31:
57:
387:, Académie artists found themselves carrying out designs originated by Le Brun. In addition, Le Brun admitted more members into the Académie than during any other comparable time period. Between 1664 and 1683, 107 artists became members of the Académie. In comparison, 89 artists were admitted between 1707 and 1720, and the 57 admitted in 1735–54. Under Le Brun's influence the Académie became more accessible than ever before.
1771:
1781:
1792:
380:, in 1655 he was the first to be appointed chancellor of the Académie (from 1663 chancellor for life), then he became rector from 1668 and director from 1683. Despite his short seven-year reign as director, Le Brun controlled a majority of decisions within the Académie. In February 1675 he ordered that no decision would be validated in the Académie without his approval.
805:
Both quoted from
Katharine Baetjer, for details have a look into her book linked here in the "further reading" section below; "French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution", but there are numerous other examples for this
30:
765:"hommes supérieurs, véritables gens d'art par la beauté et l'élévation de leur génie, la richesse de leurs talents, la noblesse de leurs sentiments, et par leur amour sincère pour l'accroissement des belles connoissances et la gloire du nom françois"
1397:
1774:
1784:
746:
390:
Le Brun's relationship with the royal court allowed him to assume the position of director after the death of
Colbert in 1683. While still extremely influential, Le Brun began to lose power due to the rise of
783:"Georges Guillet de Saint-George calls Louis Testelin "L'un des dix académiciens, qui, avec les douze anciens ou professeurs, ont jeté les fondements de l'Académie royale de peinture et de sculpture." (
383:
Le Brun's involvement in the Académie and his position of first painter to the king, allowed him to dictate all painting, sculpture, and tapestry expectations. Specifically, for projects such as the
1390:
1837:
1832:
1167:
Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture : publiés d'après les manuscrits conservés à l'Ecole impériale des beaux-arts
246:
with 13 articles (approved in
February and published on 9 March 1648), a key element of which was a public art school. There were 22 founding members, who, in February 1648, elected 12
1817:
1383:
24:
1172:
Unpublished memoirs on the life and works of members of the Royal
Academy of Painting and Sculpture: published from the manuscripts kept at the Imperial School of Fine Arts
1028:
627:
168:
conceived a plan to free those he considered to be true artists from the humiliating influence of mere artisans. He involved his two close friends, the brothers
56:
796:
The content of the pages 35–36 makes it clear that those twelve were elected out of a larger pool of original members for the purpose of running the academy.
164:
In view of increasing pressure by the
Parisian guilds for painters and sculptors to submit to their control, the young but already very successful painter
1827:
1346:
1236:. Translated by Reed Benhamou. Ann Arbor: Michigan Publishing, University of Michigan Library. Originally published in 1751 as "Académie de Peinture,"
1822:
364:, ensured that the arts were devoted to the glorification of the King. A "royal style" was enforced which in practice meant a classical style.
1310:
20:
1756:
443:
1252:
177:
741:
376:
who, from its beginnings in 1648 until his death in 1690 occupied many positions within the Académie. After being an original
1207:
1127:
1035:
1454:
619:
259:
1644:
61:
410:, when the latter decreed the abolition of "all academies and literary societies patented or endowed by the Nation" (
298:. There is a common misconception that "there were twelve founders" and that all of the original members were called
176:, to lobby for an independent organisation where membership was based on merit alone, following the examples of the
1716:
1449:
623:
447:
267:
1639:
1157:
1692:
1698:
143:
1280:
Mémoires pour servir à l'histoire de l'Académie royale de peinture et de sculpture, depuis 1648 jusqu'en 1664
1265:
Mémoires pour servir à l'histoire de l'Académie royale de peinture et de sculpture, depuis 1648 jusqu'en 1664
1532:
490:
Mémoires pour servir à l'histoire de l'Académie royale de
Peinture et de Sculpture depuis 1648 jusqu'en 1664
1302:
French
Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
1213:
Klingsöhr, Cathrin (1986). "Die
Kunstsammlung der "Academie Royale de Peinture et de Sculpture" in Paris".
438:
in Rome (founded in 1666) which allows promising artists to study in Rome. In 1816, it was merged with the
1741:
1674:
1607:
439:
431:
1710:
1161:
1070:
479:
349:
185:
150:
alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit.
1263:
488:
1668:
1434:
348:, in 1661, the office reverted to his predecessor Chancellor Séguier. Later that year, Séguier named
212:
161:, a few "superior men" who were "real artists", suffered and felt humiliated under the guild system.
50:
1285:
Memoirs to serve in the history of the Royal
Academy of Painting and Sculpture, from 1648 until 1664
1270:
Memories to serve in the history of the Royal
Academy of Painting and Sculpture from 1648 until 1664
271:
1704:
1634:
1601:
1583:
1153:
407:
353:
1680:
1619:
1553:
1439:
1063:"Konferenzen: Die Onlineedition der Conférences de l'Académie royale de peinture et de sculpture"
722:
717:
712:
702:
697:
687:
682:
671:
664:
659:
649:
644:
451:
275:
1513:
1181:
1149:
618:
was published by Jacqueline Lichtenstein and Christian Michel as a collaborative Project of the
503:, the academy's secretary from 1650 to 1681, but different names have been suggested by others.
471:
is given in great detail by a contemporary who was involved in its foundation. The 17th century
250:(elders), who would be in charge of the academy in turn, each for a calendar month. These first
595:
577:
570:
565:
560:
553:
548:
543:
536:
531:
526:
1722:
1662:
1472:
1467:
1462:
1375:
1306:
1248:
1203:
1123:
427:
404:
295:
283:
279:
263:
208:
107:
1300:
1189:
1185:
1177:
774:"Status et Règlements de l'Académy Royale de Peinture et Sculpture du mois de Febvrier 1648."
1649:
1589:
1218:
1105:
435:
345:
123:
103:
1686:
1565:
1508:
1444:
1424:
1245:
The Académie Royale de Peinture et de Sculpture: The Birth of the French School, 1648–1793
1083:
373:
361:
291:
220:
165:
90:
70:
66:
1062:
1613:
1577:
1571:
1559:
1521:
1500:
1477:
1429:
1259:
1202:, 5th edition, revised and expanded by Anthony F. Janson. London: Thames & Hudson.
1135:
515:
Montaiglon also published the minutes of the academy in ten volumes from 1875 to 1892:
500:
392:
287:
255:
228:
207:
as he could to sign it, which a great number did. With the support of Le Brun's patron
173:
169:
1811:
1796:
1595:
1115:
476:
119:
102:, France. It was the premier art institution of France during the latter part of the
39:
1327:
1165:
597:
Table des Procès-verbaux de l'Académie royale de peinture et de sculpture, 1648-1793
1745:
1195:
736:
232:
1278:
1229:
694:
Tome V : Les Conférences au temps de Charles-Antoine Coypel 1747-1752 (2012)
203:
for the foundation of the Académie. Charmois assembled as many artists with royal
1247:, translated from French by Chris Miller. Los Angeles: Getty Research Institute.
1751:
1137:
Table Procès-Verbaux de l'Académie royale de peinture et de sculpture, 1648-1793
412:"toutes les académies et sociétés littéraires patentées ou dotées par la Nation"
1109:
1100:
Brosnan, Kelsey (2016). "Vigée Le Brun: Woman Artist in Revolutionary France".
656:
Tome II: Les Conférences au temps de Guillet de Saint Georges 1682-1699 (2008)
16:
Academy that sought to professionalize the artists working for the French court
1234:
The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project
472:
1361:
1348:
216:
204:
115:
1238:
Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers
199:
Martin de Charmois and several more artists became involved and drafted a
243:
200:
196:
181:
135:
111:
785:
Mémoire historique des principaux ouvrages de peinture de Louis Testelin
1333:
1142:
Table Minutes of the Royal Academy of Painting and Sculpture, 1648-1793
147:
672:
Tome III: Les Conférences au temps de Jules Hardouin-Mansart 1699-1711
372:
The Académie experienced its greatest power during the involvement of
242:
The promoters immediately got to work and in January 1648 formulated
224:
1222:
641:
Tome I: Les Conférences au temps d'Henry Testelin 1648-1681 (2006)
747:
List of members of the Académie Royale de Peinture et de Sculpture
139:
99:
309:(Head) of the Académy as stated in article XIII of the statutes.
1120:
The Sovereign Artist: Charles Le Brun and the Image of Louis XIV
189:
146:
which had a tight grip on the professional lives of artists and
1379:
520:
Procès-verbaux de l'Académie royale de peinture et de sculpture
1337:
910:
635:
Conférences de l'Académie royale de Peinture et de Sculpture
215:, Charmois presented the petition to the nine-year-old King
134:
In the 1640s, France's artistic life was still based on the
475:
containing the account was published in 1853 by the French
360:. Colbert took full strategic control and, working through
328:(with the exact same duties for a calendar month in turn).
312:
With revised statutes from 24 December 1654 the offices of
679:
Tome IV : Les Conférences entre 1712 et 1746 (2010)
446:(Academy of Architecture, founded in 1671), to form the
1174:] (in French). Vol. I. Paris: J.-B. Dumoulin.
1040:, Vol. 83, Saur, Munich 2014, from p. 510 (in German).
709:
Tome VI : Les Conférences entre 1752-1792 (2015)
19:"Académie Royale" redirects here. For other uses, see
403:
On August 8, 1793, the Académie was suspended by the
1734:
1541:
1486:
1413:
1217:,vol. 49, no. 4, pp. 556–578.
25:
Royal Academies for Science and the Arts of Belgium
1838:Arts organizations established in the 17th century
1287:] (in French). Vol. II. Paris: P. Jannet.
499:Montaiglon has identified the anonymous author as
118:, maintained almost total control of teaching and
1833:Educational institutions established in the 1640s
1272:] (in French). Vol. I. Paris: P. Jannet.
235:. All present approved and the foundation of the
1144:] (in French). Vol. I. Paris: J. Baur.
1134:Montaiglon, Anatole de; Cornu, M. Paul (1875).
982:
958:
946:
898:
122:, and afforded its members preference in royal
1391:
1329:L'Académie royale de peinture et de sculpture
610:From 2006 to 2015, a critical edition of the
8:
1014:
1012:
442:(Academy of Music, founded in 1669) and the
430:. This Académie is also responsible for the
1818:Académie royale de peinture et de sculpture
1407:Académie Royale de Peinture et de Sculpture
1240:, vol. 1, pp. 56–57. Paris.
83:Académie royale de peinture et de sculpture
75:Académie royale de peinture et de sculpture
36:Académie royale de peinture et de sculpture
1780:
1398:
1384:
1376:
1305:. Metropolitan Museum of Art. p. 16.
1002:
1000:
332:Vice-protectorate of Jean-Baptiste Colbert
106:until it was abolished in 1793 during the
1104:, vol. 15, no. 3 (16 October).
1049:
970:
934:
922:
886:
874:
862:
850:
838:
826:
628:École Nationale Supérieure des Beaux-Arts
395:, in the years before his death in 1690.
96:"Royal Academy of Painting and Sculpture"
91:[akademiʁwajaldəpɛ̃tyʁedəskyltyʁ]
632:
584:
517:
484:
55:
29:
819:
758:
1079:
1068:
1122:. London: Paul Holberton Publishing.
324:was abandoned in favour of the title
89:
7:
630:in Paris and made available online:
590:, edited by Paul Cornu, Paris 1909:
424:Académie de peinture et de sculpture
110:. It included most of the important
21:Royal Academy of Fine Arts, Brussels
450:, one of the five academies of the
254:were the painters Charles Le Brun,
1659:Nicolas de Largillière (1738–1742)
14:
1828:Organizations established in 1648
1299:Baetjer, Katharine (2019-04-15).
1790:
1779:
1770:
1769:
1505:Louis Ferdinand Elle the Younger
1102:Nineteenth-Century Art Worldwide
178:Accademia delle Arti del Disegno
1631:acting as director (1733–1735)
1215:Zeitschrift für Kunstgeschichte
742:French art salons and academies
586:Index to all 10 volumes of the
1757:Académie Royale d'Architecture
153:According to the 17th century
1:
1823:1648 establishments in France
1656:Guillaume Coustou (1735–1738)
1336:, the digital library of the
620:German Center for Art History
43:
422:It was later revived as the
368:Dominance of Charles Le Brun
320:were created, and the title
1497:Louis Du Guernier the Elder
1036:Allgemeines Künstlerlexikon
983:Montaiglon & Cornu 1875
959:Montaiglon & Cornu 1875
947:Montaiglon & Cornu 1875
899:Montaiglon & Cornu 1875
336:Following the death of the
302:, but this is not correct.
62:The Embarkation for Cythera
1854:
1752:Académie Royale de Musique
1717:Jean-Baptiste Marie Pierre
1450:Michel Corneille the Elder
1243:Michel, Christian (2018).
1110:10.29411/ncaw.2016.15.3.16
231:on 20 January 1648 at the
157:about the founding of the
18:
1765:
708:
693:
678:
670:
655:
640:
578:Vol. 10 (1892): 1789–1793
467:The history of the early
98:) was founded in 1648 in
95:
1693:Jacques Dumont le Romain
1277:Testelin, Henri (1853).
571:Vol. 9 (1889): 1780–1788
566:Vol. 8 (1888): 1769–1779
561:Vol. 7 (1886): 1756–1768
554:Vol. 6 (1885): 1745–1755
549:Vol. 5 (1883): 1726–1744
544:Vol. 4 (1881): 1705–1725
537:Vol. 3 (1880): 1689–1704
532:Vol. 2 (1878): 1673–1688
527:Vol. 1 (1875): 1648–1672
385:Grande Galerie du Louvre
356:'s trusted minister, as
1150:Dussieux, Louis Etienne
1018:Klingsöhr 1986, p. 556.
624:Académie des Beaux-Arts
448:Académie des Beaux-Arts
444:Académie d'Architecture
1742:French Academy in Rome
1675:Charles-Antoine Coypel
1640:Nicolas de Largillière
1228:Landois, Paul (2003).
1162:Montaiglon, Anatole de
1078:Cite journal requires
1038:(Artists of the World)
78:
53:
1711:Jean-Baptiste Lemoyne
1230:"Academy of Painting"
1184:at Internet Archive,
480:Anatole de Montaiglon
350:Jean-Baptiste Colbert
305:Charmois was elected
186:Accademia di San Luca
144:Académie de Saint-Luc
59:
33:
1735:Related Institutions
1669:Pierre-Jacques Cazes
1362:48.85722°N 2.33694°E
994:Janson 1995, p. 593.
911:Dussieux et al. 1854
213:Chancellor of France
51:Jean-Baptiste Martin
1608:Corneille Van Clève
1584:Charles de La Fosse
1518:Hans van der Burcht
1358: /
637:
591:
522:
511:In addition to the
440:Académie de Musique
408:National Convention
1681:Louis de Silvestre
1620:Louis de Boullogne
1554:Antoine de Ratabon
1440:Laurent de La Hyre
1027:* Bénédicte Gady,
633:
585:
518:
452:Institut de France
432:Académie de France
286:and the sculptors
276:Laurent de La Hyre
268:Michel I Corneille
79:
54:
1805:
1804:
1797:France portal
1723:Joseph-Marie Vien
1645:Guillaume Coustou
1473:Gérard van Opstal
1468:Justus van Egmont
1463:Eustache Le Sueur
1435:Sébastien Bourdon
1367:48.85722; 2.33694
1312:978-1-58839-661-7
806:misunderstanding.
728:
727:
603:
602:
583:
582:
497:
496:
428:French Revolution
296:Gerard van Opstal
284:Eustache Le Sueur
280:Sebastien Bourdon
108:French Revolution
34:A meeting of the
1845:
1795:
1794:
1793:
1783:
1782:
1773:
1772:
1705:François Boucher
1650:Hyacinthe Rigaud
1635:Claude-Guy Hallé
1602:François de Troy
1590:Antoine Coysevox
1455:François Perrier
1400:
1393:
1386:
1377:
1373:
1372:
1370:
1369:
1368:
1363:
1359:
1356:
1355:
1354:
1351:
1316:
1288:
1273:
1175:
1145:
1088:
1087:
1081:
1076:
1074:
1066:
1059:
1053:
1047:
1041:
1030:Le Brun, Charles
1025:
1019:
1016:
1007:
1004:
995:
992:
986:
980:
974:
968:
962:
956:
950:
944:
938:
937:, p. 35-36.
932:
926:
925:, p. 34–36.
920:
914:
908:
902:
896:
890:
889:, p. 29–33.
884:
878:
872:
866:
860:
854:
848:
842:
836:
830:
829:, p. 11-12.
824:
807:
803:
797:
794:
788:
781:
775:
772:
766:
763:
638:
592:
523:
485:
346:Cardinal Mazarin
260:François Perrier
97:
93:
88:
48:
45:
1853:
1852:
1848:
1847:
1846:
1844:
1843:
1842:
1808:
1807:
1806:
1801:
1791:
1789:
1785:List of Members
1761:
1730:
1729:
1728:
1630:
1566:Charles Le Brun
1545:of the Académie
1537:
1529:Thomas Pinagier
1514:Henri Mauperché
1509:Louis Boullogne
1482:
1445:Jacques Sarazin
1425:Charles le Brun
1409:
1404:
1366:
1364:
1360:
1357:
1352:
1349:
1347:
1345:
1344:
1323:
1313:
1298:
1295:
1293:Further reading
1276:
1260:Testelin, Henri
1258:
1223:10.2307/1482376
1148:
1133:
1097:
1092:
1091:
1077:
1067:
1061:
1060:
1056:
1048:
1044:
1026:
1022:
1017:
1010:
1005:
998:
993:
989:
981:
977:
969:
965:
957:
953:
945:
941:
933:
929:
921:
917:
909:
905:
901:, p. 7–10.
897:
893:
885:
881:
873:
869:
861:
857:
849:
845:
837:
833:
825:
821:
816:
811:
810:
804:
800:
795:
791:
782:
778:
773:
769:
764:
760:
755:
733:
616:Académie royale
608:
509:
469:Académie royale
465:
460:
420:
401:
374:Charles Le Brun
370:
362:Charles Le Brun
358:Vice-protecteur
342:Académie royale
334:
292:Jacques Sarazin
264:Juste d' Egmont
237:Académie royale
221:Anne of Austria
166:Charles Le Brun
159:Académie royale
132:
86:
71:reception piece
67:Antoine Watteau
46:
28:
17:
12:
11:
5:
1851:
1849:
1841:
1840:
1835:
1830:
1825:
1820:
1810:
1809:
1803:
1802:
1800:
1799:
1787:
1777:
1766:
1763:
1762:
1760:
1759:
1754:
1749:
1738:
1736:
1732:
1731:
1727:
1726:
1720:
1714:
1708:
1702:
1696:
1690:
1684:
1678:
1672:
1666:
1660:
1657:
1654:
1653:
1652:
1647:
1642:
1637:
1623:
1617:
1614:Antoine Coypel
1611:
1605:
1599:
1593:
1587:
1581:
1575:
1572:Pierre Mignard
1569:
1563:
1560:Charles Errard
1557:
1550:
1549:
1548:
1546:
1539:
1538:
1536:
1535:
1533:Samuel Bernard
1530:
1527:
1526:Gérard Gossuin
1524:
1522:Louis Testelin
1519:
1516:
1511:
1506:
1503:
1501:Pieter Van Mol
1498:
1494:
1492:
1491:(academicians)
1484:
1483:
1481:
1480:
1478:Simon Guillain
1475:
1470:
1465:
1460:
1459:Henry Beaubrun
1457:
1452:
1447:
1442:
1437:
1432:
1430:Charles Errard
1427:
1421:
1419:
1411:
1410:
1405:
1403:
1402:
1395:
1388:
1380:
1342:
1341:
1322:
1321:External links
1319:
1318:
1317:
1311:
1294:
1291:
1290:
1289:
1274:
1256:
1241:
1226:
1211:
1200:History of Art
1193:
1154:Soulié, Eudore
1146:
1131:
1116:Burchard, Wolf
1113:
1096:
1093:
1090:
1089:
1080:|journal=
1054:
1050:Testelin 1853a
1042:
1020:
1008:
996:
987:
985:, p. 186.
975:
971:Testelin 1853a
963:
961:, p. 142.
951:
939:
935:Testelin 1853a
927:
923:Testelin 1853a
915:
913:, p. 216.
903:
891:
887:Testelin 1853a
879:
875:Testelin 1853a
867:
863:Testelin 1853a
855:
851:Testelin 1853a
843:
839:Testelin 1853a
831:
827:Testelin 1853a
818:
817:
815:
812:
809:
808:
798:
789:
776:
767:
757:
756:
754:
751:
750:
749:
744:
739:
732:
729:
726:
725:
720:
715:
710:
706:
705:
700:
695:
691:
690:
685:
680:
676:
675:
668:
667:
662:
657:
653:
652:
647:
642:
607:
604:
601:
600:
588:Procès-verbaux
581:
580:
574:
573:
568:
563:
557:
556:
551:
546:
540:
539:
534:
529:
508:
507:Procès-verbaux
505:
501:Henri Testelin
495:
494:
464:
461:
459:
456:
419:
416:
400:
397:
393:Pierre Mignard
369:
366:
354:King Louis XIV
333:
330:
288:Simon Guillain
272:Henri Beaubrun
256:Charles Errard
227:and the whole
209:Pierre Séguier
174:Henri Testelin
131:
128:
47: 1712–21
15:
13:
10:
9:
6:
4:
3:
2:
1850:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1815:
1813:
1798:
1788:
1786:
1778:
1776:
1768:
1767:
1764:
1758:
1755:
1753:
1750:
1747:
1743:
1740:
1739:
1737:
1733:
1724:
1721:
1718:
1715:
1712:
1709:
1706:
1703:
1700:
1699:Carle Van Loo
1697:
1694:
1691:
1688:
1685:
1682:
1679:
1676:
1673:
1670:
1667:
1664:
1661:
1658:
1655:
1651:
1648:
1646:
1643:
1641:
1638:
1636:
1633:
1632:
1628:
1624:
1621:
1618:
1615:
1612:
1609:
1606:
1603:
1600:
1597:
1596:Jean Jouvenet
1594:
1591:
1588:
1585:
1582:
1579:
1576:
1573:
1570:
1567:
1564:
1561:
1558:
1555:
1552:
1551:
1547:
1544:
1540:
1534:
1531:
1528:
1525:
1523:
1520:
1517:
1515:
1512:
1510:
1507:
1504:
1502:
1499:
1496:
1495:
1493:
1490:
1485:
1479:
1476:
1474:
1471:
1469:
1466:
1464:
1461:
1458:
1456:
1453:
1451:
1448:
1446:
1443:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1422:
1420:
1417:
1412:
1408:
1401:
1396:
1394:
1389:
1387:
1382:
1381:
1378:
1374:
1371:
1339:
1335:
1331:
1330:
1325:
1324:
1320:
1314:
1308:
1304:
1303:
1297:
1296:
1292:
1286:
1282:
1281:
1275:
1271:
1267:
1266:
1261:
1257:
1254:
1253:9781606065358
1250:
1246:
1242:
1239:
1235:
1231:
1227:
1224:
1220:
1216:
1212:
1209:
1205:
1201:
1197:
1194:
1191:
1187:
1183:
1179:
1173:
1169:
1168:
1163:
1159:
1155:
1151:
1147:
1143:
1139:
1138:
1132:
1129:
1125:
1121:
1117:
1114:
1111:
1107:
1103:
1099:
1098:
1094:
1085:
1072:
1064:
1058:
1055:
1051:
1046:
1043:
1039:
1037:
1032:
1031:
1024:
1021:
1015:
1013:
1009:
1006:Brosnan 2016.
1003:
1001:
997:
991:
988:
984:
979:
976:
973:, p. 42.
972:
967:
964:
960:
955:
952:
949:, p. 10.
948:
943:
940:
936:
931:
928:
924:
919:
916:
912:
907:
904:
900:
895:
892:
888:
883:
880:
877:, p. 27.
876:
871:
868:
865:, p. 31.
864:
859:
856:
853:, p. 22.
852:
847:
844:
841:, p. 12.
840:
835:
832:
828:
823:
820:
813:
802:
799:
793:
790:
786:
780:
777:
771:
768:
762:
759:
752:
748:
745:
743:
740:
738:
735:
734:
730:
724:
721:
719:
716:
714:
711:
707:
704:
701:
699:
696:
692:
689:
686:
684:
681:
677:
673:
669:
666:
663:
661:
658:
654:
651:
648:
646:
643:
639:
636:
631:
629:
625:
621:
617:
613:
605:
599:
598:
594:
593:
589:
579:
576:
575:
572:
569:
567:
564:
562:
559:
558:
555:
552:
550:
547:
545:
542:
541:
538:
535:
533:
530:
528:
525:
524:
521:
516:
514:
506:
504:
502:
493:, Paris 1853
492:
491:
487:
486:
483:
481:
478:
477:art historian
474:
470:
462:
458:Documentation
457:
455:
453:
449:
445:
441:
437:
436:villa Médicis
433:
429:
425:
418:Later history
417:
415:
413:
409:
406:
405:revolutionary
398:
396:
394:
388:
386:
381:
379:
375:
367:
365:
363:
359:
355:
351:
347:
343:
339:
331:
329:
327:
323:
319:
315:
310:
308:
303:
301:
297:
293:
289:
285:
281:
277:
273:
269:
265:
261:
257:
253:
249:
245:
240:
239:was granted.
238:
234:
230:
229:Royal Council
226:
223:who acted as
222:
219:, his mother
218:
214:
210:
206:
202:
198:
193:
191:
187:
183:
179:
175:
171:
167:
162:
160:
156:
151:
149:
145:
141:
137:
129:
127:
125:
121:
117:
113:
109:
105:
104:Ancien Régime
101:
92:
84:
76:
72:
68:
64:
63:
58:
52:
41:
40:Louvre Palace
37:
32:
26:
22:
1746:Prix de Rome
1687:Jean Restout
1626:
1542:
1488:
1415:
1406:
1343:
1328:
1301:
1284:
1279:
1269:
1264:
1244:
1237:
1233:
1214:
1199:
1196:Janson, H.W.
1192:at Gallica.)
1171:
1166:
1141:
1136:
1119:
1101:
1095:Bibliography
1071:cite journal
1057:
1052:, p. 4.
1045:
1034:
1029:
1023:
990:
978:
966:
954:
942:
930:
918:
906:
894:
882:
870:
858:
846:
834:
822:
801:
792:
784:
779:
770:
761:
737:Academic art
634:
615:
614:held at the
611:
609:
596:
587:
519:
512:
510:
498:
489:
468:
466:
423:
421:
411:
402:
389:
384:
382:
377:
371:
357:
341:
337:
335:
325:
321:
317:
316:and of four
313:
311:
306:
304:
299:
251:
247:
241:
236:
233:Palais-Royal
194:
163:
158:
154:
152:
133:
82:
80:
74:
65:, 1717, was
60:
35:
1725:(1789–1793)
1719:(1770–1789)
1713:(1768–1770)
1707:(1765–1768)
1701:(1763–1765)
1689:(1760–1763)
1683:(1752–1760)
1677:(1747–1752)
1671:(1744–1747)
1665:(1742–1744)
1663:René Frémin
1629:took turns
1622:(1722–1733)
1616:(1714–1722)
1610:(1711–1714)
1604:(1708–1711)
1598:(1705–1708)
1592:(1702–1705)
1586:(1699–1702)
1580:(1695–1699)
1578:Noël Coypel
1574:(1690–1695)
1568:(1683–1690)
1562:(1675–1683)
1556:(1655–1670)
1489:académistes
1365: /
1186:Vol. 1
1178:Vol. 1
1158:Mantz, Paul
612:Conférences
606:Conférences
124:commissions
120:exhibitions
94:; English:
1812:Categories
1543:Directeurs
1350:48°51′26″N
1332:online in
1326:Issues of
1208:0500237018
1128:1911300059
814:References
473:manuscript
426:after the
399:Suspension
338:Protecteur
326:professeur
314:chancelier
195:Soon, the
138:system of
1625:The four
1487:Founding
1414:Founding
1353:2°20′13″E
217:Louis XIV
205:patronage
142:like the
116:sculptors
1775:Category
1627:recteurs
1418:(elders)
1262:(1853).
1198:(1995).
1164:(1854).
1118:(2016).
731:See also
626:and the
513:Mémoires
463:Mémoires
318:recteurs
244:statutes
201:petition
197:courtier
184:and the
182:Florence
155:Mémoires
148:artisans
136:medieval
130:Founding
112:painters
73:for the
1416:anciens
1334:Gallica
1065:. 2006.
674:(2009)
434:in the
340:of the
300:anciens
252:anciens
248:anciens
87:French:
38:at the
1695:(1763)
1309:
1251:
1206:
1126:
1033:, in:
723:Vol. 3
718:Vol. 2
713:Vol. 1
703:Vol. 2
698:Vol. 1
688:Vol. 2
683:Vol. 1
665:Vol. 2
660:Vol. 1
650:Vol. 2
645:Vol. 1
622:, the
378:ancien
322:ancien
225:regent
140:guilds
1283:[
1268:[
1170:[
1140:[
753:Notes
170:Louis
100:Paris
49:) by
1307:ISBN
1249:ISBN
1204:ISBN
1188:and
1180:and
1124:ISBN
1084:help
482:as
307:Chef
294:and
190:Rome
172:and
114:and
81:The
23:and
1338:BnF
1219:doi
1106:doi
414:).
188:in
180:in
69:'s
1814::
1232:.
1160:;
1156:;
1152:;
1075::
1073:}}
1069:{{
1011:^
999:^
454:.
352:,
344:,
290:,
282:,
278:,
274:,
270:,
266:,
262:,
258:,
211:,
192:.
126:.
44:c.
1748:)
1744:(
1399:e
1392:t
1385:v
1340:.
1315:.
1255:.
1225:.
1221::
1210:.
1190:2
1182:2
1176:(
1130:.
1112:.
1108::
1086:)
1082:(
787:)
85:(
77:.
42:(
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
