223:, Devitte (whom some contemporaries seriously considered a 'messenger of God', bestowed with paranormal artistic gifts) decided that if he had any right to make use of his extraordinary talents, then only as tools for 'serving the mankind', and 'helping those in need', while remaining as anonymous as possible, according to Elena and Valery Ukolovs, his biographers. Soon after Devitte's death his name in Russia was forgotten. Some of his (credited) songs started to gain popularity in the 1920s and 1930s. The most famous one, "Ne dlya menya" (Not for Me, 1839), co-authored allegedly by A. Molchanov, became part of
266:'s possible involvement, the Ukolovs claim they've proven beyond doubt that the true author of the famous fairytale was Nikolai Devitte. Despite the rise of interest in Devitte's legacy after the publication in 2001 of their book "Crucified on the Harp" (Распятый на арфе), he remains the most mysterious figure in the 19th century history of Russian music. "The real scope and boundaries of artistic legacy are almost undefinable, but what is for certain is that they are grandiose," the Ukolovs opined.
200:, he went on to work first for the Moscow Governor's office, then at the Foreign Ministry Archives, but still spent most of his time performing music and writing poetry. In 1843 he gave his first concerts abroad as a harpist. His early 1844 tour of Ireland and England was exceptionally well received. It was while in London that he suddenly died at the age of 32.
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Pushkin denied that he'd written what he (as well as many others) considered the work of genius; he did not believed in
Yershov's authorship either, and was known to have kept the book in the 'By Anonymous' section of his library. Later, as Yershov applied for royalties from the re-issue, Osip
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Nikolai
Devitte authored at least 64 songs, 73 piano pieces and 3 suites for harp, as well as one opera and two ballets. The major part of his legacy, though, remains undiscovered yet; large part of it is apparently 'diluted' among the host of obscure Russian 'one hit wonders' whom Devitte had
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Senkovsky famously scolded him for being so 'shameless' as to come and ask to be paid for the second time for what somebody else had written. Before departing for
Ireland, Devitte provided the illustrations for this separate edition of
254:, was almost certainly one of Devitte's 'charity' poems, for nothing (not even his full name) is known of the alleged lyricist A. Molchanov, except that he was indeed a real person, a Russian Navy officer.
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397:// Е. Уколова, В. Уколов. Распятый на арфе. Судьба и творчество Николая Девитте. Монография. Стихи. Романсы. Фортепианные пьесы. М., 2001
213:, a master of literary mystifications, but Devitte was doing this, apparently, not for mirth. In his early teens, under the influence of
196:). In 1826 Devitte, still only 15, started to publish his musical works, mostly songs, music for dances and pieces for harp. Mentored by
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presented his own work by way of charity. Some researchers explain this bizarre habit by the influence of his close friend
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337:. История в лицах. - Nikolai Devitte's biography at www.russika.ru/ Letopis Mira. Istoria v Litsakh
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origins, and Vera
Fursova who came from a noble Russian family, Nikolai Devitte, was a
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at the age of six and instantly won the praise of his tutors, among them the pianist
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and was regularly performing at high society salons (like the one hosted by
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368:Это не его «Конёк» // The New Izvestia / «Новые Известия» 14.08.2009
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with instrumental accompaniment. Russian TV Kultura (YouTube)
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Crucified on the Harp: the Life and Work of
Nikolai Devitte
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who recorded his own version of the song, backed by the
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104:Николай Петрович Девитте
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251:Biblioteka Dlya Chtenya
220:The Imitation of Christ
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69:(1844-04-20)
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405:Categories
388:Literature
314:References
171:John Field
139:songwriter
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242:Sunstroke
167:fine arts
149:Biography
362:Archived
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122:) was a
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204:Legacy
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108:Moscow
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289:Notes
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