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is easily recognizable and characterized by great expressivity, strong contrasts and striking themes. The quality of his best works is high and they have become classics in the Danish repertoire. Bentzon had a leading role in the
Scandinavian music of the second half of the 20th century. Together with
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His works can often be volcanic and fiery, then alternating with more poetic parts, and have some stylistic affinity with
Prokofievs piano sonatas. In the fifties Bentzon has used the metamorphosis technique and he has later also written dodecaphonic works but, whatever the technique used, his style
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Bentzon had also a rare gift for improvisation and, when inspired, could improvise in a single evening a complete piano sonata as well as a suite, so perfect that they later could be written down by students and recorded (see the amazing suite in eight movements transcribed and recorded by Tonya
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Niels Vigggo
Bentzon's compositions extend to 664 opus numbers, including 24 symphonies, operas, ballets, concertos for almost all instruments (of which 7 for the piano), and 16 string quartets. Arguably the most significant part of his Ĺ“uvre is for the piano to which a third of his output is
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A colorful personality, and a cultural phenomenon, he became famous in
Denmark for his frequent appearances in the media. His celebrity, rare for a classical musician, may have occasionally given him the reputation of an eccentric and have overshadowed the exceptional quality of his works.
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dedicated, and consisting of 31 numbered sonatas (and many unnumbered), partitas, suites, toccatas and others. Of particular importance are the 13 separate sets of 24 preludes and fugues, collectively known as "The
Tempered Piano", which represents a rare 20th-century example of
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Niels Viggo
Bentzon's style can mostly be described as "neoclassical" and is influenced by composers such as Paul Hindemith, Johannes Brahms, Bela Bartok and Carl Nielsen. Later compositions draw also inspiration from Benjamin Britten, Alban Berg or Igor Stravinsky.
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More anecdotally, he is also well known for the three-note jingle D/Eb/Bb (pronounced D/S/B in Danish) on the acronym of DSB, the Danish
Railroad Company "Danske Statsbaner", his most performed piece as it is played on arrival of any train in Danish rail stations.
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As a pianist, Niels Viggo
Bentzon was the first performer to record Arnold Schoenberg's Suite for Piano, Op. 25. Bentzon also wrote novels, poetry as well as books on Beethoven, Hindemith or dodecaphonic music, and liked to draw and paint in his spare time.
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Bentzon was the son of Viggo
Bentzon (1861-1937), Rector of Copenhagen University and Karen Hartmann (1882-1977), concert pianist. Through his mother, Bentzon was descended from the Danish composer
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As a pianist, he left many recordings of works by
Beethoven, Scriabin, Busoni, Schoenberg, Petrassi and others, though he is mainly known for the interpretation of his own works.
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A giant in his field, literally and figuratively, he often suffered from severe depressions and regularly had to be treated in psychiatric institutions.
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These qualities inscribe him in the great classical tradition of the composer/interpreter/improviser.
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His son, Nikolay Bentzon (born in 1964) is a reputed jazz and classical pianist.
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Niels Viggo Bentzon in January 1986, as photographed by Danish
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170:and was the great-grandson of the Danish composer
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254:List of compositions by Niels Viggo Bentzon
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360:"Schoenberg: Suite, op. 25"
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267:Niels Viggo Bentzon
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