Winged Victory of Samothrace

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portico to house pilgrims (the stoa) and important offerings. The Victory Monument was located at the south end of the portico terrace, in a rectangular space dug into the hillside, and set back and raised from the theatre; facing north, it overlooks the entire sanctuary. In 1863 Champoiseau described and drew the monument surrounded on three sides by a limestone wall. All that remains of this enclosure now are the foundations of the walls, surrounded at the bottom and sides by walls supporting the lands of the hill. The enclosure itself is 13.40 m wide by 9.55 m long, and we know from the surveys made by Hauser in 1876 that the Victory was arranged obliquely 14.5° from the back wall. This arrangement highlights the left side of the statue for the observer from the terrace, which explains why the sculpture work is much more elaborate on this side than on the other. Large natural rocks are visible in the front part of the space. The foundation walls have been restored and the place of the monument artificially indicated.

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detected on the wings and on a strip at the bottom of the mantle. The blocks of the base were disassembled one by one to be drawn and studied. The 19th-century restoration of the statue is preserved with a few details (thinning of the neck and attachment of the left arm), fragments preserved in reserve at the Louvre are added (feather at the top of the left wing, a fold at the back of the chitôn), the metal vice behind the left leg is removed. Castings of small joint fragments preserved in Samothrace are integrated into the base. A cast of the large ship block left in Samothrace was replaced by a metal base on a cylinder ensuring the proper balance of the statue. Once in place on the base, the colour contrast of the marbles of the two elements becomes obvious again. The whole is reassembled on a modern base, a little removed on the landing to facilitate the movement of visitors.

427: 248: 465:) rolled up at the waist and untied when uncovering the entire left leg; one end slides between the legs to the ground, and the other, much shorter, flies freely in the back. The mantle is falling, and only the force of the wind holds it on her right leg. The sculptor has multiplied the effects of draperies, between places where the fabric is plated against the body by revealing its shapes, especially on the belly, and those where it accumulates in folds deeply hollowed out casting a strong shadow, as between the legs. This extreme virtuosity concerns the left side and front of the statue. On the right side, the layout of the drapery is reduced to the main lines of the clothes, in a much less elaborate work. 557:

long time by Greek sculptors for the protruding parts of statues, was used in Hellenistic times for the body itself, thus making it possible to use smaller pieces of marble, therefore less rare and less expensive. In the case of Victory, the sculptor optimized this technique by tilting the joint surfaces that connect the wings to the body by 20° forward, which ensured their cantilevered support in the back. To the body-block were added smaller projecting pieces: the end of the flying mantle at the back and the end of the fold falling to the ground in front of the left leg have been reattached; the right foot, the back of the left leg with the foot and a drapery fold in front of the legs are lost.

494: 287:, then decided to reconstruct the monument, in accordance with the model of Austrian archaeologists. On the body of the statue, between 1880 and 1883 he restored the belt area in plaster, placed the right part of the marble bust, recreated the left part in plaster, attached the left marble wing with a metal frame, and replaced the entire right wing with a plaster model. But he did not reconstruct the head, arms or feet. The ship-shaped base is rebuilt and completed, except for the broken bow of the keel, and there is still a large void at the top aft. The statue was placed directly on the base. The entire monument was then placed from the front, on the upper landing of the 202: 68: 505:, in Rhodes. The base has the shape of the bow of a Greek Hellenistic warship: long and narrow, it is covered at the front by a combat deck on which the statue is located. It has reinforced, projecting oar boxes on the sides that supported two rows of staggered oars (the oval oar slots are also depicted). The keel is rounded. At the bottom of the bow, at the waterline, a large triple-pronged spur would have been sculpted, and a little higher up, a smaller two-bladed ram that would have been used to smash the hull of the enemy ship would have been shown. The top of the bow was crowned by a high and curved bow ornament (the 485:

ship's prow, just having landed – is the invisible complement of the figure and the viewer is made to imagine it. At the same time, this expanded space heightens the symbolic force of the work; the wind and the sea are suggested as metaphors of struggle, destiny and divine help or grace. This kind of interplay between a statue and the space conjured up would become a common device in baroque and romantic art, about two thousand years later. It is present in Michelangelo's sculpture of David: David's gaze and pose show where he is seeing his adversary Goliath and his awareness of the moment – but it is rare in ancient art.

228:. On April 13, 1863, he discovered part of the bust and the body of a large female statue in white marble accompanied by numerous fragments of drapery and feathers. He recognised this as the goddess Niké, Victory, traditionally represented in Greek antiquity as a winged woman. In the same place was a jumble of about fifteen large grey marble blocks whose form or function was unclear: he concluded it was a funerary monument. He decided to send the statue and fragments to the Louvre Museum, and to leave the large blocks of grey marble on site. Departing Samothrace at the beginning of May 1863, the statue arrived in 473:(a naval standard) on this side, a kind of mast taken as a trophy on the enemy ship, as seen on coins. The statue is designed to be seen three quarters left (right for the spectator), from where the lines of the composition are very clear: a vertical from the neck to the right foot, and an oblique starting from the neck diagonally along the left leg. "The whole body is inscribed in a rectangular triangle, a simple but very solid geometric figure: it was necessary to support both the fulfilled shapes of the goddess, the accumulation of draperies, and the energy of movement". Most recently the 526:, a type of warship often named in Rhodes inscriptions: the island's shipyards were renowned, and its war fleet important. But specialists in ancient naval architecture do not agree on the ascription of the trihemolia. It can only be said that the Samothrace bow has boxes of oars and two benches of superimposed oars. Each oar being operated by several rowers, this can also be suitable for a quadrireme (4 files of rowers) or a quinquereme (5 files of rowers). These ships were widespread in all Hellenistic war fleets, including the Rhodian fleet. 359: 535: 641: 371: 578: 469:

large wings still spread out backwards. The arms were also not found, but the right shoulder raised indicates that the right arm was raised to the side. With her elbow bent, the goddess made a victorious gesture of salvation with her hand: this hand with outstretched fingers held nothing (neither trumpet nor crown). There is no clue to reconstructing the position of the left arm, probably lowered, very slightly bent; the goddess may have held a

5745: 5112: 660:, were reputed to ensure their protection to those who were initiated into their Mysteries if they were in danger at sea and in combat. Summoning them allowed their initiates to be saved from shipwreck and to obtain victory. In this context, a representation of Victory landing on a ship's bow can be interpreted as an offering to thank the Great Gods following an important naval victory. 862:

is of high quality, without being exceptional for its time, but there are no parallels for the virtuosity of the Nike, which remains unusual. The sculptor could also come from elsewhere, as was common in the ancient Greek world for great artists. The Victory of Samothrace is a grandiose adaptation of the moving statue of the Athena-Niké of the

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with their work, who discovered the palm of the statue's right hand in the Victory site. Two fingers preserved at the Kunsthistorische Museum in Vienna since the Austrian excavations of 1875 were reattached to the palm. The palm and fingers were then deposited in the Louvre Museum, and displayed with

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The presentation of the Victory was modified in 1934 as part of a general redevelopment of the Daru museum and staircase, whose steps were widened and redecorated. The monument was staged to constitute the crowning of the staircase: it was advanced on the landing to be more visible from the bottom of

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The reconstructed whole has given rise to various interpretations. K. Lehmann hypothesized that the monument was placed in the basin of an open-air fountain, with water effects on the large rocks arranged for this purpose. But they could not be part of the original layout since the palm of the right

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The sanctuary of the Great Gods of Samothrace is located in a very narrow river valley. The buildings reserved for the Mysteries ceremonies occupied the entire bottom of the valley. From the 3rd century BCE, the entrance to the site was a monumental propylaia to the east. To the west was a very long

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has pointed out that unlike earlier Greek or Near Eastern sculptures, the Nike creates a deliberate relationship to the imaginary space around the goddess. The wind that has carried her and which she is fighting off, straining to keep steady – as mentioned the original mounting had her standing on a

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Champoiseau, informed of this research, undertook a second mission to Samothrace from August 15 to 29, 1879, for the sole purpose of sending the blocks of the base and the slabs of the Victory base to the Louvre. He abandoned on the island the largest block of the base, unsculpted. Two months later,

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The base blocks and the sculpture of the statue are not by the same hand. The two parts of the monument were designed together, but produced by two different workshops. The marble base of Lartos was certainly made in Rhodes, where there are parallels. Moreover, the Rhodian sculpture in large marble

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Recent research has not determined the exact nature of the Victory's architectural setting, more than 500 blocks of which have been reused in a Byzantine construction at the other end of the west hill. Fragments of coloured plaster and some elements of terracotta architectural decoration were found

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that flares behind the legs on the Nike. The remaining fragments – the right part of the bust and a large part of the left wing – too incomplete to be placed on the statue, are stored. Given the exceptional quality of the sculpture, Longpérier decided to present the body alone, exhibited until 1880

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Although the supposed dedication inscription of the name of a Rhodian found at the Victory's base was very quickly contested because of its small size, the entire monument remained attributed to the Rhodian sculpture school. This made it possible to put an end to previous doubts about the style of

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The ship is composed of 16 blocks divided into three increasingly wide assizes aft, placed on a rectangular base. The seventeenth block, which remained in Samothrace, completed the void at the back of the upper assembly, just under the statue. Its weight allowed the cantilever of the blocks of the

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The Victory statue, about 1.6 times life size, is not cut from a single block of marble, but composed of six blocks worked separately: the body, the bust with the head, the two arms and the two wings. These blocks were assembled together by metal braces (bronze or iron). This technique, used for a

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The goddess advances, leaning on her right leg. The two feet that were bare have not been found. The right touched the ground, the heel still slightly raised; the left foot, the leg strongly stretched back, was still carried in the air. The goddess is not walking, she is finishing her flight, her

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In Paris, the Louvre Museum restored the entire monument with two objectives: to clean all the surfaces and improve the general presentation. The statue came down from its base to undergo scientific examination (UV, infrared, x-rays, microspectrography, marble analysis): traces of blue paint are

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In the sanctuary of the Great Gods of Samothrace, as in all the great pan-Hellenic shrines, the faithful offered their ex-votos, from the most modest to the most sumptuous according to their wealth. It was a way to honour the gods and thank them for their benefits. In addition to a promise of a

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type. The excellent state of conservation of the sculpture's surface suggests that it did not stay in the open air for long. The overall reconstruction of the sanctuary in 3D also highlighted that the statue of Victory was oriented along the axis of the river, which was the only unobstructed

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The material of the base of the Victory of Samothrace was identified as early as 1905 as marble from the quarries of Lartos in Rhodes. The same is true of the small fragment found in 1891 by Champoiseau within the walls of the monument to Samothrace, bearing the end of an engraved name:

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is responsible for studying the body of the statue and the fragments kept in reserve at the Louvre, and restored the statue blowing into a trumpet that she raises with her right arm, as on the coin. The two men thus managed to make a model of the Samothrace monument as a whole.

763:", active around 210–165 BCE. He was convinced that the fragment belongs to the ship-shaped base: he therefore made this sculptor the author of the Victory of Samothrace. According to him, the monument was commissioned by the Rhodians, allies in the kingdom of Pergamos against 627:, and thus alludes to a spiritual victory; for, in this orientation, the momentum and gaze of the statue were directed at the northeast corner of the Anaktoron, seat of the Little Mysteries, where initiation was given. This angle was thus the most sacred of the building. 623:: the ship's bow and the statue had been deliberately placed at an angle, within the important Sanctuary of the Great Gods of Samothrace, so that Victory looked northward: according to Richer, this direction shows the path that leads to the gate of the gods identified at 866:

monument: the sculptor added wings, stretched out the front leg to express the flight, and modified the arrangement of the mantle with the floating panel at the back. He thus gave the statue of Samothrace a dynamic that brings it closer to the figures the

775:, on the Ionian coast, in 190 BCE. Excavations revealed that the sculpture was positioned alighting on a flagship, that was set in the ground in a way that it looked as it was floating. The definitive victory against the Seleucids came in 189 BCE. at the 599:

hand was found under one of them: Charbonneau thought they came from a later natural landslide. The fountain hypothesis has been abandoned since the excavations of J. McCredie and B. Wescoat demonstrated that there was no water supply to the enclosure.

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Champoiseau returned to Samothrace a third time in 1891 to try to obtain the Victory's head, but without success. He did however bring back debris from the drapery and base, a small fragment with an inscription and fragments of coloured plaster.

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protruding oar boxes to hold on the sides. The baseboard of the statue was embedded in a basin dug on this block. Its contours, fully visible during the 2014 restoration, made it possible to determine the location of the statue very precisely.

239:, then curator of Antiquities at the Louvre, between 1864 and 1866. The main part of the body (2.14 m from the upper belly to the feet) is erected on a stone base, and largely completed by fragments of drapery, including the fold of 683:

The dedication inscription of the Victory Monument has not been found. Archaeologists are reduced to hypothesizing to define the historical context and to determine the naval victory justifying the erection of such an important

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drew the grey marble blocks left on-site and apprehended that, once properly assembled, they form the tapered bow of a warship, and that, placed on a base of slabs, they served as the basis for the statue. Tetradrachmas of

4860: 4804: 3604: 671:(No. 6 on the map), which housed a ship about twenty meters long. In Rhodes, an offering of the same type as the base of Samothrace, but smaller, was found in the sanctuary of Athena at the top of the acropolis of 451:) in a very fine fabric, with a folded flap and belted under the chest. It was attached to the shoulders by two thin straps (the restoration is not accurate). The lower body is partially covered by a thick mantle ( 850:, characterized by the strength of attitudes, the virtuosity of the draperies and the expressiveness of the figures. This style lasted in Rhodes until Roman times in complex and monumental creations such as the 713:

Austrian archaeologists first considered that the monument of Samothrace is the one represented on the tetradrachma of Demetrios Poliorcetes. They conclude that, like the coin, he celebrated his victory against

3503: 4577: 3591: 3529: 3775: 2731: 779:. The monument was therefore reportedly erected in Samothrace shortly after that date. Jean Charbonneaux also admits the historical link between the Victory of Samothrace and the battles of 271:

struck between 301 and 292 BC. representing a Victory on the bow of a ship, wings outstretched, give a good idea of this type of monument. For his part, the specialist in ancient sculpture

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to Greece. "If the French and the Louvre have a problem, we are ready to preserve and accentuate the Victory of Samothrace, if they return it to us", Deputy Minister of Foreign Affairs

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Two pieces of grey marble that were used to moor fishing boats on the beach below the sanctuary were retrieved and reassembled at the museum in 1952. These were studied in 1996 by

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in 306 BCE. According to Benndorf, the Victory of Samothrace therefore dates from the last years of the fourth century BC. and may have been sculpted by a student of sculptor

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the steps, and was put on a modern 45 cm-high block of stone, supposed to evoke a combat bridge at the bow of the ship. This presentation remained unchanged until 2013.

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La Rocca, Eugenio (2018). "La Nike di Samotracia tra Macedoni e Romani : un Riesame del Monumento nel Quadro dell'assimilazione dei Penati agli Dei di Samotracia".

3181: 1270:, National Humanities Center, 2015, accessed 22 November 2021. However, the wing cannot be identified with any particular breed of bird and seem to be a pure invention. 2781: 2279: 67: 2891: 5064: 4731: 4203: 4002: 3705: 3412: 3349: 1880: 1781: 426: 3895: 2047:

Martinez, Jean-Luc (2014). "La restauration de la Victoire de Samothrace : un projet international de recherche et de restauration du monument, 2013-2015".

4892: 3952: 3256: 3237: 2942: 2598: 2499: 5786: 5673: 4583: 3424: 3806: 3718: 3479: 3442: 1205: 986: 247: 5036: 4922: 4335: 3690: 2593: 2589: 4485: 2870: 4974: 4228: 690:. The difficulty lies in the fact that in the 2nd and 3rd centuries BC naval battles to dominate the Aegean Sea were very numerous, first pitting the 6038: 5983: 5957: 5932: 5019: 4937: 4558: 4429: 4393: 4058: 3756: 3393: 3139: 3090: 262:, had been excavating the buildings of the Samothrace sanctuary since 1870, studied the location where Champoiseau had found the Victory. Architect 6008: 4761: 3485: 2184: 3361: 6033: 5884: 4367: 3250: 2429: 493: 6018: 4968: 3933: 3819: 3199: 2686: 3572: 6013: 5559: 5148: 4348: 4191: 3054: 3169: 2010:

Die Nike von Samothrake. Typus, Form, Bedeutung und Wirkungsgeschichte eines rhodischen Sieges-Anathems im Kabirenheiligtum von Samothrake

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Hamiaux 2006, p. 43, fig. 48–49. Not to be confused with the stern found carved in relief in the rock at the foot of the acropolis.

1859: 5922: 5779: 4647: 3794: 3497: 3430: 3406: 2369: 1584: 768: 406: 185: 954:, originally having adorned the roof of one of the temples: a Roman copy found by a team of Austrian archaeologists, now at the 4786: 4679: 4666: 4296: 4209: 4077: 3800: 3744: 3454: 3436: 3293: 3127: 3003: 31: 434:

The statue, in white Parian marble, depicts a winged woman, the goddess of Victory (Niké), alighting on the bow of a warship.

5998: 4692: 4474: 4284: 3901: 3870: 914: 334:, resumed exploration of the sanctuary of the Great Gods in Samothrace in 1938. In July 1950, they associated Louvre curator 319:

At the declaration of the Second World War in September 1939, the Victory statue was moved along with other artefacts to the

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made him a major figure in the "Rhodian school" and the "Hellenic Baroque", next to the frieze of the Gigantomachy of the

6028: 5690: 4816: 4705: 4653: 4272: 3882: 3864: 3072: 2786: 2339: 958:, Vienna, and a third Winged Victory found by Phyllis Williams Lehmann in 1949, now in a museum at the Samothrace site. 6023: 6003: 5772: 4835: 4596: 4302: 3914: 3649: 3553: 3535: 3448: 3212: 3175: 2736: 2701: 2177: 4215: 741:. Antigonus Gonatas is also credited with the dedication, at the same time, of his flagship in the Neorium in Delos. 6043: 4622: 4380: 3541: 3145: 3048: 3042: 2801: 2791: 2766: 2751: 2474: 811: 719: 663:

Several major naval offerings were known in the 3rd century BC. In the Greek world, such as the "bull monument" in

284: 358: 5851: 4810: 4755: 3133: 3102: 2549: 951: 616: 582: 331: 221: 155:, dating from the beginning of the 2nd century BC (190 BC). It is composed of a statue representing the goddess 1197: 978: 320: 5141: 4873: 4500: 4461: 4266: 4146: 3920: 3387: 2354: 955: 829:, or a consecration of the kingdom of Pergamon at the same time, or the victory of Pergamon and Rhodes against 807: 534: 521: 350:, who concluded that these pieces, jointed, constitute the block of the base abandoned by Champoiseau in 1879. 2230: 511:). These missing elements have not been reconstructed, which greatly reduces the vessel's warlike appearance. 2114: 390:

led the resumption of the study of the Victory enclosure and the small basic fragments preserved in reserve.

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the blocks reached the Louvre Museum, where in December an assembly test was carried out in a courtyard.

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Rice, E. E. (1991). "The Rhodian Navy in the Hellenistic Age". In Roberts, W.R.; Sweetman, J. (eds.).

818:. The Rhodians reportedly dedicated the Victory Monument after that date, for their victory in Chios. 752: 603:

in the enclosure. Two 3D reconstructions have been proposed by B. Wescoat: either low walls forming a

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in 2018 favoured the conflict that earlier pitted the Rhodians and the King of Pergamon against King

734: 323:(Indre) until the Liberation, and was replaced at the top of the stairs without damage in July 1945. 166:; the statue alone measures 2.75 meters (9 ft). The sculpture is one of a small number of major 163: 370: 5937: 5826: 5272: 5134: 4435: 4008: 3851: 3121: 3084: 3029: 2985: 2832: 2696: 2681: 2661: 2616: 2507: 2479: 2464: 2439: 1357:

Hamiaux 2004, pp. 80–85, fig. 26–35; Hamiaux Laugier Martinez 2014, p. 134, fig. 123, 124, 132, 133

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perspective of the sanctuary: the monument was thus clearly visible from the bottom of the valley.

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The statue and base are inseparable to ensure the balance of the monument, designed as a whole.

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Conze Hauser Benndorf 1880, pp. 52, 53, plate 60; Hamiaux Laugier Martinez 2014, p. 77, fig. 54

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feather was restored to the left wing in a flared position, as it would be for a bird landing.

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These are carved from grey marble veined with white, identified as that of the quarries of

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Hamiaux, Marianne (2001). "La Victoire de Samothrace : découverte et restauration".

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Charbonneaux 1952, pp. 44–46, plate 12–13; Hamiaux Laugier Martinez 2014, p. 76, fig. 20.

159:(Victory), whose head and arms are missing and its base is in the shape of a ship's bow. 254:

of Demetrios Poliorcetes (293–292 BC). Obverse: Nike before the ship; reverse: Poseidon.

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Olga Palagia, "The Victory of Samothrace and the Aftermath of the Battle of Pydna", in

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in 201 BCE. Rhodes and Pergamon called on the Roman Republic for reinforcements, and

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around the open-air monument, or a covered building with columns and pediment of the

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digitized the entire sanctuary to allow its 3D reconstruction between 2008 and 2014.

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Clinton, Kevin (2020). "The Nike of Samothrace : setting the record straight".

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among the Roman statues first in the Caryatid Room, then briefly in the Tiber Room.

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Hamiaux 2001, pp. 163–171, fig. 4, 5; Hamiaux Laugier Martinez 2014, p. 75, fig. 52

950:. There are two further statues of Winged Victory of a different type found in the 898: 868: 481: 5912: 17: 162:

The total height of the monument is 5.57 meters (18 ft, 3 in) including the

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Other researchers have considered later occasions: the victory of the Romans at

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in Turkey), undertook from March 6 to May 7 the exploration of the ruins of the

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Hamiaux 2001, pp. 194, 195, fig. 15, 16; Hamiaux Laugier Martinez 2014, fig. 57

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in Paris, at the top of the main staircase, since 1884. Greece is seeking the

144: 140: 5517: 5470: 5440: 5414: 5354: 5157: 3990: 2060: 1956:"La Victoire de Samothrace : construction de la base et reconstitution" 1888:

Hamiaux, Marianne (1998). "Musée du Louvre, Les Sculptures grecques t. II".

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K. Bairami, "Large Scale Rhodian Sculpture of Hellenistic and Roman Times",

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Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres

1971: 1935: 1836: 1910: 1802:

Charbonneaux, Jean (1952). "La main droite de la Victoire de Samothrace".

1748: 1731: 216:(1830–1909), acting chief of the Consulate of France in Adrianopolis (now 5450: 5211: 5201: 4198:

Madonna and Child with St John the Baptist and St Catherine of Alexandria

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who observed that the ship on which the statue is placed represents the

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in 201 BCE. Then Philip V was defeated at sea by the two allies at the

667:, the naval monument of the agora in Cyrene and Samothrace itself, the 653: 608: 402: 1815: 1444:, Guy Trédaniel, ed., 2nd revised and expanded ed., 1983, pp. 212–214. 1420:

Wescoat in Hamiaux, Laugier, Martinez, 2014, pp. 174–178, fig. 158–163

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From the Vantage of the Victory New Research on the Nike of Samothrace

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of the altar of Pergamon, conceived shortly after in the same spirit.

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Ship height: 2.01 m; length: 4.29 m; width max.: 2.48 m

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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil

4805:

Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce

3605:

Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil

2193: 723: 699: 672: 229: 217: 111: 4322:

Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola

546:

Statue height: 2.75 m with wings; 2.40 m body without head

1994:. Paris: coédition Musée du Louvre et Réunion des Musées nationaux. 1663:Étienne Michon, in Thiersch 1931, p. 341, 344; Hamiaux 2006, p. 53. 1632:, edited by O. Palagia and B. D. Wescoat, Oxbow, 2010, pp. 154–164. 1504:

Wescoat in Hamiaux, Laugier, Martinez 2014, p. 55, 57, fig. 36, 37.

5480: 5465: 5430: 5379: 5323: 5251: 664: 639: 576: 533: 492: 474: 425: 369: 357: 302: 246: 200: 115: 1326:, 1986, pp. 354–362, fig. 747–758; J. S. Morrison, J. F. Coates, 552:

Base height: 0.36 m; length: 4.76 m; width: 1.76 m

5583: 5399: 5384: 5374: 5344: 5313: 2162: 2124:

Stewart, Andrew (2016). "The Nike of Samothrace: Another View".

1999:

Hamiaux, Marianne; Laugier, Ludovic; Martinez, Jean-Luc (2014).

378:

at the Louvre Palace in Paris, at the top of the main staircase.

5768: 5130: 4578:

Crucifixion with the Virgin Mary, St John and St Mary Magdalene

2858: 2267: 2204: 2166: 2079:

La sculpture hellénistique, tome 1. Formes, thèmes et fonctions

1920:"La Victoire de Samothrace : étude technique de la statue" 1402:

Lehmann 1973, p. 188, fig. 5; Holtzmann Pasquier, 1998, p. 258.

258:

From 1875, Austrian archaeologists who, under the direction of

3592:

Project for the Transformation of the Grande Galerie du Louvre

1630:

Samothracian Connections: Essays in Honor of James R. McCredie

1330:, 1996, pp. 219-220, no. 20, and pp. 266–267, 319–321, fig. 74 905:. 5th edn. Revised and expanded by Anthony F. Janson. London: 737:

defeated the Lagids, allied with Athens and Sparta during the

3530:

Camillus Handing the Falerian Schoolmaster over to his Pupils

2001:

The Winged Victory of Samothrace: Rediscovering a Masterpiece

746: 519: 506: 458: 444: 438: 5126: 3776:

Venus and the Three Graces Presenting Gifts to a Young Woman

397:

The Greek government considers the Winged Victory, like the

1716:

Hamiaux, Laugier, Martinez 2014, pp. 168–172, fig. 154–157.

1186:

Hamiaux, Laugier, Martinez 2014, pp. 118–124, fig. 107–115.

538:

Construction of the assembled monument, (drawing V. Foret).

27:

Statue from Samothrace, Greece in the Louvre, Paris, France

1366:

Hamiaux Laugier Martinez 2014, pp. 159, 160, fig. 144–145

1177:

Hamiaux, Laugier, Martinez 2014, p. 108–118, fig. 92–106.

1168:

Hamiaux, Laugier, Martinez 2014, pp. 106–108, fig. 89–92.

733:(around 262–255 BCE), during which the King of Macedonia 729:

The construction of the monument was then related to the

208:: the conserved parts of the statue, after Benndorf, 1880 2155:

Die Nike von Samothrake, ein rhodisches Werk und Anathem

1852:

Conze, Alexander; Hauser, Aloïs; Benndorf, Otto (1880).

1768:

Das Nikemonument von Samothrake und der Kampf der Bilder

1650:

Andrew Stewart, "The Nike of Samothrace: another view",

1548:, 39, 1923–1924, p. 126; R. R. R. Smith, 1996, p. 77–79. 1255:

Hamiaux Laugier Martinez 2014, pp. 148–154, fig. 125–133

1225:

Hamiaux Laugier Martinez 2014, pp. 144–148, fig. 118–127

1159:

Hamiaux, Laugier, Martinez 2014, pp. 91–103, fig. 70–87.

2097:

Hellenistic Sculpture II. The Styles of ca. 200-100 B.C

1292:

Hamiaux Laugier Martinez 2014, p. 154–159, fig. 134–142

585:. The Victory was situated above the theatre at No. 9. 4750:

Pendant portraits of Marten Soolmans and Oopjen Coppit

3782:

A Young Man Being Introduced to the Seven Liberal Arts

3751:

Madonna and Child with Saint Peter and Saint Sebastian

1531:

A. W. Lawrence, "The Date of the Nike of Samothrace",

1087:

Champoiseau 1880, p. 14; Hamiaux 2001, p. 184, fig. 10

4823:

The Virgin and Child Surrounded by the Holy Innocents

3966:

The Doge on the Bucintoro near the Riva di Sant'Elena

2040:

Samothrace. A guide to the Excavations and the Museum

2003:. Paris: éditions du Louvre et Somogy éditions d'art. 1105:

Hamiaux Laugier Martinez 2014, pp. 66–79, fig. 11–14.

30:"Winged Victory" redirects here. For other uses, see 5089:

Christopher Columbus Before the Council of Salamanca

3356:

Equestrian Portrait of Joachim Murat, King of Naples

2365:

Land grant to Marduk-apla-iddina I by Meli-Shipak II

1610:, Gallimard, ed. L'Univers des Formes, 1970, p. 287. 1604:

Jean Charbonneaux, Roland Martin, François Villard,

1348:

Hamiaux Laugier Martinez 2014, pp. 158–159, fig. 143

1132:

Hamiaux Laugier Martinez 2014, pp. 70–74, fig. 16–18

5893: 5865: 5807: 5494: 5423: 5337: 5306: 5260: 5164: 5074: 5035: 4921: 4484: 3689: 2869: 2825: 2588: 2498: 2278: 1375:

Hamiaux Laugier Martinez 2014, p. 123, fig. 116–117

232:at the end of August and in Paris on May 11, 1864. 107: 99: 89: 74: 41: 4053:Holy Family with the Family of St John the Baptist 3067:The Lictors Bring to Brutus the Bodies of His Sons 2949:The Attributes of Music, the Arts and the Sciences 1732:"La Victoire de Samothrace, défaite de Philippe V" 1304:"Trihemiolia. Étude sur un type de navire rhodien" 1042:Conze Hauser Benndorf 1880, pp. 52–58, plate 60–64 2106:Annuario della Scuola Italiana di Atene, Suppl. 1 1960:Monuments et mémoires de la Fondation Eugène Piot 1924:Monuments et mémoires de la Fondation Eugène Piot 1453:Wescoat in Hamiaux, Laugier, Martinez, pp. 44–45. 1015:Hamiaux Laugier Martinez 2014, p. 74, fig. 50, 51 814:crushed the Macedonian army in Thessaly with the 6049:Archaeological discoveries in the Aegean Islands 5989:Ancient Greek and Roman sculptures in the Louvre 4134:Saints Bernardino of Siena and Louis of Toulouse 2782:Statue of the Tiber river with Romulus and Remus 1243:Journal international d'archéologie numismatique 802:. The Rhodians were first defeated at the naval 139:monument originally discovered on the island of 5065:Street Scene near the El Ghouri Mosque in Cairo 5052:Francis I, Charles V and the Duchess of Étampes 4204:Madonna and Child with St Rose and St Catherine 3350:Bonaparte Visiting the Plague Victims of Jaffa 767:, after their victory at the naval battles of 283:The curator of the Department of Antiquities, 5780: 5142: 3257:Coresus Sacrificing Himself to Save Callirhoe 3238:Study (Young Male Nude Seated Beside the Sea) 2943:The Attributes of Civilian and Military Music 2178: 1490: 1051:Hamiaux Laugier Martinez 2014, p. 78, fig. 56 8: 4732:The Archangel Raphael Leaving Tobias' Family 3425:Joan of Arc at the Coronation of Charles VII 3413:Don Pedro of Toledo Kissing Henry IV's Sword 2930:Vulcan Presenting Venus with Arms for Aeneas 1605: 1484: 1469: 1463: 1439: 1302: 1241: 1235: 945: 57: 3807:Portrait of Alof de Wignacourt and his Page 3443:Portrait of Madame Marcotte de Sainte-Marie 2017:Lehmann, Karl; Lehmann, Phyllis W. (1973). 1890:Éditions de la Réunion des musées nationaux 1321: 936: 930: 858:attributed or signed by Rhodian sculptors. 685: 452: 5787: 5773: 5765: 5149: 5135: 5127: 2866: 2855: 2275: 2264: 2201: 2185: 2171: 2163: 1879:: CS1 maint: location missing publisher ( 1780:: CS1 maint: location missing publisher ( 38: 4229:Portrait of Sigismondo Pandolfo Malatesta 1747: 1707:Hamiaux 2004, pp. 125,126, fig. 110, 111. 1577:"Nike | Characteristics, Art, & Myth" 1198:"Greece Wants Victory of Samothrace Back" 979:"Greece Wants Victory of Samothrace Back" 5933:Nike Instructs the Boy in Heroic History 5020:Displaying the Body of Saint Bonaventure 4938:Christ on the Cross Adored by Two Donors 4559:Portrait of the Artist Holding a Thistle 3896:Allegory of Isabella d'Este's Coronation 3394:Normandy Thatched Cottage, Old Trouville 3140:Entry of the Crusaders in Constantinople 3091:Portrait of Madame Marie-Louise Trudaine 1759:Le musée imaginaire de la marine antique 1607:Grèce hellénistique (330 – 50 av. J.-C.) 1384:Hamiaux 2001, p. 158, fig. 3 and p. 160. 1323:Le musée imaginaire de la marine antique 4128:Saints Bonaventure and Anthony of Padua 3486:The Card Sharp with the Ace of Diamonds 2892:Gabrielle d'Estrées et une de ses sœurs 2068:Morrison, J. S.; Coates, J. F. (1996). 891: 170:surviving in the original, rather than 4975:Still Life of a Lamb's Head and Flanks 2430:Quintus Marcius trilingual inscription 1872: 1773: 1766:Bernhardt, Johannes Christian (2014). 1096:Hamiaux 2001, pp. 188, 189, fig. 12–13 530:Dimensions and construction of the set 497:The base in the form of a ship's prow. 235:A first restoration was undertaken by 4969:Portrait of the Marquise de la Solana 3504:Saint Sebastian Tended by Saint Irene 3200:A Young Tiger Playing with Its Mother 1855:Neue Untersuchungen auf Samothrake II 1060:Conze Hauser Benndorf 1880, pp. 59–66 437:The Nike is dressed in a long tunic ( 7: 5560:Equestrian Statue of Marcus Aurelius 4192:The Battle Between Love and Chastity 4034:Saint Francis Receiving the Stigmata 4003:The Virgin and Child with Saint Anne 3953:Saint Francis Receiving the Stigmata 3770:Three Scenes from the Life of Esther 3362:Napoléon on the Battlefield of Eylau 3055:The Intervention of the Sabine Women 2088:New Interpretations in Naval History 1674:The Sculpture of the Hellenistic Age 518:thought that this bow was that of a 291:, the main staircase of the museum. 3560:Landscape with Orpheus and Eurydice 2535:Cosmetic Spoon: Young Girl Swimming 2095:Ridgway, Brunilde Sismondo (2000). 1429:Clinton 2020, pp. 562–563, fig. 6 . 755:restored the name of the sculptor " 615:Another hypothesis was proposed by 4963:Portrait of Ferdinand Guillemardet 4944:Portrait of Antonio de Covarrubias 4279:Portrait of Baldassare Castiglione 4173:Mystic Marriage of Saint Catherine 4028:The Healing of Justinian the Canon 3877:Mystic Marriage of Saint Catherine 1150:Hamiaux 2006, p. 32-38, fig. 35–40 25: 4719:The Vegetable Market in Amsterdam 4584:Madonna and Child with Two Donors 3170:The Murder of the Bishop of Liège 2116:Hellenistic Sculpture, a handbook 1522:Morrison Coates, 1996, p. 76–109. 787:, and makes it the dedication of 5923:Nike Assists the Wounded Warrior 5744: 5743: 5111: 5110: 4648:Portrait of Erasmus of Rotterdam 4427:(also attributed to Giorgione); 3511:Philippe de Champaigne 3498:Magdalene with the Smoking Flame 2370:Land grant to Munnabittu kudurru 1619:Nathan Badoud 2018, pp. 294–296. 311:after Benndorf and Hauser, 1880. 66: 6039:2nd-century BC Greek sculptures 5984:1863 archaeological discoveries 5586:, Easter Islands (1250–1500 CE) 4787:Helena Fourment with a Carriage 4667:Card Players in a Rich Interior 4336:The Incredulity of Saint Thomas 4297:Saint Michael Vanquishing Satan 4223:Piero della Francesca 3573:Pietà of Villeneuve-lès-Avignon 3294:The Woman with a Gambling Mania 2126:American Journal of Archaeology 1978:from the original on 2024-06-01 1942:from the original on 2024-06-01 1862:from the original on 2022-09-08 1825:American Journal of Archaeology 1652:American Journal of Archaeology 1587:from the original on 2022-09-05 1441:Géographie sacrée du monde grec 1208:from the original on 2023-04-30 989:from the original on 2023-04-30 644:Naval monument in the agora of 32:Winged Victory (disambiguation) 6009:Greek artifacts outside Greece 5722:Genghis Khan Equestrian Statue 5635:Liberty Enlightening the World 4693:The Money Changer and His Wife 3713:Antonello da Messina 3480:The Adoration of the Shepherds 3344:Bonaparte at the Pont d'Arcole 2732:Hercules and the lion of Nemea 2070:Greek and Roman Oared Warships 2023:. Princeton University Press. 1462:Philippe Bruneau, Jean Ducat, 1328:Greek and Roman Oared Warships 366:after the restoration of 2014. 1: 6034:Art and cultural repatriation 4793:Helena Fourment with Children 4546:Triptych of the Sedano family 3586:Principal Monuments of France 3431:Mademoiselle Caroline Rivière 2612:Altar of Domitius Ahenobarbus 2530:Bronze Sphinx of Thutmose III 1789:Champoiseau, Charles (1880). 1196:Arkouli, Maria (2013-08-30). 1114:Hamiaux 2001, p. 208, fig. 20 977:Arkouli, Maria (2013-08-30). 794:Based on the same arguments, 78: 6019:Sculptures of women in Paris 5857:Winged Victory of Samothrace 5531:Winged Victory of Samothrace 4706:Diptych of an elderly couple 4654:Portrait of Nicolaus Kratzer 4273:Madonna with the Blue Diadem 3883:Venus and Cupid with a Satyr 3073:The Loves of Paris and Helen 2817:Winged Victory of Samothrace 2787:The Exaltation of the Flower 2340:Sarcophagus of Eshmunazar II 1557:Hamiaux 1998, p. 41, no. 51. 702:, then the Seleucids to the 520: 507: 459: 445: 364:Winged Victory of Samothrace 237:Adrien Prévost de Longpérier 126:Winged Victory of Samothrace 103:244 cm (96 in) 44:Winged Victory of Samothrace 6014:Marble sculptures in France 4836:Dune Landscape near Haarlem 4762:Saint Matthew and the Angel 4597:Madonna of Chancellor Rolin 4303:Self-Portrait with a Friend 3915:An Old Man and his Grandson 3650:The Embarkation for Cythera 3554:The Inspiration of the Poet 3449:Portrait of Monsieur Bertin 3213:Bonaparte Crossing the Alps 3182:Portrait of Frédéric Chopin 3176:Orphan Girl at the Cemetery 3097:Portrait of Madame Récamier 2737:Judgement of Paris (mosaic) 2702:Dinos of the Gorgon Painter 1791:"La Victoire de Samothrace" 1641:Queyrel, 2016, pp. 190–191. 1566:Thiersch 1931, pp. 337–378. 1533:Journal of Hellenic Studies 1474:, Paris, 1983, pp. 138–140. 1078:Champoiseau 1880, pp. 12–17 931: 720:Battle of Salamis at Cyprus 652:better spiritual life, the 617:Jean Richer (archaeologist) 222:sanctuary of the Great Gods 6065: 4623:Catharina Both-van der Eem 4349:Portrait of a Clad Warrior 4255:Angel Holding a Phylactery 3934:Adoration of the Shepherds 3251:Adoration of the Shepherds 3146:Liberty Leading the People 3049:The Coronation of Napoleon 3043:Andromache Mourning Hector 2905:Artists in Isabey's Studio 2767:Sarcophagus of the Spouses 2752:Marcellus as Hermes Logios 2475:Victory Stele of Naram-Sin 2410:Nazimaruttaš kudurru stone 2153:Thiersch, Hermann (1931). 2077:Queyrel, François (2016). 1990:Hamiaux, Marianne (2007). 1954:Hamiaux, Marianne (2006). 1918:Hamiaux, Marianne (2004). 1535:, no 46, 1926, p. 213–218. 812:Titus Quinctius Flamininus 747: 439: 192:Discovery and restorations 180:has been exhibited at the 29: 5852:Statue of Zeus at Olympia 5739: 5106: 4912:Perseus Freeing Andromeda 4756:Philosopher in Meditation 4430:Saint Jerome in Penitence 4368:Birth of John the Baptist 4115:The Carrying of the Cross 4059:Saint Jerome in Penitence 4047:Christ Carrying the Cross 3820:The Sermon of St. Stephen 3134:The Death of Sardanapalus 3103:Portrait of Pope Pius VII 2865: 2854: 2550:Khonsuemheb and the Ghost 2274: 2263: 2211: 2200: 2081:. Paris: Éditions Picard. 1992:La Victoire de Samothrace 1654:, 120, 2016, pp. 399–410. 1491: 1471:École française d'Athènes 1470: 1303: 1236: 1123:Hamiaux 2001, pp. 203–205 1024:Hamiaux 2001, pp. 154–162 952:Samothrace temple complex 947:la Victoire de Samothrace 937: 929:the statue is called the 777:Battle of Sipyla Magnesia 621:constellation of the Argo 583:Samothrace temple complex 543:Total height: 5.57 m 453: 330:, under the direction of 326:American excavators from 147:. It is a masterpiece of 65: 5958:William Tecumseh Sherman 4887:van der Weyden 4462:The Battle of San Romano 4400:The Entombment of Christ 4394:The Crowning with Thorns 4267:Holy Family of Francis I 4216:Young Saint with a Sword 3706:Coronation of the Virgin 3388:The Flood of Saint-Cloud 2355:Investiture of Zimri-Lim 2090:. Naval Institute Press. 2020:Samothracian Reflections 1685:Hamiaux 2006, pp. 55–56. 956:Kunsthistorisches Museum 631:Function, date and style 382:An American team led by 5948:Victoria Alada (Madrid) 5207:Environmental sculpture 5172:Architectural sculpture 4988:The Birth of the Virgin 4744:Landscape with a Castle 3757:Portrait of a Young Man 3407:The Apotheosis of Homer 3276:The 1821 Derby at Epsom 3152:Lion Devouring a Rabbit 3061:Leonidas at Thermopylae 2955:Boy with a Spinning-Top 2777:Sleeping Hermaphroditus 2350:Hurrian foundation pegs 2325:Bushel with ibex motifs 2113:Smith, R. R. R (1991). 2061:10.3406/crai.2014.95033 1730:Badoud, Nathan (2018). 1581:Encyclopædia Britannica 1246:, 16, 1914, pp. 81–152. 1006:Champoiseau 1880, p. 11 848:Great Altar of Pergamon 816:Battle of Cynoscephalae 285:Félix Ravaisson-Mollien 5963:Winged Victory (Lewis) 5822:Nike Fixing her Sandal 4811:Marie de' Medici cycle 4242:Portrait of a Princess 4102:Triumph of the Virtues 4084:Madonna della Vittoria 3997:Saint John the Baptist 3940:Marriage of the Virgin 3548:The Funeral of Phocion 3455:Roger Freeing Angelica 3437:Oedipus and the Sphinx 3300:The Wounded Cuirassier 3288:The Raft of the Medusa 3219:The Children of Edward 2998:The Toilette of Esther 2918:The Brunette Odalisque 2425:Phoenician metal bowls 2138:10.3764/aja.120.3.0399 2119:. Thames & Hudson. 2008:Knell, Heiner (1995). 1972:10.3406/piot.2006.1635 1936:10.3406/piot.2004.1420 1837:10.3764/aja.124.4.0551 1757:Basch, Victor (1986). 1606: 1485: 1464: 1440: 1339:Hamiaux 2006, p. 54–55 1322: 1279:Janson, H. W. (1995). 1242: 946: 831:Prusias II of Bithynia 686: 648: 586: 539: 498: 431: 379: 367: 312: 255: 209: 59:Victoire de Samothrace 58: 5999:Hellenistic sculpture 5918:Ivar Huitfeldt Column 5908:Berlin Victory Column 5903:Angel of Independence 5614:Kamagaya Great Buddha 5338:Traditional materials 5307:Elements in sculpture 4893:Annunciation Triptych 4848:Storm Off a Sea Coast 4738:Bathsheba at Her Bath 4572:Charles I at the Hunt 4406:Madonna of the Rabbit 4362:Adoration of the Magi 3282:The Charging Chasseur 3164:The Massacre at Chios 3079:Minerva Fighting Mars 2555:Raherka and Meresankh 2545:Great Sphinx of Tanis 2450:Stele of the Vultures 2320:Baal with Thunderbolt 2315:Assyrian lion weights 2231:Pavillon de l'Horloge 1911:10.3406/jds.2001.1643 1749:10.3917/arch.182.0279 1301:C. Blinkenberg 1938, 800:Philip V of Macedonia 643: 580: 568:Architectural context 537: 516:Christian Blinkenberg 496: 489:The boat and the base 429: 373: 361: 309:Victory of Samothrace 306: 269:Demetrios Poliorcetes 250: 204: 5928:Nike Crowns the Hero 5699:The Motherland Calls 5548:(c. 200 BCE – 70 CE) 5545:Laocoön and His Sons 5534:(c. 2nd century BCE) 5502:Great Sphinx of Giza 4799:Hercules and Omphale 4680:The Four Evangelists 4078:Judgement of Solomon 4022:Barbadori Altarpiece 3985:La belle ferronnière 3719:Christ at the Column 3618:A Mediterranean Port 3492:Joseph the Carpenter 3467:The Valpinçon Bather 3375:Jeune fille en buste 2812:Winged Lion of Vulci 2757:Nazareth Inscription 2405:Nazareth Inscription 2310:Amarna letter EA 367 2305:Amarna letter EA 365 2300:Amarna letter EA 364 2295:Amarna letter EA 362 2038:Lehmann, K. (1998). 932:Níki tis Samothrákis 856:Sperlonga sculptures 842:the statue. In 1955 761:Timocharis of Rhodes 735:Antigonus II Gonatas 656:gods, including the 581:General plan of the 339:the statue in 1954. 6029:Sculptures of ships 5938:Nike (Kougioumtzis) 5827:Nike of Callimachus 5691:Christ the Redeemer 5683:Shrine of Democracy 5637:, Statue of Liberty 5261:Styles of sculpture 4527:Lamentation (Pietà) 4475:The Wedding at Cana 4436:Woman with a Mirror 4261:La belle jardinière 4009:Virgin of the Rocks 3795:Death of the Virgin 3668:Jupiter and Antiope 3128:The Bride of Abydos 3122:The Barque of Dante 3085:Oath of the Horatii 3030:The Bridge at Narni 2833:Harbaville Triptych 2697:Diana of Versailles 2682:Boscoreale Treasure 2662:Borghese Collection 2617:Antinous Mondragone 2508:Gebel el-Arak Knife 2480:Worshipper of Larsa 2465:Tiara of Saitaferne 2440:Statue of Iddi-Ilum 2380:Manishtushu Obelisk 1899:Journal des Savants 1795:Revue Archéologique 1736:Revue Archéologique 1676:, 1955, p. 123–135. 1492:Il monumento navale 1411:Hamiaux 2007, p. 34 938:Νίκη της Σαμοθράκης 907:Thames & Hudson 698:allies against the 354:In the 21st century 328:New York University 321:Château de Valençay 299:In the 20th century 214:Charles Champoiseau 197:In the 19th century 168:Hellenistic statues 85:2223–2224 years ago 6024:Sculptures of Nike 6004:Ancient Samothrace 5667:Jules Verne's tomb 5566:Buddhas of Bamiyan 5524:Colossus of Rhodes 5508:Abu Simbel temples 5504:(c. 2558–2532 BCE) 5495:Notable sculptures 5165:Types of sculpture 4540:Cervara Altarpiece 4186:Apollo and Daphnis 3871:Allegory of Virtue 3801:The Fortune Teller 3631:Allegory of Wealth 3325:The Father's Curse 2886:Diana the Huntress 2838:Lampsacus Treasure 2667:Borghese Gladiator 2652:Athena of Velletri 2642:Apollo Sauroctonos 2637:Apollo of Piombino 2580:Statue of Karomama 2565:Tomb of Akhethetep 2395:Namara inscription 2290:ʿAin Ghazal statue 1696:Access Archaeology 1672:Margarete Bieber, 837:Style and workshop 649: 587: 540: 499: 480:The art historian 432: 411:Akis Gerondopoulos 380: 376:Nike of Samothrace 368: 313: 256: 210: 206:Nike of Samothrace 188:of the sculpture. 132:Niké of Samothrace 54:Nike of Samothrace 18:Nike of Samothrace 6044:Statues in France 5971: 5970: 5880:Varvakeion Athena 5832:Nike of Epidaurus 5762: 5761: 5652:The Golden Virgin 5644:The Gates of Hell 5578:Konark Sun Temple 5574:(c. 1194–1250 CE) 5572:Chartes Cathedral 5222:Kinetic sculpture 5124: 5123: 5102: 5101: 5098: 5097: 4610:The Tree of Crows 4449:Pietà with Saints 4309:Small Holy Family 3536:Et in Arcadia ego 3331:The Village Bride 3319:The Broken Vessel 3313:The Bible Reading 3158:Mademoiselle Rose 2850: 2849: 2846: 2845: 2717:Furietti Centaurs 2560:Stela of Pasenhor 2514:The Seated Scribe 2445:Statue of Ebih-Il 2385:Masub inscription 2335:Code of Hammurabi 2259: 2258: 2241:Pyramide inversée 2226:Pavillon de Flore 1486:L'agora di Cirene 983:GreekReporter.com 825:in 168 BCE. over 384:James R. McCredie 336:Jean Charbonneaux 224:on the island of 121: 120: 16:(Redirected from 6056: 5943:Nike of Marathon 5842:Nike of Paionios 5817:Athena Parthenos 5789: 5782: 5775: 5766: 5747: 5746: 5707:Fallen Astronaut 5424:Modern materials 5288:Modern sculpture 5217:Installation art 5151: 5144: 5137: 5128: 5114: 5113: 5085: 5061: 5048: 5016: 5003: 4994:The Young Beggar 4984: 4959: 4934: 4908: 4889: 4870: 4857: 4842:The Ray of Light 4832: 4817:The Village Fête 4783: 4728: 4715: 4702: 4689: 4676: 4663: 4644: 4619: 4606: 4593: 4568: 4555: 4536: 4523: 4510: 4497: 4471: 4458: 4445: 4424:Pastoral Concert 4412:Man with a Glove 4390: 4377: 4358: 4345: 4332: 4318: 4251: 4238: 4225: 4207:(with Ingegno); 4182: 4169: 4156: 4143: 4124: 4111: 4068: 4043: 4018: 3975: 3962: 3949: 3930: 3911: 3892: 3865:Allegory of Vice 3861: 3848: 3829: 3816: 3791: 3766: 3741: 3732:The Four Seasons 3728: 3715: 3702: 3646: 3637:Hesselin Madonna 3627: 3614: 3601: 3582: 3569: 3542:The Four Seasons 3526: 3513: 3476: 3461:The Turkish Bath 3419:Grande Odalisque 3403: 3384: 3371: 3340: 3309: 3272: 3247: 3234: 3225:The Young Martyr 3209: 3194:Women of Algiers 3118: 3039: 3026: 3013: 2986:Aline Chassériau 2982: 2939: 2914: 2901: 2882: 2867: 2856: 2772:Sleeping Ariadne 2722:Gladiator Mosaic 2687:Cupid and Psyche 2632:Apollo of Mantua 2627:Apollo Belvedere 2520:Banishment Stela 2470:Vase of Entemena 2330:Cippi of Melqart 2276: 2265: 2216:Louvre Colonnade 2202: 2187: 2180: 2173: 2164: 2158: 2149: 2120: 2109: 2100: 2091: 2082: 2073: 2064: 2043: 2034: 2013: 2004: 1995: 1986: 1984: 1983: 1950: 1948: 1947: 1914: 1893: 1884: 1878: 1870: 1868: 1867: 1848: 1819: 1798: 1785: 1779: 1771: 1762: 1753: 1751: 1717: 1714: 1708: 1705: 1699: 1692: 1686: 1683: 1677: 1670: 1664: 1661: 1655: 1648: 1642: 1639: 1633: 1626: 1620: 1617: 1611: 1609: 1602: 1596: 1595: 1593: 1592: 1573: 1567: 1564: 1558: 1555: 1549: 1542: 1536: 1529: 1523: 1520: 1514: 1511: 1505: 1502: 1496: 1494: 1493: 1488: 1481: 1475: 1473: 1472: 1467: 1460: 1454: 1451: 1445: 1443: 1436: 1430: 1427: 1421: 1418: 1412: 1409: 1403: 1400: 1394: 1391: 1385: 1382: 1376: 1373: 1367: 1364: 1358: 1355: 1349: 1346: 1340: 1337: 1331: 1325: 1318: 1312: 1306: 1305: 1299: 1293: 1290: 1284: 1277: 1271: 1262: 1256: 1253: 1247: 1245: 1239: 1238: 1234:J. N. Svoronos, 1232: 1226: 1223: 1217: 1216: 1214: 1213: 1193: 1187: 1184: 1178: 1175: 1169: 1166: 1160: 1157: 1151: 1148: 1142: 1139: 1133: 1130: 1124: 1121: 1115: 1112: 1106: 1103: 1097: 1094: 1088: 1085: 1079: 1076: 1070: 1067: 1061: 1058: 1052: 1049: 1043: 1040: 1034: 1031: 1025: 1022: 1016: 1013: 1007: 1004: 998: 997: 995: 994: 974: 968: 967:inv. no. MA 2369 965: 959: 949: 940: 939: 934: 923: 917: 896: 881:Nike of Paionios 844:Margarete Bieber 753:Hermann Thiersch 750: 749: 739:Chremonidean War 689: 525: 510: 464: 456: 455: 450: 442: 441: 348:Marianne Hamiaux 80: 70: 61: 39: 21: 6064: 6063: 6059: 6058: 6057: 6055: 6054: 6053: 5974: 5973: 5972: 5967: 5953:Wellington Arch 5889: 5885:Victoria Romana 5861: 5803: 5793: 5763: 5758: 5735: 5729:Statue of Unity 5681:Mount Rushmore 5674:Abraham Lincoln 5627:Lion of Belfort 5620:Nelson's Column 5538:Terracotta Army 5490: 5419: 5333: 5302: 5256: 5160: 5155: 5125: 5120: 5094: 5081: 5070: 5057: 5044: 5031: 5026:Saint Apollonia 5012: 4999: 4980: 4955: 4930: 4917: 4904: 4899:Braque Triptych 4885: 4866: 4853: 4828: 4779: 4724: 4711: 4698: 4685: 4672: 4659: 4640: 4635:The Lute Player 4615: 4602: 4589: 4564: 4551: 4532: 4519: 4506: 4493: 4480: 4467: 4454: 4441: 4386: 4373: 4354: 4341: 4328: 4314: 4247: 4234: 4221: 4178: 4165: 4152: 4139: 4120: 4107: 4096:Saint Sebastian 4064: 4039: 4014: 3971: 3958: 3945: 3926: 3907: 3888: 3857: 3844: 3825: 3812: 3787: 3762: 3745:Christ Blessing 3737: 3724: 3711: 3698: 3685: 3680:The Two Cousins 3642: 3623: 3610: 3597: 3578: 3565: 3522: 3517:Ex-Voto de 1662 3509: 3472: 3399: 3380: 3367: 3336: 3305: 3268: 3243: 3230: 3205: 3114: 3035: 3022: 3009: 3004:The Two Sisters 2978: 2935: 2910: 2897: 2878: 2861: 2842: 2821: 2742:Lady of Auxerre 2712:Eurytios Krater 2657:Barberini ivory 2622:Antioch mosaics 2597: 2584: 2575:Hunters Palette 2494: 2485:Yehawmilk Stele 2455:Stele of Zakkur 2435:Sidon Mithraeum 2345:Gudea cylinders 2283:and Middle East 2282: 2270: 2255: 2251:Medieval Louvre 2207: 2196: 2191: 2161: 2152: 2123: 2112: 2103: 2094: 2085: 2076: 2067: 2046: 2042:(6th ed.). 2037: 2031: 2016: 2007: 1998: 1989: 1981: 1979: 1953: 1945: 1943: 1917: 1896: 1892:. Paris: 27–40. 1887: 1871: 1865: 1863: 1851: 1822: 1801: 1788: 1772: 1765: 1756: 1729: 1725: 1720: 1715: 1711: 1706: 1702: 1698:, Oxford, 2017. 1693: 1689: 1684: 1680: 1671: 1667: 1662: 1658: 1649: 1645: 1640: 1636: 1627: 1623: 1618: 1614: 1603: 1599: 1590: 1588: 1575: 1574: 1570: 1565: 1561: 1556: 1552: 1544:F. Studniczka, 1543: 1539: 1530: 1526: 1521: 1517: 1512: 1508: 1503: 1499: 1482: 1478: 1461: 1457: 1452: 1448: 1437: 1433: 1428: 1424: 1419: 1415: 1410: 1406: 1401: 1397: 1392: 1388: 1383: 1379: 1374: 1370: 1365: 1361: 1356: 1352: 1347: 1343: 1338: 1334: 1319: 1315: 1300: 1296: 1291: 1287: 1278: 1274: 1263: 1259: 1254: 1250: 1233: 1229: 1224: 1220: 1211: 1209: 1195: 1194: 1190: 1185: 1181: 1176: 1172: 1167: 1163: 1158: 1154: 1149: 1145: 1140: 1136: 1131: 1127: 1122: 1118: 1113: 1109: 1104: 1100: 1095: 1091: 1086: 1082: 1077: 1073: 1068: 1064: 1059: 1055: 1050: 1046: 1041: 1037: 1032: 1028: 1023: 1019: 1014: 1010: 1005: 1001: 992: 990: 976: 975: 971: 966: 962: 924: 920: 909:, pp. 157–158. 897: 893: 889: 877: 839: 808:Battle of Chios 681: 638: 633: 596: 575: 570: 532: 491: 424: 419: 356: 301: 260:Alexander Conze 199: 194: 153:Hellenistic era 149:Greek sculpture 143:, north of the 56: 51: 46: 35: 28: 23: 22: 15: 12: 11: 5: 6062: 6060: 6052: 6051: 6046: 6041: 6036: 6031: 6026: 6021: 6016: 6011: 6006: 6001: 5996: 5991: 5986: 5976: 5975: 5969: 5968: 5966: 5965: 5960: 5955: 5950: 5945: 5940: 5935: 5930: 5925: 5920: 5915: 5910: 5905: 5899: 5897: 5891: 5890: 5888: 5887: 5882: 5877: 5875:Las Incantadas 5871: 5869: 5863: 5862: 5860: 5859: 5854: 5849: 5844: 5839: 5837:Nike of Megara 5834: 5829: 5824: 5819: 5813: 5811: 5805: 5804: 5795:Sculptures of 5794: 5792: 5791: 5784: 5777: 5769: 5760: 5759: 5757: 5756: 5751: 5740: 5737: 5736: 5734: 5733: 5725: 5719: 5715:Mother Ukraine 5711: 5703: 5695: 5687: 5678: 5670: 5664: 5656: 5648: 5640: 5631: 5623: 5617: 5611: 5603: 5595: 5587: 5581: 5575: 5569: 5563: 5557: 5549: 5541: 5535: 5527: 5521: 5511: 5505: 5498: 5496: 5492: 5491: 5489: 5488: 5483: 5478: 5473: 5468: 5463: 5458: 5453: 5448: 5443: 5438: 5433: 5427: 5425: 5421: 5420: 5418: 5417: 5412: 5407: 5402: 5397: 5392: 5387: 5382: 5377: 5372: 5367: 5362: 5357: 5352: 5347: 5341: 5339: 5335: 5334: 5332: 5331: 5326: 5321: 5319:Negative space 5316: 5310: 5308: 5304: 5303: 5301: 5300: 5295: 5290: 5285: 5283:Jain sculpture 5280: 5275: 5270: 5264: 5262: 5258: 5257: 5255: 5254: 5249: 5244: 5242:Soft sculpture 5239: 5234: 5229: 5224: 5219: 5214: 5209: 5204: 5199: 5194: 5189: 5184: 5179: 5174: 5168: 5166: 5162: 5161: 5156: 5154: 5153: 5146: 5139: 5131: 5122: 5121: 5119: 5118: 5107: 5104: 5103: 5100: 5099: 5096: 5095: 5093: 5092: 5078: 5076: 5072: 5071: 5069: 5068: 5055: 5041: 5039: 5033: 5032: 5030: 5029: 5010: 4997: 4978: 4953: 4927: 4925: 4919: 4918: 4916: 4915: 4902: 4883: 4874:The Astronomer 4864: 4851: 4826: 4777: 4774:Slaughtered Ox 4722: 4709: 4696: 4683: 4670: 4657: 4638: 4629:The Gypsy Girl 4613: 4600: 4587: 4562: 4549: 4530: 4517: 4504: 4490: 4488: 4482: 4481: 4479: 4478: 4465: 4452: 4439: 4384: 4371: 4352: 4339: 4326: 4325:(with Raphael) 4312: 4276:(with Penni); 4245: 4232: 4219: 4176: 4163: 4150: 4137: 4118: 4105: 4062: 4037: 4012: 3969: 3956: 3943: 3924: 3905: 3902:Reign of Comus 3886: 3855: 3842: 3823: 3810: 3785: 3760: 3735: 3722: 3709: 3695: 3693: 3687: 3686: 3684: 3683: 3640: 3621: 3608: 3595: 3576: 3563: 3520: 3507: 3470: 3397: 3378: 3365: 3334: 3303: 3266: 3241: 3228: 3203: 3112: 3033: 3020: 3007: 2976: 2933: 2908: 2895: 2875: 2873: 2863: 2862: 2859: 2852: 2851: 2848: 2847: 2844: 2843: 2841: 2840: 2835: 2829: 2827: 2823: 2822: 2820: 2819: 2814: 2809: 2807:Venus of Arles 2804: 2802:Venus Genetrix 2799: 2794: 2792:Venus and Mars 2789: 2784: 2779: 2774: 2769: 2764: 2759: 2754: 2749: 2747:Las Incantadas 2744: 2739: 2734: 2729: 2724: 2719: 2714: 2709: 2704: 2699: 2694: 2692:Diana of Gabii 2689: 2684: 2679: 2677:Borghese Venus 2674: 2669: 2664: 2659: 2654: 2649: 2644: 2639: 2634: 2629: 2624: 2619: 2614: 2609: 2603: 2601: 2586: 2585: 2583: 2582: 2577: 2572: 2567: 2562: 2557: 2552: 2547: 2542: 2540:Dendera zodiac 2537: 2532: 2527: 2525:Bentresh stela 2522: 2517: 2510: 2504: 2502: 2496: 2495: 2493: 2492: 2487: 2482: 2477: 2472: 2467: 2462: 2457: 2452: 2447: 2442: 2437: 2432: 2427: 2422: 2417: 2412: 2407: 2402: 2397: 2392: 2387: 2382: 2377: 2372: 2367: 2362: 2357: 2352: 2347: 2342: 2337: 2332: 2327: 2322: 2317: 2312: 2307: 2302: 2297: 2292: 2286: 2284: 2272: 2271: 2268: 2261: 2260: 2257: 2256: 2254: 2253: 2248: 2243: 2238: 2236:Louvre Pyramid 2233: 2228: 2223: 2218: 2212: 2209: 2208: 2205: 2198: 2197: 2192: 2190: 2189: 2182: 2175: 2167: 2160: 2159: 2150: 2132:(3): 399–410. 2121: 2110: 2101: 2092: 2083: 2074: 2065: 2055:(2): 933–948. 2044: 2035: 2029: 2014: 2005: 1996: 1987: 1951: 1915: 1894: 1885: 1849: 1831:(4): 551–573. 1820: 1799: 1786: 1763: 1754: 1742:(2): 279–306. 1726: 1724: 1721: 1719: 1718: 1709: 1700: 1687: 1678: 1665: 1656: 1643: 1634: 1621: 1612: 1597: 1568: 1559: 1550: 1537: 1524: 1515: 1506: 1497: 1483:A.-L. Ermeti, 1476: 1465:Guide de Délos 1455: 1446: 1431: 1422: 1413: 1404: 1395: 1386: 1377: 1368: 1359: 1350: 1341: 1332: 1313: 1294: 1285: 1281:History of Art 1272: 1257: 1248: 1227: 1218: 1202:Greek Reporter 1188: 1179: 1170: 1161: 1152: 1143: 1134: 1125: 1116: 1107: 1098: 1089: 1080: 1071: 1062: 1053: 1044: 1035: 1026: 1017: 1008: 999: 969: 960: 918: 903:History of Art 890: 888: 885: 884: 883: 876: 873: 838: 835: 804:Battle of Lade 789:King Eumene II 680: 677: 637: 634: 632: 629: 595: 594:Interpretation 592: 574: 571: 569: 566: 554: 553: 550: 547: 544: 531: 528: 490: 487: 423: 420: 418: 415: 413:said in 2013. 355: 352: 300: 297: 289:Daru staircase 198: 195: 193: 190: 178:Winged Victory 119: 118: 109: 105: 104: 101: 97: 96: 91: 87: 86: 76: 72: 71: 63: 62: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 6061: 6050: 6047: 6045: 6042: 6040: 6037: 6035: 6032: 6030: 6027: 6025: 6022: 6020: 6017: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5990: 5987: 5985: 5982: 5981: 5979: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5946: 5944: 5941: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5914: 5911: 5909: 5906: 5904: 5901: 5900: 5898: 5896: 5892: 5886: 5883: 5881: 5878: 5876: 5873: 5872: 5870: 5868: 5864: 5858: 5855: 5853: 5850: 5848: 5847:Nike of Paros 5845: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5825: 5823: 5820: 5818: 5815: 5814: 5812: 5810: 5806: 5802: 5798: 5790: 5785: 5783: 5778: 5776: 5771: 5770: 5767: 5755: 5752: 5750: 5742: 5741: 5738: 5731: 5730: 5726: 5723: 5720: 5717: 5716: 5712: 5709: 5708: 5704: 5701: 5700: 5696: 5693: 5692: 5688: 5685: 5684: 5679: 5676: 5675: 5671: 5668: 5665: 5662: 5661: 5657: 5654: 5653: 5649: 5646: 5645: 5641: 5638: 5636: 5632: 5629: 5628: 5624: 5621: 5618: 5615: 5612: 5609: 5608: 5607:Veiled Christ 5604: 5601: 5600: 5596: 5593: 5592: 5588: 5585: 5582: 5579: 5576: 5573: 5570: 5567: 5564: 5561: 5558: 5556:(130–100 BCE) 5555: 5554: 5553:Venus de Milo 5550: 5547: 5546: 5542: 5540:(246–210 BCE) 5539: 5536: 5533: 5532: 5528: 5525: 5522: 5519: 5515: 5514:Elgin Marbles 5512: 5510:(c. 1264 BCE) 5509: 5506: 5503: 5500: 5499: 5497: 5493: 5487: 5484: 5482: 5479: 5477: 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5428: 5426: 5422: 5416: 5413: 5411: 5408: 5406: 5403: 5401: 5398: 5396: 5393: 5391: 5388: 5386: 5383: 5381: 5378: 5376: 5373: 5371: 5368: 5366: 5363: 5361: 5358: 5356: 5353: 5351: 5348: 5346: 5343: 5342: 5340: 5336: 5330: 5327: 5325: 5322: 5320: 5317: 5315: 5312: 5311: 5309: 5305: 5299: 5296: 5294: 5291: 5289: 5286: 5284: 5281: 5279: 5276: 5274: 5271: 5269: 5266: 5265: 5263: 5259: 5253: 5250: 5248: 5245: 5243: 5240: 5238: 5235: 5233: 5230: 5228: 5225: 5223: 5220: 5218: 5215: 5213: 5210: 5208: 5205: 5203: 5200: 5198: 5197:Gas sculpture 5195: 5193: 5190: 5188: 5185: 5183: 5180: 5178: 5175: 5173: 5170: 5169: 5167: 5163: 5159: 5152: 5147: 5145: 5140: 5138: 5133: 5132: 5129: 5117: 5109: 5108: 5105: 5091: 5090: 5084: 5080: 5079: 5077: 5073: 5067: 5066: 5060: 5056: 5054: 5053: 5047: 5043: 5042: 5040: 5038: 5034: 5028: 5027: 5022: 5021: 5015: 5011: 5009: 5008: 5002: 4998: 4996: 4995: 4990: 4989: 4983: 4979: 4977: 4976: 4971: 4970: 4965: 4964: 4958: 4954: 4952: 4951: 4946: 4945: 4940: 4939: 4933: 4929: 4928: 4926: 4924: 4920: 4914: 4913: 4907: 4903: 4901: 4900: 4895: 4894: 4888: 4884: 4882: 4881: 4880:The Lacemaker 4876: 4875: 4869: 4865: 4863: 4862: 4856: 4852: 4850: 4849: 4844: 4843: 4838: 4837: 4831: 4827: 4825: 4824: 4819: 4818: 4813: 4812: 4807: 4806: 4801: 4800: 4795: 4794: 4789: 4788: 4782: 4778: 4776: 4775: 4770: 4769: 4768:Self-Portrait 4764: 4763: 4758: 4757: 4752: 4751: 4746: 4745: 4740: 4739: 4734: 4733: 4727: 4723: 4721: 4720: 4714: 4710: 4708: 4707: 4701: 4697: 4695: 4694: 4688: 4684: 4682: 4681: 4675: 4671: 4669: 4668: 4662: 4661:de Hooch 4658: 4656: 4655: 4650: 4649: 4643: 4639: 4637: 4636: 4631: 4630: 4625: 4624: 4618: 4614: 4612: 4611: 4605: 4601: 4599: 4598: 4592: 4591:van Eyck 4588: 4586: 4585: 4580: 4579: 4574: 4573: 4567: 4566:van Dyck 4563: 4561: 4560: 4554: 4550: 4548: 4547: 4542: 4541: 4535: 4531: 4529: 4528: 4522: 4518: 4516: 4515: 4509: 4505: 4503: 4502: 4501:Ship of Fools 4496: 4492: 4491: 4489: 4487: 4483: 4477: 4476: 4470: 4466: 4464: 4463: 4457: 4453: 4451: 4450: 4444: 4440: 4438: 4437: 4432: 4431: 4426: 4425: 4420: 4419: 4414: 4413: 4408: 4407: 4402: 4401: 4396: 4395: 4389: 4385: 4383: 4382: 4381:Self Portrait 4376: 4372: 4370: 4369: 4364: 4363: 4357: 4353: 4351: 4350: 4344: 4340: 4338: 4337: 4331: 4327: 4324: 4323: 4317: 4313: 4311: 4310: 4305: 4304: 4299: 4298: 4293: 4292: 4291:Saint Michael 4287: 4286: 4281: 4280: 4275: 4274: 4269: 4268: 4263: 4262: 4257: 4256: 4250: 4246: 4244: 4243: 4237: 4233: 4231: 4230: 4224: 4220: 4218: 4217: 4212: 4211: 4206: 4205: 4200: 4199: 4194: 4193: 4188: 4187: 4181: 4177: 4175: 4174: 4168: 4164: 4162: 4161: 4155: 4151: 4149: 4148: 4142: 4138: 4136: 4135: 4130: 4129: 4123: 4119: 4117: 4116: 4110: 4106: 4104: 4103: 4098: 4097: 4092: 4091: 4086: 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3568: 3564: 3562: 3561: 3556: 3555: 3550: 3549: 3544: 3543: 3538: 3537: 3532: 3531: 3525: 3521: 3519: 3518: 3512: 3508: 3506: 3505: 3500: 3499: 3494: 3493: 3488: 3487: 3482: 3481: 3475: 3471: 3469: 3468: 3463: 3462: 3457: 3456: 3451: 3450: 3445: 3444: 3439: 3438: 3433: 3432: 3427: 3426: 3421: 3420: 3415: 3414: 3409: 3408: 3402: 3398: 3396: 3395: 3390: 3389: 3383: 3379: 3377: 3376: 3370: 3366: 3364: 3363: 3358: 3357: 3352: 3351: 3346: 3345: 3339: 3335: 3333: 3332: 3327: 3326: 3321: 3320: 3315: 3314: 3308: 3304: 3302: 3301: 3296: 3295: 3290: 3289: 3284: 3283: 3278: 3277: 3271: 3267: 3265: 3264: 3259: 3258: 3253: 3252: 3246: 3242: 3240: 3239: 3233: 3229: 3227: 3226: 3221: 3220: 3215: 3214: 3208: 3204: 3202: 3201: 3196: 3195: 3190: 3189: 3184: 3183: 3178: 3177: 3172: 3171: 3166: 3165: 3160: 3159: 3154: 3153: 3148: 3147: 3142: 3141: 3136: 3135: 3130: 3129: 3124: 3123: 3117: 3113: 3111: 3110: 3109:Self-Portrait 3105: 3104: 3099: 3098: 3093: 3092: 3087: 3086: 3081: 3080: 3075: 3074: 3069: 3068: 3063: 3062: 3057: 3056: 3051: 3050: 3045: 3044: 3038: 3034: 3032: 3031: 3025: 3021: 3019: 3018: 3012: 3008: 3006: 3005: 3000: 2999: 2994: 2993: 2992:Self-Portrait 2988: 2987: 2981: 2977: 2975: 2974: 2969: 2968: 2963: 2962: 2957: 2956: 2951: 2950: 2945: 2944: 2938: 2934: 2932: 2931: 2926: 2925: 2924:Diana Bathing 2920: 2919: 2913: 2909: 2907: 2906: 2900: 2896: 2894: 2893: 2888: 2887: 2881: 2877: 2876: 2874: 2872: 2868: 2864: 2857: 2853: 2839: 2836: 2834: 2831: 2830: 2828: 2824: 2818: 2815: 2813: 2810: 2808: 2805: 2803: 2800: 2798: 2797:Venus de Milo 2795: 2793: 2790: 2788: 2785: 2783: 2780: 2778: 2775: 2773: 2770: 2768: 2765: 2763: 2760: 2758: 2755: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2727:Hera Borghese 2725: 2723: 2720: 2718: 2715: 2713: 2710: 2708: 2705: 2703: 2700: 2698: 2695: 2693: 2690: 2688: 2685: 2683: 2680: 2678: 2675: 2673: 2672:Borghese Vase 2670: 2668: 2665: 2663: 2660: 2658: 2655: 2653: 2650: 2648: 2647:Ares Borghese 2645: 2643: 2640: 2638: 2635: 2633: 2630: 2628: 2625: 2623: 2620: 2618: 2615: 2613: 2610: 2608: 2605: 2604: 2602: 2600: 2595: 2591: 2587: 2581: 2578: 2576: 2573: 2571: 2568: 2566: 2563: 2561: 2558: 2556: 2553: 2551: 2548: 2546: 2543: 2541: 2538: 2536: 2533: 2531: 2528: 2526: 2523: 2521: 2518: 2516: 2515: 2511: 2509: 2506: 2505: 2503: 2501: 2500:Ancient Egypt 2497: 2491: 2488: 2486: 2483: 2481: 2478: 2476: 2473: 2471: 2468: 2466: 2463: 2461: 2458: 2456: 2453: 2451: 2448: 2446: 2443: 2441: 2438: 2436: 2433: 2431: 2428: 2426: 2423: 2421: 2418: 2416: 2415:Neirab steles 2413: 2411: 2408: 2406: 2403: 2401: 2398: 2396: 2393: 2391: 2388: 2386: 2383: 2381: 2378: 2376: 2373: 2371: 2368: 2366: 2363: 2361: 2360:Lament for Ur 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2341: 2338: 2336: 2333: 2331: 2328: 2326: 2323: 2321: 2318: 2316: 2313: 2311: 2308: 2306: 2303: 2301: 2298: 2296: 2293: 2291: 2288: 2287: 2285: 2281: 2277: 2273: 2266: 2262: 2252: 2249: 2247: 2244: 2242: 2239: 2237: 2234: 2232: 2229: 2227: 2224: 2222: 2219: 2217: 2214: 2213: 2210: 2203: 2199: 2195: 2194:Louvre Museum 2188: 2183: 2181: 2176: 2174: 2169: 2168: 2165: 2156: 2151: 2147: 2143: 2139: 2135: 2131: 2127: 2122: 2118: 2117: 2111: 2107: 2102: 2098: 2093: 2089: 2084: 2080: 2075: 2071: 2066: 2062: 2058: 2054: 2050: 2045: 2041: 2036: 2032: 2030:9780691099095 2026: 2022: 2021: 2015: 2011: 2006: 2002: 1997: 1993: 1988: 1977: 1973: 1969: 1965: 1961: 1957: 1952: 1941: 1937: 1933: 1929: 1925: 1921: 1916: 1912: 1908: 1904: 1900: 1895: 1891: 1886: 1882: 1876: 1861: 1857: 1856: 1850: 1846: 1842: 1838: 1834: 1830: 1826: 1821: 1817: 1813: 1809: 1805: 1800: 1796: 1792: 1787: 1783: 1777: 1769: 1764: 1760: 1755: 1750: 1745: 1741: 1737: 1733: 1728: 1727: 1722: 1713: 1710: 1704: 1701: 1697: 1691: 1688: 1682: 1679: 1675: 1669: 1666: 1660: 1657: 1653: 1647: 1644: 1638: 1635: 1631: 1625: 1622: 1616: 1613: 1608: 1601: 1598: 1586: 1582: 1578: 1572: 1569: 1563: 1560: 1554: 1551: 1547: 1541: 1538: 1534: 1528: 1525: 1519: 1516: 1510: 1507: 1501: 1498: 1487: 1480: 1477: 1466: 1459: 1456: 1450: 1447: 1442: 1438:Jean Richer, 1435: 1432: 1426: 1423: 1417: 1414: 1408: 1405: 1399: 1396: 1390: 1387: 1381: 1378: 1372: 1369: 1363: 1360: 1354: 1351: 1345: 1342: 1336: 1333: 1329: 1324: 1317: 1314: 1311:VII, pp. 1–59 1310: 1298: 1295: 1289: 1286: 1282: 1276: 1273: 1269: 1268: 1264:B. Westcoat, 1261: 1258: 1252: 1249: 1244: 1231: 1228: 1222: 1219: 1207: 1203: 1199: 1192: 1189: 1183: 1180: 1174: 1171: 1165: 1162: 1156: 1153: 1147: 1144: 1138: 1135: 1129: 1126: 1120: 1117: 1111: 1108: 1102: 1099: 1093: 1090: 1084: 1081: 1075: 1072: 1066: 1063: 1057: 1054: 1048: 1045: 1039: 1036: 1030: 1027: 1021: 1018: 1012: 1009: 1003: 1000: 988: 984: 980: 973: 970: 964: 961: 957: 953: 948: 944: 933: 928: 922: 919: 916: 912: 908: 904: 900: 895: 892: 886: 882: 879: 878: 874: 872: 870: 865: 859: 857: 853: 852:Laocoon group 849: 845: 836: 834: 832: 828: 824: 819: 817: 813: 809: 805: 801: 797: 796:Nathan Badoud 792: 790: 786: 782: 778: 774: 770: 766: 765:Antiochus III 762: 758: 754: 742: 740: 736: 732: 731:Battle of Cos 727: 725: 721: 717: 711: 709: 705: 701: 697: 693: 688: 678: 676: 674: 670: 666: 661: 659: 655: 647: 642: 635: 630: 628: 626: 622: 618: 613: 610: 606: 600: 593: 591: 584: 579: 572: 567: 565: 562: 558: 551: 548: 545: 542: 541: 536: 529: 527: 524: 523: 517: 512: 509: 504: 495: 488: 486: 483: 478: 476: 472: 466: 463: 462: 449: 448: 435: 428: 421: 416: 414: 412: 408: 405:and wants it 404: 400: 399:Elgin Marbles 395: 391: 389: 388:B. D. Wescoat 385: 377: 372: 365: 360: 353: 351: 349: 345: 340: 337: 333: 329: 324: 322: 317: 310: 307:Model of the 305: 298: 296: 292: 290: 286: 281: 277: 274: 273:Otto Benndorf 270: 265: 261: 253: 249: 245: 242: 238: 233: 231: 227: 223: 219: 215: 207: 203: 196: 191: 189: 187: 183: 182:Louvre Museum 179: 175: 173: 169: 165: 160: 158: 154: 150: 146: 142: 138: 134: 133: 128: 127: 117: 113: 110: 106: 102: 98: 95: 94:Parian marble 92: 88: 84: 77: 73: 69: 64: 60: 55: 50: 45: 40: 37: 33: 19: 5856: 5727: 5713: 5705: 5697: 5689: 5682: 5672: 5658: 5650: 5642: 5634: 5625: 5605: 5597: 5589: 5568:(507–554 CE) 5551: 5543: 5530: 5529: 5526:(c. 292 BCE) 5486:Found object 5278:Detonography 5087: 5082: 5063: 5058: 5050: 5045: 5024: 5018: 5013: 5007:The Clubfoot 5005: 5000: 4992: 4986: 4981: 4973: 4967: 4961: 4956: 4948: 4942: 4936: 4931: 4910: 4905: 4897: 4891: 4886: 4878: 4872: 4867: 4859: 4854: 4846: 4840: 4834: 4829: 4821: 4815: 4809: 4803: 4797: 4791: 4785: 4780: 4772: 4766: 4760: 4754: 4748: 4742: 4736: 4730: 4725: 4717: 4712: 4704: 4699: 4691: 4686: 4678: 4673: 4665: 4660: 4652: 4646: 4641: 4633: 4627: 4621: 4616: 4608: 4603: 4595: 4590: 4582: 4576: 4570: 4565: 4557: 4552: 4544: 4538: 4533: 4525: 4520: 4512: 4507: 4499: 4494: 4473: 4468: 4460: 4455: 4447: 4442: 4434: 4428: 4422: 4416: 4410: 4404: 4398: 4392: 4387: 4379: 4374: 4366: 4360: 4355: 4347: 4342: 4334: 4329: 4320: 4315: 4307: 4301: 4295: 4289: 4285:Saint George 4283: 4277: 4271: 4265: 4259: 4253: 4248: 4240: 4235: 4227: 4222: 4214: 4210:St Sebastian 4208: 4202: 4196: 4190: 4184: 4179: 4171: 4167:Parmigianino 4166: 4160:Ancient Rome 4158: 4153: 4145: 4140: 4132: 4126: 4121: 4113: 4108: 4100: 4094: 4088: 4082: 4076: 4070: 4065: 4057: 4051: 4045: 4040: 4032: 4026: 4020: 4015: 4007: 4001: 3995: 3989: 3983: 3977: 3972: 3964: 3959: 3951: 3946: 3938: 3932: 3927: 3919: 3913: 3908: 3900: 3894: 3889: 3881: 3875: 3869: 3863: 3858: 3850: 3845: 3837: 3831: 3826: 3818: 3813: 3805: 3799: 3793: 3788: 3780: 3774: 3768: 3763: 3755: 3749: 3743: 3738: 3730: 3725: 3717: 3712: 3704: 3700:Fra Angelico 3699: 3678: 3672: 3666: 3660: 3656:The Faux Pas 3654: 3648: 3643: 3635: 3629: 3624: 3616: 3611: 3603: 3598: 3590: 3584: 3579: 3571: 3566: 3558: 3552: 3546: 3540: 3534: 3528: 3523: 3515: 3510: 3502: 3496: 3490: 3484: 3478: 3474:La Tour 3473: 3465: 3459: 3453: 3447: 3441: 3435: 3429: 3423: 3417: 3411: 3405: 3400: 3392: 3386: 3381: 3373: 3368: 3360: 3354: 3348: 3342: 3337: 3329: 3323: 3317: 3311: 3306: 3298: 3292: 3286: 3280: 3274: 3269: 3261: 3255: 3249: 3244: 3236: 3231: 3223: 3217: 3211: 3206: 3198: 3192: 3186: 3180: 3174: 3168: 3162: 3156: 3150: 3144: 3138: 3132: 3126: 3120: 3115: 3107: 3101: 3095: 3089: 3083: 3077: 3071: 3065: 3059: 3053: 3047: 3041: 3036: 3028: 3023: 3017:Village Fête 3015: 3010: 3002: 2996: 2990: 2984: 2979: 2973:Saying Grace 2971: 2965: 2959: 2953: 2947: 2941: 2936: 2928: 2922: 2916: 2911: 2903: 2898: 2890: 2884: 2879: 2816: 2762:Rampin Rider 2570:Bull Palette 2512: 2490:Ziwiye hoard 2460:Tayma stones 2420:Osorkon Bust 2375:Lion of Mari 2154: 2129: 2125: 2115: 2105: 2096: 2087: 2078: 2069: 2052: 2048: 2039: 2019: 2009: 2000: 1991: 1980:. Retrieved 1963: 1959: 1944:. Retrieved 1927: 1923: 1902: 1898: 1889: 1864:. Retrieved 1854: 1828: 1824: 1810:(1): 44–46. 1807: 1803: 1794: 1770:. Stuttgart. 1767: 1758: 1739: 1735: 1723:Bibliography 1712: 1703: 1695: 1690: 1681: 1673: 1668: 1659: 1651: 1646: 1637: 1629: 1624: 1615: 1600: 1589:. Retrieved 1580: 1571: 1562: 1553: 1545: 1540: 1532: 1527: 1518: 1509: 1500: 1495:, Rome 1981. 1479: 1458: 1449: 1434: 1425: 1416: 1407: 1398: 1389: 1380: 1371: 1362: 1353: 1344: 1335: 1327: 1316: 1308: 1297: 1288: 1280: 1275: 1266: 1260: 1251: 1230: 1221: 1210:. Retrieved 1201: 1191: 1182: 1173: 1164: 1155: 1146: 1137: 1128: 1119: 1110: 1101: 1092: 1083: 1074: 1065: 1056: 1047: 1038: 1029: 1020: 1011: 1002: 991:. Retrieved 982: 972: 963: 921: 902: 899:Janson, H.W. 894: 869:Gigantomachy 860: 840: 833:in 154 BCE. 820: 793: 743: 728: 712: 682: 662: 650: 614: 601: 597: 588: 573:The location 563: 559: 555: 514:Epigraphist 513: 500: 482:H. W. Janson 479: 470: 467: 436: 433: 401:, illegally 396: 392: 381: 375: 363: 341: 332:Karl Lehmann 325: 318: 314: 308: 293: 282: 278: 264:Aloïs Hauser 257: 234: 211: 205: 177: 176: 172:Roman copies 161: 131: 130: 125: 124: 122: 53: 48: 43: 36: 5694:(1927–1931) 5686:(1927–1941) 5660:The Thinker 5647:(1890–1917) 5602:(1501–1504) 5594:(1498–1499) 5298:Renaissance 4950:Saint Louis 4514:The Beggars 4418:Pardo Venus 4147:Dead Christ 4072:Crucifixion 3909:Ghirlandaio 3188:The Picador 2607:Albani lion 2390:Mesha Stele 2269:Antiquities 2246:Cour Carrée 2221:Lescot Wing 2157:. Weidmann. 1905:: 153–223. 1489:, III, 1: 757:Pythokritos 751:. In 1931, 636:An offering 625:Mount Hemos 522:trihēmiolia 508:acrostolion 417:Description 407:repatriated 252:Tetradrachm 49:Winged Nike 5978:Categories 5461:Fiberglass 5390:Terracotta 5237:Pedimental 5232:Monumental 5182:Bas relief 5177:Assemblage 4375:Tintoretto 4356:Signorelli 4141:Palmezzano 3921:Visitation 3789:Caravaggio 3764:Botticelli 3726:Arcimboldo 2980:Chassériau 2961:The Buffet 2707:Dying Gaul 1982:2022-09-08 1946:2022-09-08 1930:: 61–129. 1866:2022-09-08 1591:2022-09-14 1320:L. Basch, 1212:2023-02-22 993:2023-02-22 915:0500237018 694:and their 692:Antigonids 422:The statue 226:Samothrace 145:Aegean Sea 141:Samothrace 100:Dimensions 5913:Gëlle Fra 5580:(1250 CE) 5520:(438 BCE) 5518:Parthenon 5516:from the 5471:Aluminium 5441:Jesmonite 5415:Soapstone 5355:Limestone 5273:Classical 5202:Earth art 5158:Sculpture 5046:Bonington 4726:Rembrandt 4604:Friedrich 4236:Pisanello 4090:Parnassus 3991:Mona Lisa 3859:Correggio 3814:Carpaccio 3270:Géricault 3245:Fragonard 3207:Delaroche 3116:Delacroix 2880:Anonymous 2860:Paintings 2826:Byzantine 2280:Near East 2146:192588726 1875:cite book 1845:226545861 1776:cite book 941:) and in 781:Myonnesus 773:Myonnesos 716:Ptolemy I 605:peribolos 430:2015 view 403:plundered 212:In 1863, 151:from the 129:, or the 5801:Victoria 5749:Category 5562:(175 CE) 5451:Concrete 5365:Porphyry 5212:Figurine 5116:Category 5075:American 5014:Zurbarán 4932:El Greco 4855:Scheffer 4830:Ruisdael 4674:Jordaens 4521:Christus 4486:Northern 4469:Veronese 4330:Salviati 4180:Perugino 4066:Mantegna 3973:Leonardo 3928:Giordano 3827:Carracci 3599:Scheffer 3263:The Bolt 3248:: 3232:Flandrin 2599:Etruscan 2206:Building 1976:Archived 1966:: 5–60. 1940:Archived 1860:Archived 1858:. 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Knowledge (XXG)

Winged Victory of Samothrace

Index