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Nick Brignola

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352:. He was born into a musical family in which his father played the tuba and his uncle played the banjo. As a mostly self-taught musician, he developed his facility on all of his instruments using unconventional techniques, which gave his playing an unmatched fluidity. At the age of 11 he began playing the clarinet and in years to come he picked up the alto and tenor saxophones as well as the flute. At the age of 20 he dropped his alto saxophone off to be repaired, and the only horn the shop had to loan him was the baritone sax. After that, the baritone sax became his main, but not only instrument. 168: 66: 25: 417:
Another highlight in Brignola's career was the Many Styles of Nick Brignola series, which had Brignola playing three distinctly different styles of jazz. The first set was a swing/dixie with such stars as Cheatham, Jimmy McPartland and Helen Humes. The second set was dedicated to bebop, with Chet
410:. It was there that he got to play with many of his favorite musicians such as Cecil Payne, Woody Shaw, Jon Faddis, Chet Baker and Bill Watrous. His connection with Watrous was especially fortuitous and they maintained contact for many years. He also played with dixieland/swing trumpet player 249: 383:
In the 1960s Nick toured with trumpeter Ted Curson, which gave him his initial international exposure. Brignola and Curson remained friends for the rest of Brignola's life. They reunited in the mid 1970s and played several gigs at the
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award for the best college group of the year. The award afforded the group of young musicians many opportunities including the recording of an album as well as performance at various festivals, and a performance at the Café Bohemia in
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Baker, Thad Jones and Jack Wilkins. His final set was with Petrus - his working group at the time, where they played both fusion and avant garde jazz. Two such performances were held at the Cohoes Music Hall in
403:. Brignola joined the group, which became known as Brignola and Petrus and while they never recorded, found a great deal of both popular and critical acclaim for their work together. 750: 741: 441:. He played an integral role in the three-baritone sax band, which also played tribute to Mulligan. He recorded two incredible sets at the Sweet-Basil Lounge in New York city with 380:. Brignola did not have a long stay at Berklee though. His popularity launched him into the music scene and lead him to gig with many well established musicians. 927: 917: 932: 947: 368:. In the Down Beat critics poll he was labeled a “new star.” The newfound fame landed him with the Benny Goodman Scholarship to the prestigious 962: 922: 957: 395:. It was led by pianist Phil Markowitz with Gordon Johnson on bass, and Ted Moore on drums. The trio began at the Eastman School of music in 824: 942: 937: 591: 967: 184: 224: 206: 149: 52: 177: 565: 952: 87: 83: 38: 130: 102: 628: 109: 248: 425:
Brignola also performed and released albums with many famous and well-established musicians. He recorded the album
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During this time, Brignola also played at the regular Sunday evening sessions that were held at the Ramada Inn in
76: 369: 116: 372:(Boston, Massachusetts). During his time at Berklee he did a recording with legendary professor and musician 851: 98: 736: 407: 912: 907: 396: 881: 433:. He released several tribute albums with an equally stunning cast of musicians paying respect to 829: 360: 188: 44: 856: 365: 477: 419: 392: 302: 123: 891: 391:
Also, in the mid 1970s, Brignola heard a group called Petrus at the Last Chance Saloon in
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It may require cleanup to comply with Knowledge (XXG)'s content policies, particularly
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in New York, Brignola and some of his fellow students made a recording, which won a
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and forged relationships with lifelong musical friends including
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in New York City where the group recorded their only album.
399:. They were a fusion oriented group greatly influenced by 806:
Tony Purrone, "In The Heath Zone" (SteepleChase ,1997)
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Live at the Theatre Boulogne-Billancourt/Paris, Vol. 2
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Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1
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A major contributor to this article appears to have a
453:on the album Baritone Explosion with Rein DeGraff. 324: 316: 308: 292: 273: 263: 258: 239: 90:. Unsourced material may be challenged and removed. 449:, and played alongside fellow baritone sax player 852:"Nick Brignola, 65; Top Jazz Saxophone Player" 456:Brignola died of cancer on February 8, 2002. 8: 422:, and the final one at Page Hall in Albany. 762:Live Again! At Page Hall with Nick Brignola 53:Learn how and when to remove these messages 553:Nick Brignola & the Endangered Species 247: 236: 429:with one of his idols, bebop heavyweight 225:Learn how and when to remove this message 207:Learn how and when to remove this message 150:Learn how and when to remove this message 816: 348:Brignola was born on July 17, 1936, in 7: 928:20th-century American male musicians 918:Jazz musicians from New York (state) 88:adding citations to reliable sources 933:20th-century American saxophonists 16:American jazz baritone saxophonist 14: 599:Things Ain't What They Used to Be 34:This article has multiple issues. 894:NAMM Oral History Library (2000) 253:Photo provided by KSMF Webmaster 187:. Please discuss further on the 166: 64: 23: 948:Berklee College of Music alumni 585:D.E.W. East Meets Nick Brignola 338:Nicholas Thomas "Nick" Brignola 75:needs additional citations for 42:or discuss these issues on the 833:. Associated Press. 2002-02-18 1: 963:Mingus Dynasty (band) members 923:Musicians from Troy, New York 541:Live at Sweet Basil First Set 958:American male jazz musicians 654:You Ain't Heard Nothin' Yet! 355:While studying education at 701:Music of Rodgers & Hart 505:Signals...in from Somewhere 984: 943:American male saxophonists 938:American jazz saxophonists 328:Saxophone, clarinet, flute 968:Reservoir Records artists 246: 691:More Birds Less Feathers 370:Berklee College of Music 269:Nicholas Thomas Brignola 892:Nick Brignola Interview 559:The Flight of the Eagle 259:Background information 953:Ithaca College alumni 408:Schenectady, New York 185:neutral point of view 674:Plays Gerry Mulligan 668:In Our Own Sweet Way 523:On a Different Level 84:improve this article 764:(Anami Music, 1994) 640:(Chiaroscuro, 1981) 587:(Cornerstone, 2001) 397:Rochester, New York 887:Hardbop.tripod.com 830:The New York Times 733:(Sea Breeze, 1995) 731:Sophisticated Lady 713:(Inner City, 1977) 624:(Inner City, 1976) 487:(Sea Breeze, 1979) 361:Down Beat Magazine 857:Los Angeles Times 786:(Reservoir, 1994) 754:(Soul Note, 1993) 745:(Soul Note, 1989) 721:Woody Herman 1964 711:Waterfall Rainbow 693:(Discovery, 1986) 656:(Dauntless, 1963) 601:(Reservoir, 2003) 595:(Reservoir, 2001) 581:(Reservoir, 1999) 569:(Reservoir, 1998) 561:(Reservoir, 1996) 549:(Reservoir, 1994) 543:(Reservoir, 1993) 537:(Reservoir, 1992) 531:(Reservoir, 1991) 525:(Reservoir, 1990) 519:(Reservoir, 1988) 513:(Discovery, 1984) 507:(Discovery, 1983) 493:(Interplay, 1979) 366:Greenwich Village 332: 331: 235: 234: 227: 217: 216: 209: 180:with its subject. 160: 159: 152: 134: 57: 975: 869: 868: 866: 865: 848: 842: 841: 839: 838: 821: 776:(Bee Hive, 1978) 748:Mingus Dynasty, 664:(Bee Hive, 1978) 632:(Atlantic, 1977) 501:(Bee Hive, 1980) 481:(Bee Hive, 1978) 478:Baritone Madness 427:Baritone Madness 420:Cohoes, New York 393:Albany, New York 303:Albany, New York 299: 296:February 8, 2002 283: 281: 266: 251: 237: 230: 223: 212: 205: 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Troy, New York
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