171:, Hillary Kelly wrote, "The two predominant strains of maternal commentary in the twenty-first century can be summarized as 'Mothers cannot possibly do all that is asked of them' and 'Mothers are capable of anything.' Each affirms the other: mothers simultaneously cannot live up to both maxims, and they have little choice but to try...Yoder believes both, and neither, and her novel happily occupies a floating realm between them."
177:'s Rebecca Onion had mixed feelings about the novel, noting "There are parts of the book that seem to be trying too hard—I could do without the subplot where the narrator reads a mysterious book about magical women and sends long letters to its author. But as a meditation on the radical evolution parenthood demands, it’s perfect."
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165:, Bethanne Patrick describes how "Rachel Yoder’s debut novel, 'Nightbitch,' may feel as if the author stuck her hand into your brain and rummaged around. Yoder has a powerful understanding of the alienation that can set in for stay-at-home mothers and others." In her review for
139:. Yoder wrote the novel free of concerns about its strangeness, as she wrote it "for herself", though she did have concerns that the book's premise would not provide enough substance for a book of the length she wanted to write.
129:. She wrote it in part due to the anger she felt after becoming a mother and the resultant changes to her personal and professional life. She was further inspired by a passage in
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233:"Ferocious and Violent: The Millions Interviews Rachel Yoder"
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Yoder had not written for two years when she began writing
362:"Nightbitch by Rachel Yoder review – very wild at heart"
259:"The Rage And Wonder Of A Mother Unleashed (Literally)"
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The novel received positive reviews. In a review for
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20:Nightbitch
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
