New Journalism - Knowledge (XXG)

3477:'s letter to Whitney, dated "April 1965," contains the following passage: "Tom Wolfe's piece on William Shawn violated every rule of conduct I know anything about. It is sly, cruel, and to a large extent undocumented, and it has, I think, shocked everyone who knows what sort of person Shawn really is," and Shawn's hand-delivered letter to Whitney, sent Thursday before publication on April 11, 1965, read "To be technical for a moment, I think that Tom Wolfe's article on The New Yorker is false and libelous. But I'd rather not be technical ... I cannot believe that, as a man of known integrity and responsibility, you will allow it to reach your readers ... The question is whether you will stop the distribution of that issue of New York. I urge you to do so, for the sake of The New Yorker and for the sake of the Herald Tribune. In fact, I am convinced that the publication of that article will hurt you more than it will hurt me ...". Bellows 2002, pp. 3–4. 1009: 1072: 233: 4773: 842:, developed in the 1960s and 1970s, that uses literary techniques unconventional at the time. It is characterized by a subjective perspective, a literary style reminiscent of long-form non-fiction. Using extensive imagery, reporters interpolate subjective language within facts whilst immersing themselves in the stories as they reported and wrote them. In traditional journalism, the journalist is "invisible"; facts are meant to be reported objectively. 783: 1400:

they add a flavor and a humanity to journalistic writing that push it into the realm of art." Charles Brown in 1972 reviewed much that had been written as New Journalism and about New Journalism by Capote, Wolfe, Mailer and others and labelled the genre "New Art Journalism", which allowed him to test it both as art and as journalism. He concluded that the new literary form was useful only in the hands of literary artists of great talent.

84: 4761: 1743:, he rejected the claim to greater in-depth reporting and labelled the writers "factual fictionists" and "deep-see reporters". He feared they were performing as sociologists and psychoanalysts rather than as journalists. The lack of source footnotes and bibliographies in most works of New Journalism is often cited by critics as showing a lack of intellectual rigor, verifiability, and even author laziness and sloppiness. 1054: 1273: 43: 151: 1239:

for December, 1972, hailed the replacement of the novel by the New Journalism as literature's "main event" and detailed the points of similarity and contrast between the New Journalism and the novel. The four techniques of realism that he and the other New Journalists employed, he wrote, had been the

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Contemporary journalists and writers questioned the "currency" of New Journalism and its qualification as a distinct genre. The subjective nature of New Journalism received extensive exploration: one critic suggested the genre's practitioners functioned more as sociologists and psychoanalysts than as

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It's all part of the New Journalism, or the Now Journalism, and it's practiced widely these days. Some editors and reporters vigorously defend it. Others just as vigorously attack it. No one has polled the reader, but whether he approves or disapproves, it's getting harder and harder for him to know

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reporting" which precedes it, the result of the writer's immersion in his subject. Consequently, Stein concluded, the writer is as much part of his story as is the subject and he thus linked saturation reporting with subjectivity. For him, New Journalism is inconsistent with objectivity or accuracy.

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David McHam, in an article titled "The Authentic New Journalists", distinguished the nonfiction reportage of Capote, Wolfe and others from other, more generic interpretations of New Journalism. Also in 1971, William L. Rivers disparaged the former and embraced the latter, concluding, "In some hands,

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in the 1880s—led journalists and historians to proclaim that a "New Journalism" had been created. Ault and Emery, for instance, said "ndustrialization and urbanization changed the face of America during the latter half of the Nineteenth century, and its newspapers entered an era known as that of the

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was doing little more than trying to devise a form: "One more esthetic manipulation." Sheed offered, in "A Fun-House Mirror", a witty refutation of Wolfe's claim that he takes on the expression and the guise of whomever he is writing about. "The Truman Capotes may hold up a tolerably clear glass to

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The important and interesting and hopeful trend to me in the new journalism is its personal nature—not in the sense of personal attacks, but in the presence of the reporter himself and the significance of his own involvement. This is sometimes felt to be egotistical, and the frank identification of

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Pervading many of the specific interpretations of New Journalism is a posture of subjectivity. Subjectivism is thus a common element among many (though not all) of its definitions. In contrast to a conventional journalistic striving for an objectivity, subjective journalism allows for the writer's

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article out of material on a custom car extravaganza in Los Angeles, in 1963. Finding he could not do justice to the subject in magazine article format, he wrote a letter to his editor, Byron Dobell, which grew into a 49-page report detailing the custom car world, complete with scene construction,

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I've always had the theory that reportage is the great unexplored art form... I've had this theory that a factual piece of work could explore whole new dimensions in writing that would have a double effect fiction does not have—the very fact of its being true, every word of it's true, would add a

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During the 1960s and 1970s, the term enjoyed widespread popularity, often with meanings bearing manifestly little or no connection with one another. Although James E. Murphy noted that "...most uses of the term seem to refer to something no more specific than vague new directions in journalism",

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More reasoned, though still essentially negative, Arlen in his 1972 "Notes on the New Journalism", put the New Journalism into a larger socio-historical perspective by tracing the techniques from earlier writers and from the constraints and opportunities of the current age. But much of the more

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The above interpretations of New Journalism view it as an attitude toward the practice of journalism. But a significant portion of the critical literature deals with form and technique. Critical comment dealing with New Journalism as a literary-journalistic genre (a distinct type of category of

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Despite these elements, New Journalism is not fiction. It maintains elements of reporting including strict adherence to factual accuracy and the writer being the primary source. To get "inside the head" of a character, the journalist asks the subject what they were thinking or how they felt.

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Its virtue was precisely in showing me the possibility of there being something "new" in journalism. What interested me was not simply the discovery that it was possible to write accurate nonfiction with techniques usually associated with novels and short stories. It was that—plus. It was the

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Newfield, in 1972, changed his attitude following his earlier, 1967, review of Wolfe. "New Journalism does not exist", the later article titled "Is there a 'new journalism'?" says. "It is a false category. There is only good writing and bad writing, smart ideas and dumb ideas, hard work and

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Robert Stein believed that "In the New Journalism the eye of the beholder is all—or almost all," and in 1971 Philip M. Howard, wrote that the new nonfiction writers rejected objectivity in favor of a more personal, subjective reportage. This parallels much of what Wakefield said in his 1966

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The basic units of reporting are no longer who-what-when-where-how and why but whole scenes and stretches of dialogue. The New Journalism involves a depth of reporting and an attention to the most minute facts and details that most newspapermen, even the most experienced, have never dreamed

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The new journalism, though often reading like fiction, is not fiction. It is, or should be, as reliable as the most reliable reportage although it seeks a larger truth than is possible through the mere compilation of verifiable facts, the use of direct quotations, and adherence to the rigid

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literature" of the majority, a synthesis of journalism and literature that the book's postscript called "journalit". In 1972, in "An Enemy of the Novel", Krim identified his own fictional roots and declared that the needs of the time compelled him to move beyond fiction to a more "direct"

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and strove to keep himself totally out of the narrative, one reviewer found in the book the "tendency among writers to resort to subjective sociology, on the other hand, or to super-creative reportage, on the other." Charles Self termed this characteristic of New Journalism as "admitted"

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Although much of the critical literature discussed the use of literary or fictional techniques as the basis for a New Journalism, critics also referred to the form as stemming from intensive reporting. Stein, for instance, found the key to New Journalism not its fictionlike form but the

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Much of the criticism favorable to this New Journalism came from the writers themselves. Talese and Wolfe, in a panel discussion cited earlier, asserted that, although what they wrote may look like fiction, it was indeed reporting: "Fact reporting, leg work", Talese called it.

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Being a reporter was another path I could have gone down, but the kind of journalism New Journalism requires is not only powers of observation but the ability to hang around people for hours and hours ... the qualities of being a real asshole ... and it's just not

3473:"With the printing of the inaccurate and sub-collegiate and gleeful and unrelievedly poisonous article on William Shawn, the name of the Herald Tribune, and certainly your own will very likely never again stand for anything either respect-worthy or honorable." 1391:, which appeared in 1970, contained "An Open Letter to Norman Mailer" which defined New Journalism as "a free nonfictional prose that uses every resource of the best fiction." In "The Newspaper As Literature/Literature As Leadership", he called journalism "the 996:, a collection edited and introduced by Everette E. Dennis, came up with six categories, labelled new nonfiction (reportage), alternative journalism ("modern muckraking"), advocacy journalism, underground journalism and precision journalism. Michael Johnson's 1644:, Murphy writes that New Journalism "involves a more or less well defined group of writers," who are "stylistically unique" but share "common formal elements". Among the most prominent New Journalists, Murphy lists: Jimmy Breslin, Truman Capote, Joan Didion, 1465:

As a literary genre, New Journalism has certain technical characteristics. It is an artistic, creative, literary reporting form with three basic traits: dramatic literary techniques; intensive reporting; and reporting of generally acknowledged subjectivity.

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later wrote that "in the Sixties, events seemed to move too swiftly to allow the osmotic process of art to keep abreast, and when we found a good novelist we immediately sought to seduce him with the sweet mysteries of current events." Soon others, notably

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We have had opportunities of observing a new journalism which a clever and energetic man has lately invented. It has much to recommend it; it is full of ability, novelty, variety, sensation, sympathy, generous instincts; its one great fault is that it is

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The essential difference between the new nonfiction and conventional reporting is, he said, that the basic unit of reporting was no longer the datum or piece of information but the scene. Scene is what underlies "the sophisticated strategies of prose".

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in a series on that city's sexual subculture. When it later became known that the character was distilled from a number of prostitutes, there was an outcry against Sheehy's method and, by extension, to the credibility of all of New Journalism. In the

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In his second article, MacDonald addressed himself to the accuracy of Wolfe's report. He charged that Wolfe "takes a middle course, shifting gears between fact and fantasy, spoof and reportage, until nobody knows which end is, at the moment, up".

1162:'Joe Louis at Fifty' wasn't like a magazine article at all. It was like a short story. It began with a scene, an intimate confrontation between Louis and his third wife..." Wolfe said Talese was the first to apply fiction techniques to reporting. 1536:

The new nonfiction were sometimes taken for advocacy of subjective journalism. A 1972 article by Dennis Chase defines New Journalism as a subjective journalism emphasizing "truth" over "facts" but uses major nonfiction stylists as its example.

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While many praised the New Journalist's style of writing, Wolfe et al., also received severe criticism from contemporary journalists and writers. Essentially two different charges were leveled against New Journalism: criticism against it as a

1813:... seems to be journalism—"the collection and dissemination of current news"—but the appearance is deceptive. It is a bastard form, having it both ways, exploiting the factual authority of journalism and the atmospheric license of fiction. 1368:

said Wolfe and Mailer were applying "the imaginative resources of fiction" to the world around them and termed such creative journalism "hystory" to connote their involvement in what they reported. Talese in 1970, in his Author's Note to

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piece, saturation became the "Locker Room Genre" of intensive digging into the lives and personalities of one's subject, in contrast to the aloof and genteel tradition of the essayists and "The Literary Gentlemen in the Grandstand".

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Hohenberg discussed "The Journalist As Missionary" For Masterson in 1971, "The New Journalism" provided a forum for discussion of journalistic and social activism. In another 1971 article under the same title, Ridgeway called the

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I am the first to agree that the New Journalism should be as accurate as traditional journalism. In fact my claims for the New Journalism, and my demands upon it, go far beyond that. I contend that it has already proven itself

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laziness." While the practice of journalism had improved during the past fifteen years, he argued, it was because of an influx of good writers notable for unique styles, not because they belonged to any school or movement.

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blaming its demise on the journalistic liberties taken by Hunter S. Thompson. Regardless of the culprit, less than a decade after Wolfe's 1973 New Journalism anthology, the consensus was that New Journalism was dead.

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piece, he confessed believing that Talese had "piped" or faked the story, only later to be convinced, after learning that Talese so deeply delved into the subject, that he could report entire scenes and dialogues.

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routine New Journalism "consists in exercises by writer ... in gripping and controlling and confronting a subject within the journalist's own temperament. Presumably," he wrote, "this is the 'novelistic technique.

1433:, where the style had flourished in the two earlier decades, shifted away from the New Journalism. Fiction techniques had not been abandoned by these writers, but they were used sparingly and less flamboyantly. 1297:

farm family. Capote culled material from some 6,000 pages of notes. The book brought its author instant celebrity. Capote announced that he had created a new art form which he labelled the "nonfiction novel".

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Magazine, where I was editorial director, and told me he wanted to write an article about new New Journalism. It was to be about the exciting things being done in the old reporting genre by Talese, Wolfe and

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to New Journalism and cataloged many of the contemporary definitions: "Activist, advocacy, participatory, tell-it-as-you-see-it, sensitivity, investigative, saturation, humanistic, reformist and a few more."

981:(1960), called the interpretive reporting which developed after World War II a "new journalism which not only seeks to explain as well as to inform; it even dares to teach, to measure, to evaluate." 2982:, December–January, 1973, pp. 10–11: "The new journalism requires days, weeks or even months of research for each story. The new journalist writes from a detailed knowledge of his subject." (p. 11) 1244:. They are scene-by-scene construction, full record of dialogue, third-person point of view and the manifold incidental details to round out character (i.e., descriptive incidentals). The result: 1725:

the author, especially as the "I" instead of merely the impersonal "eye" is often frowned upon and taken as proof of "subjectivity", which is the opposite of the usual journalistic pretense.

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This new genre defines itself by claiming many of the techniques that were once the unchallenged terrain of the novelist: tension, symbol, cadence, irony, prosody, imagination.

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In the eighties, the use of New Journalism saw a decline, several of the old trailblazers still used fiction techniques in their nonfiction books. However, younger writers in

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Philip M. Howard. Jr., "The New Journalism: A Nonfiction Concept of Writing", unpublished master's thesis, University of Utah, August, 1971, 5 ff. (see Murphy 1974, p. 11.)

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Much of the critical literature concerns itself with a strain of subjectivism which may be called activism in news reporting. In 1970, Gerald Grant wrote disparagingly in

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For Talese, intensive reportage took the form of interior monologue to discover from his subjects what they were thinking, not, he said in a panel discussion reported in

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Stead, and declared that, under this editor, "the P.M.G., whatever may be its merits, is fast ceasing to be literature." Stead himself called his brand of journalism '

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discovery that it was possible in nonfiction, in journalism, to use any literary device, from the traditional dialogisms of the essay to stream-of-consciousness...

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articles (1972) to his detractors but not to dispute their attack on his factual accuracy. He argued that most of the contentions arose because for traditional

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parody, New Journalism began to get a reputation for juggling the facts in the search for truth, fictionalizing some details to get a larger 'reality.

1868:" Widely criticized was the technique of the composite character, the most notorious example of which was "Redpants", a presumed prostitute whom 1027:

turn-of-the-century press empire. However, at the time, the target of Arnold's irritation was not Northcliffe, but the sensational journalism of

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Capote continued to stress that he was a literary artist, not a journalist, but critics hailed the book as a classic example of New Journalism.

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Rarely mentioned, perhaps because they are somewhat less playfully countercultural in tone, as early and eminent exemplars of the new form are:

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There Goes (Varoom! Varoom!) That Kandy-Kolored (Thphhhhhh!) Tangerine-Flake Streamline Baby (Rahghhh!) Around the Bend (Brummmmmmmmmmmmmmm)...

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detailing the growth of the new nonfiction and its techniques, Wolfe returned to the fortuitous circumstances surrounding the construction of

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nature," he wrote, "but Wolfe holds up a fun-house mirror, and I for one don't give a hoot whether he calls the reflection fact or fiction."

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saw the book as a good example of budding tradition in American journalism which rejected many of the constraints of conventional reporting:

1809:. In the first, Macdonald termed Wolfe's approach "parajournalism" and applied it to all similar styles. "Parajournalism", Macdonald wrote, 4168: 3733: 1132: 1128: 1071: 1111:. He never wrote the piece, so far as I know, but I began using the expression in conversation and writing. It was picked up and stuck. 1023:

is credited with coining the term "New Journalism" in 1887, which went on to define an entire genre of newspaper history, particularly

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and the existential threat of mass-extinction into public-consciousness for the first time for most of their contemporary readers.

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The English Newspaper: Some Account of the Physical Development of Journals Printed in London Between 1622 & the Present Day

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Recording everyday details such as behavior, possessions, friends and family (which indicate the "status life" of the character)

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writers, was loud and prolonged, but the most significant reaction came from Macdonald, who counterattacked in two articles in

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acclaimed the nonfiction of Capote and Wolfe as elevating reporting to the level of literature, terming that work and some of

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The Last Editor: How I Saved the New York Times, the Washington Post, and the Los Angeles Times from Dullness and Complacency

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addresses itself to three phenomena: the underground press, the artists of nonfiction, and changes in the established media.

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It was the first sign of the coming of the 'New Journalism', and Stead was its prophet. When Arnold wrote his article in

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But wherever and whenever the term arose, there is evidence of some literary experimentation in the early 1960s, as when

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Much negative criticism of New Journalism were directed at individual writers. For example, Cynthia Ozick asserted in

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Another version of subjectivism in reporting is what is sometimes called participatory reporting. Robert Stein, in

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Various people and tendencies throughout the history of American journalism have been labeled "new journalism".

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subjectivity, whether first-person or third-person, and acknowledged the subjectivity inherent in his account.

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The New Journalism: The Underground Press, the Artists of Nonfiction, and Changes in the Established Media

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The editors Clay Felker, Normand Poirier and Harold Hayes also contributed to the rise of New Journalism.

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Wolfe himself returned to the affair a full seven years later, devoting the second of his two February

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ran the letter, striking out "Dear Byron." and it became Wolfe's maiden effort as a New Journalist.

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Articles in the New Journalism style tended not to be found in newspapers, but in magazines such as

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There is little consensus on which writers can be definitively categorized as New Journalists. In

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The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, and the New Journalism Revolution

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It Wasn't Pretty, Folks, But Didn't We Have Fun?: Surviving the '60s with Esquire's Harold Hayes

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Wolfe, "Tiny Mummies! The True Story of the Ruler of 43rd Street's Land of the Walking Dead",

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parody, he added, "... revealed the ugly side of Parajournalism when it tries to be serious."

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journalists. Criticism has been leveled at numerous individual writers in the genre, as well.

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The article Wolfe referred to was actually titled "Joe Louis—the King as a Middle-Aged Man",

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However, others have argued that total immersion enhances accuracy. As Wolfe put the case:

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literary work grouped according to similar and technical characteristics) treats it as the

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Wolfe, Tom (February 21, 1972). "The New Journalism: A la Recherche des Whichy Thickets".

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Wolfe, Tom (February 21, 1972). "The New Journalism: A la Recherche des Whichy Thickets".

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Wolfe, Tom (December 1972). "Why They Aren't Writing the Great American Novel Anymore".

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W. Steward Pinkerton. Jr., "The 'New Journalism' is Something Less Than Meets the Eye."

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Wheeler, Edward Jewitt; Funk, Isaac Kaufman; Woods, William Seaver (November 11, 1911).

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In a private letter to James E. Murphy, dated February 6, 1973 (see Murphy 1974, p. 5.)

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The Professional Journalist: A Guide to the Practices and Principles of the News Media

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reported that critics felt Sheehy's energies were better suited to fiction than fact.

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that year, the piece established a precedent which Mailer would later build on in his

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Wolfe wrote that his first acquaintance with a new style of reporting came in a 1962

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Telling the story using scenes rather than historical narrative as much as possible

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The City: Suggestions for Investigation of Human Behavior in the Urban Environment

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accurate than traditional journalism—which unfortunately is saying but so much...

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Dwight Macdonald. "Parajournalism, or Tom Wolfe and His Magic Writing Machine",

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Baylen, J.O. (December 1972). "The 'New Journalism' in Late Victorian Britain".

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The references used may be made clearer with a different or consistent style of

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The first of the new breed of nonfiction writers to receive wide notoriety was

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Point-of-view (present every scene through the eyes of a particular character)

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Dialogue in full (conversational speech rather than quotations and statements)

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Hayes, Gay Talese and Wolfe, with Leonard W. Robinson, "The New Journalism."

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How and when the term New Journalism began to refer to a genre is not clear.

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Robert Boynton (January 23, 2005). "Whatever happened to New Journalism?".

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And in spite of the fact that Capote believed in the objective accuracy of

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s lead, and the style eventually infected other magazines and then books.

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communication to which he promised to bring all of fiction's resources.

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affair" of 1965. Wolfe had written a two-part semi-fictional parody in

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Hohenberg, John (February 11, 1970). "The Journalist As Missionary".

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Wolfe identified the four main devices New Journalists borrowed from

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Eason, David (Spring 1982). "New Journalism, Metaphor and Culture".

3221:, April 11, 1965, pp. 7–9: 24–29: and "Lost in the Whichy Thicket", 1328:

In an article entitled "The Personal Voice and the Impersonal Eye",

1012:

A polemic map by W. T. Stead, social reformer and journalist of the

985:

Curtis D. MacDougal devoted the preface of the sixth edition of his

3875:"The Birth of 'The New Journalism'; Eyewitness Report by Tom Wolfe" 2372:

Mailer, Norman (November 1960). "Superman Comes to the Supermart".

1848:

nonfiction should not succeed—which his nonfiction obviously had.

1271: 1102:

first used the expression. In about April of 1965 he called me at

1070: 1052: 1007: 958:

in the 1830s as "new journalism". Likewise, the appearance of the

3771:

Popular Writing in America: The Interaction of Style and Audience

2329:

The Birth of 'The New Journalism'; Eyewitness Report by Tom Wolfe

4450: 4252: 4203: 4083:

making the case against New Journalism as a distinct genre in a

4035:

The Reporter as Artist: A Look at the New Journalism Controversy

739: 439: 242: 4150: 3938:

Fact & Fiction: The New Journalism and the Nonfiction Novel

3645:

Smiling Through the Apocalypse—Esquire's History of the Sixties

3414:

In a personal letter to Philip Howard, quoted on Howard's p. 9.

3586:

The Magic Writing Machine—Student Probes of the New Journalism

2650:, January 16, 1966: G. Hicks, "Story of an American Tragedy", 1082:

in 2009. Gay Talese was one of the pioneers of New Journalism.

994:

The Magic Writing Machine—Student Probes of the New Journalism

144: 77: 36: 4146: 3618:

Grant, Gerald (Spring 1970). "The "New Journalism" We Need".

1833:

and Gerald Jonas joined the fray in the Winter 1966 issue of

3312:, with Renata Adler and Gerald Jonas, "Is Fact Necessary?", 2696:

Dan Wakefield, "The Personal Voice and the Impersonal Eye",

2349:"Why They Aren't Writing the Great American Novel Anymore", 849:

in a 1973 collection of journalism articles he published as

4101:"The 7 Greatest Stories in the History of Esquire Magazine" 2963:

Dennis Chase. "From Lippmann to Irving to New Journalism",

1737:

Lester Markel polemically criticized New Journalism in the

2654:, January 22, 1966: Neil Compton, "Hyjinks' Journalism", 1573:

article. After citing the opening paragraphs of Talese's

1484:

of a "New Journalism of passion and advocacy" and in the

3456:, which became the title of the book, published in 1965. 2638:

See for example. J. Howard, "Six Year Literary Virgil",

1166:

claimed credit as the seedbed for these new techniques.

1475:

opinion, ideas or involvement to creep into the story.

106: 3810:

Media Power; Who Is Shaping Your Picture of the World?

3784:

Murphy, James E. (May 1974). Westley, Bruce H. (ed.).

3597:

Dennis, Everette E.; Rivers, William L., eds. (1974).

2978:

See, for example, Charles Self, "The New Journalism?"

2950:

The definition is based on that of William F. Thrall,

1215:"(1962); articles which introduced, respectively, the 4749: 3143:

Bulletin of the American Society of Newspaper Editors

2391:

Bulletin of the American Society of Newspaper Editors

1777:

Among the hostile critics of the New Journalism were

1740:

Bulletin of the American Society of Newspaper Editors

1570:

Bulletin of the American Society of Newspaper Editors

3536:, eds. (1967) . "Natural History of the Newspaper". 1909:

Criticism against New Journalism as a distinct genre

1436:"Whatever happened to the New Journalism?" wondered 1375:, a collection of his pieces from the 1960s, wrote: 4686: 4613: 4420: 4322: 4244: 4184: 3229:was still the Sunday magazine for the now deceased 1507:and the American underground press New Journalism. 3982: 3768: 3725: 3682: 3537: 2725:Robert Scholes, "Double Perspective on Hysteria", 2160: 845:The term was codified with its current meaning by 3453:The Kandy-Kolored Tangerine-Flake Streamline Baby 3180:Cynthia Ozick, "Reconsideration: Truman Capote", 3158:Michael J. Arlen, "Notes on the New Journalism", 1674:, the editors E.W Johnson and Tom Wolfe, include 1313:The Kandy-Kolored Tangerine-Flake Streamline Baby 2228:Journalism in Britain: A Historical Introduction 2135:. University of Illinois Press. pp. 35–37. 4120:Chart – Real and Fake News (2016)/Vanessa Otero 2843:Charles Brown, "New Art Journalism Revisited", 2385: 2383: 2815:David McHam, "The Authentic New Journalists", 1293:, was a detailed narrative of the murder of a 4162: 1607:, merely reporting what people did and said. 812: 91:The examples and perspective in this article 8: 2692: 2690: 2282:Australian Journal of Politics & History 928:, and for a short while in the early 1970s, 3600:Other Voices: The New Journalism in America 3397: 3395: 3393: 2708: 2706: 1567:Wolfe coined "saturation reporting" in his 71:Learn how and when to remove these messages 4169: 4155: 4147: 3985:The New Journalism: A Historical Anthology 3786:The New Journalism: A Critical Perspective 3246:"The New Yorker Affair: From Other Angles" 3028:"Whatever Happened to the New Journalism?" 2905: 2903: 2625: 2623: 2621: 2619: 2617: 2615: 2311: 2309: 2307: 2305: 2303: 2154: 2152: 2133:Visions of the Press in Britain, 1850–1950 2035:Joseph Pulitzer, Maker of a New Journalism 1858:The New Journalism: A Critical Perspective 1642:The New Journalism: A Critical Perspective 1303:double contribution of strength and impact 1279:, as photographed by Roger Higgins in 1959 819: 805: 220: 3793:Russello, Gerald J. (November 21, 2005). 2828:William L. Rivers , "The New Confusion", 2551: 2549: 942:Precursors and alternate uses of the term 209:Learn how and when to remove this message 191:Learn how and when to remove this message 133:Learn how and when to remove this message 3918:Liberating the Media: The New Journalism 3285: 3283: 3267: 3265: 3263: 3154: 3152: 2800:Krim, Seymour. "An Enemy of the Novel." 2345: 2343: 2323: 2321: 2191:for May 1887 he had W. T. Stead in mind. 1587:In his "Birth of the New Journalism" in 1248:... is a form that is not merely like a 1067:, announcing the birth of New Journalism 4756: 3383:John Tebbel, "The Old New Journalism", 2270:, (2 vols., New York, 1920). Available 1984: 1403:In the first of two pieces by Wolfe in 1380:organizational style of the older form. 721: 673: 602: 411: 315: 223: 3941:. University of North Carolina Press. 3490:Ault, Philip H.; Emery, Edwin (1959). 3446:Wolfe's letter had the original title 3341: 3339: 3337: 3225:, April 18, 1965, 16 ff. At the time, 3112:F. W. Dupre, "Truman Capote's Score", 2893: 2891: 2889: 2051: 2041: 1995:Another Life: A Memoir of Other People 3450:. The title was later contracted to 3324: 3322: 3195:Wilfrid Sheed, "A Fun-House Mirror", 2646:, "Story behind a Nonfiction Novel", 1321:dialogue and flamboyant description. 1240:sole province of novelists and other 7: 3795:"How New Journalism Became Old News" 3127:Charles Self, "The New Journalism?" 27:Style of news writing and journalism 3956:Johnson, E. W.; Wolfe, Tom (1973). 3756:"Superman Comes to the Supermarket" 3577:10.1111/j.0022-3840.1982.1504_142.x 3131:, December–January, 1973, pp. 10–11 2667:Capote, as quoted by Roy Newquist, 2261:"The Life of General William Booth" 1141:) and in other nonfiction as well. 855:, which included works by himself, 4077:"Of honest men & good writers" 3048:Cartwright, Garth (May 12, 2001). 2712:Jack Newfield, "Hooked and Dead", 2294:10.1111/j.1467-8497.1972.tb00602.x 1119:broke away from fiction to write " 1037:. He strongly disapproved of the 25: 4134:Chart – Real and Fake News (2014) 4089:article published on May 18, 1972 3584:Dennis, Everette E., ed. (1971). 2112:. Dennis & Rivers eds (1974). 1121:Superman Comes to the Supermarket 1094:offered his explanation in 1973. 52:This article has multiple issues. 4771: 4759: 3873:Wolfe, Tom (February 14, 1972). 3840:. World Publishing Corporation. 3713:Shake It for the World, Smartass 3140:Lester Markel, "So What's New?" 3081:See for example, Jack Newfield, 2952:et al., A Handbook to Literature 1389:Shake It for the World, Smartass 954:, referred to the advent of the 952:Natural History of the Newspaper 781: 231: 149: 82: 41: 3405:, July–August, 1972, pp. 45–47. 2932:. February 11, 1970, pp. 76–77. 2225:Conboy, Martin (Jan 19, 2011). 1365:The Electric Kool-Aid Acid Test 1016:magazine of the 1880s and 1890s 60:or discuss these issues on the 3331:, February 21, 1972, pp. 39–48 3300:, February 3, 1966, pp. 18–24. 3289:"Parajournalism II: Wolfe and 3197:The New York Times Book Review 2714:The New York Times Book Review 2648:The New York Times Book Review 1708:and criticism against it as a 1264:dreamed of but never achieved. 1138:Miami and the Siege of Chicago 1057:February 14, 1972, article in 1: 4234:Pundit / commentator 3767:McQuade, Donald, ed. (1974). 3724:MacDougal, Curtis D. (1972). 2487:Carson, Rachel (1962-06-09). 2421:Arendt, Hannah (1963-02-08). 2110:The New Journalism in America 2068:Ault & Emery 1959, p. 11. 770:Pundit / commentator 3916:Flippen, Charles C. (1974). 3387:, March 13, 1971, pp. 96–67. 3298:The New York Review of Books 3274:The New York Review of Books 3115:The New York Review of Books 2819:, September, 1971, pp. 9–14. 2520:Overbey, Erin (2012-11-19). 2389:Wolfe. "The New Journalism" 1806:The New York Review of Books 308:Index of journalism articles 30:For the anthology book, see 4737:List of journalism articles 3546:University of Chicago Press 3050:"Master of the Rock Review" 2454:Hersey, John (1946-08-23). 979:The Professional Journalist 109:, discuss the issue on the 4815: 4016:W. W. Norton & Company 3691:University of Kansas Press 3621:Columbia Journalism Review 3590:University of Oregon Press 3565:Journal of Popular Culture 3460: 3441: 3428: 3403:Columbia Journalism Review 3374:, December 4, 1972, p. 61. 3316:, Winter, 1966, pp. 29–34. 3314:Columbia Journalism Review 3277:, August 26, 1965, pp. 3–5 3186:, January 27, 1973, p. 34. 3083:Columbia Journalism Review 2337:, February 14, 1972. p. 45 2169:Cambridge University Press 1852:Gail Sheehy and "Redpants" 1835:Columbia Journalism Review 1481:Columbia Journalism Review 1450:published a postmortem in 1287:, whose 1965 best-seller, 1254:all this actually happened 29: 4734: 4052:Weingarten, Marc (2006). 4008:Polsgrove, Carol (1995). 3681:Johnson, Michael (1971). 3512:Andrews McMeel Publishing 3248:. CNN.com. April 16, 2002 3199:, December 3, 1972, p. 2. 3118:, February 3, 1966, p. 5. 2847:, March, 1972, pp. 18–23. 2806:, Winter 1972, pp. 60–62. 2729:, August 24. 1968. p. 37. 2159:Morison, Stanley (1932). 2106:The Magic Writing Machine 1998:. Random House. pp. 1799:. Reaction, notably from 1769:"Parajournalism" and the 1356:A 1968 review of Wolfe's 793:Category: Journalism 3981:Mills, Nicolaus (1974). 3935:Hollowell, John (1977). 3728:Interpretative Reporting 3656:Hohenberg, John (1960). 3360:, August 13, 1971, p. 1. 2969:August, 1972. pp. 19–21. 2834:, December, 1971, p. 28. 2700:, June, 1966, pp. 86–89. 2402:Hayes ed., 1970, p. xxi. 2353:, December 1972, p. 152. 1470:As subjective journalism 1049:Early development, 1960s 1043:Government by Journalism 987:Interpretative Reporting 93:deal primarily with the 4194:Journalists (reporters) 3777:Oxford University Press 3357:The Wall Street Journal 3232:New York Herald Tribune 2864:, 1980), and Thompson ( 2684:Wolfe 1965, pp. ix–xii. 2561:. January, 1970, p. 34. 2423:"Eichmann in Jerusalem" 2208:attackingthedevil.co.uk 2077:Hohenberg 1960, p. 322. 1992:Korda, Michael (1999). 1688:writer James Mills and 950:, for instance, in his 730:Journalists (reporters) 97:and do not represent a 4308:Editorial independence 4033:Weber, Ronald (1974). 3860:"A City Built of Clay" 3808:Stein, Robert (1972). 3664:Henry Holt and Company 3496:Dodd, Mead and Company 3146:, January, 1972, p. 8. 2573:, pp. 152–159, 272–280 2189:The Nineteenth Century 2131:Hampton, Mark (2004). 1890: 1815: 1727: 1585: 1565: 1541:As intensive reportage 1516:participatory politics 1418: 1382: 1354: 1305: 1280: 1266: 1113: 1083: 1068: 1017: 298:Editorial independence 4662:Pink-slime journalism 4647:Horse race journalism 2716:, May 7, 1967, p. 20. 2095:MacDougal 1971, p. v. 1885: 1811: 1722: 1580: 1556: 1522:As form and technique 1413: 1377: 1350: 1300: 1275: 1246: 1197:Eichmann in Jerusalem 1096: 1074: 1056: 1011: 977:" John Hohenberg, in 901:CoEvolution Quarterly 788:Journalism portal 651:Pink-slime journalism 636:Horse race journalism 4637:Freedom of the press 3483:General bibliography 2856:For example, Wolfe ( 2738:Talese 1970, p. vii. 1975:References and notes 1951:New Games Journalism 1946:Immersion journalism 1888:what he can believe. 1883:, one critic wrote: 889:The Atlantic Monthly 626:Freedom of the press 115:create a new article 107:improve this article 4799:Types of journalism 4699:Newspaper of record 4142:Pew Research Center 4107:. November 30, 2009 3920:. Acropolis Books. 3345:Murphy 1974, p. 13. 3208:Murphy 1974, p. 12. 3171:Murphy 1974, p. 14. 3094:Stein 1972, p. 168. 3000:Murphy 1972, p. 10. 2991:Smith 1972, p. 167. 2941:Stein 1972, p. 165. 2897:Murphy 1974, p. 16. 2862:Thy Neighbor's Wife 2769:First published in 2751:, February 1, 1967. 2747:First published in 2642:, January 7, 1966: 2629:Murphy 1974, p. 7. 2411:Murphy 1974, p. 5. 2376:. pp. 119–127. 1936:Embedded journalism 1931:Creative nonfiction 1901:, in an article in 1880:Wall Street Journal 1636:Writers and editors 1440:in a 1975 issue of 1359:The Pump House Gang 688:Newspaper of record 4037:. Hastings House. 3959:The New Journalism 3837:Fame and Obscurity 3732:(Sixth ed.). 3603:. Canfield Press. 3530:Burgess, Ernest W. 3492:Reporting the News 3162:, May 1972, p. 47. 3072:Murphy 1974, p. 15 3030:. BillBeuttler.com 2909:Murphy 1974, p. 3. 2791:Krim 1970, p. 365. 2782:Krim 1970, p. 359. 2760:Krim 1970, p. 115. 2393:. September, 1970. 2315:Murphy 1974, p. 4. 2266:2012-03-14 at the 2108:. (1971) see also 2022:Park 1967 , p. 93. 1957:The New Journalism 1671:The New Journalism 1495:magazines such as 1453:Washington Monthly 1372:Fame and Obscurity 1281: 1084: 1069: 1025:Lord Northcliffe's 1018: 998:The New Journalism 861:Hunter S. Thompson 852:The New Journalism 32:The New Journalism 4747: 4746: 4725:Alternative media 4677:Yellow journalism 4313:Journalism school 4128:Mark Frauenfelder 4069:978-1-4000-4914-1 4044:978-0-8038-6330-9 4025:978-1-57143-091-5 4000:978-0-07-042350-3 3973:978-0-06-014707-5 3948:978-0-8078-1281-5 3927:978-0-87491-362-0 3858:(July 14, 2008). 3847:978-0-03-018226-6 3823:978-0-395-14006-2 3754:(November 1960). 3743:978-0-02-373110-5 3700:978-0-02-373110-5 3673:978-0-03-018226-6 3635:. pp. 76–77. 3610:978-0-06-382562-8 3555:978-0-226-64611-4 3521:978-0-7407-1901-1 3504:Bellows, James G. 3421:Explanatory notes 3013:New York Magazine 2880:Los Angeles Times 2866:The Curse of Lono 2860:, 1979), Talese ( 2773:, August 1, 1967. 2658:, February, 1966. 2233:SAGE Publications 2086:Murphy 1974, p. 2 2009:978-0-679-45659-9 1760:, that Capote in 1652:, Norman Mailer, 1098:I'm certain that 1030:Pall Mall Gazette 931:Scanlan's Monthly 829: 828: 714:Alternative media 666:Yellow journalism 303:Journalism school 219: 218: 211: 201: 200: 193: 143: 142: 135: 117:, as appropriate. 75: 16:(Redirected from 4806: 4776: 4775: 4774: 4764: 4763: 4762: 4755: 4672:Propaganda model 4667:Public relations 4171: 4164: 4157: 4148: 4116: 4114: 4112: 4073: 4060:Crown Publishers 4048: 4029: 4004: 3988: 3977: 3964:Harper & Row 3952: 3931: 3904: 3895: 3884: 3869: 3851: 3827: 3814:Houghton Mifflin 3804: 3800:The New York Sun 3789: 3780: 3774: 3763: 3747: 3731: 3720: 3704: 3688: 3677: 3652: 3636: 3625: 3614: 3593: 3580: 3559: 3543: 3525: 3499: 3464: 3445: 3432: 3415: 3412: 3406: 3399: 3388: 3381: 3375: 3367: 3361: 3352: 3346: 3343: 3332: 3326: 3317: 3310:Leonard C. 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Kennedy 1123:". A report of 1051: 1006: 974: 964:Joseph Pulitzer 944: 825: 782: 780: 560:Photojournalism 429:Interventionism 215: 204: 203: 202: 197: 186: 180: 177: 166: 160:has an unclear 154: 150: 139: 128: 122: 119: 104: 87: 83: 46: 42: 35: 28: 23: 22: 15: 12: 11: 5: 4812: 4810: 4802: 4801: 4796: 4786: 4785: 4781: 4780: 4768: 4766:Current events 4745: 4744: 4735: 4732: 4731: 4727: 4722: 4717: 4712: 4707: 4702: 4692: 4691: 4690: 4688: 4684: 4683: 4679: 4674: 4669: 4664: 4659: 4649: 4644: 4639: 4634: 4629: 4624: 4619: 4618: 4617: 4615: 4611: 4610: 4606: 4601: 4596: 4591: 4586: 4581: 4576: 4571: 4566: 4561: 4556: 4551: 4550:New Journalism 4548: 4543: 4538: 4533: 4528: 4523: 4521:Human-interest 4518: 4513: 4508: 4503: 4501:Digital/Online 4498: 4493: 4488: 4483: 4478: 4473: 4468: 4463: 4458: 4453: 4448: 4443: 4433: 4428: 4427: 4426: 4424: 4418: 4417: 4413: 4408: 4403: 4398: 4393: 4388: 4383: 4378: 4373: 4368: 4363: 4358: 4353: 4348: 4343: 4338: 4333: 4328: 4327: 4326: 4324: 4320: 4319: 4315: 4310: 4305: 4303:Sensationalism 4300: 4295: 4290: 4285: 4280: 4275: 4272:code of ethics 4265: 4255: 4250: 4249: 4248: 4246: 4242: 4241: 4237: 4236: 4231: 4226: 4224:News presenter 4221: 4216: 4211: 4206: 4201: 4196: 4190: 4189: 4188: 4186: 4182: 4181: 4176: 4174: 4173: 4166: 4159: 4151: 4145: 4144: 4131: 4117: 4095: 4094:External links 4092: 4091: 4090: 4074: 4068: 4049: 4043: 4030: 4024: 4005: 3999: 3978: 3972: 3953: 3947: 3932: 3926: 3911: 3908: 3906: 3905: 3896: 3885: 3870: 3852: 3846: 3828: 3822: 3805: 3790: 3781: 3764: 3752:Mailer, Norman 3748: 3742: 3721: 3705: 3699: 3678: 3672: 3653: 3643:, ed. (1970). 3637: 3626: 3615: 3609: 3594: 3581: 3571:(4): 142–149. 3560: 3554: 3526: 3520: 3500: 3486: 3484: 3481: 3424: 3422: 3419: 3417: 3416: 3407: 3389: 3376: 3362: 3347: 3333: 3318: 3302: 3291:The New Yorker 3279: 3259: 3237: 3210: 3201: 3188: 3173: 3164: 3148: 3133: 3120: 3105: 3096: 3087: 3074: 3065: 3040: 3018: 3002: 2993: 2984: 2971: 2956: 2943: 2934: 2920: 2911: 2899: 2885: 2870: 2849: 2836: 2821: 2808: 2793: 2784: 2775: 2762: 2753: 2740: 2731: 2718: 2702: 2686: 2677: 2660: 2631: 2611: 2599: 2587: 2575: 2563: 2545: 2526:The New Yorker 2512: 2493:The New Yorker 2479: 2460:The New Yorker 2446: 2427:The New Yorker 2413: 2404: 2395: 2379: 2364: 2355: 2339: 2317: 2299: 2288:(3): 367–385. 2272: 2248: 2242:978-1847874955 2241: 2217: 2195: 2181: 2148: 2142:978-0252029462 2141: 2123: 2114: 2097: 2088: 2079: 2070: 2061: 2024: 2015: 2008: 1983: 1981: 1978: 1976: 1973: 1971: 1970: 1965: 1960: 1953: 1948: 1943: 1938: 1933: 1927: 1925: 1922: 1910: 1907: 1853: 1850: 1792:The New Yorker 1774: 1767: 1706:distinct genre 1700: 1697: 1666:Terry Southern 1660:, Mike Royko, 1637: 1634: 1629: 1628: 1625: 1622: 1619: 1542: 1539: 1530:new nonfiction 1523: 1520: 1493:counterculture 1471: 1468: 1462: 1459: 1422: 1419: 1228: 1225: 1207:" (1946), and 1150:article about 1050: 1047: 1021:Matthew Arnold 1014:New Journalism 1005: 1002: 969:New York World 948:Robert E. Park 943: 940: 919:The New Yorker 873:Terry Southern 834:is a style of 832:New Journalism 827: 826: 824: 823: 816: 809: 801: 798: 797: 796: 795: 790: 775: 774: 773: 772: 767: 762: 760:News presenter 757: 752: 747: 742: 737: 732: 724: 723: 719: 718: 717: 716: 711: 706: 701: 696: 691: 678: 677: 671: 670: 669: 668: 663: 658: 653: 648: 638: 633: 628: 623: 618: 613: 605: 604: 600: 599: 598: 597: 592: 587: 582: 577: 572: 567: 562: 557: 552: 547: 542: 540:New Journalism 537: 532: 527: 522: 517: 512: 510:Human-interest 507: 502: 497: 492: 490:Digital/Online 487: 482: 477: 472: 467: 462: 457: 452: 447: 442: 437: 432: 422: 414: 413: 409: 408: 407: 406: 401: 396: 391: 386: 381: 376: 371: 366: 361: 356: 351: 346: 341: 336: 331: 326: 318: 317: 313: 312: 311: 310: 305: 300: 295: 293:Sensationalism 290: 285: 280: 275: 270: 265: 262:code of ethics 255: 245: 237: 236: 228: 227: 217: 216: 199: 198: 162:citation style 157: 155: 148: 141: 140: 101:of the subject 99:worldwide view 90: 88: 81: 76: 50: 49: 47: 40: 26: 24: 18:New journalism 14: 13: 10: 9: 6: 4: 3: 2: 4811: 4800: 4797: 4795: 4792: 4791: 4789: 4779: 4769: 4767: 4757: 4753: 4742: 4738: 4733: 4726: 4723: 4721: 4720:News agencies 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4700: 4696: 4693: 4689: 4685: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4657: 4656:False balance 4653: 4650: 4648: 4645: 4643: 4640: 4638: 4635: 4633: 4630: 4628: 4627:Fourth Estate 4625: 4623: 4620: 4616: 4614:Social impact 4612: 4605: 4602: 4600: 4597: 4595: 4592: 4590: 4587: 4585: 4582: 4580: 4577: 4575: 4574:Press release 4572: 4570: 4567: 4565: 4562: 4560: 4557: 4555: 4552: 4549: 4547: 4544: 4542: 4539: 4537: 4536:Investigative 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4511:Fact-checking 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4482: 4479: 4477: 4476:Collaborative 4474: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4441: 4437: 4434: 4432: 4429: 4425: 4423: 4419: 4412: 4409: 4407: 4404: 4402: 4399: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4354: 4352: 4349: 4347: 4346:Entertainment 4344: 4342: 4339: 4337: 4334: 4332: 4329: 4325: 4321: 4314: 4311: 4309: 4306: 4304: 4301: 4299: 4296: 4294: 4291: 4289: 4286: 4284: 4281: 4279: 4276: 4273: 4269: 4266: 4263: 4259: 4258:Writing style 4256: 4254: 4251: 4247: 4243: 4235: 4232: 4230: 4227: 4225: 4222: 4220: 4219:Meteorologist 4217: 4215: 4212: 4210: 4207: 4205: 4202: 4200: 4197: 4195: 4192: 4191: 4187: 4183: 4179: 4172: 4167: 4165: 4160: 4158: 4153: 4152: 4149: 4143: 4139: 4135: 4132: 4129: 4125: 4121: 4118: 4106: 4102: 4098: 4097: 4093: 4088: 4087: 4086:Village Voice 4082: 4081:Jack Newfield 4078: 4075: 4071: 4065: 4061: 4057: 4056: 4050: 4046: 4040: 4036: 4031: 4027: 4021: 4017: 4013: 4012: 4006: 4002: 3996: 3992: 3987: 3986: 3979: 3975: 3969: 3965: 3961: 3960: 3954: 3950: 3944: 3940: 3939: 3933: 3929: 3923: 3919: 3914: 3913: 3909: 3902: 3897: 3894:. p. 46. 3893: 3892: 3886: 3883:. p. 44. 3882: 3881: 3876: 3871: 3867: 3866: 3861: 3857: 3853: 3849: 3843: 3839: 3838: 3833: 3829: 3825: 3819: 3815: 3811: 3806: 3802: 3801: 3796: 3791: 3787: 3782: 3778: 3773: 3772: 3765: 3761: 3757: 3753: 3749: 3745: 3739: 3735: 3730: 3729: 3722: 3718: 3714: 3710: 3709:Krim, Seymour 3706: 3702: 3696: 3692: 3687: 3686: 3679: 3675: 3669: 3665: 3661: 3660: 3654: 3650: 3646: 3642: 3641:Hayes, Harold 3638: 3634: 3633: 3627: 3623: 3622: 3616: 3612: 3606: 3602: 3601: 3595: 3591: 3587: 3582: 3578: 3574: 3570: 3566: 3561: 3557: 3551: 3547: 3542: 3541: 3535: 3531: 3527: 3523: 3517: 3513: 3509: 3505: 3501: 3497: 3493: 3488: 3487: 3482: 3479: 3476: 3472: 3468: 3467:J.D. Salinger 3465:For example, 3463: 3462: 3455: 3454: 3449: 3444: 3443: 3437:, June, 1962. 3436: 3431: 3430: 3420: 3411: 3408: 3404: 3398: 3396: 3394: 3390: 3386: 3380: 3377: 3373: 3372: 3366: 3363: 3359: 3358: 3351: 3348: 3342: 3340: 3338: 3334: 3330: 3325: 3323: 3319: 3315: 3311: 3306: 3303: 3299: 3292: 3286: 3284: 3280: 3276: 3275: 3268: 3266: 3264: 3260: 3247: 3241: 3238: 3234: 3233: 3228: 3224: 3220: 3214: 3211: 3205: 3202: 3198: 3192: 3189: 3185: 3184: 3177: 3174: 3168: 3165: 3161: 3155: 3153: 3149: 3145: 3144: 3137: 3134: 3130: 3124: 3121: 3117: 3116: 3109: 3106: 3100: 3097: 3091: 3088: 3084: 3078: 3075: 3069: 3066: 3062: 3057: 3056: 3051: 3044: 3041: 3029: 3022: 3019: 3015:. p. 46. 3014: 3006: 3003: 2997: 2994: 2988: 2985: 2981: 2975: 2972: 2968: 2967: 2960: 2957: 2953: 2947: 2944: 2938: 2935: 2931: 2930: 2924: 2921: 2915: 2912: 2906: 2904: 2900: 2894: 2892: 2890: 2886: 2881: 2874: 2871: 2867: 2863: 2859: 2853: 2850: 2846: 2840: 2837: 2833: 2832: 2825: 2822: 2818: 2812: 2809: 2805: 2804: 2797: 2794: 2788: 2785: 2779: 2776: 2772: 2766: 2763: 2757: 2754: 2750: 2744: 2741: 2735: 2732: 2728: 2722: 2719: 2715: 2709: 2707: 2703: 2699: 2693: 2691: 2687: 2681: 2678: 2674: 2670: 2664: 2661: 2657: 2653: 2649: 2645: 2641: 2635: 2632: 2626: 2624: 2622: 2620: 2618: 2616: 2612: 2608: 2603: 2600: 2596: 2591: 2588: 2584: 2579: 2576: 2572: 2567: 2564: 2560: 2559: 2552: 2550: 2546: 2535: 2531: 2527: 2523: 2516: 2513: 2502: 2498: 2494: 2490: 2483: 2480: 2469: 2465: 2461: 2457: 2450: 2447: 2436: 2432: 2428: 2424: 2417: 2414: 2408: 2405: 2399: 2396: 2392: 2386: 2384: 2380: 2375: 2368: 2365: 2359: 2356: 2352: 2346: 2344: 2340: 2336: 2335: 2330: 2324: 2322: 2318: 2312: 2310: 2308: 2306: 2304: 2300: 2295: 2291: 2287: 2283: 2276: 2273: 2269: 2265: 2262: 2258: 2257:Harold Begbie 2252: 2249: 2244: 2238: 2234: 2230: 2229: 2221: 2218: 2214: 2209: 2205: 2199: 2196: 2192: 2190: 2184: 2182:9780521122696 2178: 2174: 2170: 2165: 2164: 2155: 2153: 2149: 2144: 2138: 2134: 2127: 2124: 2118: 2115: 2111: 2107: 2101: 2098: 2092: 2089: 2083: 2080: 2074: 2071: 2065: 2062: 2057: 2045: 2037: 2036: 2028: 2025: 2019: 2016: 2011: 2005: 2001: 1997: 1996: 1988: 1985: 1979: 1974: 1969: 1966: 1964: 1961: 1959: 1958: 1954: 1952: 1949: 1947: 1944: 1942: 1939: 1937: 1934: 1932: 1929: 1928: 1923: 1921: 1919: 1918:Jimmy Breslin 1915: 1908: 1906: 1904: 1900: 1896: 1895: 1889: 1884: 1882: 1881: 1875: 1871: 1863: 1859: 1851: 1849: 1847: 1843: 1838: 1836: 1832: 1828: 1822: 1820: 1814: 1810: 1808: 1807: 1802: 1798: 1797:William Shawn 1794: 1793: 1788: 1784: 1780: 1772: 1768: 1766: 1763: 1762:In Cold Blood 1759: 1758: 1752: 1744: 1742: 1741: 1735: 1732: 1731:In Cold Blood 1726: 1721: 1719: 1713: 1711: 1707: 1698: 1696: 1693: 1691: 1687: 1683: 1682: 1677: 1673: 1672: 1667: 1663: 1659: 1655: 1654:Joe McGinniss 1651: 1650:Larry L. King 1647: 1643: 1635: 1633: 1626: 1623: 1620: 1617: 1616: 1615: 1613: 1608: 1606: 1605: 1599: 1596: 1592: 1591: 1584: 1579: 1576: 1572: 1571: 1564: 1562: 1555: 1552: 1549: 1540: 1538: 1534: 1532: 1531: 1521: 1519: 1517: 1513: 1508: 1506: 1505: 1500: 1499: 1494: 1489: 1488: 1483: 1482: 1476: 1469: 1467: 1460: 1458: 1455: 1454: 1449: 1445: 1444: 1439: 1438:Thomas Powers 1434: 1432: 1431:Rolling Stone 1428: 1420: 1417: 1412: 1410: 1409:Kandy-Kolored 1406: 1401: 1397: 1394: 1390: 1386: 1381: 1376: 1374: 1373: 1367: 1366: 1361: 1360: 1353: 1349: 1347: 1343: 1339: 1338:Jack Newfield 1335: 1334:Norman Mailer 1331: 1330:Dan Wakefield 1326: 1324: 1319: 1315: 1314: 1308: 1304: 1299: 1296: 1292: 1291: 1290:In Cold Blood 1286: 1285:Truman Capote 1278: 1277:Truman Capote 1274: 1270: 1265: 1263: 1259: 1255: 1251: 1245: 1243: 1238: 1233: 1226: 1224: 1222: 1218: 1214: 1213:Silent Spring 1210: 1206: 1202: 1201:John Hersey's 1198: 1194: 1189: 1184: 1180: 1179: 1173: 1169: 1165: 1157: 1153: 1149: 1148: 1142: 1140: 1139: 1134: 1130: 1126: 1122: 1118: 1117:Norman Mailer 1112: 1110: 1109:Jimmy Breslin 1105: 1101: 1095: 1093: 1089: 1081: 1077: 1076:Nan A. Talese 1073: 1066: 1062: 1061: 1055: 1048: 1046: 1044: 1040: 1036: 1032: 1031: 1026: 1022: 1015: 1010: 1003: 1001: 999: 995: 991: 988: 982: 980: 971: 970: 965: 961: 957: 953: 949: 941: 939: 935: 933: 932: 927: 926: 925:Rolling Stone 921: 920: 915: 914: 909: 908: 903: 902: 897: 896: 891: 890: 884: 882: 878: 874: 870: 866: 865:Norman Mailer 862: 858: 857:Truman Capote 854: 853: 848: 843: 841: 837: 833: 822: 817: 815: 810: 808: 803: 802: 800: 799: 794: 791: 789: 779: 778: 777: 776: 771: 768: 766: 763: 761: 758: 756: 755:Meteorologist 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 727: 726: 725: 720: 715: 712: 710: 709:News agencies 707: 705: 702: 700: 697: 695: 692: 689: 685: 682: 681: 680: 679: 676: 672: 667: 664: 662: 659: 657: 654: 652: 649: 646: 645:False balance 642: 639: 637: 634: 632: 629: 627: 624: 622: 619: 617: 616:Fourth Estate 614: 612: 609: 608: 607: 606: 603:Social impact 601: 596: 593: 591: 588: 586: 583: 581: 578: 576: 573: 571: 568: 566: 565:Press release 563: 561: 558: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 531: 528: 526: 525:Investigative 523: 521: 518: 516: 513: 511: 508: 506: 503: 501: 500:Fact-checking 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 465:Collaborative 463: 461: 458: 456: 453: 451: 448: 446: 443: 441: 438: 436: 433: 430: 426: 423: 421: 418: 417: 416: 415: 410: 405: 402: 400: 397: 395: 392: 390: 387: 385: 382: 380: 377: 375: 372: 370: 367: 365: 362: 360: 357: 355: 352: 350: 347: 345: 342: 340: 339:Entertainment 337: 335: 332: 330: 327: 325: 322: 321: 320: 319: 314: 309: 306: 304: 301: 299: 296: 294: 291: 289: 286: 284: 281: 279: 276: 274: 271: 269: 266: 263: 259: 256: 253: 249: 248:Writing style 246: 244: 241: 240: 239: 238: 234: 230: 229: 226: 222: 213: 210: 195: 192: 184: 174: 170: 164: 163: 158:This article 156: 147: 146: 137: 134: 126: 123:November 2019 116: 112: 108: 102: 100: 96: 89: 80: 79: 74: 72: 65: 64: 59: 58: 53: 48: 39: 38: 33: 19: 4710:TV and radio 4642:Infotainment 4632:Fifth Estate 4531:Interpretive 4481:Comics-based 4229:Photographer 4111:December 31, 4109:. 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B. White 2456:"Hiroshima" 2104:Dennis ed. 2052:|work= 1899:John Tebbel 1870:Gail Sheehy 1512:Media Power 1446:. In 1981, 1411:and added: 1342:Dick Schaap 1262:James Joyce 1258:Henry James 1221:nuclear war 1181:, followed 1039:muck-raking 1035:W. T. 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