Knowledge (XXG)

Nobody's Fools

Source πŸ“

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things." To allow the band to create what Holder described as a "really first class album", the band decided to take some time off from touring: "We decided not to rush the album, like we have done on past recording sessions. We wanted to get everything just so. It wasn't just a 'wam bam' job. We had six weeks in the studio to get better and better, so the playing got better, and the sound got better, so yeah in terms of improvement it's a big step ahead. The sound and production is the best yet."
588:. The lyrics of "L.A. Jinx" refer to the bad luck the band seemed to suffer whenever they played in Los Angeles. Holder said in a 1976 fan club interview: "Something always goes wrong; the gear blows up, we all get electric shocks, and, oh there's always some sort of equipment fault – we're always jinxed!" "Did Ya Mama Ever Tell Ya" was described by Holder as "not exactly roots reggae, more Wolverhampton stuff!" and cited it as his favourite track from the album around the time of its release. 428: 339:. Often second on the bill, Slade honed their live show, taking the idea of playing skilfully seriously which went down consistently well with the American audience. While the success wasn't translated into US airplay, the band felt improved and rejuvenated. In between tours, Holder and Lea got down to what Holder called some "serious writing". In mid-1975, the band booked themselves into New York's Record Plant and recorded the album 737: 651: 646: 641: 732: 727: 722: 717: 636: 631: 343:. Speaking in a 1976 fan club interview, Holder said of recording an album in America: "The album is why we went to the States, not for tax reasons, folks! We wanted to get fresh ideas, we felt we were getting a bit stale living in England." For the album, songwriters Holder and Lea drew much inspiration from living in New York City. 31: 369:
and Holder rate it as their favourite Slade long player. In a 1987 interview, Holder said: "That is the only one I can really sit down at home and listen to from start to finish." In a 1976 interview, Lea said: "I am really proud of the album and believe it is the best album we have ever done. I have
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decided that the next best career move was to try and crack America. The band agreed to move to there and build a reputation for their live performances from scratch, just as they had in the UK. Holder said in 1975: "During the past five years when the band peaked, we did five major tours of Britain,
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Lea originally envisaged "Nobody's Fool" to be a "twenty-minute extravaganza". However, the band later agreed to cut down the song to a more standard duration as it was felt that it would not appeal to the band's fanbase. A music video for the song was filmed at St. Johns Wood Studios in London. "Do
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In a 1976 fan club interview, Holder spoke of the album's recording: "We recorded the album in New York, where we spent something like six weeks on it. We did it all in one go, more or less, well we also did a couple of days in a L.A. studio a couple of months before, just to get into the swing of
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and forgetting about their fan base in the UK, as the band had been in the U.S. for most of 1975, trying to crack the market. The album was Slade's first (since their rise to fame) not to reach the UK Top 10, and to drop out of the chart after a chart run of only four weeks. It would be their last
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described the song as "pure Slade, even with the out of place arrangement." "I'm a Talker" is a folk-based track, described by Ingham as an "infectious folksy drinking song". "All the World Is a Stage" features the prominent use of keyboards and closes with sound effects of high pitched laughing.
358:", broke Slade's run of 17 consecutive hit singles in April, reaching only No. 53. In America, "Nobody's Fool" was the only single to be released from the album, however the neither the album or single made any chart impact. Reflecting on the album in an early 1986 fan club interview, Hill said: " 406:
Lea also revealed in a 1976 fan club interview: "We just got a terrific buzz when we were working on the album. We were more relaxed than we've ever been, more willing and able to be more experimental in the studios, and we took it easy and relaxed. Certainly we felt we had a good product in the
570:". The case was settled out of court with the band giving them 50% in songwriting royalties, though Lea maintained their song was one he had "never heard before or since". "Pack Up Your Troubles" is an acoustic-based country number with a "camp-fire feel". The song features Paul Prestotino on 319:. However, in other areas, the band's anthemic, audience participation-dominated act was less enthusiastically received. By 1975, the band began feeling stale and felt they had achieved as much success in the UK and Europe that they could. Slade and their manager 390:. We used some coloured chicks for back-up vocals and I really enjoyed working with them, it was something different for us, and at the same time it gave our sound a lot of body! Those girls have great voices. We enjoyed doing all sorts of sounds, like 558:
as a "foot-stomping rocker with a little funkiness thrown in for good measure." The song opens with the shout of the word "boogie", which was provided by one of the band's American roadies. The band held an audition to see who could shout it the best.
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six tours of Europe, two tours of Australia, two of Japan, visited the USA a few times, made a film... you can understand why we felt more than a little jaded. We reckoned that we needed to undertake a fresh challenge to regain that old spark."
562:"Let's Call It Quits" has been described as having a "bluesy pay-off" and "slinky rock groove" by Chris Ingham in the liner notes of the 2007 remaster of the album. After it became a UK hit, the band had a court case taken against them by 415:
The band decided to name the album after the title track, "Nobody's Fool". The band were originally unsure of what to call the album, but when listening to the title track one day, they decided to add an 's' to 'Fool'.
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no especial favourite track on the album – I love them all. I'm sure you will see quite an American influence on a lot of the tracks and we believe the hard work we put in, in America had paid dividends."
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described the band as adopting a "laid back stance" on the album, noting that "rock is still around in abundance but, equally present, are pop subtleties and a couple of genuine mellow moments".
2477: 307:. During the period of 1972–73, the band began touring there as a step towards trying to crack the market. A number of American cities took positively to Slade, including 293:"We're really proud of the album. We think it's our best, but we always say that every time we bring another one out. However, there is something special about this one." 475: 2358: 1025: 365:
The album has been noted for still standing up today as a "varied and highly entertaining listen" and the band themselves remain proud of the album. Both drummer
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wrote: "...superficially the music here is of reasonable standard, there's not a lot of depth. Really the album is just a collection of hooky little singles."
582:"Get on Up" is one of the more rock-based tracks on the album. It became part of Slade's live set, with a live recording appearing on their 1978 live album 2554: 541:
said that "many of the numbers on this record are loaded with Dobros, mandos, and female background vocals." The song features a strong influence from
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has some really great songs on it, but all things considered it was the band's worst album at that point. Basically misguided from the get-go,
567: 2099: 474: 466: 2442: 354:" also peaked at No. 11 after its release in January 1976. The album was released in March and reached No. 14. A third and final single, " 327:
In Spring 1975, Slade relocated to New York City and throughout the year, the band toured constantly, often on packages with the likes of
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guitar. "In For a Penny" is the only Slade track to feature accordion and has the longest Dave Hill guitar solo used on a Slade single.
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felt the album "offer a lot of variety" with notable "arrangements", the use of female "backup vocals" and "lots of pace".
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was also hired to provide backing vocalsβ€”the first Slade album to feature female backing. British fans accused the band of
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Musically, the album showed the band dropping their "loud" and "rocky" type songs, as they moved towards a more "American"
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Slade's first single not to chart in the UK Top 50 since their rise to fame in the early 1970s, "Nobody's Fool" features
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described it as a "cracking album", showing Slade having "matured" and "playing better than ever". American magazine
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Slade's last top 20 hit in the UK until 1981, "Let's Call It Quits" was described as having a "slinky rock groove".
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considered the album "worth exploring", describing it as "surprisingly slick-sounding". Colin Harper of
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was a bit different, wasn't it? That was recorded in America, but it didn't happen over there."
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is constantly trying to free itself from the oppressive production and arrangements." In 2010,
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Since their rise to fame in 1971, Slade had failed to achieve a major breakthrough in the
116: 104: 253:. It was released in March 1976 and reached No. 14 in the UK. The album was produced by 2614: 2512: 2407: 2365: 2309: 2225: 2027: 1992: 1901: 1755: 900: 347: 279: 194: 177: 1624: 2693: 2533: 2386: 2260: 2166: 2035: 1250: 1113: 760: 746: 391: 336: 320: 316: 304: 254: 121: 527:
presents a different musical direction. Described as having a "California" sound by
2421: 2051: 1976: 1853: 1799: 1688: 1194: 1119: 1082: 816: 503: 350:", was released in November 1975 and reached No. 11 in the UK. The second single, " 312: 269: 99: 1348:"Slade – Nobody's Fool / When The Chips Are Down – Warner Bros. – USA – WBS 8185" 494: 473: 444: 2648: 2498: 2435: 273: 71: 1794: 1100: 772: 684: 542: 534: 515: 399: 395: 387: 366: 261: 246: 457: 328: 265: 76: 806:
concluded the album was "engagingly eclectic, if not quite truly classic."
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Corky Stasiak, Denis Ferranti, Gabby Gabriel, Gess Young – engineers
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Speaking of the musical influences on the album, Holder revealed:
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Slade International Fan Club newsletter March – April – May 1986
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album to make a UK chart appearance until the 1980 compilation
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making, so it seemed right to put everything we had into it."
1039:"Raining in My Champagne" (B-side of "Thanks for the Memory") 1576:
Cash Box newspaper – 20 March 1976 – Album Reviews – page 20
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Nobody's Fools – Salvo 2007 remaster booklet liner notes
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As a result of their experiences in the United States,
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Slade Fan Club Newsletter of April, May and June 1976
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Retrieved 22 September 2023. 1658:"Swedishcharts.com – Slade – Nobody's Fools" 1625:"Nobody's Fools – Record Collector Magazine" 1427: 1425: 1423: 1421: 1419: 1316: 1314: 1312: 1281:"1976 – Slade Fan Club www.sladefanclub.com" 714: 1770: 1756: 1748: 1719:"Official Independent Albums Chart Top 50" 1586: 1584: 1582: 1474: 1472: 1470: 1439: 1437: 1206: 1145: 603: 29: 20: 245:is the sixth studio album by the British 1703:"Official Scottish Albums Chart Top 100" 1001: 913: 824: 566:, who felt the song was similar to his " 2148:Cum On Feel the Hitz: The Best of Slade 1648:Record Mirror magazine 21 February 1976 1272: 1400:. Crazeeworld.plus.com. Archived from 568:Play Something Sweet (Brickyard Blues) 513: 456:and the only Slade song to feature an 1627:. Recordcollectormag.com. 26 May 2011 609: 7: 2084:Get Yer Boots On: The Best of Slade 1934:Keep Your Hands Off My Power Supply 1592:"3898027_orig.JPG (797x800 pixels)" 1480:"2589224_orig.JPG (819x800 pixels)" 1445:"9012168_orig.JPG (803x800 pixels)" 1370:"1983505_orig.JPG (535x800 pixels)" 630: 2401:My Baby Left Me - That's All Right 2060:The Slade Collection Vol. 2, 79–87 514:Problems playing these files? See 14: 2124:In for a Penny: Raves & Faves 2100:Slade Alive! – The Live Anthology 1509:Holder, Noddy (April–June 1976). 716: 2715:Albums produced by Chas Chandler 2655:A Day in the Life of the Dummies 2485:(And Now the Waltz) C'est La Vie 2140:Merry Xmas Everybody: Party Hits 1003:2007 Salvo remaster bonus tracks 735: 730: 725: 720: 715: 649: 644: 639: 634: 629: 492: 471: 442: 2644:List of songs recorded by Slade 1676:. Retrieved 22 September 2023. 1670:"Official Albums Chart Top 100" 2076:Feel the Noize – Greatest Hits 1741:. Retrieved October 30, 2023. 1725:. Retrieved October 30, 2023. 1709:. Retrieved October 30, 2023. 1334:Chartwatch magazine (Issue 35) 1125:Paul Prestotino – dobro guitar 1008: 920: 831: 18:1976 studio album by Slade 1: 1926:The Amazing Kamikaze Syndrome 1524:– via sladefanclub.com. 1131:Ian A. Walker – art direction 1091:– lead guitar, backing vocals 1259: 1244: 1229: 1186: 1171: 1085:– lead vocals, rhythm guitar 2555:That's What Friends Are For 2394:Burning in the Heat of Love 2175:When Slade Rocked the World 554:The Dirty" is described by 2731: 2541:Do You Believe in Miracles 2443:We'll Bring the House Down 2044:The Slade Collection 81–87 1910:We'll Bring the House Down 1894:Whatever Happened to Slade 1398:"SLADE @ www.slayed.co.uk" 1251:UK Rock & Metal Albums 991:"All the World Is a Stage" 958:"Did Ya Mama Ever Tell Ya" 815:All tracks are written by 346:The album's lead single, " 200:Released: 14 November 1975 160:Whatever Happened to Slade 2527:Myzsterious Mizster Jones 1870:Old New Borrowed and Blue 1785: 1249: 1234: 1219: 1212: 1209: 1191: 1176: 1164: 1157: 1154: 1057: 1046: 1035: 1028:" (1975 non-album single) 1020: 1012: 987: 976: 965: 954: 943: 932: 924: 895: 884: 869: 858: 843: 835: 617: 614: 234: 213:Released: 30 January 1976 187: 172: 135: 28: 2450:Wheels Ain't Coming Down 2282:Mama Weer All Crazee Now 2254:Get Down and Get with It 1544:"Nobody's Fools – Slade" 788:retrospectively noted: " 2679:(James Whild Lea album) 2562:You Boyz Make Big Noize 2331:When the Lights Are Out 2240:Shape of Things to Come 1958:You Boyz Make Big Noize 1739:Official Charts Company 1723:Official Charts Company 1707:Official Charts Company 1686:"151–200 Album Chart". 1674:Official Charts Company 1596:sladefanclub.weebly.com 1484:sladefanclub.weebly.com 1449:sladefanclub.weebly.com 1350:. 45cat. 7 January 2013 888:"Pack Up Your Troubles" 2710:Polydor Records albums 2464:Lock Up Your Daughters 2457:Knuckle Sandwich Nancy 2233:Wild Winds Are Blowing 2092:The Very Best of Slade 1147:Chart performance for 1097:– bass, backing vocals 431: 404: 295: 226:Released: 9 April 1976 2303:Skweeze Me, Pleeze Me 2296:Cum On Feel the Noize 1849:(Ambrose Slade, 1969) 1236:UK Independent Albums 1026:Thanks for the Memory 467:"Let's Call It Quits" 430: 2506:Slam the Hammer Down 2415:Rock 'n' Roll Bolero 2317:Merry Xmas Everybody 2068:The Genesis of Slade 1918:Till Deaf Do Us Part 1198:151–200 Album Chart 1108:Additional personnel 605:Professional ratings 2590:Radio Wall of Sound 2373:Let's Call It Quits 2228:" (The N' Betweens) 1985:Slade Alive, Vol. 2 1151: 1004: 916: 875:Let's Call It Quits 827: 767:New Musical Express 697:New Musical Express 606: 585:Slade Alive, Vol. 2 352:Let's Call It Quits 208:Let's Call It Quits 1283:. 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862:"Do the Dirty" 860: 856: 855: 852: 845: 841: 840: 837: 834: 813: 811: 808: 794:Nobody's Fools 790:Nobody's Fools 758:Upon release, 754: 753: 750: 742: 741: 712: 704: 703: 700: 692: 691: 688: 680: 679: 676: 668: 667: 664: 656: 655: 626: 620: 619: 616: 612: 611: 601: 598: 579: 576: 550: 547: 525:Nobody's Fools 511: 501: 491: 486: 485: 480: 470: 465: 464: 451: 441: 436: 435: 434: 425: 424: 423: 421: 418: 412: 409: 375: 372: 360:Nobody's Fools 348:In for a Penny 341:Nobody's Fools 290: 288: 285: 280:Slade Smashes! 242:Nobody's Fools 236: 235: 232: 231: 229: 228: 215: 202: 195:In For a Penny 188: 185: 184: 174: 173: 170: 169: 166: 165: 156: 151:Nobody's Fools 147: 142:Slade in Flame 133: 132: 125: 124: 119: 113: 112: 102: 96: 95: 84: 80: 79: 74: 68: 67: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 24:Nobody's Fools 17: 13: 10: 9: 6: 4: 3: 2: 2727: 2716: 2713: 2711: 2708: 2706: 2703: 2701: 2698: 2697: 2695: 2680: 2678: 2674: 2672: 2670: 2666: 2663: 2659: 2657: 2656: 2652: 2650: 2647: 2645: 2642: 2640: 2637: 2636: 2634: 2630: 2624: 2623: 2619: 2617: 2616: 2612: 2611: 2609: 2605: 2598: 2594: 2591: 2587: 2584: 2580: 2577: 2573: 2570: 2566: 2563: 2559: 2556: 2552: 2549: 2545: 2542: 2538: 2535: 2534:Little Sheila 2531: 2528: 2524: 2521: 2517: 2514: 2510: 2507: 2503: 2500: 2496: 2493: 2489: 2486: 2482: 2479: 2475: 2472: 2468: 2465: 2461: 2458: 2454: 2451: 2447: 2444: 2440: 2437: 2433: 2430: 2426: 2423: 2419: 2416: 2412: 2409: 2405: 2402: 2398: 2395: 2391: 2388: 2387:Gypsy Roadhog 2384: 2381: 2380:Nobody's Fool 2377: 2374: 2370: 2367: 2363: 2360: 2356: 2353: 2349: 2346: 2342: 2339: 2335: 2332: 2328: 2325: 2321: 2318: 2314: 2311: 2307: 2304: 2300: 2297: 2293: 2290: 2289:Gudbuy T'Jane 2286: 2283: 2279: 2276: 2272: 2269: 2265: 2262: 2261:Coz I Luv You 2258: 2255: 2251: 2248: 2244: 2241: 2237: 2234: 2230: 2227: 2223: 2222: 2220: 2216: 2210: 2209: 2205: 2203: 2202: 2198: 2196: 2195: 2191: 2190: 2188: 2184: 2177: 2176: 2172: 2169: 2168: 2167:The Slade Box 2164: 2163: 2161: 2157: 2150: 2149: 2145: 2142: 2141: 2137: 2134: 2133: 2129: 2126: 2125: 2121: 2118: 2117: 2113: 2110: 2109: 2105: 2102: 2101: 2097: 2094: 2093: 2089: 2086: 2085: 2081: 2078: 2077: 2073: 2070: 2069: 2065: 2062: 2061: 2057: 2054: 2053: 2049: 2046: 2045: 2041: 2038: 2037: 2036:Slades Greats 2033: 2030: 2029: 2025: 2022: 2021: 2017: 2014: 2013: 2012:Coz I Luv You 2009: 2008: 2006: 2002: 1995: 1994: 1990: 1987: 1986: 1982: 1979: 1978: 1974: 1973: 1971: 1967: 1960: 1959: 1955: 1952: 1951: 1947: 1944: 1943: 1939: 1936: 1935: 1931: 1928: 1927: 1923: 1920: 1919: 1915: 1912: 1911: 1907: 1904: 1903: 1899: 1896: 1895: 1891: 1888: 1887: 1883: 1880: 1879: 1875: 1872: 1871: 1867: 1864: 1863: 1859: 1856: 1855: 1851: 1848: 1847: 1843: 1842: 1840: 1838:Studio albums 1836: 1829: 1826: 1823: 1820: 1817: 1815:Steve Whalley 1814: 1812:Russell Keefe 1811: 1808: 1806: 1803: 1801: 1798: 1796: 1793: 1791: 1788: 1787: 1784: 1780: 1773: 1768: 1766: 1761: 1759: 1754: 1753: 1750: 1740: 1736: 1731: 1728: 1724: 1720: 1715: 1712: 1708: 1704: 1699: 1696: 1691: 1690: 1682: 1679: 1675: 1671: 1666: 1663: 1659: 1654: 1651: 1645: 1643: 1639: 1626: 1620: 1618: 1614: 1601: 1597: 1593: 1587: 1585: 1583: 1579: 1573: 1571: 1567: 1561: 1558: 1545: 1538: 1536: 1534: 1532: 1528: 1516: 1512: 1505: 1502: 1489: 1485: 1481: 1475: 1473: 1471: 1467: 1454: 1450: 1446: 1440: 1438: 1434: 1428: 1426: 1424: 1422: 1420: 1416: 1403: 1399: 1392: 1389: 1383: 1380: 1375: 1371: 1365: 1362: 1349: 1343: 1340: 1335: 1329: 1326: 1322: 1317: 1315: 1313: 1309: 1303: 1301: 1299: 1295: 1282: 1276: 1273: 1266: 1256: 1252: 1248: 1241: 1237: 1233: 1226: 1222: 1218: 1210:Chart (2023) 1208: 1200: 1197: 1196: 1190: 1183: 1179: 1175: 1168: 1163: 1155:Chart (1976) 1153: 1150: 1141: 1137:– photography 1136: 1133: 1130: 1127: 1124: 1121: 1118: 1115: 1114:Chas Chandler 1112: 1111: 1107: 1106: 1102: 1099: 1096: 1093: 1090: 1087: 1084: 1081: 1080: 1076: 1075: 1071: 1063: 1060: 1056: 1052: 1049: 1045: 1041: 1038: 1034: 1030: 1027: 1023: 1019: 1006: 993: 990: 986: 982: 979: 975: 971: 968: 964: 960: 957: 953: 949: 946: 942: 938: 935: 931: 918: 905: 902: 898: 894: 890: 887: 883: 879: 876: 872: 868: 864: 861: 857: 853: 850: 849:Nobody's Fool 846: 842: 829: 823: 822: 818: 810:Track listing 809: 807: 805: 804: 799: 795: 791: 787: 783: 781: 780: 775: 774: 769: 768: 763: 762: 761:Record Mirror 751: 749: 748: 747:Record Mirror 744: 743: 713: 711: 710: 706: 705: 701: 699: 698: 694: 693: 689: 687: 686: 682: 681: 677: 675: 674: 670: 669: 665: 663: 662: 658: 657: 627: 625: 622: 621: 613: 610:Review scores 608: 599: 597: 594: 589: 587: 586: 577: 575: 573: 569: 565: 560: 557: 548: 546: 544: 540: 536: 532: 531: 526: 519: 517: 505: 489: 468: 459: 455: 439: 419: 417: 410: 408: 403: 401: 397: 393: 389: 383: 380: 373: 371: 368: 363: 361: 357: 356:Nobody's Fool 353: 349: 344: 342: 338: 337:Black Sabbath 334: 330: 325: 322: 321:Chas Chandler 318: 317:New York City 314: 310: 306: 305:United States 300: 294: 286: 284: 282: 281: 275: 271: 267: 263: 258: 256: 255:Chas Chandler 252: 248: 244: 243: 233: 222: 221:Nobody's Fool 216: 209: 203: 196: 190: 189: 186: 183: 179: 175: 171: 162: 161: 157: 153: 152: 148: 144: 143: 139: 138: 134: 130: 126: 123: 122:Chas Chandler 120: 118: 114: 110: 106: 103: 101: 97: 85: 81: 78: 75: 73: 69: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 2700:Slade albums 2676: 2668: 2653: 2622:Wall of Hits 2620: 2613: 2520:7 Year Bitch 2422:Ginny, Ginny 2345:Far Far Away 2206: 2199: 2192: 2173: 2165: 2146: 2138: 2130: 2122: 2114: 2106: 2098: 2090: 2082: 2074: 2066: 2058: 2052:Wall of Hits 2050: 2042: 2034: 2026: 2018: 2010: 2004:Compilations 1991: 1983: 1977:Slade Alive! 1975: 1956: 1948: 1940: 1932: 1924: 1916: 1908: 1900: 1892: 1885: 1884: 1876: 1868: 1860: 1854:Play It Loud 1852: 1844: 1821:Craig Fenney 1800:Noddy Holder 1730: 1714: 1698: 1689:Record World 1687: 1681: 1665: 1653: 1629:. Retrieved 1604:. Retrieved 1600:the original 1595: 1560: 1548:. Retrieved 1518:. Retrieved 1514: 1504: 1492:. Retrieved 1488:the original 1483: 1457:. Retrieved 1453:the original 1448: 1406:. Retrieved 1402:the original 1391: 1382: 1374:the original 1364: 1352:. Retrieved 1342: 1333: 1328: 1320: 1285:. Retrieved 1275: 1195:Record World 1193: 1148: 1120:Tasha Thomas 1083:Noddy Holder 817:Noddy Holder 814: 801: 798:Classic Rock 797: 793: 789: 784: 777: 771: 765: 759: 757: 745: 707: 695: 683: 673:Classic Rock 671: 659: 592: 590: 583: 581: 561: 555: 552: 538: 528: 524: 522: 504:Tasha Thomas 414: 405: 385: 381: 377: 364: 359: 345: 340: 326: 313:Philadelphia 302: 296: 292: 278: 270:Tasha Thomas 259: 241: 240: 239: 181: 158: 150: 149: 140: 109:Warner Bros. 54:5 March 1976 39:Studio album 15: 2705:1976 albums 2649:The Dummies 2639:Discography 2499:Run Runaway 1969:Live albums 1830:Mal McNulty 1827:Dave Glover 1818:Steve Makin 947:"L.A. Jinx" 936:"Get on Up" 274:selling out 2694:Categories 2436:Okey Cokey 1846:Beginnings 1809:John Berry 1795:Don Powell 1631:18 October 1606:3 February 1550:18 October 1546:. AllMusic 1494:3 February 1459:3 February 1408:18 October 1354:18 October 1287:18 October 1267:References 1116:– producer 1101:Don Powell 773:Music Week 685:Music Week 666:favourable 543:soul music 535:The Eagles 516:media help 367:Don Powell 287:Background 131:chronology 1790:Dave Hill 1215:position 1178:UK Albums 1160:position 1089:Dave Hill 1072:Personnel 458:accordion 374:Recording 329:Aerosmith 77:Glam rock 2597:Universe 2492:My Oh My 2471:Ruby Red 2324:Everyday 2159:Box sets 1950:Crackers 1515:Slademag 915:Side two 826:Side one 786:AllMusic 779:Cash Box 752:positive 690:positive 678:positive 661:Cash Box 624:AllMusic 593:AllMusic 578:Side two 556:AllMusic 549:Side one 539:AllMusic 530:AllMusic 309:St Louis 117:Producer 66:New York 62:Mid-1975 59:Recorded 51:Released 41: by 2677:Therapy 2218:Singles 2116:Rockers 2108:B-Sides 2020:Sladest 1862:Slayed? 1805:Jim Lea 1103:– drums 1095:Jim Lea 821:Jim Lea 392:country 268:sound. 178:Singles 164:(1977) 155:(1976) 146:(1974) 105:Polydor 2178:(2015) 2170:(2006) 2151:(2020) 2143:(2009) 2135:(2009) 2127:(2007) 2119:(2007) 2111:(2007) 2103:(2006) 2095:(2005) 2087:(2004) 2079:(1997) 2071:(1996) 2063:(1993) 2055:(1991) 2047:(1991) 2039:(1984) 2031:(1980) 2023:(1973) 2015:(1972) 1996:(1982) 1988:(1978) 1980:(1972) 1961:(1987) 1953:(1985) 1945:(1985) 1937:(1984) 1929:(1983) 1921:(1981) 1913:(1981) 1905:(1979) 1897:(1977) 1889:(1976) 1881:(1974) 1873:(1974) 1865:(1972) 1857:(1970) 1520:27 May 1142:Charts 1016:Length 928:Length 839:Length 618:Rating 615:Source 454:ballad 333:ZZ Top 249:group 107:(UK), 83:Length 2607:Video 1779:Slade 1077:Slade 1013:Title 925:Title 836:Title 702:mixed 572:Dobro 420:Music 411:Title 251:Slade 180:from 129:Slade 100:Label 72:Genre 44:Slade 1633:2017 1608:2022 1552:2017 1522:2023 1496:2022 1461:2022 1410:2017 1356:2017 1289:2017 1213:Peak 1201:178 1158:Peak 1064:4:15 1053:3:32 1042:4:12 1031:4:34 994:3:57 983:3:18 972:3:06 961:3:06 950:3:58 939:3:26 906:3:35 891:3:25 880:3:30 865:4:42 854:4:40 819:and 400:rock 396:funk 388:soul 335:and 315:and 262:soul 247:rock 111:(US) 1255:OCC 1245:16 1240:OCC 1230:33 1225:OCC 1192:US 1187:14 1182:OCC 1172:14 1058:15. 1047:14. 1036:13. 1021:12. 1009:No. 988:11. 977:10. 921:No. 832:No. 266:pop 2696:: 1737:. 1721:. 1705:. 1672:. 1641:^ 1616:^ 1594:. 1581:^ 1569:^ 1530:^ 1513:. 1482:. 1469:^ 1447:. 1436:^ 1418:^ 1311:^ 1297:^ 1260:9 1257:) 1242:) 1227:) 1184:) 1169:) 966:9. 955:8. 944:7. 933:6. 896:5. 885:4. 870:3. 859:2. 844:1. 398:, 394:, 331:, 311:, 283:. 257:. 92:03 88:42 2664:" 2660:" 2599:" 2595:" 2592:" 2588:" 2585:" 2581:" 2578:" 2574:" 2571:" 2567:" 2564:" 2560:" 2557:" 2553:" 2550:" 2546:" 2543:" 2539:" 2536:" 2532:" 2529:" 2525:" 2522:" 2518:" 2515:" 2511:" 2508:" 2504:" 2501:" 2497:" 2494:" 2490:" 2487:" 2483:" 2480:" 2476:" 2473:" 2469:" 2466:" 2462:" 2459:" 2455:" 2452:" 2448:" 2445:" 2441:" 2438:" 2434:" 2431:" 2427:" 2424:" 2420:" 2417:" 2413:" 2410:" 2406:" 2403:" 2399:" 2396:" 2392:" 2389:" 2385:" 2382:" 2378:" 2375:" 2371:" 2368:" 2364:" 2361:" 2357:" 2354:" 2350:" 2347:" 2343:" 2340:" 2336:" 2333:" 2329:" 2326:" 2322:" 2319:" 2315:" 2312:" 2308:" 2305:" 2301:" 2298:" 2294:" 2291:" 2287:" 2284:" 2280:" 2277:" 2273:" 2270:" 2266:" 2263:" 2259:" 2256:" 2252:" 2249:" 2245:" 2242:" 2238:" 2235:" 2231:" 2224:" 1771:e 1764:t 1757:v 1635:. 1610:. 1554:. 1498:. 1463:. 1412:. 1358:. 1323:. 1291:. 1253:( 1238:( 1223:( 1180:( 1024:" 903:" 899:" 877:" 873:" 851:" 847:" 518:. 460:. 264:/ 223:" 219:" 210:" 206:" 197:" 193:" 90::

Index


Studio album
Slade
Genre
Glam rock
Label
Polydor
Warner Bros.
Producer
Chas Chandler
Slade
Slade in Flame
Whatever Happened to Slade
Singles
In For a Penny
Let's Call It Quits
Nobody's Fool
rock
Slade
Chas Chandler
soul
pop
Tasha Thomas
selling out
Slade Smashes!
United States
St Louis
Philadelphia
New York City
Chas Chandler

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