Knowledge (XXG)

Neue Liebeslieder

Source 📝

22: 1158: 1168: 101: 696: 217:
were written during the Romantic period between 1869 and 1874. The text of the songs is adapted from folk songs of various areas of Europe including Turkey, Poland, Latvia and Sicily. The text for songs 1 through 14 were translated and compiled by
405:
One of the most beautiful of all the quartets not in waltz-rhythm, is the epilogue to the second set of ‘Neue Liebeslieder’, a true lyric for four voices, with a gentler style of accompaniment than is provided for the rest. (Maitland 1904,
414:, whose text and music are in stark contrast to all of the other waltzes in both Op. 52 and Op. 65, is a personal statement by Brahms, who throughout the troubled relationships in his life ( 293:
The seven solo songs and one duet differ from the quartet songs in that the soloists illustrate different characters who behave in certain ways when it comes to love. The
1171: 925: 517: 1194: 1125: 931: 573: 521: 885: 591: 397: 915: 485:, edited by J. A. Fuller Maitland, M.A., F.S.A. in five volumes, 1:382–91. London: Macmillan & Co., Ltd.; New York: The Macmillan Company. 241: 1010: 526: 967: 43: 324:), but also all of the artists in the world. With this change in subject comes the change in meter. When Brahms changes the standard 938: 504: 65: 975: 920: 844: 640: 478: 1100: 270:
Throughout the quartet songs, Brahms uses innovative techniques to portray a central idea. For example, in the first song,
829: 824: 819: 666: 661: 566: 282:" ("wave after wave") with octave leaps in all four parts in measure 4 and 29. In No. 8, Brahms's use of the musical 990: 859: 854: 849: 839: 834: 794: 789: 784: 695: 1005: 910: 905: 900: 895: 759: 754: 375:–A–D–C) running throughout the outer sections. At the climax of this song in measure 16, the piano drops out and the 36: 30: 1199: 1090: 961: 605: 231: 305:
is portrayed as a male who is selfish and irresponsible when it comes to sexual relationships with women; and the
890: 875: 814: 809: 804: 769: 764: 690: 436: 47: 1161: 671: 656: 635: 559: 316:", written for the entire vocal quartet, moves away from the subject of lovers and puts the spotlight on the 1095: 1029: 955: 630: 625: 620: 615: 431: 357:, the nine beats are grouped into three groups of three; thus, it is a waltz within a waltz. In addition, " 1140: 1017: 799: 774: 219: 541: 267:
quartet, while seven others are solo songs for individual members of the quartet, and one is for a duo.
537: 1023: 1130: 1120: 880: 779: 610: 306: 723: 709: 500: 1204: 984: 384: 264: 194: 1110: 1069: 582: 190: 92: 730: 497:
Brahms’s Vocal Duets and Quartets with Piano: A Guide with Full Texts and Translations
1188: 1105: 702: 388: 339: 1115: 1074: 1047: 362: 283: 198: 1064: 737: 366: 271: 186: 119: 380: 531: 132: 100: 88: 1135: 716: 1167: 392: 294: 321: 278:", which in English means "wrecked". Brahms also enhances the text " 297:
is a female who continuously has no luck when it comes to men; the
551: 376: 365:
than the previous songs in this cycle, and the song is actually a
361:" has a Baroque influence in two respects: the music is much more 302: 301:
is depicted as a female who has suddenly abandoned her lover; the
206: 317: 298: 202: 555: 15: 545: 274:
16–21, he depicts the rocky shores by the repeated cry of "
309:
is one who is hopelessly in love with his married lover.
286:
in the middle of the words mixed with the chorus singing
226:; the text for the fifteenth and final song, entitled " 527:
Rehearsal Information for The Napa Valley Chorale 2006
1083: 1057: 1039: 948: 868: 747: 680: 649: 598: 320:
and thanks them for inspiring not only the author (
170: 162: 146: 138: 128: 118: 110: 80: 240:were written following the success of the popular 416:sich Jammer und GlĂźck wechseln in liebender Brust 403: 263:in that only seven of its 15 songs are for the 567: 8: 574: 560: 552: 99: 77: 1126:International Johannes Brahms Competition 932:Variations and Fugue on a Theme by Handel 522:International Music Score Library Project 499:. Bloomington: Indiana University Press. 483:Grove’s Dictionary of Music and Musicians 66:Learn how and when to remove this message 29:This article includes a list of general 534:using a recording with four solo voices 448: 420:Linderung kommt einzig, ihr , von euch 1024:"Wiegenlied (Lullaby)", Op. 49, no. 4 290:helps to create a gentle atmosphere. 7: 1011:Two Songs for Voice, Viola and Piano 230:" ("In Conclusion"), was written by 174:four vocal parts and four-hand piano 926:Three Intermezzi for piano, Op. 117 542:Neue Liebeslieder, op. 65a (Brahms) 1195:Lieder composed by Johannes Brahms 538:Neue Liebeslieder, op. 65 (Brahms) 518:Neue Liebeslieder, op. 65 (Brahms) 35:it lacks sufficient corresponding 14: 939:Variations on a Theme of Paganini 1166: 1157: 1156: 694: 20: 312:The final song in this cycle, " 886:Four Pieces for Piano, Op. 119 641:Variations on a Theme by Haydn 1: 916:Six Pieces for Piano, Op. 118 469:Johannes Brahms: A Biography. 457:Johannes Brahms: A Biography. 395:. J. A. Fuller Maitland, in 1101:Brahms Museum, MĂźrzzuschlag 845:Two String Quartets, Op. 51 1221: 1091:Brahms House (Baden-Baden) 606:Academic Festival Overture 481:1904. "Brahms, Johannes". 232:Johann Wolfgang von Goethe 1152: 631:Symphony No. 4 in E minor 626:Symphony No. 3 in F major 621:Symphony No. 2 in D major 616:Symphony No. 1 in C minor 589: 437:Hungarian Dances (Brahms) 418:) found solace in music ( 259:differs from the earlier 209:. They are also known as 98: 87: 532:Detailed Listening Guide 410:It is self-evident that 197:pieces written for four 1096:Brahms Museum (Hamburg) 962:Fest- und GedenksprĂźche 956:Eleven Chorale Preludes 921:Sixteen Waltzes, Op. 39 432:Zigeunerlieder (Brahms) 369:, with the theme (F–C–B 211:Neue Liebesliederwalzer 50:more precise citations. 479:Fuller Maitland, J. A. 408: 220:Georg Friedrich Daumer 544:: Free scores at the 495:Stark, Lucien. 1998. 467:Swafford, Jan, 1999. 455:Swafford, Jan, 1999. 193:, is a collection of 105:The composer ca. 1872 992:Liebeslieder Waltzes 830:String Quintet No. 2 825:String Quintet No. 1 820:String Quartet No. 3 667:Piano Concerto No. 2 662:Piano Concerto No. 1 592:List of compositions 243:Liebeslieder Waltzes 222:in his poem series, 1018:Vier ernste Gesänge 860:Violin Sonata No. 3 855:Violin Sonata No. 2 850:Violin Sonata No. 1 840:String Sextet No. 2 835:String Sextet No. 1 795:Piano Quartet No. 3 790:Piano Quartet No. 2 785:Piano Quartet No. 1 383:and moves from the 1131:Musical cryptogram 1121:German Romanticism 1006:Two Motets, Op. 74 949:Other compositions 911:Rhapsodies, Op. 79 906:Piano Sonata No. 3 901:Piano Sonata No. 2 896:Piano Sonata No. 1 881:Fantasies, Op. 116 760:Cello Sonata No. 2 755:Cello Sonata No. 1 398:Grove's Dictionary 185:(New Love Songs), 1200:1874 compositions 1180: 1179: 1000:Neue Liebeslieder 710:Gesang der Parzen 257:Neue Liebeslieder 238:Neue Liebeslieder 215:Neue Liebeslieder 182:Neue Liebeslieder 178: 177: 82:Neue Liebeslieder 76: 75: 68: 1212: 1170: 1160: 1159: 1084:Related articles 1058:Named for Brahms 985:Geistliches Lied 891:Hungarian Dances 876:Ballades, Op. 10 815:Piano Trio No. 3 810:Piano Trio No. 2 805:Piano Trio No. 1 770:Clarinet Sonatas 765:Clarinet Quintet 698: 691:A German Requiem 599:Orchestral works 576: 569: 562: 553: 520:: Scores at the 471: 465: 459: 453: 387:key back to the 374: 373: 356: 355: 354: 353: 338: 337: 336: 335: 157: 155: 103: 78: 71: 64: 60: 57: 51: 46:this article by 37:inline citations 24: 23: 16: 1220: 1219: 1215: 1214: 1213: 1211: 1210: 1209: 1185: 1184: 1181: 1176: 1148: 1111:Brahms-Institut 1079: 1070:Brahms (crater) 1053: 1035: 944: 864: 743: 682: 676: 672:Violin Concerto 657:Double Concerto 645: 636:Tragic Overture 594: 585: 583:Johannes Brahms 580: 546:Brahms Institut 514: 492: 490:Further reading 475: 474: 466: 462: 454: 450: 445: 428: 371: 370: 352: 347: 346: 345: 344: 343: 334: 329: 328: 327: 326: 325: 253: 251:Musical aspects 191:Johannes Brahms 189:65, written by 153: 151: 106: 93:Johannes Brahms 72: 61: 55: 52: 42:Please help to 41: 25: 21: 12: 11: 5: 1218: 1216: 1208: 1207: 1202: 1197: 1187: 1186: 1178: 1177: 1175: 1174: 1164: 1153: 1150: 1149: 1147: 1146: 1142:Op. 120, No. 1 1138: 1133: 1128: 1123: 1118: 1113: 1108: 1103: 1098: 1093: 1087: 1085: 1081: 1080: 1078: 1077: 1072: 1067: 1061: 1059: 1055: 1054: 1052: 1051: 1043: 1041: 1040:Collaborations 1037: 1036: 1034: 1033: 1030:Zigeunerlieder 1026: 1021: 1014: 1008: 1003: 996: 988: 981: 973: 965: 958: 952: 950: 946: 945: 943: 942: 935: 928: 923: 918: 913: 908: 903: 898: 893: 888: 883: 878: 872: 870: 866: 865: 863: 862: 857: 852: 847: 842: 837: 832: 827: 822: 817: 812: 807: 802: 797: 792: 787: 782: 777: 772: 767: 762: 757: 751: 749: 745: 744: 742: 741: 734: 731:Schicksalslied 727: 720: 713: 706: 699: 686: 684: 683:with orchestra 678: 677: 675: 674: 669: 664: 659: 653: 651: 647: 646: 644: 643: 638: 633: 628: 623: 618: 613: 608: 602: 600: 596: 595: 590: 587: 586: 581: 579: 578: 571: 564: 556: 550: 549: 535: 529: 524: 513: 512:External links 510: 509: 508: 491: 488: 487: 486: 473: 472: 460: 447: 446: 444: 441: 440: 439: 434: 427: 424: 348: 330: 252: 249: 176: 175: 172: 168: 167: 164: 160: 159: 148: 144: 143: 140: 136: 135: 130: 126: 125: 122: 116: 115: 114:New love songs 112: 108: 107: 104: 96: 95: 85: 84: 74: 73: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1217: 1206: 1203: 1201: 1198: 1196: 1193: 1192: 1190: 1183: 1173: 1169: 1165: 1163: 1155: 1154: 1151: 1145: 1143: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1112: 1109: 1107: 1106:Brahms guitar 1104: 1102: 1099: 1097: 1094: 1092: 1089: 1088: 1086: 1082: 1076: 1073: 1071: 1068: 1066: 1063: 1062: 1060: 1056: 1050: 1049: 1045: 1044: 1042: 1038: 1032: 1031: 1027: 1025: 1022: 1020: 1019: 1015: 1012: 1009: 1007: 1004: 1002: 1001: 997: 995: 993: 989: 987: 986: 982: 980: 978: 974: 972: 970: 966: 964: 963: 959: 957: 954: 953: 951: 947: 941: 940: 936: 934: 933: 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 894: 892: 889: 887: 884: 882: 879: 877: 874: 873: 871: 867: 861: 858: 856: 853: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 811: 808: 806: 803: 801: 800:Piano Quintet 798: 796: 793: 791: 788: 786: 783: 781: 778: 776: 775:Clarinet Trio 773: 771: 768: 766: 763: 761: 758: 756: 753: 752: 750: 748:Chamber music 746: 740: 739: 735: 733: 732: 728: 726: 725: 721: 719: 718: 714: 712: 711: 707: 705: 704: 703:Alto Rhapsody 700: 697: 693: 692: 688: 687: 685: 679: 673: 670: 668: 665: 663: 660: 658: 655: 654: 652: 648: 642: 639: 637: 634: 632: 629: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 603: 601: 597: 593: 588: 584: 577: 572: 570: 565: 563: 558: 557: 554: 547: 543: 539: 536: 533: 530: 528: 525: 523: 519: 516: 515: 511: 506: 505:0-253-33402-0 502: 498: 494: 493: 489: 484: 480: 477: 476: 470: 464: 461: 458: 452: 449: 442: 438: 435: 433: 430: 429: 425: 423: 421: 417: 413: 407: 402: 400: 399: 394: 390: 386: 382: 378: 368: 364: 360: 351: 341: 333: 323: 319: 315: 310: 308: 304: 300: 296: 291: 289: 285: 281: 280:Well auf Well 277: 273: 268: 266: 262: 258: 250: 248: 246: 244: 239: 235: 233: 229: 225: 221: 216: 212: 208: 204: 200: 196: 192: 188: 184: 183: 173: 169: 165: 161: 149: 145: 141: 137: 134: 131: 127: 123: 121: 117: 113: 109: 102: 97: 94: 90: 86: 83: 79: 70: 67: 59: 49: 45: 39: 38: 32: 27: 18: 17: 1182: 1141: 1116:Brahms-Preis 1075:Brahms Inlet 1048:F-A-E Sonata 1046: 1028: 1016: 999: 998: 991: 983: 976: 969:FĂźnf Gesänge 968: 960: 937: 930: 736: 729: 722: 715: 708: 701: 689: 496: 482: 468: 463: 456: 451: 419: 415: 411: 409: 404: 396: 363:contrapuntal 358: 349: 331: 313: 311: 292: 287: 279: 275: 269: 261:Liebeslieder 260: 256: 254: 242: 237: 236: 227: 223: 214: 210: 181: 180: 179: 81: 62: 53: 34: 1065:1818 Brahms 977:FĂźnf Lieder 869:Piano works 738:Triumphlied 681:Vocal works 650:Concertante 367:passacaglia 276:zertrĂźmmert 201:voices and 48:introducing 1189:Categories 443:References 412:Zum Schluß 381:a cappella 359:Zum Schluß 314:Zum Schluß 228:Zum Schluß 203:four hands 133:Folk songs 89:Part songs 56:April 2009 31:references 979:, Op. 105 971:, Op. 104 780:Horn Trio 611:Serenades 401:, wrote: 389:tonic key 163:Movements 1162:Category 1136:Three Bs 1013:, Op. 91 994:, Op. 52 426:See also 385:dominant 372:♭ 272:measures 265:ensemble 245:, Op. 52 224:Polydora 195:Romantic 147:Composed 139:Language 1205:Waltzes 1144:(Berio) 724:Rinaldo 393:F major 295:soprano 205:on the 171:Scoring 152: ( 111:English 44:improve 503:  379:sings 322:Goethe 142:German 33:, but 1172:Audio 717:Nänie 377:choir 340:meter 318:muses 303:tenor 288:dolce 207:piano 158:–1874 501:ISBN 406:390) 307:bass 299:alto 284:rest 255:The 199:solo 154:1869 150:1869 129:Text 120:Opus 422:). 391:of 342:to 187:Op. 91:by 1191:: 540:, 247:. 234:. 213:. 166:15 124:65 575:e 568:t 561:v 548:. 507:. 350:4 332:4 156:) 69:) 63:( 58:) 54:( 40:.

Index

references
inline citations
improve
introducing
Learn how and when to remove this message
Part songs
Johannes Brahms

Opus
Folk songs
Op.
Johannes Brahms
Romantic
solo
four hands
piano
Georg Friedrich Daumer
Johann Wolfgang von Goethe
Liebeslieder Waltzes, Op. 52
ensemble
measures
rest
soprano
alto
tenor
bass
muses
Goethe
meter
contrapuntal

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑