents are with him every day.
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We then go back to 1964. Van Gasteren is touring a carnival with his second wife, Jacqueline, their baby girl Mardou, and two older children from his first marriage. The family rides the
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about how his music expresses his protest against the lack of communication in our world. And to the accompaniment of live jazz and slides of his art, Louis recites his own
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The film winds up being a journey of a man in search of truth, seeking to shed lies and illusions, as well as reconcile his relationships with human beings.
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hotch-potch/jumble of various images, sometimes spontaneous while at other times obviously enacted, with or without a clear storyline . . ."
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The film is in Dutch and English, with small amounts of French, Italian, Serbian, and Spanish. Available with Dutch or English subtitles.
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The credits roll over a shot of Louis in the 1960s gazing out the window of a train, where he first began to ponder the word "nema," as "
237:, the United States, India, and Spain. The film mixes documentary with enacted scenes, and is shot in both color and black-and-white. 485:
began in 1964 in the Netherlands and lasted five years as Louis raised money as he went. Filming eventually covered ten countries.
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introduces an exhibition of New Style painting in Toronto, broadcast on television. Louis talks to jazz composer
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The film crisscrosses the globe. Countries the film is shot in include the Netherlands, Switzerland, England,
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United States and Canada, and puts on several exhibits of his own photography and sculpture. He purchases an
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and sees the sights, including a "Fat Lady" exhibit of a mother and daughter weighing 900 pounds.
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automobile and has it crushed, then mounted in an Amsterdam park, elevated to an art form.
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singer improvises for the family a touching tribute to Mardou, "a little angel of God."
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Spijkerman, Louis van Gasteren, and Kester Dixon (for final filming in 2012).
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at precisely 9:00 A.M. on 19 September, accompanied by cameraman
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Meher Prabhu: Lord Meher, The Biography of the Avatar of the Age
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that phase of his life. In 1969 Louis stopped making the film.
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The two decide to book a flight to 7: 1150:Films directed by Louis van Gasteren 369:descend to earth with a parachute. 357:camera shifts to a café in which a 1155:Autobiographical documentary films 410:as the woman in the Zurich airport 317:about LSD and the search for God. 280:("There is no plane to Zagreb" in 14: 1190:Cultural depictions of Meher Baba 435:as the travel agency receptionist 1110:Bhau Kalchuri: Meher Baba's Lion 392:as himself and Professor Cerillo 526:EYE Film Institute Netherlands 456:EYE Film Institute Netherlands 1: 1175:Documentary films about drugs 800:at Netherlands Film Festival 725:Ilja Lammers at Linkedin.com 351:Not knowing what my mind is. 1081:Meher Baba Newsreel Footage 932:Sufism Reoriented Sanctuary 309:, to meet the LSD-advocate 202:There Is No Plane to Zagreb 1206: 481:Principal photography for 144:20 November 2012 875: 28: 741:28 December 2013 at the 639:28 December 2013 at the 505:on 17 September, and at 426:as the cuckold's mother. 1165:Dutch documentary films 1145:Dutch independent films 552:Belgrado Alfonso Chozas 346:. . . I make up my mind 1185:2012 independent films 1180:2012 documentary films 927:Meher Spiritual Center 882: 767:Official Facebook page 1117:Nema aviona za Zagreb 1103:The Theme of Creation 1031:Don't Worry, Be Happy 881: 798:Nema aviona za Zagreb 785:Nema aviona za Zagreb 773:Nema aviona za Zagreb 530:Netherlands Film Fund 499:Nema aviona za Zagreb 454:finally premiered at 452:Nema aviona za Zagreb 278:Nema aviona za Zagreb 197:Nema aviona za Zagreb 24:Nema aviona za Zagreb 1160:Self-reflexive films 374:Really and Sincerely 987:Encountered masters 600:No Plane for Zabreb 424:Totti Truman Taylor 341:poetry in English. 307:Millbrook, New York 1004:Sai Baba of Shirdi 948:Norina Matchabelli 941:Associated figures 889:Terms and concepts 883: 787:(Official Trailer) 390:Louis van Gasteren 233:, France, Canada, 210:Louis van Gasteren 51:Louis van Gasteren 42:Louis van Gasteren 1127: 1126: 1096:God In Human Form 713:82 Family Letters 193: 192: 1197: 953:Francis Brabazon 915:Pilgrimage sites 829: 822: 815: 806: 788: 763: 762: 760:Official website 745: 733: 727: 722: 716: 709: 703: 697: 691: 690: 688: 686: 677:. 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Index


Louis van Gasteren
Timothy Leary
Meher Baba
Jan de Bont
Mal Waldron
Netherlands
Dutch
English
Dutch
Louis van Gasteren
Jan de Bont
Basic Instinct
Yugoslavia
West Germany
carousel
Communism
Belgrade
Zagreb
Croatian
LSD
Millbrook, New York
Timothy Leary
Meher Baba
Opel
Marshall McLuhan
Mal Waldron
Beat
flamenco
Really and Sincerely

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