Knowledge (XXG)

Nereditsa Church

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The frescoes were created by eight to ten artists. They covered all the interior of the church, including the pillars, the walls, the ceiling, and the dome. There is no apparent system in creating the frescoes. It's possible that the painters did not know each other and had different styles. In
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the church was located on the front line between 1941 and 1943 and was destroyed. It was subsequently restored. However, most of the frescoes could not be saved. They are currently known from pre-war photos, and watercolor sketches made by
492: 263:Перечень памятников истории и культуры г. Великий Новгород и его окрестностей, имеющих выдающуюся универсальную ценность, включенных в 1992 году Решением юбилейного заседания Комитета Всемирного наследия ЮНЕСКО в Список Всемирного наследия 191:
already in the 9th century, and painting other frescoes in the dome was at the time the sign that the church belongs to a highly peripheral region. The most impressive fresco in the church was considered to be the
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particular, normally a fresco of Christ the Saviour should be painted in the dome. However, for the Saviour Church on Nereditsa, the dome was occupied by the Ascencion. Christ was painted in the dome in
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at the eastern side. The type of a small church was developed in Novgorod in the end of the 12th century, and there are several churches of this type, in Novgorod and in
423: 78: 401:(in Russian). Мультимедийная информационная система «Архитектура и настенная живопись новгородской церкви Спасо-Преображения на Нередице». Archived from 373:(in Russian). Мультимедийная информационная система «Архитектура и настенная живопись новгородской церкви Спасо-Преображения на Нередице». Archived from 238:(in Russian). Мультимедийная информационная система «Архитектура и настенная живопись новгородской церкви Спасо-Преображения на Нередице». Archived from 58:
The church, consecrated in 1198, became world-famous both for its remarkable state of exterior preservation and for the best preserved set of pre-Mongol
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Arseniy N. Nasonov (ed.) Novgorodskaya pervaya letopis' starshego i mladshego izvodov. (Moskva, Leningrad: ANSSSR, 1950), 44, 237-238.
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Aleksandr Storokov, Novgorod Velikiy: Posobie dlia ekskursantov i turistov (Leningrad, 1939), 50, 54.
233: 202: 85: 81:. The building has been designated an architectural monument of federal significance (#5310113002). 112: 97: 74: 19: 124: 48: 267: 188: 36: 295: 93: 89: 175: 63: 456: 374: 193: 402: 346: 235:Архитектура и настенная живопись новгородской церкви Спасо-Преображения на Нередице 142: 67: 166:
The small stone church is built as a cube and has one dome. It is based on four
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The church was built in 1198 by Prince Yaroslav Vladimirovich, the grandson of
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it was selected as a target for artillery fire and was reduced to rubble.
32: 294:(in Russian). Ministry of Culture of Russian Federation. Archived from 493:
Cultural heritage monuments of federal significance in Novgorod Oblast
158: 167: 59: 266:(in Russian). Комитет культуры Новгородской области. Archived from 127:
and painted with frescoes in 1199. It was measured and restored by
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The post-war reconstruction of the Nereditsa Church is on the
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Medieval Eastern Orthodox church buildings in Russia
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Index


Novgorod
Russian
Orthodox
the Saviour's Transfiguration
wall paintings
Russian Empire
World War II
World Heritage
Historic Monuments of Novgorod and Surroundings
Novgorodsky District
Novgorod Oblast
Veliky Novgorod
Spas-Nereditsy
ru
Maly Volkhovets River
Rurik hillfort
Mstislav Vladimirovich
Pyotr Pokryshkin
ru
World War II
Nikolai Avenirovich Martynov

pillars
apses
Staraya Ladoga
Byzantine Empire
Last Judgment

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