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Nyanyi Sunyi

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229: 553:. In some cases, writes Teeuw, Amir treats God almost as a lover, using familiar terms such as "engkau" ("you") to address Him. However, Amir recognises that he cannot be one with God. Jassin writes that Amir seems aware of his own smallness before God, acting as a puppet for God's will; Teeuw notes that Amir recognises that he would not exist if God did not. 569:
supernatural. Ultimately, however, Jassin concludes that Amir's soul has not reached maturity; he considers the collection's last poem, "Astana Rela", as but a temporary escape. Jassin finds that the theme of religion is likewise meant as an escape from Amir's worldly sorrows, an opinion echoed by Usman.
560:
Aside from themes of God and religion, Amir also shows an awareness of his own humanity, recognising his own instincts and drives. Jassin writes that "Amir's song is the song of a man's soul", showing sadness and joy which do not acknowledge class or creed. Teeuw notes a sense of distrust, a feeling
556:
This is not to say that Amir accepts his lower position in relation to God; in several cases, Jassin writes, Amir shows a feeling of dissatisfaction over his own lack of power and protests God's absoluteness. Teeuw likewise notes a sense of dissatisfaction throughout the poems, writing that Amir
528:, brought a new style to the Indonesian language, with its "compactly violent, sharp, and yet short" sentences. In a 1945 article he wrote (translation by Raffel), "Before Amir (Hamzah) one could call the old poetry a destructive force; but what a bright light he shone on the new language". 568:
Jassin writes that Amir uses "sunyi" ("silence") as a way to address his worldly problems: regarding time, his own identity, God, and love. According to Jassin, by the end of the compilation physical love has drifted towards a spiritual one, with the answers supplied originating from the
38: 536:
Religion and God are omnipresent throughout the collection, as evidenced from the first poem, "Padamu Jua". Amir often uses the word "Tuhan" ("God"). However, unlike his earlier poems which used it in a similar manner to "Dewa" ("Deity"), in
211:
view the collection as an attempt to address Amir’s worldly problems. The collection has been noted as difficult to read owing to its usage of rarely used Malay and Javanese terms and basis in Islamic culture and Malay history. Despite this,
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seems to treat God as an entity that "only toys with humans, allowing them to be pushed aside and erased". Elsewhere Teeuw writes that Amir questions fate and the need for him to separate from his love.
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appear more developed and mature than those in the later collection. Teeuw notes that the later collection was more explicitly about romantic love, rather than the religious love of
513:
described the works as "obscure poetry" which could not be understood by persons without an understanding of Islam and Malay history. Indonesian literary scholar
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has focused on the theme of God and His relationship to humanity, as well as of aspects of human existence: fate, dissatisfaction, and escape. Literary critics
586:, a literary magazine which Amir had helped establish. It was later published as a standalone book, and by 1949 it had seen its third printing. 1395: 1213: 1194: 1104: 565:, meanwhile, discusses the theme of love lost in relation to religion, writing that the loss of his Javanese lover led Amir closer to God. 296:
dates the poems to 1936 and 1937. The time was one of great emotional turmoil for Hamzah, who was required to marry the daughter of the
1062: 502:
related to particular terms. Ultimately, however, Amir is freer in his language use than traditional poets. Indonesian critic
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format of four lines of four words. Teeuw notes that some, such "Batu Belah", followed traditional European forms such as the
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that – having once lost his love – there is no reason Amir will not lose his next lover. Indonesian critic
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termed "compactly violent, sharp, and yet short" sentences which brought a new style to the Indonesian language.
1412: 482:
terms which saw little contemporary use. He also borrows heavily from other Indonesian languages, particularly
269: 509:
Translator John M. Echols writes that the poems are "difficult reading even for Indonesians", while poet
37: 1469: 1381: 297: 252: 175: 595:("Fruits of Longing"), which consisted mostly of his earlier works. Jassin notes that the works in 542: 263: 487: 335:(and indeed none of Amir's other works) are dated. At the end of the book is a couplet, reading " 278: 1362: 1333: 1309: 1283: 1259: 1235: 1209: 1190: 1171: 1147: 1126: 1100: 483: 345:
translates as "A flower floating in a loose knot of hair / Gave birth to my sorrowful poems".
274: 257: 233: 167: 110: 71: 1326:
Kesusasteraan Baru Indonesia dari Abdullah Bin Albdalkadir Munshi sampai kepada Chairil Anwar
582: 282: 192: 82: 292:
as having been written between 1933 and 1937, while Dutch scholar of Indonesian literature
514: 305: 1070: 495: 479: 61: 216:
has been described as freer in its form than traditional Malay poetry, with what poet
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Modern Indonesian Literature from Abdullah Bin Albalkadir Munshi to Chairil Anwar
1299: 1184: 1090: 1404: 1321: 1223: 562: 324: 244: 208: 204: 171: 51: 455:, unlike much of Amir's earlier work, generally did not follow the traditional 251:
writer of noble descent and devout Muslim. He was well-oriented in traditional
1435: 1428: 591: 369: 187: 1313: 1287: 1239: 17: 1366: 1337: 1263: 1159: 1151: 1086: 121: 1175: 1130: 639:... hanya memper-mainkan manusia, jang dibiarkanja ter-tunggu dan terhapus. 196:, the collection has been republished as a stand-alone book several times. 174:. Written some time after the poet was forced to marry the daughter of the 1295: 1271: 1089:(1976). "Modern Indonesian Literature in Brief". In L. F., Brakel (ed.). 518: 320: 293: 475: 166:; Indonesian for "Songs of Solitude" or "Songs of Silence") is a 1937 1258:]. Vol. 1. Jakarta: Akademi Sastera dan Bahasa "Multatuli". 550: 499: 491: 468: 457: 546: 463: 227: 1189:(2nd ed.). Albany, NY: State University of New York Press. 692: 301: 183: 179: 1377: 1373: 157: 589:
In 1941 Amir published another collection of poems, entitled
331:, with the remaining thirteen as poems. None of the works in 471:. Others were more free-form, leaning towards prose poetry. 288:
Poet Laurens Koster Bohang considers the poems included in
190:, none of which are dated. First published in the magazine 1282:] (in Indonesian). Vol. 1. Jakarta: Pembangunan. 990: 988: 854: 852: 357:
Untitled quatrain ("Sunyi Itu Duka"; "Silence is Sorrow")
1069:(in Indonesian). Jakarta City Government. Archived from 759: 757: 338:
Sunting sanggul melayah rendah / sekaki sajak seni sedih
304:. At the time Amir had reportedly fallen in love with a 1005: 1003: 975: 973: 924: 922: 920: 895: 893: 891: 839: 837: 835: 774: 772: 676: 674: 672: 670: 1308:] (in Indonesian). Vol. 1. Ende: Nusa Indah. 1099:]. Vol. 1. Leiden, Netherlands: E. J. Brill. 744: 742: 740: 703: 701: 319:
consists of twenty-four titled pieces and an untitled
1361:] (in Malay). Kuala Lumpur: Pustaka Melayu Baru. 490:. The choice of words was influenced by the need for 255:, with favourites including historical texts such as 1359:
Nyanyi Sunyi (Amir Hamzah): Description and Analysis
1411: 308:woman while studying, and was forced to leave her. 128: 116: 106: 89: 77: 67: 57: 47: 580:was first published in the November 1937 issue of 506:writes that the result is "a beautiful wordplay". 1232:Overview of the History of Indonesian Literature 1146:] (in Indonesian). Jakarta: Pustaka Rakjat. 521:to religious texts, both Islamic and Christian. 336: 285:. As a result, he had an extensive vocabulary. 1208:. Albany: State University of New York Press. 1170:] (in Indonesian). Jakarta: Gunung Agung. 1389: 1355:Nyanyi Sunyi (Amir Hamzah): Ulasan dan Kajian 1168:Amir Hamzah: King of the Pudjangga Baru Poets 182:, this collection consists of 24 titled 8: 1332:] (in Indonesian). Jakarta: Gunung Mas. 652:Njanjian Amir adalah njanjian djiwa manusia. 30: 1234:] (in Indonesian). Bandung: Binacipta. 408:"Panji Dihadapanku" ("Banners in My Sight") 1396: 1382: 1374: 1206:Complete Prose and Poetry of Chairil Anwar 36: 29: 1164:Amir Hamzah: Radja Penjair Pudjangga Baru 417:"Doa Poyangku" ("Prayer of My Ancestors") 387:"Karena Kasihmu" ("Because of Your Love") 1186:Development of Modern Indonesian Poetry 858: 666: 617: 441:"Astana Rela" ("Palace of Resignation") 1033: 1021: 1009: 979: 952: 940: 911: 899: 882: 870: 826: 814: 802: 790: 778: 763: 748: 719: 707: 680: 341:", which American poet and translator 236:is thought to have heavily influenced 1045: 994: 964: 928: 843: 731: 348:The poems within the collection are: 7: 1125:. Ithaca: Cornell University Press. 693:Jakarta City Government, Amir Hamzah 429:"Ibuku Dehulu" ("My Mother, Before") 323:. Indonesian literary documentarian 541:the word is used as understood in 517:notes that the work also has many 25: 1228:Ikhtisar Sejarah Sastra Indonesia 1123:Indonesian Writing in Translation 420:"Turun Kembali" ("Descend Again") 327:classifies eight of the works as 247:(1911–1946) was a Dutch-educated 1256:History of Indonesian Literature 524:Anwar opined that Amir, through 402:"Terbuka Bunga" ("Open Flowers") 390:"Sebab Dikau" ("Because of You") 300:, who had funded his studies in 426:"Didalam Kelam" ("In Darkness") 411:"Memuji Dikau" ("Praising You") 405:"Mengawan" ("Climb to the Sky") 626:... permainan kata jang indah. 273:. Amir likewise read works of 178:instead of his chosen love in 1: 549:; Amir shows influences from 438:"Hari Menuai" ("Harvest Day") 423:"Batu Belah" ("Split Stone") 399:"Taman Dunia" ("World Park") 381:"Permainanmu" ("Your Games") 435:"Subuh" ("Morning Prayers") 1491: 1252:Sedjarah Sastera Indonesia 1097:Handbook of Orientalistics 1092:Handbuch der Orientalistik 1306:New Indonesian Literature 378:"Hanya Satu" ("Only One") 35: 1183:Raffel, Burton (1968) . 396:"Hanyut Aku" ("I Float") 375:"Barangkali" ("Perhaps") 1204:Raffel, Burton (1970). 1067:Encyclopedia of Jakarta 478:depends heavily on old 384:"Tetapi Aku" ("But I") 337: 270:Hikayat Panca Tanderan 241: 1301:Sastra Baru Indonesia 1138:Hamzah, Amir (1949). 1121:Echols, John (1956). 545:, such as Amir's own 231: 42:Cover, third printing 1353:Umar Junus (1968). 543:Abrahamic religions 264:Syair Siti Zubaidah 148:Republican Spelling 32: 27:Book by Amir Hamzah 1465:Poetry collections 1280:Tenets and Figures 997:, pp. 231–50. 432:"Insyaf" ("Aware") 242: 158:Perfected Spelling 95:November 1937 1475:Indonesian poetry 1460:1937 poetry books 1445: 1444: 1215:978-0-87395-061-9 1196:978-0-87395-024-4 1106:978-90-04-04331-2 1073:on 2 January 2012 612:Explanatory notes 414:"Kurnia" ("Gift") 372:" ("For You Too") 298:Sultan of Langkat 258:Hikayat Hang Tuah 234:arranged marriage 176:Sultan of Langkat 168:poetry collection 139: 138: 111:Dutch East Indies 107:Publication place 72:Poetry collection 16:(Redirected from 1482: 1398: 1391: 1384: 1375: 1370: 1341: 1317: 1291: 1267: 1243: 1219: 1200: 1179: 1155: 1134: 1117: 1115: 1113: 1087:Balfas, Muhammad 1082: 1080: 1078: 1049: 1043: 1037: 1031: 1025: 1019: 1013: 1007: 998: 992: 983: 977: 968: 962: 956: 950: 944: 938: 932: 926: 915: 909: 903: 897: 886: 880: 874: 868: 862: 856: 847: 841: 830: 824: 818: 812: 806: 800: 794: 788: 782: 776: 767: 761: 752: 746: 735: 729: 723: 717: 711: 705: 696: 690: 684: 678: 655: 648: 642: 635: 629: 622: 583:Poedjangga Baroe 393:"Doa" ("Prayer") 340: 283:Hindu literature 253:Malay literature 193:Poedjangga Baroe 102: 100: 91:Publication date 83:Poedjangga Baroe 40: 33: 21: 1490: 1489: 1485: 1484: 1483: 1481: 1480: 1479: 1450: 1449: 1446: 1441: 1407: 1402: 1352: 1349: 1347:Further reading 1344: 1320: 1294: 1276:Pokok dan Tokoh 1270: 1246: 1222: 1216: 1203: 1197: 1182: 1158: 1144:Song of Silence 1137: 1120: 1111: 1109: 1107: 1085: 1076: 1074: 1061: 1057: 1052: 1044: 1040: 1032: 1028: 1020: 1016: 1008: 1001: 993: 986: 978: 971: 967:, pp. 140. 963: 959: 951: 947: 939: 935: 927: 918: 910: 906: 898: 889: 881: 877: 869: 865: 857: 850: 842: 833: 825: 821: 813: 809: 801: 797: 789: 785: 777: 770: 766:, p. 5–30. 762: 755: 747: 738: 730: 726: 718: 714: 706: 699: 691: 687: 679: 668: 664: 659: 658: 649: 645: 636: 632: 623: 619: 614: 609: 575: 534: 515:Muhammad Balfas 449: 444: 314: 226: 134:(third edition) 117:Media type 98: 96: 92: 43: 28: 23: 22: 15: 12: 11: 5: 1488: 1486: 1478: 1477: 1472: 1467: 1462: 1452: 1451: 1443: 1442: 1440: 1439: 1432: 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836: 832: 829:, p. 12. 828: 823: 820: 817:, p. 15. 816: 811: 808: 805:, p. 31. 804: 799: 796: 792: 787: 784: 780: 775: 773: 769: 765: 760: 758: 754: 751:, p. 13. 750: 745: 743: 741: 737: 733: 728: 725: 721: 716: 713: 710:, p. 14. 709: 704: 702: 698: 694: 689: 686: 682: 677: 675: 673: 671: 667: 661: 653: 647: 644: 640: 634: 631: 627: 621: 618: 611: 606: 604: 602: 598: 594: 593: 587: 585: 584: 579: 572: 570: 566: 564: 558: 554: 552: 548: 544: 540: 531: 529: 527: 522: 520: 516: 512: 511:Chairil Anwar 507: 505: 504:Bakri Siregar 501: 498:, as well as 497: 493: 489: 485: 481: 477: 472: 470: 466: 465: 460: 459: 454: 451:The poems in 446: 440: 437: 434: 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 367: 366: 364: 363: 356: 355: 354: 353: 349: 346: 344: 343:Burton Raffel 339: 334: 330: 329:lyrical prose 326: 322: 318: 311: 309: 307: 303: 299: 295: 291: 286: 284: 280: 276: 272: 271: 266: 265: 260: 259: 254: 250: 246: 239: 235: 230: 223: 221: 219: 218:Chairil Anwar 215: 210: 206: 202: 197: 195: 194: 189: 188:lyrical prose 185: 181: 177: 173: 169: 165: 164: 159: 155: 154: 149: 145: 144: 143:Njanji Soenji 135: 131: 127: 123: 119: 115: 112: 109: 105: 94: 88: 85: 84: 80: 76: 73: 70: 66: 63: 60: 56: 53: 50: 46: 39: 34: 31:Nyanyi Sunyi 19: 18:Njanji Soenji 1447: 1427: 1422:Nyanyi Sunyi 1421: 1420: 1413:Bibliography 1358: 1354: 1329: 1325: 1322:Usman, Zuber 1305: 1300: 1279: 1275: 1255: 1251: 1231: 1227: 1224:Rosidi, Ajip 1205: 1185: 1167: 1163: 1160:Jassin, H.B. 1143: 1140:Njanji Sunji 1139: 1122: 1110:. Retrieved 1096: 1091: 1075:. Retrieved 1071:the original 1066: 1041: 1036:, p. 1. 1029: 1017: 960: 948: 936: 907: 878: 866: 859:Siregar 1964 822: 810: 798: 793:, p. 9. 786: 727: 722:, p. 8. 715: 688: 651: 646: 638: 633: 625: 620: 601:Nyanyi Sunyi 600: 597:Nyanyi Sunyi 596: 590: 588: 581: 578:Nyanyi Sunyi 577: 576: 567: 559: 555: 539:Nyanyi Sunyi 538: 535: 526:Nyanyi Sunyi 525: 523: 508: 473: 462: 456: 453:Nyanyi Sunyi 452: 450: 362:Titled poems 361: 360: 351: 350: 347: 333:Nyanyi Sunyi 332: 317:Njanji Sunji 316: 315: 290:Nyanyi Sunyi 289: 287: 268: 262: 256: 243: 238:Nyanyi Sunyi 237: 214:Nyanyi Sunyi 213: 201:Nyanyi Sunyi 200: 199:Analysis of 198: 191: 163:Nyanyi Sunyi 162: 161: 153:Njanji Sunji 152: 151: 142: 141: 140: 133: 81: 1470:Amir Hamzah 1405:Amir Hamzah 1077:26 December 1055:Works cited 1034:Hamzah 1949 1022:Jassin 1962 1010:Jassin 1962 980:Jassin 1962 953:Jassin 1962 941:Jassin 1962 912:Jassin 1962 900:Balfas 1976 883:Rosidi 1976 871:Rosidi 1976 827:Jassin 1962 815:Raffel 1968 803:Hamzah 1949 791:Jassin 1962 779:Jassin 1962 764:Hamzah 1949 749:Jassin 1962 720:Jassin 1962 708:Echols 1956 681:Raffel 1970 650:Original: " 637:Original: " 624:Original: " 573:Publication 563:Zuber Usman 325:H.B. Jassin 245:Amir Hamzah 209:Zuber Usman 205:H.B. Jassin 172:Amir Hamzah 52:Amir Hamzah 1454:Categories 1436:Padamu Jua 1429:Buah Rindu 1046:Teeuw 1955 995:Usman 1959 965:Teeuw 1980 929:Teeuw 1955 844:Teeuw 1955 732:Teeuw 1980 607:References 592:Buah Rindu 370:Padamu Jua 224:Background 1314:222168801 1296:Teeuw, A. 1288:428077105 1272:Teeuw, A. 1240:609510126 1112:13 August 662:Footnotes 519:allusions 500:symbolism 122:softcover 78:Publisher 1367:63260744 1338:19655561 1324:(1959). 1298:(1980). 1274:(1955). 1264:63841626 1250:(1964). 1226:(1976). 1162:(1962). 1152:65112881 488:Sundanes 484:Javanese 321:quatrain 312:Contents 306:Javanese 294:A. Teeuw 58:Language 1176:7138547 1131:4844111 476:diction 474:Amir's 279:Persian 232:Amir’s 120:Print ( 99:1937-11 97: ( 1365:  1336:  1312:  1286:  1262:  1238:  1212:  1193:  1174:  1150:  1129:  1103:  551:Sufism 532:Themes 492:rhythm 469:ballad 458:pantun 281:, and 275:Arabic 267:, and 48:Author 1357:[ 1328:[ 1304:[ 1278:[ 1254:[ 1230:[ 1166:[ 1142:[ 1095:[ 547:Islam 496:metre 480:Malay 464:syair 249:Malay 184:poems 129:Pages 68:Genre 62:Malay 1363:OCLC 1334:OCLC 1310:OCLC 1284:OCLC 1260:OCLC 1236:OCLC 1210:ISBN 1191:ISBN 1172:OCLC 1148:OCLC 1127:OCLC 1114:2011 1101:ISBN 1079:2011 494:and 486:and 461:and 447:Form 302:Java 207:and 180:Java 170:by 132:31 1456:: 1065:. 1002:^ 987:^ 972:^ 919:^ 890:^ 851:^ 834:^ 771:^ 756:^ 739:^ 700:^ 669:^ 603:. 277:, 261:, 160:: 156:; 150:: 1438:" 1434:" 1397:e 1390:t 1383:v 1369:. 1340:. 1316:. 1290:. 1266:. 1242:. 1218:. 1199:. 1178:. 1154:. 1133:. 1116:. 1081:. 695:. 654:" 641:" 628:" 368:" 240:. 146:( 124:) 101:) 20:)

Index

Njanji Soenji
Cover, third printing
Amir Hamzah
Malay
Poetry collection
Poedjangga Baroe
Dutch East Indies
softcover
Republican Spelling
Perfected Spelling
poetry collection
Amir Hamzah
Sultan of Langkat
Java
poems
lyrical prose
Poedjangga Baroe
H.B. Jassin
Zuber Usman
Chairil Anwar
A couple during their wedding
arranged marriage
Amir Hamzah
Malay
Malay literature
Hikayat Hang Tuah
Syair Siti Zubaidah
Hikayat Panca Tanderan
Arabic
Persian

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