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influence of Feijoo, who argued against the use of violins in liturgical music. Of his nine
Lamentations for solo soprano and orchestra (1766) the three for Good Friday dispense with violins, while the first for Holy Saturday omits strings except violas d'amore; his Miserere for three choirs (1768) is accompanied by violas and woodwind.
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His style involved beautiful and pleasing melodies, similar to other composers in the
Iberian peninsula. He played an important part in establishing the taste for Italian operas in Spain. His works were sung by Italian singers with bilingual librettos. His church music, written after 1759, shows the
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L'Artiste de cour dans l'Espagne du XVIIIe siècle: étude de la communauté des musiciens au service de
Philippe V, 1700–1746
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Content in this edit is translated from the existing
Italian Knowledge (XXG) article at ]; see its history for attribution.
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In 1749 he married the singer
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to the source of your translation. A model attribution edit summary is
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311:He studied music in his hometown at the
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321:La finta vedova (The false widow)
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371:L'eroe cinese (the Chinese hero)
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