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206:] door into kitchen right. Very good looking blond boy in white (coat, cap) inside counter. Girl in red blouse, brown hair eating sandwich. Man night hawk (beak) in dark suit, steel grey hat, black band, blue shirt (clean) holding cigarette. Other figure dark sinister back—at left. Light side walk outside pale greenish. Darkish red brick houses opposite. Sign across top of restaurant, dark—Phillies 5¢ cigar. Picture of cigar. Outside of shop dark, green. Note: bit of bright ceiling inside shop against dark of outside street—at edge of stretch of top of window.
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Moss located a land-use map in a 1950s municipal atlas showing that "Sometime between the late '30s and early '50s, a new diner appeared near Mulry Square". The diner was located immediately to the right of the gas station, "not in the empty northern lot, but on the southwest side, where Perry Street
281:
That reference led Hopper fans to engage in a search for the location of the original diner. The inspiration for the search was summed up in a 2010 blog of one of those searchers: "I am finding it extremely difficult to let go of the notion that the
Nighthawks diner was a real diner, and not a total
227:
Upon completing the canvas in the late winter of 1941–42, Hopper placed it on display at Rehn's, the gallery at which his paintings were normally placed for sale. It remained there for about a month. On St. Patrick's Day, Edward and Jo Hopper attended the opening of an exhibit of the paintings of
210:
In
January 1942, Jo confirmed her preference for the name. In a letter to Edward's sister, Marion, she wrote, "Ed has just finished a very fine picture—a lunch counter at night with 3 figures. Night Hawks would be a fine name for it. E. posed for the two men in a mirror and I for the girl. He was
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Moss decided that Hopper should be taken at his word: the painting was merely "suggested" by a real-life restaurant, he had "simplified the scene a great deal", and he "made the restaurant bigger". In short, there probably never was a single real-life scene identical to the one that Hopper had
185:
Jo's handwritten notes about the painting give considerably more detail, including the possibility that the painting's title may have had its origins as a reference to the beak-shaped nose of the man at the counter or that the appearance of one of the "nighthawks" was tweaked to relate to the
792:, Red and Kitty Forman, after a failed attempt to dine at an upscale restaurant, end up back at their usual diner. After Kitty comments that the scene seems familiar, the camera pulls back to reveal them as the couple seated at the counter in the painting.
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The sale was recorded by
Josephine Hopper as follows, in volume II, p. 95 of her and Edward's journal of his art: "May 13, '42: Chicago Art Institute - 3,000 + return of Compartment C in exchange as part payment. 1,000 - 1/3 = 2,000." See Deborah Lyons,
708:
171:(Jo) kept a journal in which he would use a pencil, make a sketch-drawing of each of his paintings, along with a detailed description of specific technical details. Jo Hopper would then add additional information about the theme of the painting.
456:'s poem "Nighthawks: After Edward Hopper's Painting" imagines the man and woman sitting together in the diner as an estranged couple: "I bet she wrote him a letter/ Whatever it said, he's no longer the man / Who'd read her letters twice."
159:" (1933). In response to a query on loneliness and emptiness in the painting, Hopper outlined that he "didn't see it as particularly lonely". He said, "Unconsciously, probably, I was painting the loneliness of a large city."
808:, have recreated the scene on their layouts. The theater lighting manufacturer Electronic Theatre Controls has a human-sized scale model of the diner in the lobby of their headquarters in Middleton, Wisconsin.
911:"The central theme of his work is the loneliness of city life, generally expressed through one or two figures in a spare setting - his best-known work, Nighthawks, has an unusually large 'cast' with four."
819:
has been widely referenced and parodied. Versions of it have appeared on posters, T-shirts and greeting cards as well as in comic books and advertisements. Typically, these parodies—like
Helnwein's
543:(1992), two characters visit a café resembling the diner in a scene that illustrates their solitude and despair. The painting was briefly used as a background for a scene in the animated film
289:, at the intersection of Seventh Avenue South, Greenwich Avenue, and West 11th Street, about seven blocks west of Hopper's studio on Washington Square. However, according to an article by
190:
Night + brilliant interior of cheap restaurant. Bright items: cherry wood counter + tops of surrounding stools; light on metal tanks at rear right; brilliant streak of jade green tiles
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said "I was constantly waving a reproduction of this painting under the noses of the production team to illustrate the look and mood I was after". In his review of the 1998 film
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created, and if one did exist, there is no longer sufficient evidence to pin down the precise location. Moss concluded, "the ultimate truth remains bitterly out of reach".
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series of posters, replaces the figures in the diner with ducks and shows a crocodile outside eying the ducks in anticipation. Poverino
Peppino parodied this image in
823:, which became a popular poster—retain the diner and highly recognizable diagonal composition, but replace the patrons and attendant with other characters: animals,
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late at night as viewed through the diner's large glass window. The light coming from the diner illuminates a darkened and deserted urban streetscape.
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boxers standing inebriated outside the diner, apparently having just smashed the diner window with a nearby chair. A large mural recreation of
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638:, with the band-members portraying waitstaff and patrons. The band's site said they "went with Edward Hopper's classic painting,
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262:', and soon arranged its purchase for Chicago." It was sold on May 13, 1942, for $ 3,000 (equivalent to $ 55,940 in 2023).
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763:(TCM)'s “Open All Night” intro sequence, which was used to open overnight movie presentations from 1994 to 2021, is based on
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537:(1997). Wenders suggested that Hopper's paintings appeal to filmmakers because "You can always tell where the camera is." In
460:
wrote interior monologues for the figures in the painting in her poem "Edward Hopper's
Nighthawks, 1942". A special issue of
1945:
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589:(2005) acknowledged a similar debt by setting one scene at a "Nighthawks Diner" where a character purchases a T-shirt with
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where two streets meet". Additionally, he noted that "I simplified the scene a great deal and made the restaurant bigger."
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composite built of grocery stores, hamburger joints, and bakeries all cobbled together in the painter's imagination".
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1997:
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783:, a petty criminal and conman, pulls off his final heist, stealing the painting and hiding it in his basement.
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included five brief dramatizations that built five different plots around the painting; one, by screenwriter
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The painting has been described as Hopper's best-known work and is one of the most recognizable paintings in
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Levin, Gail (1995), "Edward Hopper: His Legacy for
Artists", in Lyons, Deborah; Weinberg, Adam D. (eds.),
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Deborah Lyons, Edward Hopper: A Journal of His Work. New York: Whitney Museum of
American Art, 1997, p. 63
967:
691:
437:
334:(1969). Brown said the café in the lower left corner of this painting "isn't set up like an imitation of
274:, Hopper's neighborhood in Manhattan. Hopper himself said the painting "was suggested by a restaurant on
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860:(1993), in which a contented crocodile lies on the counter while four ducks stand outside in the rain.
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1559:"Rotospective: Ralph Bakshi's Heavy Traffic is High on Detail, Consistency and Realism - Agent Palmer"
1437:
Framed
Visions: Popular Culture, Americanization, and the Contemporary German and Austrian Imagination
599:, it comes to life through CGI animation with the characters reacting to events in the outside world.
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across canvas—at base of glass of window curving at corner. Light walls, dull yellow ocre [
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is entered shows (in Edward Hopper's handwriting) that the intended name of the work was actually
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with 1950s
American cinema and with "the tragic fate of the decade's best-loved celebrities."
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1946:"Shameless' end-of-life storytelling continues to disappoint, not that we expected otherwise"
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Staying Up Much Too Late: Edward Hopper's Nighthawks and the Dark Side of the American Psyche
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1842:"Nighthawks: How one painting came to heavily influence pop-culture, TV, cinema, and music"
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New York: Rizzoli, 2007, pp. 351–352, citing Jo Hopper's diary entry for March 17, 1942.
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Hopper was an avid moviegoer and critics have noted the resemblance of his paintings to
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1792:"This is the world we know, the world of air and breathing and sun and beating hearts"
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381:(1971), but in daylight, with the shop's large window reflecting the street and sky.
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1681:"Five Charming Inaccuracies in 'Night at the Museum: Battle of the Smithsonian' DVD"
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1919:"Exopolis Revives Vintage Edward Hopper Inspired Promo for Turner Classic Movies"
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Jo Hopper, in a letter to Marion Hopper, January 22, 1942. Quoted in Gail Levin,
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and mentions Hopper by name. Seven of his paintings are referenced in the lyrics.
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694:, set in 1950s New York, features one street setting with a bar inspired by the
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299:, that cannot be the location of the diner that inspired the painting because a
408:. According to Hopper scholar Gail Levin, Helnwein connected the bleak mood of
1531:"Glengarry Glen Ross ou l'autopsie de l'image modèle de l'économie américaine"
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The spot often associated with the former location was a vacant lot known as
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84 cm Ă— 152 cm (33.1 in Ă— 60.0 in)
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is entitled "Nighthawks" and takes its inspiration from Hopper's painting.
167:
Starting shortly after their marriage in 1924, Edward Hopper and his wife
1763:"Premiere: OMD, 'Night Café' (Vile Electrodes 'B-Side the C-Side' Remix)"
1892:"Fresh Off the Boat's Season 2 Poster: The Huangs Give Us an Art-Attack"
579:
noted the film had "store windows that owe something to Edward Hopper's
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1918:
420:, clutters the street scene with pedestrians, cats, and trash. A 2005
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Invoice showing $ 1,971 going to the artist after commission and costs
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421:
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Gemünden, 2–5, 15; quotation translated from the German by Gemünden.
244:, the Museum of Modern Art director. Barr spoke enthusiastically of
270:
The scene was supposedly inspired by a diner (since demolished) in
155:" (1927), which Hopper greatly admired, or the more philosophical "
147:
It has been suggested that Hopper was inspired by a short story of
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681:
392:(1984) replaces the three patrons with American pop culture icons
322:
218:
132:
107:
663:'s multi-movement quartet for two pianos and two percussionists,
2154:
2042:
Reynolds, Christopher (September 23, 2006), "Lives of a Diner",
2158:
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references Hopper's painting under the entry for "nighthawk".
354:
Many artists have produced works that allude to or respond to
202:
121:
movement, within months of its completion, it was sold to the
846:
even inspired a parody of its own. Michael Bedard's painting
482:
wrote short stories inspired by this painting. John Koenig's
384:
More direct visual quotations began to appear in the 1970s.
1439:. Ann Arbor: University of Michigan Press. pp. 9–12.
452:
came to be in a diner at night, or what will happen next.
1069:"Jeremiah's Vanishing New York: Finding Nighthawks, Coda"
617:(1975) features a title, a cover, and lyrics inspired by
519:(1981), for which production designer Ken Adam recreated
513:
Hopper was an acknowledged influence on the film musical
182:
and that the painting was completed on January 21, 1942.
102:
is a 1942 oil-on-canvas painting by the American artist
593:
printed on it. The painting features in the 2009 movie
346:
has served as the model for many homages and parodies.
342:
Because it is so widely recognized, the diner scene in
1626:
Chambers, Bill, "Hard Candy (2006), The King (2006)",
1054:
New York: Whitney Museum of American Art, 1997, p. 63.
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placed its characters in a version of the painting.
448:Several writers have explored how the customers in
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2101:, May 4, 2007, p. 22, Arts and Entertainment.
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1293:Updike, John (2005). "Hopper's Polluted Silence".
1234:
994:"The Artist's Voice: Talks With Seventeen Artists"
1210:
1208:
254:. In the event, it was Rich who went, pronounced
2095:"Visions of Isolation: Edward Hopper at the MFA"
1729:. Archived from the original on October 11, 2011
1189:. Helnwein.com. October 15, 2013. Archived from
510:, whose development Hopper may have influenced.
1387:"Book Review: Coast of Chicago by Stuart Dybek"
1330:, Chicago, Illinois: Art Institute of Chicago,
436:was painted on a defunct Chinese restaurant in
303:occupied that lot from the 1930s to the 1970s.
188:
2024:"et cetera... a blog of bright ideas from ETC"
1469:Post Script: Essays in Film and the Humanities
1411:. New York: Simon & Schuster. p. 47.
1259:"Prominent Santa Rosa murals to be demolished"
596:Night at the Museum: Battle of the Smithsonian
2170:
1352:"Anthology inspired by Hopper's untold tales"
827:and his reindeer, or the respective casts of
748:Season 2 poster features the title family in
470:, turned the scene into a chainsaw massacre.
8:
1998:"And Now for Something Completely Different"
1870:, New York: Thomas Dunne Books, p. 10,
1430:
1428:
634:, is set in a diner reminiscent of that in
440:until the building was demolished in 2019.
365:of the late 1960s and early 70s, including
307:slants". That map is not reproduced in the
2177:
2163:
2155:
1982:. Season 1. Episode 8. November 15, 1998.
1462:"Edward Hopper, Nighthawks, and Film Noir"
1317:. The Oates poem appears in the anthology
1159:Edward Hopper and the American Imagination
29:
20:
2490:Paintings in the Art Institute of Chicago
2432:Edward Hopper Birthplace and Boyhood Home
1062:
1060:
1835:
1833:
1385:Janiczek, Christina (December 5, 2010).
896:Ian Chilvers and Harold Osborne (Eds.),
659:The first movement of American Composer
163:Josephine Hopper's notes on the painting
106:that portrays four people in a downtown
1574:Future Noir: the Making of Blade Runner
889:
779:painting in a late season 11 arc where
719:" (1997), one of several references to
531:as the set for a film-within-a-film in
211:about a month and half working on it."
2222:Coast Guard Station, Two Lights, Maine
2066:MĂĽller, Beate (1997), "Introduction",
1890:Slezak, Michael (September 11, 2015).
1740:
1655:"Deconstructing "Night at the Museum""
1576:, New York: HarperPrism, p. 74,
1350:McManus, Darragh (December 4, 2016).
1297:Still Looking: Essays on American Art
1052:Edward Hopper: A Journal of His Work.
1038:Edward Hopper: An Intimate Biography.
1025:Edward Hopper: An Intimate Biography.
987:
985:
559:influenced the "future noir" look of
311:article but is shown on Moss's blog.
162:
7:
2131:Sister Wendy's American Masterpieces
1127:Jeremiah's Vanishing New York (blog)
628:'s song "Monsters and Angels", from
338:, but still refers to it very much."
2068:Parody: Dimensions and Perspectives
1326:Transforming Vision: Writers on Art
1162:, New York: W. W. Norton, pp.
937:Brooks, Katherine (July 22, 2012).
1247:from the original on June 21, 2022
717:Homer vs. the Eighteenth Amendment
14:
2002:O Gauge Railroading On-Line Forum
1409:The Dictionary of Obscure Sorrows
1233:Jury, Louise (October 14, 2005),
903:, 1997 (second edition), p. 273,
646:Orchestral Manoeuvres in the Dark
484:The Dictionary of Obscure Sorrows
1944:McNutt, Myles (March 28, 2021).
1236:"Rats to the Arts Establishment"
1027:New York: Rizzoli, 2007, p. 349.
939:"Happy Birthday, Edward Hopper!"
373:in several paintings of diners.
1840:Pai, Akshay (January 6, 2020).
1187:"Boulevard of Broken Dreams II"
1121:Moss, Jeremiah (June 9, 2010).
1095:Moss, Jeremiah (July 5, 2010).
1067:Jeremiah Moss (June 10, 2010).
996:. Harper & Row. p. 134
927:video, accessed April 29, 2013.
2142:Jeremiah Moss (June 7, 2010).
870:List of works by Edward Hopper
736:CSI: Crime Scene Investigation
506:(1921) anticipate the look of
424:parody shows a fat, shirtless
236:, which had been organized by
186:original meaning of the word:
174:A review of the page on which
16:1942 painting by Edward Hopper
1:
2148:Jeremiah's Vanishing New York
1074:Jeremiah's Vanishing New York
2125:The Art Institute of Chicago
2056:Levin, 125–126; Thiesen, 10.
1123:"Finding Nighthawks, Part 3"
945:. TheHuffingtonPost.com, Inc
898:The Oxford Dictionary of Art
117:. Classified as part of the
2106:The Essential Edward Hopper
1727:Voice of the Beehive Online
1712:Thiesen, 10; Reynolds, E25.
1301:. New York: Knopf. p.
157:A Clean, Well-Lighted Place
2526:
2485:Paintings by Edward Hopper
1817:"Verdi's Rigoletto at ENO"
1475:(2): 14–36, archived from
1097:"Nighthawks State of Mind"
821:Boulevard of Broken Dreams
723:in the animated TV series
390:Boulevard of Broken Dreams
377:painted a corner store in
266:Location of the restaurant
1747:: CS1 maint: unfit URL (
1263:Santa Rosa Press Democrat
968:Interview with Gail Levin
858:Boulevard of Broken Ducks
786:In a season 1 episode of
404:, and the attendant with
28:
2475:Food and drink paintings
2270:East Wind Over Weehawken
2108:, Wonderland Press, 1998
1866:Theisen, Gordon (2006),
1572:Sammon, Paul M. (1996),
830:The Adventures of Tintin
142:Art Institute of Chicago
123:Art Institute of Chicago
90:Art Institute of Chicago
2500:Oil on canvas paintings
1529:Arouet, Carole (2001),
1435:GemĂĽnden, Gerd (1998).
992:Kuh, Katherine (1962).
901:Oxford University Press
614:Nighthawks at the Diner
468:Christoph Schlingensief
2374:Office in a Small City
2206:Girl at Sewing Machine
1514:(4): 4, archived from
729:
692:English National Opera
680:'s 1982 production of
438:Santa Rosa, California
361:Hopper influenced the
350:Painting and sculpture
339:
224:
208:
144:
2390:Second Story Sunlight
2286:White River at Sharon
2238:Manhattan Bridge Loop
2214:House by the Railroad
1636:on September 26, 2007
1607:on September 30, 2011
1547:on September 28, 2007
1502:Berman, Avis (2007),
1407:Koenig, John (2021).
761:Turner Classic Movies
759:The closing scene of
710:
642:, as a visual guide."
326:
222:
136:
2406:Sun in an Empty Room
2254:Early Sunday Morning
2144:"Finding Nighthawks"
1540:(14), archived from
1460:Doss, Erika (1983),
979:Wagstaff 2004, p. 44
850:(1989), part of his
769:The American series
733:The American series
652:" was influenced by
626:Voice of the Beehive
414:Nighthawks Revisited
332:Puerto Rican Wedding
234:Museum of Modern Art
2510:Cityscape paintings
2495:Paintings of people
2366:Hotel by a Railroad
2278:Macomb's Dam Bridge
2028:blog.etcconnect.com
1768:Slicing Up Eyeballs
1482:on October 16, 2009
943:The Huffington Post
921:Hopper's Nighthawks
876:100 Great Paintings
549:(1973) by director
540:Glengarry Glen Ross
534:The End of Violence
523:as a set. Director
516:Pennies from Heaven
416:, a 1980 parody by
1790:Johnson, Jerusha.
1629:Film Freak Central
1265:. January 16, 2019
1101:The New York Times
745:Fresh Off the Boat
730:
665:This is the World,
502:and works such as
386:Gottfried Helnwein
340:
319:In popular culture
296:The New York Times
238:Daniel Catton Rich
225:
145:
129:About the painting
2457:
2456:
2044:Los Angeles Times
2040:Levin, 125–126.
2030:. April 30, 2018.
1538:La Voix du Regard
879:, 1980 BBC series
802:Model railroaders
756:using chopsticks.
713:establishing shot
672:Theatre and opera
458:Joyce Carol Oates
454:Wolf Wondratschek
272:Greenwich Village
215:Ownership history
95:
94:
2517:
2505:Fictional diners
2448:Josephine Hopper
2358:Rooms by the Sea
2342:Saltillo Mansion
2262:Room in New York
2179:
2172:
2165:
2156:
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2137:at The Artchive.
2104:Spring, Justin,
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2004:. March 23, 2014
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1771:. August 5, 2013
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648:'s 2013 single "
472:Michael Connelly
379:People's Flowers
276:Greenwich Avenue
199:
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149:Ernest Hemingway
119:American Realism
72:American realism
33:
21:
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1925:. June 14, 2007
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1241:The Independent
1232:
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1227:
1223:Levin, 116–123.
1222:
1218:
1214:Levin, 109–110.
1213:
1206:
1196:
1194:
1193:on July 4, 2009
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1146:Levin, 111–112.
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915:
895:
891:
886:
866:
848:Window Shopping
814:
804:, most notably
799:
781:Frank Gallagher
705:
678:Jonathan Miller
674:
605:
492:
446:
426:soccer hooligan
394:Humphrey Bogart
352:
321:
268:
217:
196:
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17:
12:
11:
5:
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2480:Lunch counters
2477:
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2470:1942 paintings
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2133:discussion of
2127:
2114:
2113:External links
2111:
2110:
2109:
2102:
2099:Boston Phoenix
2089:
2086:
2083:
2082:
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2058:
2049:
2046:, pp. E25
2033:
2015:
1989:
1979:That '70s Show
1964:
1936:
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1829:
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1796:David Maslanka
1782:
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1661:. May 28, 2009
1646:
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1375:Gemünden, 5–6.
1368:
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1322:, ed. (1994),
1320:Hirsch, Edward
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842:One parody of
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798:
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789:That '70s Show
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661:David Maslanka
657:
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624:The video for
622:
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476:Erik Jendresen
445:
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398:Marilyn Monroe
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232:at New York's
230:Henri Rousseau
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2450:(wife, model)
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2414:Two Comedians
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2382:Western Motel
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2203:
2201:
2200:List of works
2198:
2197:
2195:
2191:
2187:
2186:Edward Hopper
2180:
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2019:
2016:
2008:September 18,
2003:
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1968:
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1951:The A.V. Club
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1903:September 16,
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1877:0-312-33342-0
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1601:ebertfest.com
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775:features the
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631:Honey Lingers
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546:Heavy Traffic
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504:Night Shadows
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406:Elvis Presley
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375:Richard Estes
372:
369:, who evoked
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363:Photorealists
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125:for $ 3,000.
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104:Edward Hopper
101:
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60:Oil on canvas
58:
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42:Edward Hopper
40:
36:
32:
27:
22:
19:
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2398:Intermission
2396:
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2302:Ground Swell
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2093:Cook, Greg,
2088:Bibliography
2067:
2061:
2052:
2043:
2036:
2027:
2018:
2006:. Retrieved
2001:
1992:
1978:
1967:
1955:. Retrieved
1949:
1939:
1927:. Retrieved
1922:
1913:
1901:. Retrieved
1895:
1885:
1867:
1861:
1849:. Retrieved
1845:
1820:. Retrieved
1811:
1799:. Retrieved
1795:
1785:
1773:. Retrieved
1766:
1757:
1733:December 17,
1731:. Retrieved
1726:
1717:
1708:
1696:. Retrieved
1684:
1675:
1663:. Retrieved
1658:
1649:
1638:, retrieved
1634:the original
1628:
1621:
1609:. Retrieved
1605:the original
1600:
1591:
1573:
1567:
1553:
1542:the original
1537:
1524:
1516:the original
1511:
1507:
1497:
1488:
1477:the original
1472:
1468:
1455:
1436:
1408:
1402:
1390:. Retrieved
1380:
1371:
1359:. Retrieved
1355:
1345:
1325:
1296:
1288:
1279:
1267:. Retrieved
1262:
1253:
1240:
1228:
1219:
1195:. Retrieved
1191:the original
1181:
1158:
1151:
1142:
1130:. Retrieved
1126:
1116:
1104:. Retrieved
1100:
1090:
1078:. Retrieved
1072:
1051:
1045:
1037:
1036:Gail Levin,
1032:
1024:
1019:
1010:
998:. Retrieved
975:
959:
947:. Retrieved
942:
932:
925:Smarthistory
916:
897:
892:
874:
857:
851:
847:
843:
841:
834:
828:
820:
816:
815:
800:
787:
776:
770:
764:
754:Constance Wu
749:
743:
734:
726:The Simpsons
724:
720:
695:
685:
664:
653:
639:
635:
629:
618:
612:
594:
590:
584:
580:
570:
567:Ridley Scott
562:Blade Runner
560:
556:
555:
551:Ralph Bakshi
544:
538:
532:
528:
520:
514:
512:
503:
499:
493:
483:
480:Stuart Dybek
461:
449:
447:
433:
413:
409:
389:
388:'s painting
383:
378:
370:
367:Ralph Goings
360:
355:
353:
343:
341:
335:
331:
313:
308:
305:
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287:Mulry Square
284:
280:
269:
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251:
245:
226:
209:
201:
189:
184:
179:
175:
173:
166:
151:'s, either "
146:
137:
115:American art
112:
98:
97:
96:
18:
2334:Hotel Lobby
1801:January 18,
1723:"Biography"
1597:"Dark City"
1508:Smithsonian
1361:January 14,
1000:January 15,
825:Santa Claus
797:Scale model
765:Nighthawks.
577:Roger Ebert
565:; director
525:Wim Wenders
496:film stills
463:Der Spiegel
328:Roger Brown
301:gas station
258:'fine as a
242:Alfred Barr
180:Night Hawks
153:The Killers
2464:Categories
2326:Nighthawks
2135:Nighthawks
2120:Nighthawks
2077:904200181X
2070:, Rodopi,
1851:October 8,
1698:October 8,
1665:October 8,
1197:August 18,
964:Gail Levin
844:Nighthawks
817:Nighthawks
777:Nighthawks
750:Nighthawks
721:Nighthawks
703:Television
696:Nighthawks
654:Nighthawks
650:Night Café
640:Nighthawks
636:Nighthawks
619:Nighthawks
591:Nighthawks
586:Hard Candy
581:Nighthawks
557:Nighthawks
529:Nighthawks
527:recreated
521:Nighthawks
500:Nighthawks
450:Nighthawks
444:Literature
434:Nighthawks
430:Union Flag
418:Red Grooms
410:Nighthawks
402:James Dean
371:Nighthawks
356:Nighthawks
344:Nighthawks
336:Nighthawks
256:Nighthawks
252:Nighthawks
176:Nighthawks
138:Nighthawks
99:Nighthawks
78:Dimensions
24:Nighthawks
2350:High Noon
2246:Chop Suey
2193:Paintings
1957:April 21,
1929:August 9,
1693:0190-8286
1640:August 5,
1492:Doss, 36.
1392:March 24,
772:Shameless
742:The show
687:Rigoletto
684:'s opera
611:'s album
609:Tom Waits
572:Dark City
508:film noir
169:Josephine
1974:Drive-In
1923:Dexigner
1822:March 5,
1743:cite web
1659:Unframed
1611:July 16,
1504:"Hopper"
1245:archived
1080:March 4,
864:See also
812:Parodies
86:Location
67:Movement
2441:Related
2425:Museums
2230:Automat
1269:July 9,
1164:109–115
1132:May 18,
1106:May 22,
836:Peanuts
195:⁄
140:in the
2417:(1966)
2409:(1963)
2401:(1963)
2393:(1960)
2385:(1957)
2377:(1953)
2369:(1952)
2361:(1951)
2353:(1949)
2345:(1943)
2337:(1943)
2329:(1942)
2321:(1940)
2313:(1940)
2305:(1939)
2297:(1939)
2289:(1937)
2281:(1935)
2273:(1934)
2265:(1932)
2257:(1930)
2249:(1929)
2241:(1928)
2233:(1927)
2225:(1927)
2217:(1925)
2209:(1921)
2074:
1897:TVLine
1874:
1691:
1580:
1443:
1415:
1334:
1309:
1170:
949:May 5,
907:
715:from "
698:diner.
422:Banksy
400:, and
56:Medium
38:Artist
1846:MEAWW
1545:(PDF)
1534:(PDF)
1480:(PDF)
1465:(PDF)
884:Notes
682:Verdi
603:Music
309:Times
260:Homer
108:diner
2072:ISBN
2010:2015
1959:2021
1931:2020
1905:2015
1872:ISBN
1853:2022
1824:2016
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