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variety of venues (including Tate
Britain, Art Basel, Hayward Gallery, Schirn Kunsthalle, ICA (Institute of Contemporary Arts), Arnolfini Gallery, Ikon Eastside, City Projects and New Art Gallery Walsall). He also continues to develop an ongoing interest in Super 8mm film-making (with a particular focus on abstraction and hand-painted work).
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tone generators, circuit bent instruments, tabletop guitar, preparations, and amplified objects) to blend rhythmic pulses with deep bass tones and abstracted sound. They also create satellite work related to non-rhythmic sound fields, live improvised film soundtracking, and regular collaboration with electro-acoustic musicians
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Bullen's work in the field of sound art has included sound installations, sound design for radio-based art, writing on the use of the voice in music and art, a tour of cinemas producing improvised sound responses to key pieces of 'experimental' cinema, lectures, and collaborations with artists at a
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Bullen remained silent musically for the best part of a decade (during which time he gained another university degree in
Computer Science) before returning to live performing in 2003 with the experimental electronic group Black Galaxy. Black Galaxy use a range of instrumentation (including laptop,
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in 1991: a more experimental project that moved away from the members previous work to explore dark breakbeat-driven rhythmic mantras informed by avant-garde modern composition, the reflective spaces of Dub and dark drone-based ambience. The core duo released 3 albums on the
Earache label, along
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Expo). He also participates in a number of other collaborative projects which are predominantly focused on live performance and improvisation (including the Photon Hex ensemble and electro-acoustic improvising trio
Migrant), and performs solo (as Alienist and under his own name).
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To extend this work, Bullen began the Monium imprint in 2006 with the intention of bringing together a loose collective of artists interested in the exploration of (analogue / digital, improvisation / composition, performance / recording) in sound, film and text.
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which is credited with being the release which initiated the 'Grindcore' genre) due to an increasing dissatisfaction with the direction of the group and a desire to pursue his studies at university (where he studied
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genre. The duo had collaborated on fanzines and played together in a number of 'bedroom' bands from 1980 onwards and formed the first line-up of
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with a number of 12" singles featuring radically deconstructed remixes of album material and appearances on compilation albums (including the
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in May 1981 (when Bullen and
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Bullen continued to be involved in other projects during his tenure in
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in
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Choosing Death: the
Improbable History of Death Metal and Grindcore
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127:Learn how and when to remove this message
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1106:Throes of Joy in the Jaws of Defeatism
434:with bassist and avant-garde producer
316:, the band credited with creating the
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1177:Coded Smears and More Uncommon Slurs
1071:The Code Is Red...Long Live the Code
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533:Nicholas Bullen & Bill Laswell
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1008:From Enslavement to Obliteration
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601:. Los Angeles, CA: Feral House
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1345:Napalm Death: Thrash to Death
1322:Leaders Not Followers: Part 2
1414:British male bass guitarists
34:biography of a living person
1419:English heavy metal singers
1057:Enemy of the Music Business
364:Bullen was invited to join
181:1968 (age 55–56)
61:must be removed immediately
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597:Mudrian, Albert (2004).
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1085:Time Waits for No Slave
541:Subsonic 2: Bass Terror
368:(a fellow ex-member of
1297:Punishment in Capitals
1170:Noise for Music's Sake
1138:Punishment in Capitals
163:Background information
48:Please help by adding
1315:Leaders Not Followers
1163:Death by Manipulation
1043:Inside the Torn Apart
585:19 March 2009 at the
562:(God Unknown Records)
387:Virgin Ambient series
1429:Napalm Death members
1424:English male singers
1351:Extreme Noise Terror
848:Extreme Noise Terror
616:Artreviewdigital.com
385:compilations of the
239:Vocals, bass, guitar
54:Contentious material
1444:Grindcore musicians
1244:In Tongues We Speak
1230:Nazi Punks Fuck Off
1216:Mass Appeal Madness
1209:Suffer the Children
1131:Bootlegged in Japan
767:Refuse; Start Fires
383:Macro Dub Infection
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954:Frank Healy
944:Lee Dorrian
791:Live albums
711:Evanescence
665:Mick Harris
525:Evanescence
470:Discography
431:Bass Terror
366:Mick Harris
312:(Rat) – of
272:(1991–95),
268:(1981–87),
262:Formerly of
218:electronica
1388:Categories
1372:You Suffer
959:Bill Steer
932:John Cooke
567:References
464:Birmingham
290:Nik Napalm
228:Occupation
214:industrial
195:Birmingham
173:Nik Napalm
87:newspapers
1195:The Curse
1036:Diatribes
697:Vae Solis
503:Vae Solis
407:John Peel
318:Grindcore
304:Biography
294:grindcore
222:grindcore
197:, England
186:, England
39:citations
824:Ellipsis
774:Cafe Mor
704:Colossus
583:Archived
516:Colossus
411:Godflesh
403:Autechre
343:project
333:Godflesh
231:Musician
184:Coventry
117:May 2020
65:libelous
1356:Lock Up
1290:The DVD
760:Stealth
558:2019 -
538:1995 -
522:1994 -
513:1993 -
500:1992 -
480:1987 -
419:Khanate
395:Scanner
101:scholar
746:Plan B
732:Zander
560:No You
444:kREEPA
417:(OLD,
413:) and
276:(1983)
257:Monium
254:Labels
202:Genres
191:Origin
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718:Gyral
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374:Scorn
372:) in
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296:band
274:Final
270:Scorn
108:JSTOR
94:books
32:This
1001:Scum
483:Scum
401:and
399:Coil
381:and
357:Scum
337:Jesu
335:and
210:rock
206:Punk
178:Born
80:news
41:for
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67:.
46:.
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