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as enrolled students. His students would present their work at his
Kolyada Theater in Yekaterinburg. Kolyada founded his theatre in 2001 - it has changed venue in Yekaterinburg several times. His is cited as one of the few playwriting programs in Russia, and several of his students have gone on to be produced in the more demanding venues of Moscow. Two of Kolyada's students,
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After living and working in Moscow for a time, Kolyada returned to
Yekaterinburg, and has been instrumental in bringing the city's theater activity to prominence. He has taught playwriting at the Ural Institute and the Ekaterinburg State Theatre Institute since 1992, often teaching auditors as well
279:
When he began writing for the theater in the mid-1980s, Kolyada got a reputation for "chernukha", which critic John
Freedman describes as an "almost untranslatable but expressive Russian noun shades of gloom, doom, bile, and jaundice colored with foul-mouthed-insolence." His plays were known for
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As a director, Kolyada is known for stark and dramatic productions using minimalist scenery and a stylized performance style. Critic John
Freedman described the design of one production as typical of Kolyada's approach. He wrote, "The use of water and the sheet of plastic are characteristic of
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their naturalistic approach to representing life's banal and pitiful troubles. His plays were among the first in Russia to use profanity, and are known for it. His scant use of profanity violated taboo at the time, but set the stage for much more pervasive obscenities by 2010.
305:
critic Irina
Korneeva Vremya wrote in 2002 that she found his directing style to be "touching," but repetitive, and ultimately "artless," writing that "an abundance of superfluous detail and endless strolls across the stage to music are no style. They are a disaster."
563:
Vishevsky, Anatoly (1998). Aksyonov, Vassily; Lychev, D. V.; Erofeev, Viktor; Gareev, Zufar; Iarkevich, Igor'; Koliada, Nikolai; Makanin, Vladimir; Pleshakov, Konstantin; Sorokin, Vladimir (eds.). "The Other among Us: Homosexuality in Recent
Russian Literature".
192:. Theatre critic John Freedman names Kolyada as one of several dramatists and directors who might be designated as "fathers" or "mothers" of Russia's contemporary theatre movement. (Other contenders mentioned are
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Kolyada's theater company planned a United States tour in 2017, but the tour was cancelled due to diplomatic tensions between the United States and Russia, and the unavailability of
634:"Soviet Director a Risk-Taker in Any Language : Stage: Kolyada's "Slingshot" will receive a world premiere as part of San Diego Arts Festival: Treasures of the Soviet Union"
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Kolyada is a prolific playwright. In 2006, Kolyada told a reporter, "I've written 90 plays. Thirty of them are good." By 2010, the count of his plays exceeded 100.
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268:, which gave a sympathetic portrayal of a gay relationship. The play featured a romance between a nurse and his patient, a soldier wounded in the
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after the United States withdrew over 1,200 diplomatic personnel from Russia. The company was to bring three of its productions to
America:
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272:. Although the gay subject matter was shocking in Moscow, it earned him acclaim abroad when the play received its world premiere at the
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321:. Kolyada's blog was overrun with comments attacking his views, and his theater was papered over with bills for a fake performance.
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a "center of modern drama." Kolyada is one of the first
Russian playwrights to address homosexuality in his work, especially in
253:
866:
Tikhonova, Elina (January 22, 2012). "Programme summary of
Yekaterinburg regional OTV weekly news 1400 gmt 21 Jan 12".
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Henderson, Murph (March 2006). "Who Needs Moscow? A Guru of
Russian Playwriting Holds Court in Distant Ekaterinburg".
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978:
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667:"Soviet Opera, Play Open San Diego Arts Fest : 'Slingshot' Takes Emotional, Authentic Look at Homosexuality"
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Alternative Voices in an Acquiescent Society: Translating the New Wave of Russian Playwrights (2000-2014)
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Kolyada’s theatre art: the barest of devices, the simplest of objects, the most powerful of effects."
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Freedman, John (2010). "Contemporary Russian Drama: The Journey from Stagnation to a Golden Age".
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313:, saying that Putin was the best of the available candidates. Kolyada was the target of what the
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Freedman, John (Winter–Spring 2007). "The Poetry of Excess: Nikolai Kolyada in Yekaterinburg".
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807:. Unpublished doctoral thesis in Queen Mary, University of London library. pp. 180–213.
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described as a "massive bullying campaign" due to his support of Russian president
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In 2012, Kolyada came under fire when he declared his support Russian president
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have gained international acclaim and been produced in the United States.
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Vremya, Irina Korneeva (2002-05-15). "Spanish Passions in Moscow".
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906:"Yekaterinburg theater's U.S. tour cancelled over visa problems".
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Real and phantom pains : an anthology of new Russian drama
252:(now known as Yekaterinburg). He worked as an actor with the
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Moscow performances : the new Russian theater 1991-1996
534:. Amsterdam, the Netherlands: Harwood Academic Publishers.
765:(3): 58–61 – via EBSCOhost Masterfile Premier.
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264:. He gained international repute with his play
727:. London: Europa Publications. 2004. p.
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311:Vladimir Putin's 2012 presidential campaign
16:Russian playwright, theatre director, actor
949:. Freedman, John, 1954-. Washington, D.C.
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778:"Five Russian Playwrights in Ruska Drama"
354:movement, though he rejects that label.
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374:Our Unsociable Sea, or A Fool's Vessels
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212:said that Kolyada's work has made a
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609:"Nikolai Kolyada and Playwriting"
343:reported that the company lost
1009:http://www.kolyada-theatre.ru/
607:Ruble, Blair A. (2017-05-01).
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921:Freedman, John (2015-06-18).
883:"A playwright supports Putin"
881:Freedman, John (2012-02-10).
801:Birksted-Breen, Noah (2017).
776:Freedman, John (2018-10-31).
632:Churnin, Nancy (1989-10-21).
423:A Tale About the Dead Tsarina
333:Violin, Tambourine, and Iron;
256:, and studied writing at the
158:Nikolay Vladimirovich Kolyada
665:Sullivan, Dan (1989-10-23).
347:60,000 on the cancellation.
818:Barry, Ellen (2012-07-29).
274:San Diego Repertory Theatre
166:Николай Владимирович Коляда
30:Николай Владимирович Коляда
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782:John Freedman Archives
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276:in 1989.
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81:Education
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174:actor
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116:actor
999:IMDb
979:link
961:OCLC
951:ISBN
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