New Worlds (magazine) - Knowledge (XXG)

2751:, but Aldiss was not the only writer to object to the term, and it never received a generally accepted definition. Critic Brian Attebery characterizes it as a "disruptive, existentially fraught and formally daring" style; Peter Nicholls hesitates to define it but comments that "perhaps the fundamental element was the belief that sf could and should be taken seriously as literature". In a 1967 interview, Ballard, one of the writers most closely associated with the New Wave, described modern US sf as extrovert and optimistic, and contrasted it with "the new science fiction, that other people apart from myself are now beginning to write", which he saw as "introverted, possibly pessimistic rather than optimistic, much less certain of its own territory." 2502:, and stories by Brian Aldiss, Barrington Bayley, and John Brunner completed the issue. Moorcock's editorial included a quote from a radio interview with William Burroughs to the effect that "If writers are to describe the advanced techniques of the Space Age, they must invent writing techniques equally advanced in order properly to deal with them." Within the first few issues, Moorcock printed stories intended to demonstrate his editorial goals. The most controversial of these was Langdon Jones' "I Remember, Anita ...", which appeared in the September/October 1964 issue; the story contained sex scenes that led to arguments in the magazine's letter column, and some regular subscribers abandoned the magazines, though overall circulation increased. 874:(number 21), but the issue was late, and had to be dated June 1953 instead. The issue was shoddily produced, which dismayed Nova's board, and printers' strikes caused further delays. Nova discovered that The Carlton Press was an agent with no printing facilities; they farmed out work to other printers, but were only able to get their commissions executed when they paid off any prior debts to those printers. Issue 22 was repeatedly delayed; proofs appeared in August, and the issue was promised for November. Even this schedule was not adhered to, and Carnell received a copy of the print run in January 1954. The copy was dated 1953 (with no month), and since this made it useless for distribution in 1954, Carnell refused to accept the print run. 2481:, but it would be 'popular', it would seek to publicise such experimenters; it would publish all those writers who had become demoralised by a lack of sympathetic publishers and by baffled critics; it would attempt a cross-fertilization of popular sf, science and the work of the literary and artistic avant garde." Moorcock also wrote a letter to Carnell setting out his thoughts on what science fiction needed: "Editors who are willing to take a risk on a story and run it even though this may bring criticism on their heads." The letter was published in the final Nova Publications issue, which also carried the announcement that Moorcock would be taking over from Carnell as editor of 2196:. W.H. Smith left it to their individual branch managers to decide whether or not to carry the magazine. Stonehart were unhappy with developments and refused to pay the printers, who in turn withheld the printed copies. The Arts Council money had been intended for the contributors, but a disagreement over the grant led to Stonehart's refusal to pay them as well. Some negative coverage appeared in the press as a consequence of the distribution ban. The grant was eventually renewed, but by late that year Moorcock paid contributors and printing bills and severed relations with Stein and Stonehart after the July 1968 issue and switched distributors to independent Moore Harness ( 856:, where Frank Cooper was based, and the first issue (numbered 4, to follow on from the three Pendulum issues) appeared in June. It was planned to move to regular quarterly publication, and subsequently to a bimonthly schedule. To keep costs down Nova decided to handle the distribution themselves; this was not easy but Cooper and his assistant, Les Flood, were sufficiently successful that in July the decision was taken to go ahead with the planned quarterly schedule. A fifth issue appeared in September, and the sixth issue early the following year, dated Spring 1950. 2228:. The April 1970 issue, the 200th, was the last that went out to the distributors; one more issue was prepared and posted to subscribers as the 'Special Good Taste Issue' the following March. In 1957 the magazine won a Hugo Award and under Moorcock's editorship several serials and novellas won Hugo and Nebula awards for serials and novellas including Moorcock's own Behold the Man, Brunner's Stand on Zanzibar, Ellison's A Boy and his Dog and Delany's Time Considered as a Helix of Semi-Precious Stones. 2216:

and from early 1969 the editorial work was given to various others, primarily Charles Platt and Langdon Jones. A regular monthly schedule was adhered to from January until July 1969, at which point came another financial blow when it was discovered that half of the print run of 20,000 was being held back by the distributors. Moorcock attempted to regroup by reducing the number of pages in each issue, and because he was again forced to write as much as he could to earn enough to pay

1529:. Moorcock wanted to switch to a large format, and showed Warburton a dummy issue he had made up, but Warburton insisted on a paperback format in order to fit in with the other titles they were producing, though he agreed to revisit the format in the future if sales improved. The first issue under Moorcock's control was number 142, dated May/June 1964. The schedule was initially bimonthly, but at the start of 1965 it returned to a stable monthly schedule. 2654:, as a metaphor. The story is one of the best examples of the new approach Moorcock was taking with the magazine: in the words of critic Edward James, the goal was to "use science-fictional and scientific language and imagery to describe perfectly 'ordinary' scenes of life, and by doing so produce altered perceptions of reality in the reader". "Inner space", a term originally coined by 2697:, an underground paper, in 1971. The next two issues also contained mock newspaper stories; issue 215 contained more conventional material, including a Jerry Cornelius story written by Charles Partington. Issue 216, the last of the late 1970s issues, reintroduced the mock news stories. The 1990s anthology series did not try to recapture the atmosphere or style of the 1960s or 1970s 897:

so an injunction was obtained that sequestered the issues to avoid them being sold to recover the printing costs. Carnell retained the copy he had been sent in January, and it is thought that this is the only copy that exists of The Carlton Press's version of this issue, as the remainder of the printing run was destroyed after the court case. The cover painting, by

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counting US sales. Moorcock turned over the editorship to Charles Platt with the sixth volume, and to Hilary Bailey thereafter, to give himself more time to devote to his own writing: he also commented that by this time "I no longer had my editorial touch (I couldn't read sf at all)". Sphere cancelled the series after two more issues; it was briefly taken over by

212:, and Moorcock himself, became major names in the field. By 1970, Moorcock was too in debt to continue with the magazine, and it became a paperback quarterly after issue 201. The title has been revived multiple times with Moorcock's direct involvement or approval; by 2021, 22 additional issues had appeared in various formats, including several anthologies. 3600:, this was not declared to the reader. Carnell was unhappy with the results of this attempt to break into the US market, but in the event Great American collapsed later that year and only five issues appeared, on a monthly schedule from March to July. The contents of the issues did not correspond to specific British issues: the majority were taken from 2460:, but was now sending his more conventional stories to the US magazines, and submitting his more experimental pieces to Carnell. Examples from 1961 to 1964 include "The Overloaded Man", "The Subliminal Man", "End-Game", and "The Terminal Beach", with themes of psychological stress, and changes to the nature of perception and of reality. 2738:

The term "New Wave" did not always meet with approval among those who were regarded as part of it (this included Moorcock, who denied that he was creating a movement). Brian Aldiss, for example, wrote to Judith Merril in 1966 that he suspected the term was "a journalistic invention of yours and Mike

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had to rely on unconventional distribution and subscriptions. The magazine was not especially profitable, and since Moorcock had not formed a company to publish it, he was personally responsible for its costs. To bring in cash he had been writing fantasy novels at a very rapid rate since early 1968,

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on a bimonthly schedule. By January 1954, when The Carlton Press delivered the incorrectly dated issue 22, the acquisition by Maclaren was complete, and Maclaren's legal department was helpful in resolving the dispute. The printing press which had printed the issue was not paid by The Carlton Press,

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contributed four stories, under his own name and three pseudonyms, and William Temple provided "The Three Pylons", a fantasy which turned out to be the most popular story in the issue. Science fiction historian Mike Ashley regards the next two issues as an improvement on the first; the second issue

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expressed an interest, but the promise of the money and the prestige of an Arts Council grant convinced Warburton to stay involved personally. While these negotiations were going on, two more issues were assembled from backfile material and donated stories. Roberts & Vinter had ceased to exist

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went bimonthly, and by the middle of the year had reached a circulation of 18,000. The price had been reduced to 1/6 with the third issue, but with paper costs rising Nova looked for a cheaper printer. The new printer, The Carlton Press, was supposed to take over production with the May 1953 issue

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was instrumental in promoting authors who would not otherwise have been published (a suggestion with which Bould and Butler concur). Ballard was a particular focus of both praise and vehement criticism, and was vigorously defended by Moorcock. Peter Weston took an "even-handed approach" by praising

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in 1963, Moorcock and Ballard considered publishing a new magazine that would be willing, as Carnell had been, to publish experimental material. Moorcock assembled a dummy issue, and later described his intentions: "It would be on art paper, to take good quality illustrations; it would be the size

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s bills, he turned over almost all editorial duties to Charles Platt, though others involved with the magazine also took turns at the editorial work over the next few issues. Moorcock was £3,000 in debt, and in combination with the Arts Council's decision not to renew their grant he found himself

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that the Arts Council was "sponsoring filth"; and soon W.H. Smith and John Menzies, the two main retail outlets for magazines in the UK, withdrew the magazine from sale. The complaints came at the time when the Arts Council was considering renewing the grant for another year, and it appeared for a

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happened to meet Warburton in a pub, and mentioned that he was looking for additional work to fill the gaps in his schedule left by the demise of the magazines. Roberts & Vinter were having difficulty getting good distribution for their existing titles, which were violent thrillers, and were

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The financial support that Maclaren provided meant that once issue 22 appeared in April 1954, it was the start of a regular monthly schedule that lasted until 1964 with just one hiccup: a printing dispute in 1959 delayed the August issue and it was combined with the September issue. Despite this

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as a quarterly paperback anthology series. Sphere produced eight issues, although the quarterly schedule was not adhered to after the fourth issue; the eighth issue appeared in 1975. Six issues were reprinted in the US. The early issues did well financially, with about 25,000 copies sold, not

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greatest influence on science fiction came in the 1960s, with the "New Wave" that began with Moorcock's polemical editorials. Moorcock asserted in 1965 that a writer of good sf "can learn from his predecessors, but he should not imitate them"; and he was soon publishing stories that were quite

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were "the bedrock of high-quality science fiction in Britain". Female readership for the magazine was between 5 and 15 percent, according to surveys conducted during the 1950s. The magazine became increasingly popular among a younger demographic: readers 19 and under made up 5 percent of total

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Carnell felt that the cover artwork, which he considered to be weak, was partly responsible for the poor sales. He put together a new design, based on covers from two US science fiction magazines, and gave it to artist Victor Caesari to complete. The resulting space scene was the cover for the

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has been credited with "shap the way science fiction developed" as a genre. It "did the most" of any magazine for British science fiction, helping to revive a nationalist style of speculative fiction in the 1950s; Roger Luckhurst called it "the most important British sf journal". Particularly

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second issue, which appeared in October 1946; in combination with Pendulum's investment in promoting the magazine this led to much better sales, and the second issue sold out completely. Pendulum rebound the remaining copies of the first issue with the second cover design, and repriced them at

2452:'s "The Streets of Ashkelon", about a clash between an atheist (the protagonist) and a priest, on another planet. Because of the subject matter, it took six years for Harrison to find an editor willing to accept the story; when Aldiss bought it for an anthology, Carnell agreed to print it in 2160:

was named Magnelist Publications. Moorcock and Warburton reviewed the dummy issue Moorcock had put together when he first became editor, and Warburton agreed to switch to the larger format. The first issue from Magnelist appeared in July 1967, beginning a regular monthly schedule. Moorcock

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was at the forefront of the New Wave movement. Two guest editorials in 1962 and 1963 ("Which way to Inner Space?" by Ballard and "Play with Feeling" by Moorcock) were arguably the "first glimmerings" of New Wave ideas in sf magazines. Latham suggests that these were "the first volleys in the

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With the switch to anthology format, some of the more experimental material disappeared. In his editorials, Moorcock made it clear that he did not want to exclude traditional sf stories; he wanted to eliminate the genre boundaries completely, and have science fiction treated as part of the

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the following year. Ballard also began to write some of his most controversial stories, including "You: Coma: Marilyn Monroe" in the June 1966 issue, and "The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race", in March 1967; both had been previously published in

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Moorcock recorded in 1979 that he never found out what the story was that had caused the complaints. Ashley suggests it may have been Spinrad's novel, but that other material in the issue, such as a story by Langdon Jones in which a girl argues with Christ on the cross, may also have given

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by this time, so a sister company, Gold Star Publications, became the publisher for both these issues, with Warburton and Aldiss providing Gold Star with personal financial guarantees. These two issues appeared in March and April 1967, but the latter was mistakenly also dated March in the

2662:." The methods and interests of these writers were quite different from those of traditional science fiction: the concern was with internal rather than external reality, and experimental techniques, unusual juxtapositions of material, and a focus on psychological concerns were the norm. 2658:, was also used to describe the focus of the stories Moorcock printed, in contrast to traditional science fiction's focus on outer space, and James regards the term as "the watchword of the British New Wave, and the shibboleth by which one recognized those who had abandoned Gernsback and 2813:"damned dull", advocating a return to adventure stories. American science fiction authors "were finding it increasingly difficult to avoid partisan alignments in the developing New Wave war" because of the preponderance of columns and letters in American magazines both for and against 2389:, began a series about the Troons, a space-going family, with "For All the Night" in the April 1958 issue. Arthur C. Clarke, another successful British sf writer of the period, wrote relatively few short stories for the British market, but published "Who's There" in the November 1958 158:

continued to appear on a regular basis until issue 20, published in early 1953, following which a change of printers led to a hiatus in publication. In early 1954, when Maclaren & Sons acquired control of Nova Publications, the magazine returned to a stable monthly schedule.

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In May 1948 Carnell announced at a science fiction convention in London that plans were well underway to form a new company, to be called Nova Publications Ltd. Nova raised £600 in capital and was launched in early 1949. There were initially six directors: the chairman was

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mainstream of fiction. The quarterlies were labelled as science fiction since Sphere knew that would increase sales. The stories printed in the anthologies were generally downbeat. New writers who appeared for the first time in the quarterly anthology series included

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While the dispute with the printers was going on, Carnell and Maurice Goldsmith, a journalist acquaintance of Carnell's, put together a small conference of well-known science fiction authors, including Arthur C. Clarke and John Wyndham. Goldsmith covered the conference for

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contained John Wyndham's "The Living Lies", under his "John Beynon" alias, and the third contained "Inheritance", an early story by Arthur C. Clarke. Wyndham's story, about hostility and bigotry shown by settlers on Venus to the Venusian natives, was reprinted in

304:, a writer, had begun discussions with a publisher named The Worlds Says Ltd. In January 1940 Carnell was asked to put together three issues, and Carnell and Passingham each put up £50 towards costs. Carnell solicited material from British authors including 888:, a technical trade publisher interested in launching a new sf magazine. Carnell turned down the offer because of his loyalty to Nova Publications, but subsequent discussions ultimately led to Maclaren taking control of Nova, with a commitment to produce 2513:

stories, which began with "Preliminary Data" in the August 1965 issue, were much more experimental. He also printed his novella "Behold the Man" in the September 1966 issue; the story, about a time traveller who returns to the time of Christ, won him a

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that year. He was instrumental in turning it into a professional publication in 1946 and was the first editor of the new incarnation. It became the leading UK science fiction magazine; the period to 1960 has been described by science fiction historian

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would be awarded £150 per issue, though in the event the grant certification was delayed until at least May. The grant was enough to enable the magazine to continue, though it would not cover all costs. A publisher still had to be found, and both

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was soon regarded as the leading publication in the New Wave movement. In addition to the experimental material, Moorcock attempted to keep the existing readership happy by publishing more traditional science fiction; in the words of sf historian

2277:. Moorcock edited a fiftieth anniversary issue in 1996, and Garnett subsequently edited one more issue of the anthology. Together with the earlier fanzine, magazine and anthology versions, these took the issue numbering from 212 through to 222. 2747:, which appeared in 1968; she spent almost a year in London, living near Moorcock, when researching the anthology in 1966–1967. Merril and writer Christopher Priest were among those who used the term "New Wave" to describe the work being done in 2832:, and it had become, in Ashley's words, "a revolution running out of energy". In the longer term it proved influential, despite the lack of wide acceptance at the time: in the words of sf historian Brian Stableford, "the paths beaten by the 869:. They chose Walter Gillings as the editor; but he was replaced by Carnell after two issues, partly because Nova could not afford to pay two editorial salaries, and partly because of "fundamental differences of opinion". At the end of 1951 2264:

In 1978 the magazine was revived by Moorcock again, this time in a fanzine format. Four more issues appeared, professionally printed and with various editors, between Spring 1978 and September 1979. There followed a gap until 1991, when

2848:, indicates which issues appeared from which publisher, and gives the format, page count and price of each issue: Dates in indicate the approximate date that an issue was released in cases where a month did not appear on the magazine. 2599:, written for the magazine and refused by its American publisher because of the explicit language used by the protagonist. Disch afterwards recalled that some of the experimental language in the book was written in the knowledge that 2429:

readership in 1954, 18 percent in 1958, and 31 percent in 1963. The same polls also showed an increase in the number of science and technology workers reading the magazine during that period. Among the best artists of this period were

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The loss of revenue caused by the withdrawal from sale of the March 1968 issue was exacerbated by a temporary ban on the magazine in South Africa, New Zealand and Australia, and by John Menzies' subsequent decision not to stock

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anthology series. The first four were published by Berkley Books; Avon Books picked up two more of the series after Berkley dropped it, but since the fifth volume had been missed by that time, Avon retitled volumes 6 and 7 as

6606: 42: 320:'s "Lost Legion", but in March internal strife led to the collapse of The World Says. Alfred Greig, the director, returned to his native Canada without repaying Carnell and Passingham, and no issues were ever printed. 1509:, he wrote a letter that appeared in issue 141 lamenting the loss to the British science fiction field of both the magazines and Carnell himself. Carnell did not want to continue to edit the magazines in addition to 153:

were produced before Pendulum's bankruptcy in late 1947. A group of science fiction fans formed a company called Nova Publications to revive the magazine; the first issue under their management appeared in mid-1949.

2355:, and Ballard later recalled that Carnell "recognized what I was on about from a very early stage and he encouraged me to go on writing in my own way." Carnell also published much of Brian Aldiss's early work in 2759:

polemical offensive they would launch once gained control of the magazine and installed as his resident visionary". The response to the New Wave from critics and sf fans was varied. Christopher Priest called

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from Roberts & Vinter he changed the format from digest to a larger size with good quality paper that allowed better use of artwork. The first issue in this format, July 1967, contained part one of Disch's

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remained as editor with Langdon Jones as his assistant, and Charles Platt became the layout designer. Warburton ceased his involvement after the November issue, but the magazine was again saved, this time by

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Moorcock's", and added "I feel I am no part of the New Wave; I was here before 'em, and by God I mean to be here after they've gone (still writing bloody science fiction)!" Merril was an important advocate for

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into a professional magazine. The first issue appeared in July 1946, although there was no date on the magazine. The initial print run was 15,000, but only 3,000 copies were sold—a very disappointing return.

5718: 3596:. The first issue appeared in March 1960; it omitted Carnell's name, and credited Santesson as editor. Although the fiction consisted entirely of reprints, with all but one story coming from the British 1536:, went bankrupt, owing Roberts & Vinter a substantial sum. The resulting financial pressure led Roberts & Vinter to focus on their more profitable magazines, and they made plans to close down both 2168:

Delays led to a skipped month, with the December 1967 and January 1968 issues being combined into one, but a monthly schedule returned thereafter. The March 1968 issue contained the third instalment of

2347:; Ballard went on to become a significant figure in the genre in the 1960s. Ballard was grateful to Carnell for the support he provided Ballard in the late 1950s. Much of Ballard's work appeared in 799:, Pendulum's director. Frances believed in the commercial possibilities of science fiction, and since Carnell still had the portfolio of stories he had put together in 1940, Pendulum agreed to make 7174: 6253: 6215: 5987: 2188:

would have to cease publication, but eventually the grant was renewed. With money from advertising, and a substantial contribution from Moorcock himself, the magazine was able to survive.

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Moorcock recalls guaranteeing editorial expenses and payments to contributors, with Warburton guaranteeing the printing, but Greenland says that the guarantees were by Aldiss and Warburton.

5711: 6220: 7139: 6008: 5910: 2620: 812:(7.5p); the first two issues had been priced at 2/- (10p). The new cover and price were much more popular and the repackaged first issue, like the second, soon sold out. 2367:, later to become one of the most successful British science fiction writers, appeared regularly in the Nova magazines, starting with "Visitors' Book" in the April 1955 5704: 6246: 2552:, which was serialized starting in the December 1966 and January 1967 issues. Disch commented that he had been unable to find a publisher for the novel in the US. 2383:

series, about a hospital for aliens, with "Sector General" in the November 1957 issue. John Wyndham, who was already well known outside the genre for works such as

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Subsequently the British edition was released in the US essentially unchanged, with a cover date delayed by one month, starting with issue 99 (October 1960).

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and New Wave in general. Latham suggests that "the New Worlds editorial conclave was actively working within fandom to counteract the Old Guard assaults".

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influential were Clarke's "Guardian Angel" (published in 1950), and the work of Brian Aldiss, John Brunner and J. G. Ballard. Mike Ashley argued that

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began to drop in the early 1960s. It still ran popular series such as White's Sector General stories, and printed some well-received stories such as

2767:, which he deemed "tedious and wearying"). Ian McAuley suggested the magazine's editors were "plugging the 'inner-space' jazz for all its [ 1494:, the two main British newsagent chains. Warburton's partner, Godfrey Gold, ran a company that was connected to Roberts & Vinter and published 2828:

is not a science-fiction magazine", and Moorcock likened it to an avant-garde and experimental literary review. The sf world had lost interest in

196:" of science fiction. Reaction among the science fiction community was mixed, with partisans and opponents of the New Wave debating the merits of 5903: 819:

without a publisher. The magazine was saved by a group of sf fans who since 1946 had been meeting regularly on Thursday nights at the White Horse

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and returned to civilian life in 1946. He negotiated a publishing agreement for the magazine with Pendulum Publications, but only three issues of

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interested in acquiring more respectable titles that would help them penetrate the British distribution network, which was heavily dependent on

7164: 7159: 6785: 6170: 6154: 2180: 7063: 6646: 6099: 5657: 5631: 5609: 5590: 5562: 5538: 5515: 5496: 5477: 5454: 5428: 5409: 5386: 5354: 5331: 5308: 5285: 2441:'s work. In 1957 Carnell stopped using interior art, saying that "art work in the digest-size magazines is as out-of-date as a coal fire". 2401:" series with "The Railways up on Cannis", in October 1959. Other less well-known writers who were prolific during the late 1950s included 6141: 7154: 6996: 6817: 5952: 5576: 5372: 4622:

Berger, Albert I (November 1977). "Science-Fiction Fans in Socio-Economic Perspective: Factors in the Social Consciousness of a Genre".

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and the New Wave's connection to and influence on science fiction was becoming tenuous. In the August 1969 issue, Platt asserted that "

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and its detractors, and the debate spread to the professional US magazines as well. Merril praised Disch and Ballard's contributions to

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in 1976, although according to Moorcock he and Bailey decided to end the series when they got into disagreements with Corgi. In the US

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and restarted the numbering at volume 1 number 1; the first issue under Carnell's control was dated March 1939. Carnell wanted to turn

2568:, he "changed the contents of the magazine much more slowly than he pretended to". Traditional sf stories bought by Moorcock include 2477:

so that it would get good display space on the newsstands; it would specialise in experimental work by writers like Burroughs and

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itself, but in any of the sf magazines. Moorcock's goal was to use the magazine to "define a new avant-garde role" for the genre.

2548:. Zelazny's contributions included "For a Breath I Tarry" in March 1966, and Disch published several short stories and the novel 7169: 7115: 7109: 7095: 6859: 5777: 2224:

with no option but to cease publication on a monthly schedule and arrange a quarterly schedule in paperback format published by

5791: 2536:, and Barrington Bayley were among the British writers in this group, and Moorcock also attracted work from US writers such as 2335:

the stability to establish itself as a leading magazine. Ashley describes the period from 1954 to 1960 as a "Golden Age" for

6825: 6801: 6614: 6427: 1544:. After hearing of these plans, Moorcock and Warburton began to consider forming a separate company to continue publishing 6938: 6750: 6582: 6443: 6085: 2763:

a "New Wave prozine", but lauded the talents of its writers and its experimental stories (with the exception of Ballard's

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When Michael Moorcock, who by this time had begun selling stories to Carnell, heard of the plans to cease publication of

6989: 6928: 6852: 6793: 6694: 6542: 6029: 5994: 3917:, and remains unchanged in the current online version, which is credited to Stableford, Peter Nicholls, and Mike Ashley. 2612: 5169:, p. 251; Ashley, "Science Fiction Magazines: The Crucible of Change", in Seed, p. 70; Bould & Butler, p. 164. 6982: 6809: 6670: 6686: 942:, and in preparation for the change Carnell signed a contract in December 1963 to edit an original anthology series, 3891:

Moorcock's opinion was that this was "hypocrisy", and that W.H. Smith subsequently "put every obstacle in our path".

235:, the first science fiction (sf) magazine. It was soon followed by other US titles also specialising in sf, such as 7102: 6833: 6361: 6333: 6148: 6106: 6078: 5868: 865: 247:. These were distributed in the UK, and British fan organisations began to appear. In 1936, Maurice K. Hanson, a 6420: 6277: 6022: 5973: 5931: 5889: 5798: 5770: 3818: 3583: 2430: 268: 170:

became editor. By the end of 1966, financial problems with their distributor led Roberts & Vinter to abandon

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in late 1966. In early January 1967 Aldiss discovered that the grant application would be successful, and that

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was available as a market for unconventional fiction. Other new writers who appeared in the magazine include

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Pendulum Publications produced one more issue in October 1947, shortly before going bankrupt and thus leaving

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illustrating the first instalment of Ballard's novella "Equinox"; Ballard also contributed a book review of

2449: 2385: 2364: 2320: 880: 1521:, also expressed an interest. Warburton gave Moorcock the choice of which magazine to edit; Moorcock chose 7003: 6622: 6590: 6558: 6526: 6478: 6312: 5938: 5763: 1474: 264: 248: 5673: 792: 6742: 6502: 6092: 6057: 5945: 5833: 5204: 5148: 5104: 5061: 3593: 2693: 796: 6918: 5683: 2505:

Moorcock contributed a substantial amount of material, under his own name and under pseudonyms such as

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published volumes 1 through 4, and when they dropped the series Platt, who was a consulting editor at

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s circulation began to decline in the early 1960s. Nova Publications had launched a third magazine,

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Issue 212 reprinted a piece written by Moorcock and M. John Harrison that was a spoof issue of

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and the New Wave in Fandom: Fan Culture and the Reshaping of Science Fiction in the Sixties".

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and the New Wave in Fandom: Fan Culture and the Reshaping of Science Fiction in the Sixties".

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and the New Wave in Fandom: Fan Culture and the Reshaping of Science Fiction in the Sixties".

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and the New Wave in Fandom: Fan Culture and the Reshaping of Science Fiction in the Sixties".

2628: 2498: 2493: 1514: 282: 5696: 5278:

The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950

3900:

As a result the US editions numbered 5 and 6 correspond to volumes 6 and 7 of the UK edition.

6777: 6726: 6630: 6447: 6113: 5980: 5882: 5819: 5619: 5548: 5443: 5438: 5196: 5140: 5096: 5053: 2735:

thus became the "ideological center of the movement to rejuvenate conjectural literature".

2659: 2616: 2608: 2604: 2521: 2478: 2270: 2179:, which included some fairly explicit sex scenes. A member of parliament complained in the 1557: 274: 167: 146: 7088: 7031: 6975: 6948: 6933: 6913: 6884: 6393: 6379: 6127: 5805: 5756: 2709:, but was financially unsuccessful. The current revival from PS Publishing began in 2021. 2702: 2671: 2577: 2565: 2545: 2533: 2510: 2175: 2162: 853: 832: 788: 292:

s production. In 1939 Hanson gave up the editorship to Carnell, who retitled the fanzine

231: 209: 17: 3816:

These meetings were the setting for a group of stories by Arthur C. Clarke, collected as

2572:'s first story, "Apartness", which appeared in June 1965; he also printed material from 1498:

magazines; like Warburton, Gold needed to improve his ability to distribute his titles.

182:, Moorcock was able to publish the magazine independently. He featured experimental and 6953: 6662: 6191: 6043: 6001: 5527: 5398: 5320: 5297: 2679: 2655: 2624: 2489: 2406: 2402: 2380: 2285: 2236:

When Moorcock realised that the magazine would have to fold, he made arrangements with

2170: 1549: 313: 243: 226: 5400:

The Entropy Exhibition: Michael Moorcock and the British 'New Wave' in Science Fiction

2559:" began to be applied to the more experimental work that Moorcock was publishing, and 7133: 7024: 6710: 6510: 6470: 6291: 6050: 5734: 5641: 5466: 3841: 2727:

different in technique and style from anything that had appeared before, not just in

2667: 2643: 2631:" appeared in April 1969; Ellison won a Nebula Award, and Delany both a Nebula and a 2615:

whose work first appeared in the May 1966 edition. The December 1968 issue included

2541: 2438: 2340: 2289: 2254: 1578: 1574: 1553: 949: 305: 205: 6231: 4912:

Stableford, Brian (November 1996). "The Third Generation of Genre Science Fiction".

905:, and all the stories and editorial material eventually appeared in later issues of 7017: 7010: 6943: 6412: 6305: 6284: 5847: 4939:

Levin, A.E. (November 1977). "English-Language SF as a Socio-Cultural Phenomenon".

2802: 2687: 2569: 2515: 2237: 2225: 1561: 1518: 1491: 898: 845: 824: 820: 278: 179: 123: 6958: 4590:

Attebery, "The magazine era", in James & Mendlesohn, p. 42; Luckhurst, p. 122.

934:

was cancelled. In September of that year Nova's board decided to close down both

204:. Several of the regular contributors during this period, including Brian Aldiss, 5322:

Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980

2532:

to be a market in which they could publish experimental material. Charles Platt,

863:

on a stable quarterly schedule, Nova Publications decided to launch a companion,

267:. Hanson moved to London and his fanzine became the official publication of the 6354: 6326: 6177: 5749: 5208: 5152: 5108: 5065: 2675: 2537: 2281: 2246: 2204: 1495: 309: 184: 2509:; some of these stories were fairly traditional, but contributions such as the 827:. At one of those meetings it was suggested that they form a company to revive 775:

number. John Carnell was editor throughout this period. Four of the first five

6923: 6866: 6319: 5582: 5364: 4460: 2632: 2437:, and Gerard Quinn, whose art is regarded by Ashley as comparable in style to 2394: 2292:

as an anthology series with paperback and limited signed hardcover editions.

2258: 1487: 5299:

Transformations: The Story of the Science Fiction Magazines from 1950 to 1970

5200: 5144: 5100: 5057: 4461:"Culture : 'New Worlds' : SFE : Science Fiction Encyclopaedia" 4215:

Mike Ashley, "Science Fiction Adventures (1958–1963)", in Tymn & Ashley,

4113: 4111:

See the individual issues. For convenience, an online index is available at

2456:, where it appeared in September 1962. J.G. Ballard continued to publish in 7049: 6120: 4791: 3868: 2701:. It contained some well-received material, including stories by Moorcock, 4792:"Culture : 'New Wave' : SFE : Science Fiction Encyclopaedia" 2088:

was titled with the season (e.g. "Spring 1978") for that issue. The colours

779:

bore no date. Underlining indicates that the magazine was titled with the

6607:

The Adventures of Una Persson and Catherine Cornelius in the 20th Century

5235: 2573: 252: 2809:

rebutted her viewpoint and condemned both authors. Frederik Pohl called

4952: 4925: 4635: 2647: 256: 115: 2269:

again reappeared as a paperback anthology series, this time edited by

835:, agreed to look into what would be necessary to start a new company. 777:

issues were dated only with the year; the exception was issue 3, which

145:

Carnell joined the British Army in 1940 following the outbreak of the

41: 1477:, a London publishing house. The printer who had been printing both 848:, and the remaining board members were G. Ken Chapman, Frank Cooper, 809: 263:(Latin for "new lands" or "new worlds") for the local branch of the 4186:

Mike Ashley, "Science Fantasy (1950–1966)", in Tymn & Ashley,

2754:

Whatever the exact definition of the term, between 1964 and 1966,

2261:, reprinted two further volumes, number 6 and 7 of the UK series. 7150:

Defunct science fiction magazines published in the United Kingdom

2343:'s first sale, "Escapement", which appeared in the December 1956 1548:, and Brian Aldiss contacted well-known literary figures such as 2086:, numbered from 1 to 10. Underlining indicates that the magazine 852:, Eric C. Williams, and John Carnell. A printer was found near 831:; one of those present, Frank Cooper, recently retired from the 6416: 6235: 5700: 5023:

Attebery, "The magazine era", in James & Mendlesohn, p. 50.

4599:

Attebery, "The magazine era", in James & Mendlesohn, p. 42.

2786:

editorials, in contrast with his largely negative columnists.

2769: 2743:

and the New Wave, and popularized the latter in her anthology

2331:

The acquisition of Nova Publications by Maclaren in 1954 gave

2646:'s first story, "The Heat Death of the Universe", which used 2488:

Moorcock's first issue, dated May/June 1964, bore a cover by

2375:

began publishing with "Assisted Passage" in the January 1953

2273:. Four volumes appeared between 1991 and 1994, published by 884:, a weekly magazine, and the article caught the attention of 1473:

The magazines were unexpectedly saved by David Warburton of

6216:

History of US science fiction and fantasy magazines to 1950

4346:

Moorcock (January 1979). "New Worlds: A Personal History".

3612:, which had ceased publication with its March 1960 issue. 2468:

When Roberts & Vinter made the decision to close down

2156:

The partnership Warburton and Moorcock formed to continue

5491:. Cambridge, Cambridgeshire: Cambridge University Press. 4885:

Moorcock, "Editorial", Priest, "New Wave", in Holdstock,

2211:

Without reliable distribution at the leading newsagents,

2249:, but sales were weak and Corgi dropped the series with 1564:

to gain support for an application for a grant from the

4348:

Foundation: The International Review of Science Fiction

3831:

The name was suggested by Walter Gillings' wife, Madge.

2844:

The following table shows the editorial succession at

2580:, and, in March 1965, Arthur C. Clarke's "Sunjammer". 4539:

John Clute, "John Wyndham", in Clute & Nicholls,

5674:

Website of the revived Michael Moorcock's New Worlds

5650:

Science Fiction, Fantasy and Weird Fiction Magazines

4217:

Science Fiction, Fantasy and Weird Fiction Magazines

4188:

Science Fiction, Fantasy and Weird Fiction Magazines

4053:

Science Fiction, Fantasy and Weird Fiction Magazines

2611:, who both appeared in the November 1968 issue, and 7080: 7041: 6967: 6901: 6876: 6844: 6769: 6454: 6371: 6269: 6221:

George Kelley Paperback and Pulp Fiction Collection

6208: 5741: 5624:

Historical Dictionary of Science Fiction Literature

4483:

Historical Dictionary of Science Fiction Literature

3604:but one story was reprinted from Nova's edition of 2789:Beginning in 1966, US fanzines began responding to 1598:as of the first Gold Star issue, though nothing of 95: 87: 79: 61: 51: 7175:Science fiction magazines established in the 1940s 5526: 5465: 5442: 5397: 5319: 5296: 2621:Time Considered as a Helix of Semi-Precious Stones 787:Carnell joined the army in 1940, serving with the 4051:Mike Ashley, "New Worlds", in Tymn & Ashley, 1532:In July 1966 Roberts & Vinter's distributor, 5221:"New Worlds", by Brian Stableford, in Nicholls, 773:from the beginning to 1956, showing volume/issue 5487:James, Edward; Mendlesohn, Farah, eds. (2003). 4692:Michael Moorcock, "Introduction", in Moorcock, 4251:Michael Moorcock, "Introduction", in Moorcock, 2324:in 1950, while "Inheritance" later appeared in 2280:In 2021 the magazine was revived once again by 4581:"Foreword" in James & Mendlesohn, p. xvii. 3862:Moorcock recalls that Stein probably heard of 3844:mentions that the grant is still not official. 6428: 6247: 5712: 2836:writers are now much more generally in use". 2074:from 1968 to 1979, showing issue number. From 1450:from 1957 to 1967, showing issue number. The 8: 5419:Harbottle, Philip; Holland, Stephen (1992). 4509: 4507: 4427: 4425: 4423: 4421: 4419: 4417: 4415: 4299: 4297: 4295: 4293: 4291: 4289: 4275: 4273: 4271: 4269: 4267: 4265: 4263: 4198: 4196: 4182: 4180: 4047: 4045: 4043: 4041: 4039: 4037: 4035: 4033: 4031: 4029: 4027: 4025: 4023: 4021: 4019: 4017: 4015: 4013: 4011: 4009: 4007: 4005: 4003: 4001: 3999: 1452:colours identify the editors for each issue: 781:season (e.g. "Spring 1951") for that issue. 32: 27:British science fiction and fantasy magazine 5510:. Cambridge, Cambridgeshire: Polity Press. 5423:. San Bernardino, California: Borgo Press. 4786: 4784: 4782: 4755: 4753: 4751: 4749: 4747: 4745: 4743: 4675: 4673: 4671: 3997: 3995: 3993: 3991: 3989: 3987: 3985: 3983: 3981: 3979: 3087:December 1967/January 1968 – July 1968 2799:The Magazine of Fantasy and Science Fiction 1525:, and Bonfiglioli became the new editor of 1517:, an Oxford art dealer who was a friend of 6575:The English Assassin: A Romance of Entropy 6435: 6421: 6413: 6254: 6240: 6232: 5719: 5705: 5697: 5652:. Westport, Connecticut: Greenwood Press. 5525:Merril, Judith; Pohl-Weary, Emily (2002). 5489:The Cambridge Companion to Science Fiction 5341:Bould, Mark; Butler, Andrew, eds. (2010). 4551: 4549: 4455: 4453: 4451: 4449: 4447: 4445: 4443: 4441: 4375: 4373: 4359: 4357: 4231: 4229: 4227: 4225: 4166: 4164: 4162: 4160: 3939: 3937: 3935: 3933: 2129: Michael Moorcock & Charles Platt 930:were also losing readers, and in May 1963 300:into a professional magazine, and through 31: 7140:1946 establishments in the United Kingdom 5326:. Liverpool: Liverpool University Press. 5303:. Liverpool: Liverpool University Press. 5280:. Liverpool: Liverpool University Press. 5035: 5033: 5031: 5029: 4247: 4245: 4146: 4144: 4142: 4140: 4138: 4075: 4073: 4071: 4069: 4067: 4065: 4063: 4061: 3909:This quote is in Stableford's article on 3586:, who at the time were the publishers of 1513:, and recommended Moorcock to Warburton. 5255: 5253: 4107: 4105: 4103: 4101: 4099: 4097: 4095: 4093: 4091: 4089: 3651:The Best from New Worlds Science Fiction 3629: 3397:David Britton & Michael Butterworth 3090:Moorcock/Stonehart Publications, London 3062:Moorcock/Magnelist Publications, London 2850: 1616: 1594:, was not continued but was merged with 959: 322: 5904:Flash Gordon Strange Adventure Magazine 4341: 4339: 4337: 4335: 3929: 3809: 3781:The Best S.F. Stories from New Worlds 8 3768:The Best S.F. Stories from New Worlds 7 3755:The Best S.F. Stories from New Worlds 6 3742:The Best S.F. Stories from New Worlds 5 3729:The Best S.F. Stories from New Worlds 4 3716:The Best S.F. Stories from New Worlds 3 3545:Paperback and signed, limited hardback 3394:David Britton & Michael Butterworth 2588:When Moorcock took over publication of 2135: Hilary Bailey & Charles Platt 2122: Graham Hall & Graham Charnock 2116: Charles Platt & R. Glyn Jones 1590:, which by this time had been retitled 901:, was subsequently used on issue 13 of 6786:The Lives and Times of Jerry Cornelius 6171:Vargo Statten Science Fiction Magazine 5404:. London: Routledge & Kegan Paul. 4493: 4491: 4333: 4331: 4329: 4327: 4325: 4323: 4321: 4319: 4317: 4315: 2773:] worth". Mike Ashley argued that 5626:. Lanham, Maryland: Scarecrow Press. 3690:The Best S.F. Stories from New Worlds 3557:There were US reprints of six of the 2670:(under the name Marta Bergstrasser), 2305:The lead story of the first issue of 7: 6142:Two Complete Science-Adventure Books 5604:. Oxford, UK: Blackwell Publishing. 5343:Fifty Key Figures in Science Fiction 4947:(3). Translated by Yui Prizel: 254. 4720:John Carnell, "Farewell Editorial", 4392:"Good News", a loose leaf insert in 3840:On 17 May a letter of Moorcock's to 3623:Several anthologies of stories from 2090:identify the editors for each issue: 6818:The Opium General and other stories 5953:Miracle Science and Fantasy Stories 5578:The Encyclopedia of Science Fiction 5468:Science Fiction in the 20th Century 5374:The Encyclopedia of Science Fiction 5012:Science Fiction in the 20th Century 4967:Science Fiction in the 20th Century 4842:Science Fiction in the 20th Century 4829:Science Fiction in the 20th Century 3011:May/June 1964 – February 1966 1605:s design or content was visible in 200:in the columns of fanzines such as 6647:The War Hound and the World's Pain 4733:Michael Moorcock, "Editorial", in 3703:The Best Stories from New Worlds 2 3582:ran briefly in 1960, published by 3287:Hilary Bailey & Charles Platt 3164:Graham Hall & Graham Charnock 3153:Charles Platt & R. Glyn Jones 3017:Roberts & Vinter, Ltd, London 2978:October 1959 – November 1959 25: 6263:British science fiction magazines 3913:in the 1979 first edition of the 3000:September 1963 – April 1964 2444:In Ashley's view, the quality of 2080:was a paperback anthology titled 7110:Elric: Battle at the End of Time 7096:The Chronicle of the Black Sword 5848:Dusty Ayres and His Battle Birds 5679:Documents from Nova Publications 3627:have been published, including: 3539:Nick Gevers & Peter Crowther 2525:, a literary magazine, in 1966. 2379:, and in 1957 began his popular 142:as the magazine's "Golden Age". 40: 5445:Encyclopedia of Science Fiction 5223:Encyclopedia of Science Fiction 4979:Budrys, Algis (November 1968). 4887:Encyclopedia of Science Fiction 4774:Encyclopedia of Science Fiction 4541:Encyclopedia of Science Fiction 3098:October 1968 – March 1969 3048:Gold Star Publications, London 3031:March 1966 – January 1967 2956:February 1955 – July 1959 2058: 2043: 2027: 2014: 2005: 1956: 1932: 1915: 1903: 1867: 1850: 1830: 1823: 1811: 1804: 1791: 1763: 1760: 1757: 1754: 1746: 1743: 1738: 1735: 1732: 1729: 1726: 1723: 1720: 1717: 1714: 1706: 1703: 1700: 1693: 1686: 1683: 1680: 1440: 1437: 1434: 1431: 1428: 1425: 1418: 1415: 1410: 1402: 1399: 1396: 1393: 1390: 1387: 1384: 1381: 1378: 1375: 1372: 1369: 1361: 1358: 1355: 1352: 1349: 1346: 1343: 1340: 1337: 1334: 1331: 1328: 1318: 1313: 1308: 1303: 1300: 1297: 1294: 1291: 1283: 1280: 1277: 1274: 1271: 1268: 1265: 1262: 1259: 1256: 1253: 1250: 1242: 1239: 1236: 1233: 1230: 1227: 1224: 1221: 1218: 1215: 1212: 1209: 1201: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1177: 1174: 1171: 1168: 1160: 1157: 1154: 1151: 1148: 1145: 1142: 1139: 1136: 1133: 1130: 1127: 1119: 1116: 1113: 1108: 1105: 1102: 1099: 1096: 1093: 1090: 1087: 1079: 1076: 1073: 1070: 1067: 1064: 1061: 1058: 1055: 1052: 1049: 1046: 1038: 1035: 1032: 1029: 1026: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 763: 760: 757: 754: 751: 748: 745: 742: 739: 736: 733: 730: 722: 719: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 681: 678: 675: 672: 669: 666: 663: 660: 657: 631: 624: 619: 609: 604: 599: 594: 589: 584: 574: 565: 556: 547: 533: 518: 509: 491: 480: 433: 403: 396: 6826:Elric: Song of the Black Sword 6802:The Dancers at the End of Time 6615:The Sailor on the Seas of Fate 6121:Terence X. O'Leary's War Birds 5602:A Companion to Science Fiction 5585:, Hertfordshire, UK: Granada. 5533:. Toronto: Between the Lines. 5349:, Oxfordshire, UK: Routledge. 3519:White Wolf, Stone Mountain GA 3172:January 1970 – April 1970 3103:New Worlds Publishing, London 3059:July 1967 – October 1967 2989:August 1963 – April 1964 2942:June 1953 – January 1955 2886:Pendulum Publications, London 162:Roberts & Vinter acquired 1: 7165:Magazines published in London 7160:Magazines established in 1946 6860:Michael Moorcock's Multiverse 6751:The Coming of the Terraphiles 5778:A. Merritt's Fantasy Magazine 5472:. Oxford, Oxfordshire: Opus. 133:s editor in 1939, renamed it 6990:Lucky Leif and the Longships 6794:The History of the Runestaff 6695:The City in the Autumn Stars 6030:Scientific Detective Monthly 5995:Out of This World Adventures 5183:Latham, Rob (Summer 2006). " 5127:Latham, Rob (Summer 2006). " 5083:Latham, Rob (Summer 2006). " 5040:Latham, Rob (Summer 2006). " 4463:. Gollancz. 28 December 2020 3915:Science Fiction Encyclopedia 3608:, and three were taken from 3045:March 1967 – April 1967 2555:In the mid-1960s, the term " 2313:'s "The Mill of the Gods". 6983:Warrior on the Edge of Time 6810:A Nomad of the Time Streams 6671:The Brothel in Rosenstrasse 3584:Great American Publications 3111:April 1969 – July 1969 2691:; it had been published in 2165:of Stonehart Publications. 926:, in 1958, but both it and 269:Science Fiction Association 67:; 88 years ago 7191: 7155:History of science fiction 6834:The Metatemporal Detective 6341:Science Fiction Adventures 6100:Tales of Magic and Mystery 5869:Famous Fantastic Mysteries 3664:Lambda I and Other Stories 3606:Science Fiction Adventures 3208: 3064: 2917:Nova Publications, London 2882: 2326:Astounding Science Fiction 2069: 1445: 932:Science Fiction Adventures 923:Science Fiction Adventures 768: 18:New Worlds Science Fiction 7064:The Land That Time Forgot 6278:Authentic Science Fiction 6023:Science Fiction Quarterly 5890:Fantastic Story Quarterly 5771:Amazing Stories Quarterly 5600:Seed, David, ed. (2005). 5506:Luckhurst, Roger (2005). 5449:. London: Octopus Books. 5396:Greenland, Colin (1983). 5121:"The New Establishment", 4997:Merril & Pohl-Weary, 4737:May/June 1964, p. 2. 4724:August 1964, p. 123. 4711:August 1964, p. 128. 4202:Harbottle & Holland, 4170:Harbottle & Holland, 4150:Harbottle & Holland, 4079:Harbottle & Holland, 3819:Tales from the White Hart 3470: 3436: 3433: 3430: 3402: 3348: 3345: 3342: 3317: 3306: 3303: 3292: 3264: 3214: 3205: 3185: 3130: 3127: 3100: 3078: 3067: 3061: 3036: 3019: 3016: 3013: 2980: 2958: 2947: 2944: 2919: 2916: 2905: 2891: 2888: 2885: 2820:By the end of the 1960s, 2682:(as Richard A. Pollack). 1630: 1627: 1624: 1621: 823:on New Fetter Lane, near 336: 333: 330: 327: 192:became the focus of the " 174:, but with the aid of an 39: 6687:The Alchemist's Question 6679:The Laughter of Carthage 6072:Stirring Science Stories 5554:New Worlds: An Anthology 5201:10.3828/extr.2006.47.2.9 5145:10.3828/extr.2006.47.2.9 5101:10.3828/extr.2006.47.2.9 5081:, March 1965, quoted in 5058:10.3828/extr.2006.47.2.9 4707:Letter in "Postmortem", 4695:New Worlds: An Anthology 4254:New Worlds: An Anthology 3795:New Worlds: An Anthology 3578:A US reprint edition of 2146: 2140: 2133: 2127: 2120: 2114: 2107: 2101: 2095: 1463: 1457: 114:that began in 1936 as a 112:science fiction magazine 56:Science fiction magazine 7170:Science fiction digests 6902:Characters and concepts 6703:The Dragon in the Sword 6348:Science Fiction Monthly 6135:Tops in Science Fiction 5918:G-8 and His Battle Aces 5862:Dynamic Science Stories 5855:Dynamic Science Fiction 5181:, July 1967, quoted in 4941:Science Fiction Studies 4914:Science Fiction Studies 4867:Moorcock. "Editorial". 4794:. Gollancz. 5 July 2021 4624:Science Fiction Studies 2931:1949 – March 1953 2638:The July 1967 issue of 2528:Many writers now found 2386:The Day of the Triffids 892:on a monthly basis and 886:Maclaren & Sons Ltd 46:First issue cover, 1946 6623:The Condition of Muzak 6591:Breakfast in the Ruins 6559:The Warlord of the Air 6479:The Jewel in the Skull 6313:Nebula Science Fiction 5939:Marvel Science Stories 5911:Future Science Fiction 5764:Amazing Stories Annual 5464:James, Edward (1994). 4985:Galaxy Science Fiction 4815:The Entropy Exhibition 4772:Clute & Nicholls, 3677:The Best of New Worlds 3568:New Worlds Quarterly 6 3564:New Worlds Quarterly 5 3139:September/October 1969 2967:August/September 1959 2650:, a frequent theme in 2584:Arts Council and after 2296:Contents and reception 2097: Michael Moorcock 1465: Michael Moorcock 265:Science Fiction League 6743:The Vengeance of Rome 6503:The Sword of the Dawn 6093:Super Science Stories 5318:Ashley, Mike (2007). 5295:Ashley, Mike (2005). 5276:Ashley, Mike (2000). 4543:, pp. 1353–1354. 4114:"New Worlds Magazine" 3866:through a mention in 3594:Hans Stefan Santesson 3206:Sphere Books, London 3101:Moorcock privately as 2840:Bibliographic details 6759:The Whispering Swarm 6735:Firing the Cathedral 6543:The Eternal Champion 6495:The Mad God's Amulet 6016:Science-Fiction Plus 5876:Fantastic Adventures 5557:. London: Flamingo. 5529:Better to Have Loved 5421:Vultures of the Void 4999:Better to Have Loved 4204:Vultures of the Void 4172:Vultures of the Void 4152:Vultures of the Void 4081:Vultures of the Void 3973:, pp. 239, 254. 3559:New Worlds Quarterly 3318:Corgi Books, London 2550:Echo Round His Bones 2399:Unorthodox Engineers 1566:British Arts Council 1475:Roberts & Vinter 956:Roberts & Vinter 909:over the next year. 7103:The Final Programme 7004:Cultösaurus Erectus 6968:Music contributions 6909:Corum Jhaelen Irsei 6853:Conan the Barbarian 6551:Phoenix in Obsidian 6487:The Final Programme 6199:Wonder Story Annual 5785:Astonishing Stories 4987:. pp. 160–166. 4857:, pp. 246–248. 4855:Gateways to Forever 4776:, pp. 867–868. 4763:, pp. 239–243. 4683:, pp. 231–243. 4572:, pp. 145–149. 4559:, pp. 142–143. 4517:, pp. 201–204. 4435:, pp. 120–127. 4433:Gateways to Forever 4409:, pp. 252–253. 4381:Gateways to Forever 4367:, pp. 245–248. 4283:, pp. 248–254. 4239:, pp. 235–238. 4219:, pp. 526–529. 4190:, pp. 505–510. 4055:, pp. 423–437. 2613:Michael Butterworth 2576:, early stories by 2397:began his popular " 2148: David Britton 2142: Hilary Bailey 2109: Charles Platt 2103: Langdon Jones 1534:Thorpe & Porter 793:Frank Edward Arnold 285:became involved in 271:, founded in 1937. 249:science fiction fan 36: 6919:Elric of Melniboné 6877:Anthologies edited 6719:Jerusalem Commands 6599:The Land Leviathan 6583:Elric of Melniboné 6519:The Black Corridor 5792:Astounding Stories 5125:, 1965, quoted in 5123:Zenith Speculation 5079:Zenith Speculation 4981:"Galaxy Bookshelf" 4661:Quoted in Ashley, 4526:Quoted in Ashley, 4306:Entropy Exhibition 4206:, pp. 99–103. 3947:, pp. 96–101. 3610:Fantastic Universe 3589:Fantastic Universe 2914:1949 – 1949 2880:1946 – 1946 2716:and the "New Wave" 2596:Camp Concentration 2339:. Carnell bought 2315:John Russell Fearn 2232:Later incarnations 1511:New Writings in SF 1459: John Carnell 945:New Writings in SF 797:Stephen D. Frances 318:Robert A. Heinlein 238:Astounding Stories 216:Publishing history 202:Zenith-Speculation 178:grant obtained by 7127: 7126: 7057:Kings in Darkness 6892:Before Armageddon 6655:The Entropy Tango 6639:Byzantium Endures 6567:A Cure for Cancer 6535:The Chinese Agent 6463:The Dreaming City 6410: 6409: 6372:Current magazines 6270:Defunct magazines 6229: 6228: 6185:The Witch's Tales 6065:Startling Stories 5659:978-0-313-21221-5 5642:Tymn, Marshall B. 5633:978-0-8108-4938-9 5620:Stableford, Brian 5611:978-1-4051-1218-5 5592:978-0-586-05380-5 5564:978-0-00-654003-8 5549:Moorcock, Michael 5540:978-1-896357-57-7 5517:978-0-7456-2893-6 5498:978-0-521-01657-5 5479:978-0-19-289244-7 5456:978-0-7064-0756-3 5439:Holdstock, Robert 5430:978-0-89370-415-5 5411:978-0-7100-9310-3 5388:978-0-312-09618-2 5379:St Martin's Press 5356:978-0-415-43950-3 5333:978-1-84631-003-4 5310:978-0-85323-779-2 5287:978-0-85323-855-3 4965:Quoted in James, 4698:, pp. 10–11. 4309:, pp. 19–20. 4174:, pp. 77–79. 4154:, pp. 25–27. 4083:, pp. 21–24. 3801: 3800: 3555: 3554: 3496:Michael Moorcock 3434:Gollancz, London 3346:Michael Moorcock 3343:Michael Moorcock 3186:Michael Moorcock 3142:Michael Moorcock 3014:Michael Moorcock 2765:The Crystal World 2745:England Swings SF 2629:A Boy and His Dog 2499:Dead Fingers Talk 2494:William Burroughs 2154: 2153: 1515:Kyril Bonfiglioli 1471: 1470: 839:Nova Publications 785: 784: 283:William F. Temple 103: 102: 16:(Redirected from 7182: 6929:Eternal Champion 6778:The Time Dweller 6727:King of the City 6448:Michael Moorcock 6437: 6430: 6423: 6414: 6256: 6249: 6242: 6233: 6114:10 Story Fantasy 5981:Oriental Stories 5883:Fantastic Novels 5721: 5714: 5707: 5698: 5663: 5637: 5615: 5596: 5568: 5544: 5532: 5521: 5502: 5483: 5471: 5460: 5448: 5434: 5415: 5403: 5392: 5360: 5337: 5325: 5314: 5302: 5291: 5264: 5257: 5248: 5247: 5245: 5243: 5236:"Contents Lists" 5232: 5226: 5219: 5213: 5212: 5176: 5170: 5163: 5157: 5156: 5119: 5113: 5112: 5076: 5070: 5069: 5037: 5024: 5021: 5015: 5008: 5002: 4995: 4989: 4988: 4976: 4970: 4963: 4957: 4956: 4936: 4930: 4929: 4909: 4903: 4896: 4890: 4883: 4877: 4876: 4864: 4858: 4851: 4845: 4838: 4832: 4825: 4819: 4810: 4804: 4803: 4801: 4799: 4788: 4777: 4770: 4764: 4757: 4738: 4731: 4725: 4718: 4712: 4705: 4699: 4690: 4684: 4677: 4666: 4659: 4653: 4646: 4640: 4639: 4619: 4613: 4606: 4600: 4597: 4591: 4588: 4582: 4579: 4573: 4566: 4560: 4553: 4544: 4537: 4531: 4524: 4518: 4511: 4502: 4495: 4486: 4479: 4473: 4472: 4470: 4468: 4457: 4436: 4429: 4410: 4403: 4397: 4390: 4384: 4377: 4368: 4361: 4352: 4351: 4343: 4310: 4301: 4284: 4277: 4258: 4249: 4240: 4233: 4220: 4213: 4207: 4200: 4191: 4184: 4175: 4168: 4155: 4148: 4133: 4132: 4130: 4128: 4109: 4084: 4077: 4056: 4049: 3974: 3967: 3961: 3954: 3948: 3941: 3918: 3907: 3901: 3898: 3892: 3889: 3883: 3879: 3873: 3860: 3854: 3851: 3845: 3838: 3832: 3829: 3823: 3814: 3790:Michael Moorcock 3777:Michael Moorcock 3764:Michael Moorcock 3751:Michael Moorcock 3738:Michael Moorcock 3725:Michael Moorcock 3712:Michael Moorcock 3699:Michael Moorcock 3686:Michael Moorcock 3673:Michael Moorcock 3630: 3551:£15.99 / £59.99 3493:Michael Moorcock 2851: 2725: 2617:Samuel R. Delany 2609:Robert Holdstock 2605:M. John Harrison 2435:Gordon Hutchings 2271:David S. Garnett 2222: 2181:House of Commons 2149: 2147: 2143: 2141: 2136: 2134: 2130: 2128: 2123: 2121: 2117: 2115: 2110: 2108: 2104: 2102: 2098: 2096: 1617: 1604: 1558:Marghanita Laski 1466: 1464: 1460: 1458: 960: 948:, for publisher 919: 323: 291: 275:Arthur C. Clarke 168:Michael Moorcock 147:Second World War 132: 75: 73: 68: 44: 37: 21: 7190: 7189: 7185: 7184: 7183: 7181: 7180: 7179: 7145:Defunct digests 7130: 7129: 7128: 7123: 7089:Airtight Garage 7076: 7037: 7032:Live Chronicles 6976:New Worlds Fair 6963: 6949:Symbol of Chaos 6934:Jerry Cornelius 6914:Dorian Hawkmoon 6897: 6885:England Invaded 6872: 6840: 6765: 6450: 6441: 6411: 6406: 6394:Midnight Street 6380:The Future Fire 6367: 6362:Tales of Wonder 6334:Science Fantasy 6265: 6260: 6230: 6225: 6204: 6149:Uncanny Stories 6128:The Thrill Book 6107:Tales of Wonder 6079:Strange Stories 6009:Science Fiction 5806:Captain Hazzard 5757:Amazing Stories 5737: 5728:Science fiction 5725: 5670: 5660: 5640: 5634: 5618: 5612: 5599: 5593: 5573:Nicholls, Peter 5571: 5565: 5547: 5541: 5524: 5518: 5508:Science Fiction 5505: 5499: 5486: 5480: 5463: 5457: 5437: 5431: 5418: 5412: 5395: 5389: 5369:Nicholls, Peter 5363: 5357: 5340: 5334: 5317: 5311: 5294: 5288: 5275: 5272: 5267: 5261:Transformations 5258: 5251: 5241: 5239: 5234: 5233: 5229: 5220: 5216: 5182: 5177: 5173: 5167:Transformations 5164: 5160: 5126: 5120: 5116: 5082: 5077: 5073: 5039: 5038: 5027: 5022: 5018: 5009: 5005: 4996: 4992: 4978: 4977: 4973: 4964: 4960: 4938: 4937: 4933: 4911: 4910: 4906: 4900:Transformations 4897: 4893: 4884: 4880: 4866: 4865: 4861: 4852: 4848: 4839: 4835: 4826: 4822: 4811: 4807: 4797: 4795: 4790: 4789: 4780: 4771: 4767: 4761:Transformations 4758: 4741: 4732: 4728: 4719: 4715: 4706: 4702: 4691: 4687: 4681:Transformations 4678: 4669: 4663:Transformations 4660: 4656: 4650:Transformations 4647: 4643: 4621: 4620: 4616: 4610:Transformations 4607: 4603: 4598: 4594: 4589: 4585: 4580: 4576: 4570:Transformations 4567: 4563: 4557:Transformations 4554: 4547: 4538: 4534: 4528:Transformations 4525: 4521: 4512: 4505: 4496: 4489: 4480: 4476: 4466: 4464: 4459: 4458: 4439: 4430: 4413: 4407:Transformations 4404: 4400: 4391: 4387: 4378: 4371: 4365:Transformations 4362: 4355: 4345: 4344: 4313: 4302: 4287: 4281:Transformations 4278: 4261: 4250: 4243: 4237:Transformations 4234: 4223: 4214: 4210: 4201: 4194: 4185: 4178: 4169: 4158: 4149: 4136: 4126: 4124: 4112: 4110: 4087: 4078: 4059: 4050: 3977: 3968: 3964: 3955: 3951: 3945:Transformations 3942: 3931: 3927: 3922: 3921: 3908: 3904: 3899: 3895: 3890: 3886: 3880: 3876: 3861: 3857: 3852: 3848: 3839: 3835: 3830: 3826: 3815: 3811: 3806: 3621: 3576: 3102: 2842: 2723: 2718: 2703:Paul Di Filippo 2672:Eleanor Arnason 2586: 2578:Terry Pratchett 2566:Colin Greenland 2546:Thomas M. Disch 2534:David I. Masson 2511:Jerry Cornelius 2466: 2426:Science-Fantasy 2357:Science Fantasy 2353:Science Fantasy 2303: 2298: 2275:Victor Gollancz 2234: 2220: 2176:Bug Jack Barron 2163:Sylvester Stein 2145: 2144: 2139: 2138: 2137: 2132: 2131: 2126: 2125: 2124: 2119: 2118: 2113: 2112: 2111: 2106: 2105: 2100: 2099: 2094: 2093: 2091: 2089: 2087: 2083: 2075: 1615: 1602: 1588:Science Fantasy 1538:Science Fantasy 1527:Science Fantasy 1507:Science Fantasy 1483:Science Fantasy 1462: 1461: 1456: 1455: 1453: 1451: 958: 940:Science Fantasy 928:Science Fantasy 917: 903:Science Fantasy 894:Science Fantasy 866:Science Fantasy 854:Stoke Newington 850:Walter Gillings 841: 833:Royal Air Force 789:Royal Artillery 780: 778: 776: 774: 316:, and acquired 302:W.J. Passingham 289: 232:Amazing Stories 223: 218: 210:Thomas M. Disch 130: 71: 69: 66: 47: 28: 23: 22: 15: 12: 11: 5: 7188: 7186: 7178: 7177: 7172: 7167: 7162: 7157: 7152: 7147: 7142: 7132: 7131: 7125: 7124: 7122: 7121: 7113: 7106: 7099: 7092: 7084: 7082: 7078: 7077: 7075: 7074: 7067: 7060: 7053: 7045: 7043: 7039: 7038: 7036: 7035: 7028: 7021: 7014: 7007: 7000: 6993: 6986: 6979: 6971: 6969: 6965: 6964: 6962: 6961: 6956: 6954:Ulrich von Bek 6951: 6946: 6941: 6936: 6931: 6926: 6921: 6916: 6911: 6905: 6903: 6899: 6898: 6896: 6895: 6888: 6880: 6878: 6874: 6873: 6871: 6870: 6863: 6856: 6848: 6846: 6842: 6841: 6839: 6838: 6830: 6822: 6814: 6806: 6798: 6790: 6782: 6773: 6771: 6767: 6766: 6764: 6763: 6755: 6747: 6739: 6731: 6723: 6715: 6707: 6699: 6691: 6683: 6675: 6667: 6663:The Steel Tsar 6659: 6651: 6643: 6635: 6627: 6619: 6611: 6603: 6595: 6587: 6579: 6571: 6563: 6555: 6547: 6539: 6531: 6527:Behold the Man 6523: 6515: 6507: 6499: 6491: 6483: 6475: 6467: 6458: 6456: 6452: 6451: 6442: 6440: 6439: 6432: 6425: 6417: 6408: 6407: 6405: 6404: 6397: 6390: 6383: 6375: 6373: 6369: 6368: 6366: 6365: 6358: 6351: 6344: 6337: 6330: 6323: 6316: 6309: 6302: 6295: 6288: 6281: 6273: 6271: 6267: 6266: 6261: 6259: 6258: 6251: 6244: 6236: 6227: 6226: 6224: 6223: 6218: 6212: 6210: 6206: 6205: 6203: 6202: 6195: 6192:Wonder Stories 6188: 6181: 6174: 6167: 6160: 6152: 6145: 6138: 6131: 6124: 6117: 6110: 6103: 6096: 6089: 6082: 6075: 6068: 6061: 6054: 6047: 6044:Secret Agent X 6040: 6033: 6026: 6019: 6012: 6005: 6002:Planet Stories 5998: 5991: 5984: 5977: 5970: 5963: 5956: 5949: 5942: 5935: 5932:Jungle Stories 5928: 5921: 5914: 5907: 5900: 5893: 5886: 5879: 5872: 5865: 5858: 5851: 5844: 5837: 5830: 5827:Cosmic Stories 5823: 5816: 5809: 5802: 5799:Captain Future 5795: 5788: 5781: 5774: 5767: 5760: 5753: 5745: 5743: 5739: 5738: 5735:pulp magazines 5726: 5724: 5723: 5716: 5709: 5701: 5695: 5694: 5684:Images of the 5681: 5676: 5669: 5668:External links 5666: 5665: 5664: 5658: 5638: 5632: 5616: 5610: 5597: 5591: 5569: 5563: 5551:, ed. (1983). 5545: 5539: 5522: 5516: 5503: 5497: 5484: 5478: 5461: 5455: 5441:, ed. (1978). 5435: 5429: 5416: 5410: 5393: 5387: 5361: 5355: 5338: 5332: 5315: 5309: 5292: 5286: 5271: 5268: 5266: 5265: 5263:, p. 231. 5249: 5227: 5225:, p. 425. 5214: 5171: 5158: 5114: 5071: 5052:(2): 296–315. 5025: 5016: 5014:, p. 173. 5003: 5001:, p. 162. 4990: 4971: 4969:, p. 172. 4958: 4931: 4920:(3): 321–330. 4904: 4902:, pp. 251–252. 4891: 4889:, p. 165. 4878: 4859: 4846: 4844:, p. 170. 4833: 4831:, p. 172. 4820: 4805: 4778: 4765: 4739: 4726: 4713: 4700: 4685: 4667: 4665:, p. 102. 4654: 4652:, p. 102. 4641: 4630:(3): 234–246. 4614: 4601: 4592: 4583: 4574: 4561: 4545: 4532: 4530:, p. 148. 4519: 4503: 4487: 4485:, p. 132. 4474: 4437: 4411: 4398: 4385: 4383:, p. 435. 4369: 4353: 4311: 4285: 4259: 4241: 4221: 4208: 4192: 4176: 4156: 4134: 4085: 4057: 3975: 3962: 3949: 3928: 3926: 3923: 3920: 3919: 3902: 3893: 3884: 3874: 3855: 3846: 3833: 3824: 3808: 3807: 3805: 3802: 3799: 3798: 3791: 3788: 3784: 3783: 3778: 3775: 3771: 3770: 3765: 3762: 3758: 3757: 3752: 3749: 3745: 3744: 3739: 3736: 3732: 3731: 3726: 3723: 3719: 3718: 3713: 3710: 3706: 3705: 3700: 3697: 3693: 3692: 3687: 3684: 3680: 3679: 3674: 3671: 3667: 3666: 3661: 3658: 3654: 3653: 3648: 3645: 3641: 3640: 3637: 3634: 3620: 3617: 3575: 3572: 3553: 3552: 3549: 3546: 3543: 3542:PS Publishing 3540: 3537: 3534: 3530: 3529: 3526: 3523: 3520: 3517: 3514: 3511: 3507: 3506: 3503: 3500: 3497: 3494: 3491: 3488: 3484: 3483: 3480: 3477: 3473: 3472: 3469: 3466: 3463: 3459: 3458: 3455: 3452: 3449: 3445: 3444: 3441: 3438: 3435: 3432: 3431:David Garnett 3429: 3426: 3422: 3421: 3418: 3417:Charles Platt 3415: 3412: 3411:September 1979 3409: 3405: 3404: 3401: 3398: 3395: 3392: 3389: 3385: 3384: 3381: 3378: 3375: 3371: 3370: 3367: 3364: 3361: 3357: 3356: 3353: 3350: 3347: 3344: 3341: 3338: 3334: 3333: 3330: 3327: 3324: 3320: 3319: 3316: 3313: 3309: 3308: 3305: 3304:Hilary Bailey 3302: 3299: 3295: 3294: 3291: 3288: 3285: 3282: 3278: 3277: 3274: 3271: 3267: 3266: 3263: 3260: 3257: 3253: 3252: 3249: 3246: 3243: 3239: 3238: 3235: 3232: 3228: 3227: 3224: 3221: 3217: 3216: 3213: 3210: 3207: 3204: 3201: 3197: 3196: 3193: 3190: 3187: 3184: 3181: 3177: 3176: 3175:Charles Platt 3173: 3170: 3166: 3165: 3162: 3159: 3155: 3154: 3151: 3148: 3144: 3143: 3140: 3137: 3133: 3132: 3129: 3126: 3125:Charles Platt 3123: 3120: 3116: 3115: 3114:Langdon Jones 3112: 3109: 3105: 3104: 3099: 3096: 3092: 3091: 3088: 3085: 3081: 3080: 3077: 3076:November 1967 3074: 3070: 3069: 3066: 3063: 3060: 3057: 3053: 3052: 3049: 3046: 3043: 3039: 3038: 3035: 3032: 3029: 3025: 3024: 3021: 3018: 3015: 3012: 3009: 3005: 3004: 3001: 2998: 2994: 2993: 2990: 2987: 2983: 2982: 2979: 2976: 2972: 2971: 2968: 2965: 2961: 2960: 2957: 2954: 2950: 2949: 2946: 2943: 2940: 2936: 2935: 2932: 2929: 2925: 2924: 2921: 2918: 2915: 2912: 2908: 2907: 2904: 2901: 2897: 2896: 2893: 2890: 2887: 2884: 2881: 2878: 2874: 2873: 2870: 2867: 2864: 2861: 2858: 2855: 2841: 2838: 2717: 2711: 2680:Rachel Pollack 2656:J.B. Priestley 2625:Harlan Ellison 2585: 2582: 2490:James Cawthorn 2465: 2462: 2450:Harry Harrison 2407:Kenneth Bulmer 2403:J. T. McIntosh 2381:Sector General 2302: 2299: 2297: 2294: 2286:Peter Crowther 2233: 2230: 2171:Norman Spinrad 2152: 2151: 2067: 2066: 2064: 2062: 2060: 2057: 2055: 2053: 2051: 2049: 2047: 2042: 2040: 2038: 2034: 2033: 2031: 2026: 2024: 2022: 2020: 2018: 2013: 2011: 2009: 2004: 2002: 2000: 1996: 1995: 1993: 1991: 1989: 1987: 1985: 1983: 1981: 1979: 1977: 1975: 1973: 1971: 1967: 1966: 1964: 1962: 1960: 1958: 1955: 1953: 1951: 1949: 1947: 1945: 1943: 1941: 1937: 1936: 1934: 1931: 1929: 1927: 1925: 1923: 1921: 1919: 1917: 1914: 1912: 1910: 1906: 1905: 1902: 1900: 1898: 1896: 1894: 1892: 1890: 1888: 1886: 1884: 1882: 1880: 1876: 1875: 1873: 1871: 1869: 1866: 1864: 1862: 1860: 1858: 1856: 1854: 1852: 1849: 1845: 1844: 1842: 1840: 1838: 1836: 1834: 1832: 1829: 1827: 1825: 1822: 1820: 1818: 1814: 1813: 1810: 1808: 1806: 1803: 1801: 1799: 1797: 1795: 1793: 1790: 1788: 1786: 1782: 1781: 1779: 1777: 1775: 1773: 1771: 1769: 1767: 1765: 1762: 1759: 1756: 1753: 1749: 1748: 1745: 1742: 1740: 1737: 1734: 1731: 1728: 1725: 1722: 1719: 1716: 1713: 1709: 1708: 1705: 1702: 1699: 1697: 1695: 1692: 1690: 1688: 1685: 1682: 1679: 1677: 1673: 1672: 1669: 1666: 1663: 1660: 1657: 1654: 1651: 1648: 1645: 1642: 1639: 1636: 1633: 1632: 1629: 1626: 1623: 1620: 1614: 1611: 1550:J.B. Priestley 1469: 1468: 1443: 1442: 1439: 1436: 1433: 1430: 1427: 1424: 1422: 1420: 1417: 1414: 1412: 1409: 1405: 1404: 1401: 1398: 1395: 1392: 1389: 1386: 1383: 1380: 1377: 1374: 1371: 1368: 1364: 1363: 1360: 1357: 1354: 1351: 1348: 1345: 1342: 1339: 1336: 1333: 1330: 1327: 1323: 1322: 1320: 1317: 1315: 1312: 1310: 1307: 1305: 1302: 1299: 1296: 1293: 1290: 1286: 1285: 1282: 1279: 1276: 1273: 1270: 1267: 1264: 1261: 1258: 1255: 1252: 1249: 1245: 1244: 1241: 1238: 1235: 1232: 1229: 1226: 1223: 1220: 1217: 1214: 1211: 1208: 1204: 1203: 1200: 1197: 1194: 1191: 1188: 1185: 1182: 1179: 1176: 1173: 1170: 1167: 1163: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1141: 1138: 1135: 1132: 1129: 1126: 1122: 1121: 1118: 1115: 1112: 1110: 1107: 1104: 1101: 1098: 1095: 1092: 1089: 1086: 1082: 1081: 1078: 1075: 1072: 1069: 1066: 1063: 1060: 1057: 1054: 1051: 1048: 1045: 1041: 1040: 1037: 1034: 1031: 1028: 1025: 1022: 1019: 1016: 1013: 1010: 1007: 1004: 1000: 999: 996: 993: 990: 987: 984: 981: 978: 975: 972: 969: 966: 963: 957: 954: 859:In 1950, with 840: 837: 783: 782: 766: 765: 762: 759: 756: 753: 750: 747: 744: 741: 738: 735: 732: 729: 725: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 684: 683: 680: 677: 674: 671: 668: 665: 662: 659: 656: 654: 652: 650: 646: 645: 643: 641: 639: 637: 635: 633: 630: 628: 626: 623: 621: 618: 614: 613: 611: 608: 606: 603: 601: 598: 596: 593: 591: 588: 586: 583: 579: 578: 573: 571: 569: 564: 562: 560: 555: 553: 551: 546: 544: 542: 538: 537: 532: 530: 528: 526: 524: 522: 517: 515: 513: 508: 506: 504: 500: 499: 497: 495: 493: 490: 488: 486: 484: 482: 479: 477: 475: 473: 469: 468: 466: 464: 462: 460: 458: 456: 454: 452: 450: 448: 446: 444: 440: 439: 437: 435: 432: 430: 428: 426: 424: 422: 420: 418: 416: 414: 410: 409: 407: 405: 402: 400: 398: 395: 393: 391: 389: 387: 385: 383: 379: 378: 375: 372: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 338: 335: 332: 329: 326: 314:David McIlwain 244:Wonder Stories 227:Hugo Gernsback 222: 219: 217: 214: 188:material, and 110:was a British 101: 100: 97: 93: 92: 89: 85: 84: 83:United Kingdom 81: 77: 76: 63: 59: 58: 53: 49: 48: 45: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7187: 7176: 7173: 7171: 7168: 7166: 7163: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7137: 7135: 7120: 7118: 7114: 7112: 7111: 7107: 7105: 7104: 7100: 7098: 7097: 7093: 7091: 7090: 7086: 7085: 7083: 7079: 7073: 7072: 7068: 7066: 7065: 7061: 7058: 7054: 7051: 7047: 7046: 7044: 7040: 7034: 7033: 7029: 7027: 7026: 7022: 7020: 7019: 7015: 7013: 7012: 7008: 7006: 7005: 7001: 6999: 6998: 6994: 6992: 6991: 6987: 6985: 6984: 6980: 6978: 6977: 6973: 6972: 6970: 6966: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6920: 6917: 6915: 6912: 6910: 6907: 6906: 6904: 6900: 6894: 6893: 6889: 6887: 6886: 6882: 6881: 6879: 6875: 6869: 6868: 6864: 6862: 6861: 6857: 6855: 6854: 6850: 6849: 6847: 6843: 6836: 6835: 6831: 6828: 6827: 6823: 6820: 6819: 6815: 6812: 6811: 6807: 6804: 6803: 6799: 6796: 6795: 6791: 6788: 6787: 6783: 6780: 6779: 6775: 6774: 6772: 6768: 6761: 6760: 6756: 6753: 6752: 6748: 6745: 6744: 6740: 6737: 6736: 6732: 6729: 6728: 6724: 6721: 6720: 6716: 6713: 6712: 6711:Mother London 6708: 6705: 6704: 6700: 6697: 6696: 6692: 6689: 6688: 6684: 6681: 6680: 6676: 6673: 6672: 6668: 6665: 6664: 6660: 6657: 6656: 6652: 6649: 6648: 6644: 6641: 6640: 6636: 6633: 6632: 6628: 6625: 6624: 6620: 6617: 6616: 6612: 6609: 6608: 6604: 6601: 6600: 6596: 6593: 6592: 6588: 6585: 6584: 6580: 6577: 6576: 6572: 6569: 6568: 6564: 6561: 6560: 6556: 6553: 6552: 6548: 6545: 6544: 6540: 6537: 6536: 6532: 6529: 6528: 6524: 6521: 6520: 6516: 6513: 6512: 6511:The Runestaff 6508: 6505: 6504: 6500: 6497: 6496: 6492: 6489: 6488: 6484: 6481: 6480: 6476: 6473: 6472: 6471:The Fireclown 6468: 6465: 6464: 6460: 6459: 6457: 6453: 6449: 6445: 6438: 6433: 6431: 6426: 6424: 6419: 6418: 6415: 6403: 6402: 6398: 6396: 6395: 6391: 6389: 6388: 6384: 6382: 6381: 6377: 6376: 6374: 6370: 6364: 6363: 6359: 6357: 6356: 6352: 6350: 6349: 6345: 6343: 6342: 6338: 6336: 6335: 6331: 6329: 6328: 6324: 6322: 6321: 6317: 6315: 6314: 6310: 6308: 6307: 6303: 6301: 6300: 6296: 6294: 6293: 6292:Critical Wave 6289: 6287: 6286: 6282: 6280: 6279: 6275: 6274: 6272: 6268: 6264: 6257: 6252: 6250: 6245: 6243: 6238: 6237: 6234: 6222: 6219: 6217: 6214: 6213: 6211: 6207: 6201: 6200: 6196: 6194: 6193: 6189: 6187: 6186: 6182: 6180: 6179: 6175: 6173: 6172: 6168: 6166: 6165: 6161: 6159: 6157: 6156:Uncanny Tales 6153: 6151: 6150: 6146: 6144: 6143: 6139: 6137: 6136: 6132: 6130: 6129: 6125: 6123: 6122: 6118: 6116: 6115: 6111: 6109: 6108: 6104: 6102: 6101: 6097: 6095: 6094: 6090: 6088: 6087: 6086:Strange Tales 6083: 6081: 6080: 6076: 6074: 6073: 6069: 6067: 6066: 6062: 6060: 6059: 6055: 6053: 6052: 6051:Space Stories 6048: 6046: 6045: 6041: 6039: 6038: 6034: 6032: 6031: 6027: 6025: 6024: 6020: 6018: 6017: 6013: 6011: 6010: 6006: 6004: 6003: 5999: 5997: 5996: 5992: 5990: 5989: 5985: 5983: 5982: 5978: 5976: 5975: 5971: 5969: 5968: 5964: 5962: 5961: 5957: 5955: 5954: 5950: 5948: 5947: 5943: 5941: 5940: 5936: 5934: 5933: 5929: 5927: 5926: 5925:Ghost Stories 5922: 5920: 5919: 5915: 5913: 5912: 5908: 5906: 5905: 5901: 5899: 5898: 5894: 5892: 5891: 5887: 5885: 5884: 5880: 5878: 5877: 5873: 5871: 5870: 5866: 5864: 5863: 5859: 5857: 5856: 5852: 5850: 5849: 5845: 5843: 5842: 5838: 5836: 5835: 5831: 5829: 5828: 5824: 5822: 5821: 5817: 5815: 5814: 5810: 5808: 5807: 5803: 5801: 5800: 5796: 5794: 5793: 5789: 5787: 5786: 5782: 5780: 5779: 5775: 5773: 5772: 5768: 5766: 5765: 5761: 5759: 5758: 5754: 5752: 5751: 5747: 5746: 5744: 5740: 5736: 5733: 5729: 5722: 5717: 5715: 5710: 5708: 5703: 5702: 5699: 5693: 5691: 5687: 5682: 5680: 5677: 5675: 5672: 5671: 5667: 5661: 5655: 5651: 5647: 5643: 5639: 5635: 5629: 5625: 5621: 5617: 5613: 5607: 5603: 5598: 5594: 5588: 5584: 5580: 5579: 5574: 5570: 5566: 5560: 5556: 5555: 5550: 5546: 5542: 5536: 5531: 5530: 5523: 5519: 5513: 5509: 5504: 5500: 5494: 5490: 5485: 5481: 5475: 5470: 5469: 5462: 5458: 5452: 5447: 5446: 5440: 5436: 5432: 5426: 5422: 5417: 5413: 5407: 5402: 5401: 5394: 5390: 5384: 5380: 5376: 5375: 5370: 5366: 5362: 5358: 5352: 5348: 5344: 5339: 5335: 5329: 5324: 5323: 5316: 5312: 5306: 5301: 5300: 5293: 5289: 5283: 5279: 5274: 5273: 5269: 5262: 5256: 5254: 5250: 5237: 5231: 5228: 5224: 5218: 5215: 5210: 5206: 5202: 5198: 5194: 5190: 5189:Extrapolation 5186: 5180: 5175: 5172: 5168: 5162: 5159: 5154: 5150: 5146: 5142: 5138: 5134: 5133:Extrapolation 5130: 5124: 5118: 5115: 5110: 5106: 5102: 5098: 5094: 5090: 5089:Extrapolation 5086: 5080: 5075: 5072: 5067: 5063: 5059: 5055: 5051: 5047: 5046:Extrapolation 5043: 5036: 5034: 5032: 5030: 5026: 5020: 5017: 5013: 5007: 5004: 5000: 4994: 4991: 4986: 4982: 4975: 4972: 4968: 4962: 4959: 4954: 4950: 4946: 4942: 4935: 4932: 4927: 4923: 4919: 4915: 4908: 4905: 4901: 4895: 4892: 4888: 4882: 4879: 4874: 4870: 4863: 4860: 4856: 4850: 4847: 4843: 4837: 4834: 4830: 4824: 4821: 4818:, p. 17. 4817: 4816: 4809: 4806: 4793: 4787: 4785: 4783: 4779: 4775: 4769: 4766: 4762: 4756: 4754: 4752: 4750: 4748: 4746: 4744: 4740: 4736: 4730: 4727: 4723: 4717: 4714: 4710: 4704: 4701: 4697: 4696: 4689: 4686: 4682: 4676: 4674: 4672: 4668: 4664: 4658: 4655: 4651: 4645: 4642: 4637: 4633: 4629: 4625: 4618: 4615: 4612:, p. 76. 4611: 4605: 4602: 4596: 4593: 4587: 4584: 4578: 4575: 4571: 4565: 4562: 4558: 4552: 4550: 4546: 4542: 4536: 4533: 4529: 4523: 4520: 4516: 4515:Time Machines 4510: 4508: 4504: 4500: 4499:Time Machines 4494: 4492: 4488: 4484: 4478: 4475: 4462: 4456: 4454: 4452: 4450: 4448: 4446: 4444: 4442: 4438: 4434: 4428: 4426: 4424: 4422: 4420: 4418: 4416: 4412: 4408: 4402: 4399: 4395: 4389: 4386: 4382: 4376: 4374: 4370: 4366: 4360: 4358: 4354: 4349: 4342: 4340: 4338: 4336: 4334: 4332: 4330: 4328: 4326: 4324: 4322: 4320: 4318: 4316: 4312: 4308: 4307: 4300: 4298: 4296: 4294: 4292: 4290: 4286: 4282: 4276: 4274: 4272: 4270: 4268: 4266: 4264: 4260: 4257:, p. 12. 4256: 4255: 4248: 4246: 4242: 4238: 4232: 4230: 4228: 4226: 4222: 4218: 4212: 4209: 4205: 4199: 4197: 4193: 4189: 4183: 4181: 4177: 4173: 4167: 4165: 4163: 4161: 4157: 4153: 4147: 4145: 4143: 4141: 4139: 4135: 4123: 4119: 4115: 4108: 4106: 4104: 4102: 4100: 4098: 4096: 4094: 4092: 4090: 4086: 4082: 4076: 4074: 4072: 4070: 4068: 4066: 4064: 4062: 4058: 4054: 4048: 4046: 4044: 4042: 4040: 4038: 4036: 4034: 4032: 4030: 4028: 4026: 4024: 4022: 4020: 4018: 4016: 4014: 4012: 4010: 4008: 4006: 4004: 4002: 4000: 3998: 3996: 3994: 3992: 3990: 3988: 3986: 3984: 3982: 3980: 3976: 3972: 3971:Time Machines 3966: 3963: 3960:, p. 48. 3959: 3958:Time Machines 3953: 3950: 3946: 3940: 3938: 3936: 3934: 3930: 3924: 3916: 3912: 3906: 3903: 3897: 3894: 3888: 3885: 3878: 3875: 3871: 3870: 3865: 3859: 3856: 3850: 3847: 3843: 3842:Judith Merril 3837: 3834: 3828: 3825: 3821: 3820: 3813: 3810: 3803: 3797: 3796: 3792: 3789: 3786: 3785: 3782: 3779: 3776: 3773: 3772: 3769: 3766: 3763: 3760: 3759: 3756: 3753: 3750: 3747: 3746: 3743: 3740: 3737: 3734: 3733: 3730: 3727: 3724: 3721: 3720: 3717: 3714: 3711: 3708: 3707: 3704: 3701: 3698: 3695: 3694: 3691: 3688: 3685: 3682: 3681: 3678: 3675: 3672: 3669: 3668: 3665: 3662: 3659: 3656: 3655: 3652: 3649: 3646: 3643: 3642: 3638: 3635: 3632: 3631: 3628: 3626: 3618: 3616: 3613: 3611: 3607: 3603: 3599: 3595: 3591: 3590: 3585: 3581: 3573: 3571: 3569: 3565: 3560: 3550: 3547: 3544: 3541: 3538: 3535: 3532: 3531: 3527: 3524: 3521: 3518: 3516:David Garnett 3515: 3512: 3509: 3508: 3504: 3501: 3498: 3495: 3492: 3489: 3486: 3485: 3481: 3478: 3475: 3474: 3467: 3464: 3461: 3460: 3456: 3453: 3450: 3447: 3446: 3442: 3439: 3427: 3424: 3423: 3419: 3416: 3414:Charles Platt 3413: 3410: 3407: 3406: 3399: 3396: 3393: 3390: 3387: 3386: 3382: 3379: 3376: 3373: 3372: 3368: 3365: 3362: 3359: 3358: 3354: 3351: 3339: 3336: 3335: 3331: 3328: 3325: 3322: 3321: 3314: 3311: 3310: 3300: 3297: 3296: 3289: 3286: 3283: 3280: 3279: 3275: 3272: 3269: 3268: 3261: 3258: 3255: 3254: 3250: 3247: 3244: 3241: 3240: 3236: 3233: 3230: 3229: 3225: 3222: 3219: 3218: 3211: 3202: 3199: 3198: 3194: 3191: 3188: 3182: 3179: 3178: 3174: 3171: 3168: 3167: 3163: 3161:December 1969 3160: 3157: 3156: 3152: 3150:November 1969 3149: 3146: 3145: 3141: 3138: 3135: 3134: 3124: 3121: 3118: 3117: 3113: 3110: 3107: 3106: 3097: 3094: 3093: 3089: 3086: 3083: 3082: 3075: 3072: 3071: 3058: 3055: 3054: 3050: 3047: 3044: 3041: 3040: 3033: 3030: 3027: 3026: 3022: 3010: 3007: 3006: 3002: 2999: 2996: 2995: 2991: 2988: 2985: 2984: 2977: 2974: 2973: 2969: 2966: 2963: 2962: 2955: 2952: 2951: 2941: 2938: 2937: 2933: 2930: 2927: 2926: 2922: 2920:Large digest 2913: 2910: 2909: 2902: 2899: 2898: 2894: 2883:John Carnell 2879: 2876: 2875: 2871: 2868: 2865: 2862: 2859: 2856: 2853: 2852: 2849: 2847: 2839: 2837: 2835: 2831: 2827: 2823: 2818: 2816: 2812: 2808: 2804: 2800: 2796: 2792: 2787: 2785: 2781: 2776: 2772: 2771: 2766: 2762: 2757: 2752: 2750: 2746: 2742: 2736: 2734: 2730: 2722: 2715: 2712: 2710: 2708: 2704: 2700: 2696: 2695: 2690: 2689: 2683: 2681: 2677: 2673: 2669: 2668:Marta Randall 2663: 2661: 2657: 2653: 2649: 2645: 2644:Pamela Zoline 2641: 2636: 2634: 2630: 2626: 2622: 2618: 2614: 2610: 2606: 2602: 2598: 2597: 2591: 2583: 2581: 2579: 2575: 2571: 2567: 2562: 2558: 2553: 2551: 2547: 2543: 2542:Roger Zelazny 2539: 2535: 2531: 2526: 2524: 2523: 2517: 2512: 2508: 2503: 2501: 2500: 2495: 2491: 2486: 2484: 2480: 2476: 2471: 2463: 2461: 2459: 2455: 2451: 2447: 2442: 2440: 2439:Virgil Finlay 2436: 2432: 2427: 2423: 2418: 2414: 2412: 2408: 2404: 2400: 2396: 2392: 2388: 2387: 2382: 2378: 2374: 2370: 2366: 2362: 2358: 2354: 2350: 2346: 2342: 2341:J. G. Ballard 2338: 2334: 2329: 2327: 2323: 2322: 2316: 2312: 2308: 2300: 2295: 2293: 2291: 2290:PS Publishing 2287: 2283: 2278: 2276: 2272: 2268: 2262: 2260: 2256: 2255:Berkley Books 2252: 2251:New Worlds 10 2248: 2243: 2239: 2231: 2229: 2227: 2219: 2214: 2209: 2207: 2206: 2201: 2200: 2195: 2189: 2187: 2182: 2178: 2177: 2172: 2166: 2164: 2159: 2150: 2085: 2079: 2076:1971 to 1976 2073: 2068: 2065: 2063: 2061: 2056: 2054: 2052: 2050: 2048: 2046: 2041: 2039: 2036: 2035: 2032: 2030: 2025: 2023: 2021: 2019: 2017: 2012: 2010: 2008: 2003: 2001: 1998: 1997: 1994: 1992: 1990: 1988: 1986: 1984: 1982: 1980: 1978: 1976: 1974: 1972: 1969: 1968: 1965: 1963: 1961: 1959: 1954: 1952: 1950: 1948: 1946: 1944: 1942: 1939: 1938: 1935: 1930: 1928: 1926: 1924: 1922: 1920: 1918: 1913: 1911: 1908: 1907: 1901: 1899: 1897: 1895: 1893: 1891: 1889: 1887: 1885: 1883: 1881: 1878: 1877: 1874: 1872: 1870: 1865: 1863: 1861: 1859: 1857: 1855: 1853: 1847: 1846: 1843: 1841: 1839: 1837: 1835: 1833: 1828: 1826: 1821: 1819: 1816: 1815: 1809: 1807: 1802: 1800: 1798: 1796: 1794: 1789: 1787: 1784: 1783: 1780: 1778: 1776: 1774: 1772: 1770: 1768: 1766: 1751: 1750: 1741: 1711: 1710: 1698: 1696: 1691: 1689: 1678: 1675: 1674: 1670: 1667: 1664: 1661: 1658: 1655: 1652: 1649: 1646: 1643: 1640: 1637: 1635: 1634: 1619: 1618: 1612: 1610: 1608: 1601: 1597: 1593: 1589: 1585: 1580: 1579:Panther Books 1576: 1571: 1567: 1563: 1559: 1555: 1554:Kingsley Amis 1551: 1547: 1543: 1539: 1535: 1530: 1528: 1524: 1520: 1516: 1512: 1508: 1504: 1499: 1497: 1493: 1489: 1484: 1480: 1476: 1467: 1449: 1444: 1423: 1421: 1413: 1407: 1406: 1366: 1365: 1325: 1324: 1321: 1316: 1311: 1306: 1288: 1287: 1247: 1246: 1206: 1205: 1165: 1164: 1124: 1123: 1111: 1084: 1083: 1043: 1042: 1002: 1001: 997: 994: 991: 988: 985: 982: 979: 976: 973: 970: 967: 964: 962: 961: 955: 953: 951: 950:Dennis Dobson 947: 946: 941: 937: 933: 929: 925: 924: 916: 910: 908: 904: 900: 895: 891: 887: 883: 882: 875: 872: 868: 867: 862: 857: 855: 851: 847: 838: 836: 834: 830: 826: 822: 818: 813: 811: 805: 802: 798: 794: 790: 772: 767: 727: 726: 686: 685: 655: 653: 651: 648: 647: 644: 642: 640: 638: 636: 634: 629: 627: 622: 616: 615: 612: 607: 602: 597: 592: 587: 581: 580: 577: 572: 570: 568: 563: 561: 559: 554: 552: 550: 545: 543: 540: 539: 536: 531: 529: 527: 525: 523: 521: 516: 514: 512: 507: 505: 502: 501: 498: 496: 494: 489: 487: 485: 483: 478: 476: 474: 471: 470: 467: 465: 463: 461: 459: 457: 455: 453: 451: 449: 447: 445: 442: 441: 438: 436: 431: 429: 427: 425: 423: 421: 419: 417: 415: 412: 411: 408: 406: 401: 399: 394: 392: 390: 388: 386: 384: 381: 380: 376: 373: 370: 367: 364: 361: 358: 355: 352: 349: 346: 343: 341: 340: 325: 324: 321: 319: 315: 311: 307: 306:John F. Burke 303: 299: 295: 288: 284: 280: 276: 272: 270: 266: 262: 258: 254: 250: 246: 245: 240: 239: 234: 233: 228: 220: 215: 213: 211: 207: 206:J. G. Ballard 203: 199: 195: 191: 187: 186: 181: 177: 173: 169: 166:in 1964 when 165: 160: 157: 152: 148: 143: 141: 136: 129: 126:, who became 125: 121: 117: 113: 109: 108: 98: 94: 90: 86: 82: 78: 64: 60: 57: 54: 50: 43: 38: 35: 30: 19: 7117:Stormbringer 7116: 7108: 7101: 7094: 7087: 7070: 7069: 7062: 7030: 7023: 7018:Sonic Attack 7016: 7009: 7002: 6995: 6988: 6981: 6974: 6944:Stormbringer 6890: 6883: 6865: 6858: 6851: 6832: 6824: 6816: 6808: 6800: 6792: 6784: 6776: 6757: 6749: 6741: 6733: 6725: 6717: 6709: 6701: 6693: 6685: 6677: 6669: 6661: 6653: 6645: 6637: 6629: 6621: 6613: 6605: 6597: 6589: 6581: 6573: 6565: 6557: 6549: 6541: 6533: 6525: 6517: 6509: 6501: 6493: 6485: 6477: 6469: 6461: 6444:Bibliography 6400: 6399: 6392: 6385: 6378: 6360: 6353: 6346: 6339: 6332: 6325: 6318: 6311: 6306:Murky Depths 6304: 6297: 6290: 6285:Black Static 6283: 6276: 6197: 6190: 6183: 6176: 6169: 6162: 6155: 6147: 6140: 6133: 6126: 6119: 6112: 6105: 6098: 6091: 6084: 6077: 6070: 6063: 6056: 6049: 6042: 6037:The Scorpion 6035: 6028: 6021: 6014: 6007: 6000: 5993: 5988:Other Worlds 5986: 5979: 5972: 5965: 5959: 5958: 5951: 5944: 5937: 5930: 5923: 5916: 5909: 5902: 5895: 5888: 5881: 5874: 5867: 5860: 5853: 5846: 5841:Doctor Death 5839: 5832: 5825: 5818: 5813:Captain Zero 5811: 5804: 5797: 5790: 5783: 5776: 5769: 5762: 5755: 5748: 5689: 5686:Novae Terrae 5685: 5649: 5646:Ashley, Mike 5623: 5601: 5581:. Frogmore, 5577: 5552: 5528: 5507: 5488: 5467: 5444: 5420: 5399: 5377:. New York: 5373: 5342: 5321: 5298: 5277: 5260: 5240:. Retrieved 5230: 5222: 5217: 5192: 5188: 5184: 5178: 5174: 5166: 5161: 5136: 5132: 5128: 5122: 5117: 5092: 5088: 5084: 5078: 5074: 5049: 5045: 5041: 5019: 5011: 5006: 4998: 4993: 4984: 4974: 4966: 4961: 4944: 4940: 4934: 4917: 4913: 4907: 4899: 4894: 4886: 4881: 4872: 4868: 4862: 4854: 4849: 4841: 4836: 4828: 4823: 4813: 4808: 4796:. Retrieved 4773: 4768: 4760: 4734: 4729: 4721: 4716: 4708: 4703: 4693: 4688: 4680: 4662: 4657: 4649: 4644: 4627: 4623: 4617: 4609: 4604: 4595: 4586: 4577: 4569: 4564: 4556: 4540: 4535: 4527: 4522: 4514: 4501:, p. 9. 4498: 4482: 4481:Stableford, 4477: 4465:. Retrieved 4432: 4406: 4401: 4393: 4388: 4380: 4364: 4347: 4304: 4280: 4252: 4236: 4216: 4211: 4203: 4187: 4171: 4151: 4127:18 September 4125:. 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Smith 1479:New Worlds 1448:New Worlds 1446:Issues of 936:New Worlds 915:New Worlds 907:New Worlds 890:New Worlds 871:New Worlds 861:New Worlds 829:New Worlds 817:New Worlds 801:New Worlds 771:New Worlds 769:Issues of 298:New Worlds 294:New Worlds 251:living in 198:New Worlds 190:New Worlds 172:New Worlds 164:New Worlds 156:New Worlds 151:New Worlds 135:New Worlds 107:New Worlds 52:Categories 34:New Worlds 7050:Epic Pooh 6959:Melniboné 6387:Interzone 5742:Magazines 5209:234916097 5153:234916097 5109:234916097 5066:234916097 3869:The Times 2863:Publisher 2473:of, say, 2173:'s novel 2084:Quarterly 310:C.S. Youd 229:launched 225:In 1926, 6631:Gloriana 5692:fanzines 5648:(1988). 5622:(2004). 5575:(1981). 5371:(1993). 5347:Abingdon 5259:Ashley, 5205:ProQuest 5165:Ashley, 5149:ProQuest 5105:ProQuest 5062:ProQuest 4898:Ashley, 4853:Ashley, 4759:Ashley, 4679:Ashley, 4648:Ashley, 4608:Ashley, 4568:Ashley, 4555:Ashley, 4513:Ashley, 4497:Ashley, 4431:Ashley, 4405:Ashley, 4379:Ashley, 4363:Ashley, 4279:Ashley, 4235:Ashley, 3969:Ashley, 3956:Ashley, 3943:Ashley, 3882:offence. 3528:$ 12.99 2660:Campbell 2574:Bob Shaw 2557:New Wave 2479:Paolozzi 2464:Moorcock 2199:Time Out 253:Nuneaton 194:New Wave 96:Language 88:Based in 6997:Mirrors 6924:Erekosë 6299:Jupiter 6209:Related 6164:Unknown 5897:Fantasy 5732:fantasy 5270:Sources 5238:. Locus 5010:James, 4953:4239133 4926:4240537 4840:James, 4827:James, 4636:4239132 3505:£10.00 3169:197–200 3108:189–192 3095:183–188 3084:178–182 3056:173–176 3042:171–172 3028:160–170 3008:142–159 2997:134–141 2945:Digest 2648:entropy 2623:", and 2475:Playboy 2301:Carnell 1631:Winter 1584:indicia 1575:Fontana 337:Winter 259:called 257:fanzine 118:called 116:fanzine 99:English 80:Country 70: ( 6837:(2007) 6829:(1995) 6821:(1984) 6813:(1982) 6805:(1981) 6797:(1979) 6789:(1976) 6781:(1969) 6762:(2015) 6754:(2010) 6746:(2006) 6738:(2002) 6730:(2000) 6722:(1992) 6714:(1988) 6706:(1986) 6698:(1986) 6690:(1984) 6682:(1984) 6674:(1982) 6666:(1981) 6658:(1981) 6650:(1981) 6642:(1981) 6634:(1978) 6626:(1977) 6618:(1976) 6610:(1976) 6602:(1974) 6594:(1972) 6586:(1972) 6578:(1972) 6570:(1971) 6562:(1971) 6554:(1970) 6546:(1970) 6538:(1970) 6530:(1969) 6522:(1969) 6514:(1969) 6506:(1968) 6498:(1968) 6490:(1968) 6482:(1967) 6474:(1965) 6466:(1961) 6455:Novels 5656: 5630: 5608: 5589: 5561: 5537: 5514: 5495: 5476: 5453: 5427: 5408: 5385: 5353: 5330: 5307: 5284: 5207: 5151: 5107: 5064: 4951: 4924: 4634: 3872:Diary. 3639:Title 3636:Editor 3471:£6.99 3457:£5.99 3443:£4.99 3403:£1.00 3065:Slick 2986:89–133 2872:Price 2866:Format 2860:Editor 2854:Issues 2807:Galaxy 2705:, and 2694:Frendz 2678:, and 2409:, and 1628:Autumn 1625:Summer 1622:Spring 1560:, and 1496:pin-up 334:Autumn 331:Summer 328:Spring 312:, and 91:London 7025:Zones 5820:Comet 4949:JSTOR 4922:JSTOR 4632:JSTOR 4118:ISFDB 3804:Notes 3479:1994 3465:1993 3451:1992 3428:1991 3355:Free 3326:1976 3315:1975 3301:1975 3273:1973 3259:1973 3245:1972 3234:1972 3223:1971 3203:1971 2975:87–88 2953:32–85 2939:21–31 2903:1947 2889:Pulp 2857:Dates 2724:' 2522:Ambit 2221:' 2037:1979 1999:1978 1970:1977 1940:1976 1909:1975 1879:1974 1848:1973 1817:1972 1785:1971 1752:1970 1712:1969 1676:1968 1603:' 1408:1967 1367:1966 1326:1965 1289:1964 1248:1963 1207:1962 1166:1961 1125:1960 1085:1959 1044:1958 1003:1957 918:' 728:1956 687:1955 649:1954 617:1953 582:1952 541:1951 503:1950 472:1949 443:1948 413:1947 382:1946 290:' 131:' 7011:Hype 5730:and 5688:and 5654:ISBN 5628:ISBN 5606:ISBN 5587:ISBN 5559:ISBN 5535:ISBN 5512:ISBN 5493:ISBN 5474:ISBN 5451:ISBN 5425:ISBN 5406:ISBN 5383:ISBN 5351:ISBN 5328:ISBN 5305:ISBN 5282:ISBN 5244:2011 4875:: 2. 4800:2011 4469:2011 4396:178. 4129:2022 3787:1983 3774:1974 3761:1971 3748:1970 3735:1969 3722:1969 3709:1968 3696:1968 3683:1967 3670:1965 3657:1964 3644:1955 3633:Year 3566:and 3548:360 3536:2021 3525:357 3513:1997 3482:224 3468:219 3454:293 3440:267 3383:75p 3369:40p 3332:60p 3329:240 3307:224 3293:50p 3290:216 3284:1974 3276:272 3265:40p 3262:280 3251:35p 3248:224 3237:208 3226:192 3215:30p 3212:176 3195:25p 3131:3/6 3079:5/- 3051:128 3037:3/6 3034:160 3023:2/6 3003:3/- 2992:2/6 2981:128 2970:112 2959:2/- 2948:128 2928:5–20 2906:1/6 2895:2/- 2633:Hugo 2627:'s " 2619:'s " 2607:and 2544:and 2424:and 2359:and 2351:and 2309:was 2284:and 1747:196 1707:185 1671:Dec 1577:and 1540:and 1505:and 1490:and 1481:and 1441:178 1403:169 1362:157 1284:137 1243:125 1202:113 1161:101 998:Dec 938:and 567:4/11 558:3/10 377:Dec 281:and 241:and 72:1936 65:1936 7119:RPG 6446:of 5197:doi 5141:doi 5097:doi 5054:doi 4873:148 3533:223 3510:222 3502:64 3499:A4 3487:221 3476:220 3462:219 3448:218 3425:217 3420:44 3408:216 3400:48 3388:215 3380:56 3374:214 3366:32 3360:213 3349:A4 3337:212 3323:211 3312:210 3298:209 3281:208 3270:207 3256:206 3242:205 3231:204 3220:203 3200:202 3192:20 3189:A4 3180:201 3158:196 3147:195 3136:194 3128:32 3119:193 3073:177 3068:64 2934:96 2923:88 2892:64 2877:1–2 2805:in 2797:in 2782:in 2770:sic 2393:. 2371:. 2363:. 2288:at 2208:). 2059:216 2045:215 2029:214 2016:213 2007:212 1957:#10 1904:#7 1812:#2 1792:201 1764:200 1761:199 1758:198 1755:197 1744:195 1739:194 1736:193 1733:192 1730:191 1727:190 1724:189 1721:188 1718:187 1715:186 1704:184 1701:183 1694:182 1687:181 1684:180 1681:179 1668:Nov 1665:Oct 1662:Sep 1659:Aug 1656:Jul 1653:Jun 1650:May 1647:Apr 1644:Mar 1641:Feb 1638:Jan 1586:. 1438:177 1435:176 1432:175 1429:174 1426:173 1419:172 1416:171 1411:170 1400:168 1397:167 1394:166 1391:165 1388:164 1385:163 1382:162 1379:161 1376:160 1373:159 1370:158 1359:156 1356:155 1353:154 1350:153 1347:152 1344:151 1341:150 1338:149 1335:148 1332:147 1329:146 1319:145 1314:144 1309:143 1304:142 1301:141 1298:140 1295:139 1292:138 1281:136 1278:135 1275:134 1272:133 1269:132 1266:131 1263:130 1260:129 1257:128 1254:127 1251:126 1240:124 1237:123 1234:122 1231:121 1228:120 1225:119 1222:118 1219:117 1216:116 1213:115 1210:114 1199:112 1196:111 1193:110 1190:109 1187:108 1184:107 1181:106 1178:105 1175:104 1172:103 1169:102 1158:100 1120:89 1080:78 1039:66 995:Nov 992:Oct 989:Sep 986:Aug 983:Jul 980:Jun 977:May 974:Apr 971:Mar 968:Feb 965:Jan 810:1/6 764:54 723:42 682:30 549:3/9 535:3/8 520:3/7 511:2/6 492:2/5 481:2/4 434:1/3 404:1/2 397:1/1 374:Nov 371:Oct 368:Sep 365:Aug 362:Jul 359:Jun 356:May 353:Apr 350:Mar 347:Feb 344:Jan 7136:: 5644:; 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