Knowledge (XXG)

Notehead

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39: 63: 82: 55: 870: 31: 860: 47: 190:, scribes began to write the notes of the Franconian and Ars Nova style with open noteheads. During the Renaissance, composers added shorter note durations that used filled-in noteheads. Near the end of the 16th century, the square or diamond-shaped notes changed to the round noteheads that are used today. 179:(“The Art of Measurable Music”), circa 1280. In this system, the relative duration of notes was indicated by the note shapes. The noteheads were rectangles, squares, or diamonds depending on the note length. This system was expanded during the 70: 165:, the position of a notehead indicates the relative pitch of a note. The development of different colors of noteheads, and the use of it to indicate rhythmic values, was the use of white 129:
can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead. An "x" shaped notehead may be used to indicate percussion, percussive effects (
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Left: breve in modern notation. Centre: breve in mensural notation used in some modern scores as well. Right: less common stylistic variant of the first form.
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Burkholder, J.P., Grout, D.J., & Palisca, C.V. (2006). A history of western music 7th ed.. New York, NY: W.W Norton & Company.
273: 769: 161:. The punctum, seen at right, is the simplest of the shapes and most clearly anticipates the modern notehead. When placed on a 296: 117:, the notehead, shaped differently than shorter notes, is the only component of the note. Shorter note values attach a 804: 668: 175:, ancient composer and music theorist, codified a system of rhythm notation. He explained this system in his work, 894: 873: 764: 739: 530: 289: 774: 724: 613: 520: 85:
Natural harmonics on the cello notated first as sounded (more common), then as fingered (easier to sightread).
863: 734: 38: 413: 845: 709: 408: 540: 338: 779: 759: 138: 431: 825: 573: 269: 249: 224: 172: 166: 126: 784: 588: 563: 515: 388: 312: 106: 678: 673: 558: 525: 441: 158: 62: 109:. Noteheads may be the same shape but colored completely black or white, indicating the 81: 42:
Noteheads of quarter (and all further subdivisions), half, whole, and double whole notes
835: 809: 548: 403: 242: 54: 888: 840: 699: 618: 490: 446: 383: 363: 320: 102: 98: 133:), or speaking. A square, diamond, or box shaped notehead may be used to indicate a 754: 744: 719: 630: 593: 495: 483: 473: 436: 423: 373: 122: 118: 94: 830: 704: 683: 660: 645: 458: 393: 368: 343: 187: 729: 603: 468: 463: 204: 199: 142: 130: 114: 110: 30: 799: 789: 749: 714: 598: 358: 46: 650: 635: 453: 180: 134: 17: 625: 608: 583: 568: 553: 510: 353: 640: 578: 505: 333: 328: 281: 794: 500: 398: 378: 154: 80: 61: 53: 45: 37: 29: 348: 162: 285: 244:
Mensuration and Proportion Signs: Origins and Evolution
97:, usually elliptical in shape, whose placement on the 818: 692: 659: 539: 422: 319: 241: 105:, to which modifications are made that indicate 297: 141:. A small notehead can be used to indicate a 8: 58:Regular, cross, square, and small noteheads 859: 304: 290: 282: 216: 226:Essential Dictionary of Music Notation 153:Noteheads ultimately derive from the 7: 248:. Oxford: Oxford University Press. 25: 240:Busse Berger, Anna Maria (1993). 869: 868: 858: 113:(i.e., rhythmic duration). In a 223:Gerou, Tom & Lusk, Linda: 121:to the notehead, and possibly 1: 669:History of music publishing 230:Alfred Music, 1996, p. 210. 911: 874:Category:Musical notation 854: 740:Numbered musical notation 531:Scientific pitch notation 66:Ride pattern on a cymbal 27:Elliptical part of a note 521:Helmholtz pitch notation 864:List of musical symbols 735:Nashville Number System 177:Ars Cantus Mensurabilis 169:, adopted around 1450. 414:Transposing instrument 86: 78: 59: 51: 43: 35: 125:or flags. The longer 84: 65: 57: 49: 41: 33: 760:Percussion notation 186:Shortly before the 139:artificial harmonic 87: 79: 60: 52: 44: 36: 882: 881: 826:Mensural notation 255:978-0-19-816230-8 173:Franco of Cologne 167:mensural notation 127:double whole note 93:is the part of a 34:Parts of the note 16:(Redirected from 902: 895:Musical notation 872: 871: 862: 861: 725:Graphic notation 389:Rehearsal letter 313:Musical notation 306: 299: 292: 283: 276: 266: 260: 259: 247: 237: 231: 221: 77: 76: 75: 73: 21: 910: 909: 905: 904: 903: 901: 900: 899: 885: 884: 883: 878: 850: 814: 688: 679:Music publisher 674:Music engraving 655: 535: 526:Letter notation 418: 315: 310: 280: 279: 267: 263: 256: 239: 238: 234: 222: 218: 213: 196: 159:Gregorian chant 157:used to notate 151: 71: 69: 68: 67: 28: 23: 22: 15: 12: 11: 5: 908: 906: 898: 897: 887: 886: 880: 879: 877: 876: 866: 855: 852: 851: 849: 848: 843: 838: 833: 828: 822: 820: 816: 815: 813: 812: 807: 802: 797: 792: 787: 782: 777: 772: 767: 762: 757: 752: 747: 742: 737: 732: 727: 722: 717: 712: 707: 702: 696: 694: 690: 689: 687: 686: 681: 676: 671: 665: 663: 657: 656: 654: 653: 648: 643: 638: 633: 628: 623: 622: 621: 616: 611: 606: 601: 596: 586: 581: 576: 571: 566: 561: 556: 551: 545: 543: 537: 536: 534: 533: 528: 523: 518: 513: 508: 503: 498: 493: 488: 487: 486: 481: 476: 466: 461: 456: 451: 450: 449: 444: 439: 428: 426: 420: 419: 417: 416: 411: 406: 404:Time signature 401: 396: 391: 386: 381: 376: 371: 366: 361: 356: 351: 346: 341: 336: 331: 325: 323: 317: 316: 311: 309: 308: 301: 294: 286: 278: 277: 261: 254: 232: 215: 214: 212: 209: 208: 207: 202: 195: 192: 150: 147: 101:indicates the 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 907: 896: 893: 892: 890: 875: 867: 865: 857: 856: 853: 847: 846:Transcription 844: 842: 841:Sight-reading 839: 837: 836:Perfect pitch 834: 832: 829: 827: 824: 823: 821: 817: 811: 808: 806: 803: 801: 798: 796: 793: 791: 788: 786: 783: 781: 778: 776: 773: 771: 770:Ancient Greek 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 710:Chord diagram 708: 706: 703: 701: 700:Braille music 698: 697: 695: 693:Other systems 691: 685: 682: 680: 677: 675: 672: 670: 667: 666: 664: 662: 658: 652: 649: 647: 644: 642: 639: 637: 634: 632: 629: 627: 624: 620: 617: 615: 612: 610: 607: 605: 602: 600: 597: 595: 592: 591: 590: 587: 585: 582: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 555: 552: 550: 547: 546: 544: 542: 538: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 507: 504: 502: 499: 497: 494: 492: 489: 485: 482: 480: 477: 475: 472: 471: 470: 467: 465: 462: 460: 457: 455: 452: 448: 445: 443: 440: 438: 435: 434: 433: 430: 429: 427: 425: 424:Musical notes 421: 415: 412: 410: 409:Transposition 407: 405: 402: 400: 397: 395: 392: 390: 387: 385: 382: 380: 377: 375: 372: 370: 367: 365: 364:Key signature 362: 360: 357: 355: 352: 350: 347: 345: 342: 340: 337: 335: 332: 330: 327: 326: 324: 322: 318: 314: 307: 302: 300: 295: 293: 288: 287: 284: 275: 274:0-393-97991-1 271: 265: 262: 257: 251: 246: 245: 236: 233: 229: 227: 220: 217: 210: 206: 203: 201: 198: 197: 193: 191: 189: 184: 182: 178: 174: 170: 168: 164: 160: 156: 148: 146: 144: 140: 136: 132: 128: 124: 120: 116: 112: 108: 104: 100: 96: 92: 83: 74: 64: 56: 48: 40: 32: 19: 745:Klavarskribo 720:Figured bass 594:Appoggiatura 541:Articulation 478: 339:Abbreviation 264: 243: 235: 225: 219: 185: 176: 171: 152: 90: 89:In music, a 88: 831:Music stand 705:Chord chart 684:Scorewriter 661:Sheet music 459:Dotted note 394:Repeat sign 369:Ledger line 188:Renaissance 131:ghost notes 805:Shakuhachi 780:Ekphonetic 765:Simplified 730:Lead sheet 604:Grace note 469:Note value 464:Grace note 432:Accidental 211:References 205:Shape note 200:Note value 143:grace note 115:whole note 111:note value 800:Swaralipi 790:Kunkunshi 750:Tablature 715:Eye music 599:Glissando 574:Fingering 359:Dal segno 18:Note head 889:Category 810:Znamenny 651:Tonguing 636:Staccato 589:Ornament 564:Dynamics 516:Interval 479:Notehead 454:Cue note 194:See also 183:period. 181:Ars Nova 107:duration 91:notehead 819:Related 785:Gamelan 775:Chinese 755:Parsons 626:Portato 609:Mordent 584:Marcato 569:Fermata 559:Damping 554:Caesura 511:Tremolo 442:natural 354:Da capo 149:History 135:natural 641:Tenuto 579:Legato 549:Accent 506:Tuplet 272:  252:  155:neumes 795:Neume 619:Trill 614:Slide 501:Tacet 491:Pitch 447:sharp 399:Tempo 384:Scale 379:Ossia 321:Staff 123:beams 103:pitch 99:staff 631:Slur 496:Rest 484:stem 474:beam 437:flat 374:Mode 349:Clef 270:ISBN 250:ISBN 163:clef 119:stem 95:note 72:Play 646:Tie 344:Bar 137:or 891:: 334:15 145:. 329:8 305:e 298:t 291:v 258:. 228:. 20:)

Index

Note head





Play

note
staff
pitch
duration
note value
whole note
stem
beams
double whole note
ghost notes
natural
artificial harmonic
grace note
neumes
Gregorian chant
clef
mensural notation
Franco of Cologne
Ars Nova
Renaissance
Note value
Shape note

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