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of prayer. An angel takes her by the hand to guide her to Heaven. The base is of black marble. Executed with great elegance, the group is regarded as one of the most remarkable and genuinely moving funeral monuments of the 18th century.
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Geneviève Bresc-Bautier, Isabelle Leroy-Jay
Lemaistre (under the direction of Jean-René Gaborit, in collaboration with Jean-Charles Agboton, Hélène Grollemund, Michèle Lafabrie, Béatrice Tupinier-Barillon),
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Musée du Louvre. département des sculptures du Moyen Âge, de la
Renaissance et des temps modernes. Sculpture française II. Renaissance et temps modernes. vol. 1 Adam - Gois
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260:(c. 1723), bas-relief in the pediment of the great hall, and berry ornamentation on the ground floor of the Château de la Mosson, Juvignac
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113:, but did receive funding to travel to Italy. Along the way, he stopped to work on the ornamental façade of the Château de la Mosson at
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227:. He ranks with him as one of the most refined and subtle sculptors of his time. He was a major influence on his nephew, the sculptor
203:) considered one of the masterpieces of 18th-century sculpture. His most notable work, however, is the funeral monument of the queen
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288:("Autumn," 1745), marble vase, originally created for the grounds at the Château de Choisy, now in the collections of the
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273:(1735 - 1740), lead sculpture for the fountain at Versailles, in collaboration with his brother Lambert Sigisbert Adam
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In 1757, Adam married
Christine Lenoir, the daughter of a goldsmith in Nancy. They had two sons, the painter
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279:("Love Affairs of the Gods," 1736), stucco relief, Hôtel de Soubise, Paris, the chamber of the Princess
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47:(22 March 1705 – 27 March 1778), also called "Adam the Younger", was a French sculptor working in the
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The fathers at the
Oratory of Paris entrusted him with the decoration of the church portal.
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140:("The Triumph of Neptune and Amphitrite," completed 1740), the large sculpture group in
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136:. Soon he began to receive a number of commissions. With his brother, he worked on
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Adam studied first with his father, then with his elder brother
Lambert, at the
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Extensive list of works in Émile
Bellier de la Chavignerie and LouisAuvray,
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in Nancy. It depicts the deceased kneeling, with her hands joined in an
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in
American public collections, on the French Sculpture Census website
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398:(1775–76), a marble statue finished by his nephew Clodion, Versailles
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299:(1745), marble statue group, church of Saint-Paul-Saint-Louis, Paris
109:(Royal Academy of Painting and Sculpture). He failed to obtain the
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Saint Maur
Seeking the Aid of the Lord for the Healing of a Child.
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350:(c. 1753), bas-reliefs for the Hôtel de la Bouëxière in Paris,
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Adam returned to Paris in 1734, working in his elder brother's
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Nicolas Adam, like his brother
Lambert, was influenced by the
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During the same period, he worked for the Rohan family at the
437:, Éditions de la Réunion des musées nationaux, Paris, 1998
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Histoire et dictionnaire du temps des Lumières. 1715-1789
305:(1747), bronze relief, bronze, royal chapel at Versailles
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Adam was the youngest of the three sons of the sculptor
312:(1749), marble and bronze, Notre-Dame-de-Bonsecours at
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Dictionnaire général des artistes de l'école française
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Nicolas Adam was blind when he died in 1778 in Paris.
444:, Paris, Robert Laffont, coll. Bouquins, 2003 -
419:(University of California Press, 1991), p. 203.
371:, a marble statue group along with Apollo and
185:(1762), Adam's reception piece for the Academy
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125:, for whom he restored a number of ancient
107:Académie royale de peinture et de sculpture
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463:Painting and Sculpture in France 1700–1789
384:(1762), a marble sculpture group at the
461:Michael Levey, "The Brothers Adam," in
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138:Le Triomphe de Neptune et d'Amphitrite
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472:(Paris, 1882), vol. 1, p. 7.
318:A series of narrative reliefs on
163:commissioned him for work at the
561:18th-century French male artists
250:attitudes of 18th-century Europe
144:for the Neptune fountain at the
303:The Martyrdom of Saint Victoria
213:Notre-Dame-de-Bonsecours church
308:Funeral monument of the queen
297:Religion Instructing an Indian
244:Religion Instructing an Indian
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531:18th-century French sculptors
67:The Adam family home in Nancy
35:Portrait of the sculptor Adam
486:célébrations nationales 2005
484:French Ministry of Culture,
193:for the Academy in 1762 was
155:, sculpting bas-reliefs for
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551:Artists from Nancy, France
290:Metropolitan Museum of Art
88:Jean Charles Nicolas Adam
246:(1745), expressing the
75:of Nancy. His brothers
510:Nicolas-Sébastien Adam
499:The Web Gallery of Art
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77:Lambert-Sigisbert Adam
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51:style. He was born in
45:Nicolas-Sébastien Adam
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18:Nicolas-Sebastien Adam
536:French male sculptors
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209:Stanislas Leszczyński
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169:Basilica of St. Denis
83:were also sculptors.
81:François Gaspard Adam
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396:Putting on Her Wings
352:Château de Bagatelle
277:Les Amours des Dieux
146:Palace of Versailles
123:Melchior de Polignac
73:Jacob Sigisbert Adam
503:Photographs of his
417:The Culture of Pain
362:Angelica and Medoro
310:Catherine Opalińska
205:Catherine Opalińska
55:and died in Paris.
556:Catholic sculptors
440:Jean de Viguerie,
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201:Prométhée enchaîné
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165:Courts of Accounts
92:Gaspard Louis Adam
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465:pp. 101–107.
415:David B. Morris,
167:in Paris, at the
90:and the sculptor
16:(Redirected from
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382:Prometheus Bound
356:Musée Carnavalet
196:Prometheus Bound
183:Prometheus Bound
161:Bâtiments du Roi
157:Amours des Dieux
153:Hôtel de Soubise
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456:Further reading
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368:Orlando Furioso
338:Apollo and the
334:and the Farmers
264:The Triumph of
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225:Italian Baroque
191:reception piece
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27:French sculptor
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49:Neoclassical
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546:1778 deaths
541:1705 births
505:major works
488:(in French)
345:Apollo and
248:colonialist
119:Montpellier
525:Categories
403:References
324:Apollo et
270:Amphitrite
207:, wife of
286:L'Automne
211:, at the
217:attitude
199:(French
115:Juvignac
427:Sources
347:Coronis
266:Neptune
229:Clodion
134:atelier
127:marbles
117:, near
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386:Louvre
377:Amiens
332:Latona
326:Daphne
320:Apollo
101:Career
373:Diana
365:from
340:Sibyl
281:image
257:Nymph
53:Nancy
446:ISBN
394:Iris
268:and
189:His
142:lead
79:and
59:Life
354:et
37:by
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