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243:, the endorsement of a great composer which it lacked. (Whether Vivaldi was ever aware of the fraud is unknown; there is no record of him lodging any complaint against either Chédeville or Marchand, and he was already dead by the time of Marchand's notarised deposition.) Vivaldi scholars had doubted the authenticity of
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LE PRINTEMS / ou / LES SAISONS / AMUSANTES / concertos / DANTONIO VIVALDY / Mis pour les
Musettes et Vielles / avec accompagnement de Violon / Fluste et Basse continue. / PAR M CHEDEVILLE LE CADET / Hautbois De la Chambre du Roy / et Muſette ordinaire De l'Academie Royalle / De Muſique. Opera
20:
122:, and was still describing himself as musette player to the king. In his last years he experienced financial difficulties. His ten houses were signed over to creditors in 1774, following which he separated from his wife. He resigned from
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called him "the most celebrated musette player France had ever had", though he mistakenly held the opinion that he was dead by 1780, two years before he met his end. He taught the musette to
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led to his receiving, in August 1739, a privilege to publish arrangements for the musette, hurdy-gurdy or flute of concertos and sonatas by ten specific
Italian composers, in addition to
239:. Chédeville supplied the money and received the profits, all of which was attested to in a notarial act by Marchand in 1749. This may have been an attempt to give his instrument, the
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amusements), published in
December 1729. He called himself 'Chedeville le jeune', and in later compositions referred to himself as 'Chedeville le cadet'. Another collection of
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in 1777, petitioned for bankruptcy in 1778 and died in Paris four years later. Lawyers were still trying to settle his affairs in 1790.
203:. He turned briefly to more serious music with Italian influences in op. 7, which is his only collection written specifically for the
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Les
Hotteterre et les Chédeville: célèbres joueurs et facteurs de flûtes, hautbois, bassons et musettes des XVIIe et XVIIIe siècles
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followed, which were of a more advanced technical and musical substance. Some variety was found in op. 6, with pieces named after
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in July 1748, though returned occasionally to play the musette there. When he was nearly 70, he married the younger daughter of a
277:
95:
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In 1737 he made a secret agreement with his cousin Jean-Noël
Marchand to publish a collection of his own compositions as
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since at least the 1950s, but the forgery was only conclusively proven by French musicologist
Philippe Lescat in 1989.
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op. 8 no. 12. All this was quite freely arranged and combined with some added
Vivaldian material by Chédeville.
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Chédeville's compositions were intended for the amusement and pleasure of wealthy amateur musicians; the
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from about 1750, and became a popular teacher among the aristocracy, eventually attaining the title of
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266:(1739) is a particularly amusing result of this privilege; it is an arrangement of Vivaldi's
140:. He was also a musette maker, and extended the instrument's compass in the bass down to c' (
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Jane M. Bowers: 'Chédeville', Grove Music Online ed. L. Macy (Accessed 2007-06-11),
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Title page of
Chedeville's ″Il pastor fido, Antonio Vivaldi. Opera XIII"(1737)
199:-like images'; it was inspired by a military campaign he had gone on with the
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Les variations amusantes: pièces de différents auteurs ornés d'agrémens
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N. Chédeville: Il Pastor Fido (oeuvre attribuée à Antonio
Vivaldi)
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with his op. 8 no. 9 concerto, transferred the middle movement of
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for hurdy-gurdy or musette, violin, and flute (though the French
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Vivaldi's music for flute and recorder – Federico Maria
Sardelli
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Les pantomimes italiennes dansées à l'Académie royale de musique
436:); for 2 musettes/hurdy-gurdies/pardessus de viole/flutes/oboes.
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369:(1734); for 1 and 2 musettes/hurdy-gurdies/flutes/oboes/violin.
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456:(1739); for musette/hurdy-gurdy, violin, flute, and continuo.
404:(1750); for 2 musettes/hurdy-gurdies/flutes/oboes/violins.
362:(1733); for 2 musettes/hurdy-gurdies/flutes/oboes/violin.
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His first published works were collections of pieces for
468:(1742); for 1 and 2 musettes/hurdy-gurdies/flutes/oboes.
376:(1736); for 1 and 2 musettes/hurdy-gurdies/flutes/oboes.
480:, op.4, arrangement for musette/hurdy-gurdy/flute/oboe.
304:
Published in Paris. All solo works are accompanied by
521:
Vivaldi/Chédeville "Il pastor fido". Gramophone.co.uk
447:
Il pastor fido, sonates ... del sigr Antonio Vivaldi
390:(1739); for 2 musettes/hurdy-gurdies/flutes/violins.
449:(1737); for musette/hurdy-gurdy/flute/oboe/violin.
74:, and may have given him instruction in music and
402:Les idées françoises, ou Les délices de Chambray
34:(20 February 1705 – 6 August 1782) was a French
160:instruments while living a romantic fantasy of
414:(1750); for 2 musettes/hurdy-gurdies/violins/
374:Amusemens de Bellone, ou Les plaisirs de Mars
308:. '/' indicates alternative instrumentation.
16:French composer and musette maker (1705–1782)
8:
571:The Hurdy-Gurdy in Eighteenth-Century France
474:; for musette/hurdy-gurdy/violin/flute/oboe.
351:(1733); for musette/hurdy-gurdy/flute/oboe/
336:(1731); for 1 and 2 musettes/hurdy-gurdies/
168:presented a rather different perspective).
102:'s death in 1732, he took over his post in
360:Les danses amuzantes mellées de vaudeville
588:International Music Score Library Project
90:-like instrument commonly used in French
222:
138:maître de musette des Mesdames de France
496:
349:Troisième livre d'amusements champêtres
156:of the time found pleasure in playing
486:(1751); for 2 musettes/hurdy-gurdies.
462:(1742); for 2 musettes/hurdy-gurdies.
264:Le printems, ou Les saisons amusantes
7:
654:18th-century French male musicians
280:). He replaced Vivaldi's original
78:instruments. He began playing the
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584:Free scores by Nicolas Chédeville
644:18th-century classical composers
639:French musical instrument makers
319:Amusements champêtres, livre 1er
23:Nicolas Chédeville, painting by
619:French male classical composers
412:Les impromptus de Fontainebleau
395:Les Deffis, ou L'étude amusante
334:Amusements champêtres, livre 2e
66:(1696–1762) were his brothers.
50:Nicolas Chédeville was born in
383:(1739); for flute/oboe/violin.
98:orchestra in the 1720s. After
1:
649:18th-century French composers
573:(Bloomington, Indiana, 1995)
441:Arrangements and other works
118:who had once worked for the
659:17th-century male musicians
562:P. Lescat: Introduction to
472:Nouveaux menuets champêtres
675:
537:http://www.grovemusic.com/
397:; for musette/hurdy-gurdy.
110:band. He retired from the
64:Esprit Philippe Chédeville
42:player and musette maker.
388:Les galanteries amusantes
250:Chédeville's interest in
130:Jean-Benjamin de la Borde
629:French classical oboists
624:French Baroque composers
219:Impersonation of Vivaldi
70:was his great uncle and
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28:
557:Arcadia et Versailles
484:La feste de Cleopatre
256:Johann Joachim Quantz
226:
189:Amusements champêtres
181:Amusements champêtres
22:
434:Les folies d'Espagne
321:(1729); for 1 and 2
276:could also mean the
235:'s op. 13, entitled
634:French male oboists
124:Les Grands Hautbois
104:Les Grands Hautbois
566:1737 (Paris, 1994)
416:pardessus de viole
229:
154:French aristocracy
32:Nicolas Chédeville
29:
559:(Amsterdam, 1978)
460:La feste d'Iphise
367:Sonates amusantes
166:French Revolution
164:life (before the
134:Princess Victoire
60:Pierre Chédeville
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614:People from Eure
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269:The Four Seasons
195:and expressing '
68:Louis Hotteterre
62:(1694–1725) and
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233:Antonio Vivaldi
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25:Aléxis Grimou
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548:E. Thoinan:
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510:Google Books
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106:, the royal
103:
58:; musicians
49:
31:
30:
609:1782 deaths
604:1705 births
421:Op.13: lost
407:Op.11: lost
179:, entitled
177:hurdy-gurdy
96:Paris Opera
598:Categories
569:R. Green:
530:References
430:variations
428:(includes
381:6 sonates
94:) in the
72:godfather
46:Biography
323:musettes
306:continuo
278:recorder
185:pastoral
142:middle C
56:Normandy
36:composer
590:(IMSLP)
586:at the
454:ottava.
424:Op.14:
410:Op.12:
400:Op.10:
241:musette
193:battles
173:musette
162:peasant
88:bagpipe
84:musette
76:turning
40:musette
393:Op.9:
386:Op.8:
379:Op.7:
372:Op.6:
365:Op.5:
358:Op.4:
353:violin
338:flutes
312:Opuses
294:Winter
290:Autumn
286:Winter
282:Summer
213:violin
158:rustic
491:Notes
478:Abaco
347:Op.:
342:oboes
332:Op.:
317:Op.:
274:flute
205:flute
148:Works
116:valet
112:opera
52:Serez
258:and
209:oboe
108:oboe
82:and
80:oboe
432:on
288:to
211:or
197:war
175:or
144:).
86:(a
600::
262:.
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54:,
38:,
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183:(
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