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melody and the left hand accompanying with bass notes and a chord. Although there are occasional changes to this pattern, for example the left hand plays a sustained minim with a crotchet chord above. The main theme then comes back in with some variations to the first two times it was played: a triplet phrase is added to the third bar of the section. The second section is again repeated with no variations, followed immediately by the first section again with the triplet sequence.
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ever-increasing longing to get out of this oppressive atmosphere, to feel the fresh breezes and warm sunshine, to see smiling faces and the many-coloured dress of Nature, to hear the rustling of leaves, the murmuring of streams, and voices which have not yet lost the clear, sonorous ring that joy in the present and hope in the future impart.
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tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody. There is a considerable amount of ornamentation in the right hand, for instance the prolonged trills in measures 34 and 52–54.
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with a heavy, steady crotchet beat. It starts with the main theme which repeats once with only minor variations. The right hand plays a slow melody and the left hand accompanies with a bass note and then a chord, in crotchets. The second section is then played with, again, the right hand playing the
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The second nocturne (in E flat major) differs in form from the other nocturnes in...that it has no contrasting second section, the melody flowing onward from beginning to end in a uniform manner. The monotony of the unrelieved sentimentality does not fail to make itself felt. One is seized by an
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There is then a large variation on the first theme where the main tune is played with other notes in between. There is then a large section of arpeggios and finishing off on six final chords, then modulates to the
60:. They are his fifteenth and sixteenth installations in the genre, and were composed between 1842 and 1844, and published in August 1844. Chopin dedicated them to his pupil and admirer Mademoiselle
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pp51–71 "An
Analysis of the Chorales in Three Chopin Nocturnes: Op. 32, No.2; Op. 55, No.1; and the Nocturne in C# Minor (without opus number)". Masters thesis, University of Oregon, 2008–03.
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The characteristic chromatic ornaments, in measures 7, 25, 36, and 50, often subdivide the beats in a syncopated fashion in contrast with the steady triplets in the left hand.
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as Dusan
Gavrich), being a music teacher, explains to a young girl how to properly 'feel' and interpret the nuances in the music, and then plays it for her on the piano.
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There are two short chorales. The first, at bars 71–72, marks the transition from B section back to A, while the second, at 98–101, concludes the piece, in F major.
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in his television debut concert at
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last mission is titled
Nocturne Op55N1 and is played by Hanako Arasaka at the beginning.
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speeds up the piece. It starts off with some fast, triplet quavers and then three loud (
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Composed in 1842–1844, the F minor nocturne has an average duration of about 5 minutes.
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The opening bars from Op. 55, No. 1 in F minor above, and the second theme below.
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is based on the F minor nocturne, and appears in the animated series
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368:"Vladimir Horowitz: The historic concerts of 1965, 1966 and 1968"
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Hope trailer has
Nocturnes, Op. 55 playing in the background.
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The F minor nocturne is featured in the 1997 action thriller
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226:The second and third duets of the ballet
16:Two piano compositions by Frédéric Chopin
324:Frederick Chopin, as a Man and Musician
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259:), where the main terrorist character (
179:Nocturne in E-flat major, Op. 55, No. 2
168:Nocturne in E-flat major, Op. 55, No. 2
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620:List of compositions by opus number
383:. IMDB site. Retrieved 20 July 2018
381:"NOCTURNE IN F MINOR, OP. 55 NO.1 "
118:An excerpt from the middle section.
514:Nocturne in E minor, Op. posth. 72
142:for an interrupted final cadence.
79:Nocturne in F minor, Op. 55, No. 1
68:Nocturne in F minor, Op. 55, No. 1
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285:The Witcher 2: Assassins of Kings
212:Of this nocturne, Niecks wrote:
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530:Nocturne in C minor, Op. posth.
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615:List of compositions by genre
656:Compositions in E-flat major
641:Nocturnes by Frédéric Chopin
326:. Vol. 2. p. 291.
160:This piece was performed by
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183:The second nocturne in E
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268:For the Damaged Coda
156:Notable performances
509:2 Nocturnes, Op. 62
504:2 Nocturnes, Op. 55
499:2 Nocturnes, Op. 48
494:2 Nocturnes, Op. 37
489:2 Nocturnes, Op. 32
484:2 Nocturnes, Op. 27
479:3 Nocturnes, Op. 15
474:3 Nocturnes, Op. 9
240:In popular culture
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122:A tempo change to
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525:minor, Op. posth.
410:Nocturnes, Op. 55
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635:Categories
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348:"Archives"
302:References
266:The song "
251:(starring
222:In theatre
572:Nocturnes
459:Nocturnes
124:piĂą mosso
87:Structure
54:nocturnes
593:Scherzos
586:Preludes
565:Mazurkas
544:Ballades
522:♯
318:(1890).
186:♭
600:Waltzes
423:Musopen
391:Sources
370:. 1988.
140:F major
558:Études
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320:"XXXI"
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