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elaborates: "You can be whoever you want to be. You can completely redefine yourself if you want. You don't have to worry about the slots other people put you in as much. They don't look at your body and make assumptions. They don't hear your accent and make assumptions. All they see are your words."
110:
since 1979, has said that although he did have an online account in 1993, he had felt no particular interest in the
Internet then. He drew the cartoon only in the manner of a "make-up-a-caption" item, to which he recalled attaching no "profound" meaning, seeing that it had received little attention
213:
will be liberatory because gender, race, age, looks, or even 'dogness' are potentially absent or alternatively fabricated or exaggerated with unchecked creative license for a multitude of purposes both legal and illegal", an understanding that echoed statements made in 1996 by
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of the computer, speaking to a smaller dog sitting on the floor nearby. Steiner had earned between $ 200,000 and $ 250,000 by 2013 from its reprinting, by which time it had become the cartoon most reproduced from
263:
by Alan David
Perkins. The play revolves around six individuals, unable to communicate effectively with people in their lives, who nonetheless find the courage to socialize anonymously on the Internet.
226:: representing oneself as of a different gender; age; race; social, cultural, or economic class, etc. In a similar sense, "the freedom which the dog chooses to avail itself of, is the freedom to '
209:
discusses this phenomenon, suggesting the ability to represent one's self behind the mask of a computer screen may be part of the compulsion to go online. The phrase may be taken "to mean that
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on
February 23, 2015, features a similar pair of dogs watching their owner sitting at a computer, with one asking the other, "Remember when, on the Internet, nobody knew who you were?"
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Once the exclusive domain of government engineers and academics, the
Internet was by then becoming a subject of discussion in such general interest magazines as
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in, for example, a university may require identity confirmation, it holds such information privately, without embedding it in external
Internet transactions.
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cartoon editor, "The cartoon resonated with our wariness about the facile façade that could be thrown up by anyone with a rudimentary knowledge of
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620:"'Nobody Knows You're a Dog': As iconic Internet cartoon turns 20, creator Peter Steiner knows the joke rings as relevant as ever"
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528:"Auctions: The Most Reprinted 'New Yorker' Cartoon Fetches $ 175,000 at Auction—the Highest Price Ever Paid for a Single Comic"
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115:" when his cartoon took on a life of its own, and he "can't quite fathom that it's that widely known and recognized".
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that implies the ability to send and receive messages—or to create and maintain a website—behind a mask of anonymity.
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magazine article in 1993 that "the true sign that popular interest has reached critical mass came this summer when
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The cartoon symbolizes the liberation of one's
Internet presence from popular prejudices. Sociologist
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It has become a frequently used refrain in discussions about the
Internet and as such has become an
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on July 5, 1993. The words are those of a large dog sitting on a chair at a desk, with a paw on the
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The cartoon has been printed on mugs and T-shirts, and even inspired a 1995 play.
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567:"Peter Steiner (American, b. 1940). On The Internet, Nobody Knows You're A Dog"
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Elmer-DeWitt, Philip; Jackson, David S. & King, Wendy (December 6, 1993).
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for $ 175,000, setting a record for the highest price ever paid for a comic.
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The New Yorker
Magazine; Malcolm Gladwell; et al. (October 30, 2012).
32:
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88:
65:
978:
535:
219:
112:
900:"The New Yorker - A cartoon by Kaamran Hafeez, from this week's..."
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Cyberpower: The
Culture and Politics of Cyberspace and the Internet
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Learning
Language and Culture Via Public Internet Discussion Forums
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Cloud as a Service: Understanding the Service Innovation Ecosystem
245:
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initially. He later stated that he felt as if he had created the "
53:
31:
167:
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Castro-Leon, Enrique; Harmon, Robert (December 22, 2016).
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require no user to confirm their own identity. Although a
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Cybertypes: Race, Ethnicity, and Identity on the Internet
1147:
Life on the Screen: Identity in the Age of the Internet
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printed a cartoon showing two computer-savvy canines".
118:
On October 6, 2023, the original artwork was sold at a
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205:A study by Morahan-Martin and Schumacher (2000) on
565:
1048:Multimedia and Hypertext: The Internet and Beyond
222:. The phrase also indicates the ease of computer
183:This was a view that Steiner says he shares.
8:
1259:Works originally published in The New Yorker
435:"Everybody Knows You're a Dog / Boing Boing"
378:"On the Internet, nobody knows you're a dog"
382:University of North Carolina at Chapel Hill
560:
558:
556:
338:
336:
334:
332:
50:On the Internet, nobody knows you're a dog
1018:. In Land, Ray & Bayne, Siân (eds.).
345:"Cartoon Captures Spirit of the Internet"
280:A cartoon by Kaamran Hafeez published in
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786:
521:
519:
517:
515:
492:
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186:The cartoon conveys an understanding of
122:sale of illustration art for $ 175,000.
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909:from the original on September 20, 2016
721:Taylor, Maxwell; Quayle, Ethel (2003).
328:
27:Adage and meme about internet anonymity
1078:. New York: Routledge. 35 pages.
343:Fleishman, Glenn (December 14, 2000).
207:compulsive or troublesome Internet use
842:from the original on October 21, 2008
475:from the original on October 22, 2008
463:Fleishman, Glenn (October 29, 1998).
194:suggests that "no one knows" because
7:
931:Cultural Sutures: Medicine and Media
723:Child Pornography: An Internet Crime
651:Hanna, B.; Nooy, Juliana De (2009).
138:founder and early Internet activist
898:Vidani, Peter (February 23, 2015).
879:from the original on April 19, 2012
632:from the original on 30 August 2016
526:Berlinger, Max (October 22, 2023).
465:"New Yorker Cartoons to Go on Line"
828:Singel, Ryan (September 6, 2007).
753:(1999). "The Virtual Individual".
25:
952:from the original on 29 June 2019
230:' as part of a privileged group;
218:, a key figure in the history of
39:'s 1993 cartoon, as published in
1196:
1184:
1117:Living the Good Life With Autism
618:Cavna, Michael (July 31, 2013).
1096:The Big New Yorker Book of Dogs
861:Ticktin, Neil (February 1996).
445:from the original on 2019-03-28
1014:Jones, Christopher R. (2004).
504:. January 2011. Archived from
376:Aikat, Debashis "Deb" (1993).
277:,was named after this cartoon.
259:The cartoon inspired the play
238:with access to the Internet".
64:which began as a caption to a
18:Nobody knows you're a dog
1:
928:Friedman, Lester D. (2004).
587:"First Nation in Cyberspace"
254:photo of a dog at a computer
87:. The original was sold at
1244:Individual printed cartoons
1122:Jessica Kingsley Publishers
1099:. Random House Publishing.
1016:"Nobody knows you're a dog"
310:Animal–computer interaction
1275:
498:"Brown's Guide to Georgia"
1254:Internet memes about dogs
1114:Schneider, Edgar (2003).
799:. Malden, Massachusetts:
411:. EURSOC. Archived from
1239:Dogs in popular culture
1234:Animals on the Internet
1143:Turkle, Sherry (1997).
1074:Nakamura, Lisa (2002).
1045:Nielsen, Jakob (1995).
1020:Education in Cyberspace
917:– via tumblr.com.
796:Reading Digital Culture
409:"New Privacy Concerns"
261:Nobody Knows I'm a Dog
255:
45:
936:Duke University Press
793:Trend, David (2001).
249:
35:
1153:Simon & Schuster
801:Blackwell Publishing
357:on December 29, 2017
599:on February 5, 2009
441:. 17 October 2013.
415:on January 26, 2009
407:EURSOC Two (2007).
388:on October 29, 2005
106:and contributor to
574:. October 6, 2023.
469:The New York Times
350:The New York Times
256:
242:In popular culture
200:local access point
196:Internet protocols
62:Internet anonymity
46:
1066:978-0-12-518408-3
694:Code: Version 2.0
572:Heritage Auctions
120:Heritage Auctions
16:(Redirected from
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150:The New Yorker
136:Lotus Software
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1151:. New York:
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883:September 3,
881:. Retrieved
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693:
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597:the original
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538:, artnet.com
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506:the original
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477:. Retrieved
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417:. Retrieved
413:the original
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390:. Retrieved
386:the original
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359:. Retrieved
355:the original
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252:US Air Force
231:
216:John Gilmore
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174:Implications
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803:. pp.
751:Jordan, Tim
698:Basic Books
542:October 24,
419:January 26,
392:February 8,
157:Bob Mankoff
140:Mitch Kapor
113:smiley face
1224:1993 works
1213:Categories
1120:. London:
945:0822332949
846:October 2,
765:. p.
532:artnetnews
479:October 2,
449:2019-03-28
361:October 1,
323:References
291:, perhaps
275:Apple Inc.
211:cyberspace
104:cartoonist
1024:Routledge
763:Routledge
636:6 January
603:March 21,
68:drawn by
1191:Internet
950:Archived
913:July 29,
907:Archived
877:Archived
840:Archived
692:(2006).
659:Springer
630:Archived
473:Archived
443:Archived
304:See also
267:Cyberdog
234:, human
80:keyboard
52:" is an
1203:Society
1177:Portals
868:MacTech
159:, then
126:Context
95:History
89:auction
66:cartoon
1229:Adages
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1103:
1082:
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994:4 June
985:
979:Apress
956:4 June
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674:4 June
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536:Artnet
293:iconic
220:Usenet
164:'s
60:about
875:(2).
835:Wired
805:226–7
269:, an
250:2014
54:adage
1161:ISBN
1130:ISBN
1101:ISBN
1080:ISBN
1061:ISBN
1032:ISBN
996:2017
983:ISBN
958:2017
940:ISBN
915:2016
885:2011
848:2007
809:ISBN
771:ISBN
731:ISBN
702:ISBN
676:2017
663:ISBN
638:2015
605:2009
592:Time
544:2023
481:2007
421:2009
394:2019
363:2007
232:i.e.
228:pass
168:html
145:Time
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