774:
596:
1191:
1222:
1210:
786:
762:
1034:
974:
29:
797:
560:
348:
285:, and the seigneury passed into the hands of this family, who were the main patrons of the church's later improvements. The southern porch was built in the following years or in the 1420s. Later, probably around 1450, Jean II de Rosmadec and his wife Jeanne Thomelin carried out major alterations: a chapel was added to the south side, and the transept was transformed to include a bell tower with a stone spire. In the second quarter of the 16th century, Alain II de Rosmadec enlarged the choir, transforming the former flat chevet into a canted chevet. At the same time, several windows on the south front were rebuilt.
837:
929:
739:
727:
941:
403:
482:
953:
1117:, was donated in 1884 by Jeanne-Catherine Vesseyre and created by master stained-glass artist KĂĽchelbecker et Jacquier. The second bay, from the same workshop, depicts the Tree of Jesse surrounded by four biblical heroines. Bays 4, 6 and 8, made by the Nantes master glassmaker Ely in 1880, portray apparitions of the Virgin Mary at
546:
dates from the second third of the 16th century. It follows a model created in the previous century: the three sides of the apse are surmounted by acute gables. However, the Pont-Croix example is not very successful: the whole is squat and crushed, whereas the model should be vertically stretched, as
533:
This spire inspired a number of neighboring bell towers. In particular, it served as a model for the spires of
Quimper Cathedral, built between 1854 and 1856 by architect Joseph Bigot, both because the construction of the towers took place around the same time and in a very similar style, and because
754:
Four monumental fasciculated piers delimit the transept and support the tower and its spire. To the right and left, the crossing gives access to the two arms of the transept. The south arm communicates with the outside via a portal. A console on the south wall features a polychrome wooden statue of
320:
was revised in 1862. A grant enabled restorations to be carried out on the steeple and the cemetery wall, then on the roof structure, under the supervision of diocesan architect Joseph Bigot. Around 1876, the church was covered with whitewash, later removed in 1895, under the orders of architect
438:
and side walls of the porch interior, as well as around the portal that gives access to the church. The capitals of the entire porch are similar to those of the Carmes church in Pont-l'Abbé, which is nearing completion, allowing us to date this phase of construction to the 1420s.
170:, particularly from the south-western quarter of England; according to other art historians, it reinterprets Breton Romanesque constructions as a reaction against the influence exerted by the Gothic forms of ĂŽle-de-France. In either case, it has in turn inspired a large number of
1092:
from the third quarter of the 16th century, taken from another bay; donation panels of Alain II de
Rosmadec and Jeanne du Chastel with their patron saints, surmounted by a Coronation of Thorns and an Appearance of Christ, the whole being replaced from other bays; finally, the
1648:
874:
doubles the choir aisle. At the end of this second aisle, a secondary altar, dedicated to Notre-Dame de Pitié, rests on the east wall of the apse. Built in the first half of the 19th century, it replaces a 17th-century carved panel depicting the
501:, who at the same time built a tower relatively similar to that of Pont-Croix on the Notre-Dame chapel of his abbey. The pillars of the original transept, judged insufficient to support the new tower, were encased in Gothic pillars.
1014:
scenes dating from the last quarter of the 16th century, reinstalled in painted white glass backgrounds during a restoration carried out around 1990 by master glassmaker Le Bihan. Above are the Last Supper and what appears to be an
277:
by two bays, and replaced the south aisle with a chapel. René Couffon places this phase under the seigneury of
Sinquin de Pont-Croix, while Philippe Bonnet and Jean-Jacques Rioult place it at the beginning of the 14th century.
985:
The church of Notre-Dame de
Roscudon once contained more ancient stained-glass windows than it does today; many have been lost or have been grouped together in the two surviving stained-glass windows in bays 3, in the
678:, no longer in existence, which was reputed to have been built in the early 16th century. The tribune is decorated in the flamboyant Gothic style, with panels carved into napkin folds. The tribune has been listed as a
662:
that once adorned the wall are traces of woodcutting. On the other side of the arcades, the aisles, which are less high than the nave, are covered by a low barrel vault. The vault is supported on the nave side by a
1846:
587:. The second campaign of work further lengthened the choir, following the English model, by closing it off with a flat chevet, resulting in an ensemble of balanced lengths on either side of the transept.
523:'s perspective, framing four bays divided by a central mullion at the four cardinal points. The spire, also octagonal, is trimmed with tori, raised by hooks. The upper part of the spire features openwork
136:. Built from the 13th century through successive additions, until the second quarter of the 16th century thanks to the patronage of the lords of Pont-Croix, then their allies and descendants from the
1666:
1559:
1190:
519:
The spire rises from this level. It has a very slender appearance, as the different sides form a very acute angle with the vertical. The octagonal bell towers are tiered and combined in the
785:
761:
1221:
1152:. The aim was to pay tribute to his predecessor, Abbé Yvenat, whose family had commissioned several of the stained glass windows in canopies 7 to 13, 17 and 19, portraying saints
140:, it is an example of the patronage of the local Breton aristocracy, and bears witness to the permanence of this noble lineage throughout the three centuries of its construction.
508:, whose galleries are superimposed just below the spire. On the other hand, the sides of the tower are opened by a single, sparsely-decorated bay, deemed "heavy and crushed" by
773:
1209:
898:, built at right-angles to the rest of the apse. Just before the chapel entrance is a 17th-century wooden altarpiece dedicated to Saint Joseph. The chapel contains an
855:
Behind the high altar, at the foot of the apse's large skylight, a second altar is decorated with an altarpiece with shutters that open onto a 17th-century wooden
516:
guarding the gallery, and a series of narrow, three-lobed arcatures running the full height of the opening. Above, a second row of quatrefoils crowns the tower.
2073:
227:, although it did appear in the writings of some local scholars from the 19th century onwards, and of a few art historians from the mid-20th century onwards.
1298:. Vol. Corpus Vitrearum / Recensement des vitraux anciens de la France (incorrect ed.). Rennes: Presses universitaires de Rennes. pp. 166–167.
567:
The church's layout has been complicated by numerous additions and modifications. Originally, probably around 1280, it would have consisted of an eight-bay
76:
647:: the varied shapes of the piers, the cubic capitals and the multiple toroids in the intrados of the arches seem to have been inspired by these buildings.
375:
The north elevation is relatively poorly treated. The southern front, on the other hand, is richly decorated with several different elements: the southern
489:
The bell tower is built on the transept crossing. Comprising a tower and a spire, it was installed around 1450 under Jean II de
Rosmadec, grand nephew of
2058:
2048:
355:
The present western façade was probably built in the early days of the church, and then altered during the construction of the southern apse chapel: the
44:
928:
689:
On the south side, the side aisle gives access to the exterior through the side porch, then to a private chapel built in the 15th century. Covered by a
497:
and builder of the towers of
Quimper Cathedral, completed, with the exception of the spire, in 1445. Jean II was also the nephew of Henry de Lespervez,
512:. It measures 7.20 m on each side. Above this bay, an openwork gallery forms the top level of the tower. It comprises two registers: a narrow row of
595:
1057:
with 15 openings. Most of the stained glass portrays the
Infancy of Christ, and can be dated to around 1540, in line with the production of the
619:
monasteries. According to René Couffon, these arches and supports also bear witness to the influence of
English architecture, particularly from
269:, which was subsequently redesigned. They may also have been built a little later, in the last third of the 13th century, during the reign of
1259:
738:
1140:
On the north side, for bay 1, parish priest
Auguste TĂ©phany commissioned Parisian master glassmaker Anglade in 1889 to create an Arbre des
1033:
973:
367:
remain. The large window above was completely redesigned by diocesan architect Bigot in the
Radiant Gothic style in the mid-19th century.
2023:
242:
proposed a new chronology: he fixed the start of construction in the middle of the thirteenth century, and thus linked the building to
498:
314:
940:
414:
The southern portal is one of the church's architectural gems. The general structure is based on that of the northern portal of the
28:
796:
559:
347:
303:
In the 19th century, the church's paneling began to deteriorate, first in the choir, then in the nave. The church was listed as a
726:
1113:
Modern stained glass windows from the 19th and 20th centuries complement these ancient windows. The central bay, portraying the
994:
chapel. At the beginning of the 15th century, there was a main window depicting Sinquin de Pont-Croix; two windows dedicated to
836:
611:, surmounted by a damped archivolt above the capitals. The arches fall on supports of various shapes, surmounted by very simple
2063:
603:
The nave, with three vessels and eight bays, is 21 m long. The central nave opens onto the side aisles with large semicircular
1145:
1141:
809:
The first four bays of the choir are built along the same lines as the nave, but slightly wider and higher. After a large
399:
chapel. The difference in level between the west facade and the slightly higher chevet adds a special charm to the whole.
325:. At the same time, Gout restored the gables of the transept and the tip of the spire. The latter was knocked down by the
273:
Sinquin de Pont-Croix, who is recorded in texts as having built the church. A second phase of construction lengthened the
709:. The chapel also houses a large carved wooden altarpiece dedicated to Saint Nicholas, also created in the 17th century.
415:
69:
167:
215:, built by the lords of the town, the de Pont-Croix family, before becoming a trĂŞve, or dependency, of the parish of
697:
have a prismatique profile, this may have served as a funeral chapel. Since the 17th century, it has been used as a
426:, reminiscent of the great portals of the late 13th century, such as the Portals des Libraires and de la Calende in
231:
1133:. Bay 12, designed by master glassmakers Gruber and Josette Mahuzier between 1975 and 1977, depicts the Virgin and
1077:
434:
have imposed a blind decoration, whereas radiating gables are generally openwork. The decoration continues on the
1287:
Pont-Croix, église Notre-Dame-de-Roscudon. Réinvention du passé et ambition architecturale en contexte paroissial
1176:. Like the axis bay, all these windows were produced by the KĂĽchelbecker et Jacquier workshop. Bay 15 features a
329:, and subsequently restored again. The roofs and woodwork, damaged by the fall of the spire, were also restored.
175:
1065:. Panels from other bays in the church, produced at various times during the 16th century, complete the groupe.
1114:
952:
864:
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1169:
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1054:
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was built in the 17th century. It is mounted on tiers and features a carved wooden altarpiece depicting the
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235:
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Saint James, carved in the second half of the 16th century and restored to its original polychrome in 1882.
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that display a series of particular stylistic characteristics that have long led them to be regarded as
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720:. It is decorated with a 17th-century wooden altarpiece by the Le DĂ©an brothers' workshop in Quimper.
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The early phases of its construction are difficult to date. The earliest historians, including Abbé
149:
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2018:
1130:
999:
852:. The choir's furnishings also include two 16th-century celebrant seats in stained and waxed wood.
651:
422:, the central one being the highest. These spandrels are decorated with a latticework of roses and
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on both gables is similar. The current portal is the result of an 18th-century replacement, in the
326:
305:
249:
The oldest parts of the edifice, probably built in the middle of the 13th century, are the present
187:
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163:
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The chapel to the south of the apse, built at right-angles to the apse, is lit from the east by a
296:
of the choir. At the same time, the windows on the north side of the choir were enlarged, and the
239:
1157:
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separating the two parts of the choir, the next two, later bays, follow a model taken from the
1255:
1085:
1069:
1046:
860:
818:
505:
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224:
219:. Although sometimes referred to as a collegiate church, the church never housed a college of
1101:. The spandrel received abstract stained-glass windows during the 1991 restoration by master
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Bonnet, Philippe; Rioult, Jean-Jacques (2010). "Pont-Croix. Eglise Notre-Dame de Roscudon".
1240:
1173:
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978:
216:
1294:
Gatouillat, Françoise; Hérold, Michel (2005). "Pont-Croix. Eglise Notre-Dame de Roscudon".
1177:
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workshops at that time, thanks to its similarities with the Notre-Dame du Crann chapel in
1022:
631:, on the other hand, suggests that they are a legacy of the Romanesque churches closer to
427:
402:
49:
1793:"autel, gradin, tabernacle, groupe sculpté : Assomption de la Vierge (maître-autel)"
914:
also built in the 17th century, and a large painting depicting the gift of the Rosary to
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and dated 1673, produced by the Quimper workshop of Jean and Pierre Le DĂ©an, a wooden
481:
2042:
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church in Quimper: an arch framed by two masonry massifs, surmounted by three acute
1161:
1089:
911:
655:
520:
509:
234:, considered that the oldest parts dated back to the 11th century, and belonged to
191:(in english: historic monument), and houses a number of protected objects: several
2028:
1254:. Vol. Les Monuments de la France gothique. Paris: Picard. pp. 292–301.
133:
530:
The steeple rises 67 m from the ground, with the spire itself measuring 24.90 m.
2033:
1073:
1010:
The third bay, which consists of a two-registered lancet, contains fragments of
636:
616:
270:
200:
171:
1307:. Vol. La Nuit des Temps. La Pierre-Qui-Vire: Zodiaque. pp. 199–206.
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construction which, according to some authors, shows a strong influence from
91:
78:
1017:
884:
833:, which replaced the flat chevet in the second quarter of the 16th century.
706:
690:
632:
447:
1268:
Couffon, René (1951). "Notre-Dame de Roscudon et l'atelier de Pont-Croix".
1062:
658:, which rises to a height of 11m. high. All that remains of the orthogonal
615:, either cubic or with simple stylized water-leaf motifs, in the style of
1865:"autel, gradin d'autel, thabor (autel secondaire de Notre-Dame de Pitié)"
1165:
880:
620:
576:
451:
435:
289:
266:
1281:. Cornouaille: Congrès archéologique de France, Orléans. pp. 41–50.
309:(in english: historic monument) in 1851, following a visit by architect
1058:
903:
829:
with a fillet in the intrados of the arch. The apse ends with a canted
702:
701:
chapel, having been richly furnished with carved stone fonts, a carved
640:
470:
431:
192:
155:
113:
991:
856:
712:
The north aisle is enclosed on the transept side by the chapelle des
683:
668:
466:
196:
1137:. Finally, bay 16 features a mid-20th-century geometric glass roof.
682:
along with the building since 1851. The nave also contains a wooden
442:
The gable wall of the transept gives access to the church through a
1745:"ensemble de sainte Anne et de saint Pierre (2 autels, 2 retables)"
1149:
1032:
972:
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346:
297:
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254:
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he admired the lightness and decoration of the Pont-Croix spire.
1706:"autel et retable de saint Nicolas, statue : Saint Nicolas"
1084:
in the last two. The upper register is composed as follows: the
830:
604:
543:
443:
396:
364:
274:
250:
1289:. Finistère: Congrès archéologique de France. pp. 243–259.
1239:
Bigot, Joseph (1894). "Mémoire sur les clochers du Finistère".
1270:
Mémoires de la société d'histoire et d'archéologie de Bretagne
1041:
Located to the south of the large chevet chapel, known as the
430:. The main difference lies in the fact that the properties of
288:
The west facade was modernized in the 18th century, and a new
143:
It is the most important monument of what has been called the
281:
In 1391, the Manors of Pont-Croix allied themselves with the
1919:"autel et retable de sainte Anne, statue : Sainte Anne"
1021:, and below are fragments of several different scenes and a
223:, and never bore the title of collegiate church before the
650:
Above the large arches, the wall rises to the base of the
469:. These openings feature an Anglo-Norman style of angular
1560:"L'Ă©glise Notre-Dame de Roscudon Ă Pont-Croix (Bretagne)"
1303:
Tillet, Louise-Marie (1982). "Pont-Croix et son Ă©cole".
1184:, created in 1975-1977 by Gruber and Josette Mahuzier.
1045:
chapel, the large stained glass window portraying the
1901:"retable de saint Joseph, statue : Saint Joseph"
527:, surmounted by small gables with hooks and finials.
246:, by comparison with contemporary English buildings.
211:
The church was probably originally the chapel of the
162:
buildings. In reality, the church of Pont-Croix is a
890:
On the south side, a single, particularly wide side
859:
depicting the Last Supper, based on an engraving by
313:. The building retained its classification when the
607:composed of four corbels, sometimes separated by a
107:
68:
60:
55:
43:
38:
21:
674:At the bottom of the nave, a tribune once held an
1242:Bulletin de la Société archéologique du Finistère
363:, of the medieval portal, of which traces of the
199:, a flamboyant organ loft and a sculpture of the
2002:
1990:
1971:
879:. The double aisle also houses a statue of the
791:The dado vault of the north arm of the transept
767:The dado vault of the right arm of the transept
154:, which is a group of monuments to the west of
1688:"fonts baptismaux et leur retable Ă baldaquin"
1037:Stained glass window of the Infancy of Christ.
1002:are also attested from the mid-18th century.
8:
1779:
1724:"autel et retable de saint Pierre aux Liens"
1635:
1599:
1582:
1534:
1519:
1502:
1490:
1478:
1444:
1414:
1397:
1385:
1370:
1337:
1097:, and what is perhaps an element of a large
1847:"Inventaire général du patrimoine culturel"
1148:in a plant setting with articles from the
800:The church choir, with its diaphragm arch.
27:
18:
934:Altarpiece: The Assumption of the Virgin
1279:Pont-Croix : Notre-Dame de Roscudon
1006:The Passion stained-glass window (bay 3)
887:-born sculptor Paul de La Haye in 1688.
1883:"groupe sculpté : Vierge de Pitié"
1318:
1186:
924:
757:
744:Baptismal font altarpiece and baldachin
722:
1623:
1611:
1461:
1358:
1325:
1088:, incomplete, in the first lancet; an
1029:The Infancy of Christ window (bay 10)
16:Catholic church from the 18th century.
1986:
1984:
1982:
1980:
1937:"confessionnal (chapelle du Rosaire)"
1739:
1737:
1595:
1593:
1591:
1546:
1530:
1528:
1515:
1513:
1511:
1474:
1472:
1470:
1457:
1455:
1453:
7:
2074:Roman Catholic monasteries in France
1410:
1408:
1406:
1381:
1379:
1354:
1352:
1350:
1348:
1346:
1076:in the three left-hand lancets, the
2024:List of Gothic cathedrals in Europe
1428:"Collégiale Notre-Dame-de-Roscudon"
1227:Coronation of the Virgin (axis bay)
114:Paroisse Saint-Tugdual – Douarnenez
1955:"tableau, cadre : Le Rosaire"
946:The Last Supper, altarpiece relief
14:
2059:Romanesque architecture in France
2049:Roman Catholic churches in France
870:On the north side, a second side
395:, and finally the large southern
1959:Plateforme ouverte du patrimoine
1941:Plateforme ouverte du patrimoine
1923:Plateforme ouverte du patrimoine
1905:Plateforme ouverte du patrimoine
1887:Plateforme ouverte du patrimoine
1869:Plateforme ouverte du patrimoine
1833:Plateforme ouverte du patrimoine
1815:Plateforme ouverte du patrimoine
1797:Plateforme ouverte du patrimoine
1767:Plateforme ouverte du patrimoine
1749:Plateforme ouverte du patrimoine
1728:Plateforme ouverte du patrimoine
1710:Plateforme ouverte du patrimoine
1692:Plateforme ouverte du patrimoine
1653:ministère français de la Culture
1432:ministère français de la Culture
1220:
1208:
1189:
951:
939:
927:
784:
772:
760:
737:
725:
477:The crossing tower and its spire
42:
1272:. Vol. 31. pp. 5–36.
1245:(in French). pp. 355–376.
716:, whose altar is dedicated to
454:support it, one on each side.
1:
2003:Gatouillat & HĂ©rold (2005
1991:Gatouillat & HĂ©rold (2005
1972:Gatouillat & HĂ©rold (2005
1763:"statue : Saint Jacques"
461:of irregular bays falling on
351:Western facade of the church.
1829:"haut-relief : La Cène"
977:Stained glass window of the
732:Altarpiece of Saint Nicholas
686:, built and carved in 1697.
311:Jean-Baptiste Antoine Lassus
185:The building is listed as a
1068:The first register shows a
840:The dado vault of the apse.
805:The chevet and south chapel
265:with double aisles and the
2090:
1144:(Apostles' Tree), i.e. an
958:Altarpiece of Saint Joseph
387:; the window in the south
292:was built along the south
1780:Bonnet & Rioult (2010
1636:Bonnet & Rioult (2010
1600:Bonnet & Rioult (2010
1583:Bonnet & Rioult (2010
1535:Bonnet & Rioult (2010
1520:Bonnet & Rioult (2010
1503:Bonnet & Rioult (2010
1491:Bonnet & Rioult (2010
1479:Bonnet & Rioult (2010
1445:Bonnet & Rioult (2010
1415:Bonnet & Rioult (2010
1398:Bonnet & Rioult (2010
1386:Bonnet & Rioult (2010
1371:Bonnet & Rioult (2010
1338:Bonnet & Rioult (2010
575:, a slightly overhanging
504:The tower is inspired by
112:
64:France/Bretagne/Finistère
26:
1811:"2 sièges de célébrants"
1215:The Tree of the Apostles
1115:Coronation of the Virgin
693:with liernes, where the
446:portal surmounted by an
124:is a Catholic church in
1296:Les vitraux de Bretagne
922:, from the same period.
894:leads to the chapel of
563:Interior of the church.
450:in accolade; two large
236:Romanesque architecture
174:buildings, such as the
2064:Cistercian monasteries
1277:Couffon, René (1957).
1105:Jean-Pierre Le Bihan.
1080:in the fourth and the
1038:
982:
841:
801:
718:Saint Pierre aux Liens
600:
564:
486:
411:
352:
122:Notre-Dame-de-Roscudon
70:Geographic coordinates
33:Notre-Dame-de-Roscudon
22:Notre-Dame de-Roscudon
1285:Gallet, Yves (2009).
1043:Notre-Dame du Rosaire
1036:
976:
969:Antique stained-glass
896:Notre-Dame du Rosaire
877:Lamentation of Christ
865:Pierre Coecke d'Alost
839:
799:
779:The transept crossing
667:, which supports the
598:
562:
551:, completed in 1528.
549:Notre-Dame de Confort
484:
405:
383:chapel; the transept
350:
317:monuments historiques
213:château de Pont-Croix
168:English constructions
1109:Modern stained glass
1103:stained-glass artist
579:and a vast four-bay
491:Bertrand de Rosmadec
238:. However, in 1951,
92:48.04096°N 4.48925°W
2019:Notre-Dame de Paris
1974:, pp. 166–167)
1782:, pp. 296–297)
1626:, pp. 253–255)
1602:, pp. 295–296)
1564:archive.wikiwix.com
1537:, pp. 299–300)
1493:, pp. 298–299)
1400:, pp. 293–294)
1373:, pp. 292–293)
1328:, pp. 243–245)
863:of the painting by
680:monument historique
599:The nave's arcades.
485:The church steeple.
465:unified by a plant
408:Charles Chaussepied
306:monument historique
257:, the four western
188:Monument historique
145:École de Pont-Croix
88: /
1200:glass roof in the
1127:Catherine of Siena
1039:
983:
920:Catherine of Siena
850:Assumption of Mary
842:
802:
601:
565:
487:
412:
371:The southern front
353:
343:The western facade
97:48.04096; -4.48925
1667:"Chaire Ă prĂŞche"
1649:"Tribune d'orgue"
1261:978-2-7084-0883-8
1252:Bretagne gothique
1146:apostolic college
1086:Flight into Egypt
1047:Infancy of Christ
990:, and 10, in the
979:Passion of Christ
904:wooden altarpiece
819:Quimper cathedral
703:wooden altarpiece
506:Quimper Cathedral
495:Quimper Cathedral
406:Porch details by
283:House of Rosmadec
225:French Revolution
138:House of Rosmadec
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955:
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217:Beuzec-Cap-Sizun
180:Plonevez-du-Faou
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1305:Bretagne romane
1302:
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1178:Burial of Jesus
1111:
1072:scene with the
1031:
1023:Burial of Jesus
1008:
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479:
428:Rouen Cathedral
373:
361:classical style
345:
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147:
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90:
87:
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50:Catholic Church
34:
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5:
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2014:
2011:
2008:
2007:
2005:, p. 166)
1995:
1993:, p. 167)
1976:
1964:
1946:
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1000:Saint Margaret
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823:pointed arches
811:diaphragm arch
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699:baptismal font
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583:with a double
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1048:
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1005:
1003:
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997:
996:Saint Barbara
993:
989:
980:
975:
968:
964:Stained-glass
963:
954:
949:
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925:
923:
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916:Saint Dominic
913:
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906:dedicated to
905:
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1691:
1682:
1670:. Retrieved
1661:
1652:
1643:
1631:
1624:Gallet (2009
1619:
1612:Gallet (2009
1607:
1578:
1567:. Retrieved
1563:
1554:
1542:
1498:
1486:
1462:Gallet (2009
1440:
1431:
1422:
1393:
1366:
1359:Tillet (1982
1333:
1326:Gallet (2009
1321:
1304:
1295:
1286:
1278:
1269:
1251:
1241:
1233:Bibliography
1182:Resurrection
1139:
1112:
1095:Flagellation
1090:Annunciation
1067:
1040:
1016:
1009:
984:
912:confessional
889:
883:, carved by
869:
854:
843:
808:
753:
750:The transept
711:
691:ribbed vault
688:
679:
673:
656:barrel vault
649:
602:
566:
542:The current
541:
532:
529:
518:
510:Joseph Bigot
503:
488:
456:
441:
413:
374:
354:
316:
304:
302:
300:was raised.
287:
280:
253:with double
248:
240:René Couffon
229:
212:
210:
186:
184:
176:Saint-Herbot
142:
121:
120:
2034:Cistercians
1547:Bigot (1894
1123:St. Dominic
1099:Crucifixion
1074:Holy Family
857:high relief
629:Yves Gallet
571:with three
525:quatrefoils
514:quatrefoils
444:tiers-point
424:quatrefoils
333:Description
201:Last Supper
193:altarpieces
148: [
95: /
45:Affiliation
2054:Gothic art
2043:Categories
1569:2024-01-15
1313:References
1202:ambulatory
1164:, Alfred,
1154:Barthélemy
1135:Saint Anne
1119:La Salette
988:ambulatory
908:Saint Anne
815:ambulatory
676:pipe organ
665:wall plate
617:Cistercian
452:buttresses
436:buttresses
416:Cordeliers
244:Gothic art
178:chapel in
160:Romanesque
130:department
126:Pont-Croix
80:48°02′27″N
2029:Finistère
1170:Catherine
1129:, and at
1078:Shepherds
1018:Ecce Homo
885:Guimiliau
844:The high
825:, with a
714:Trépassés
707:baldachin
633:Langonnet
448:archivolt
323:Paul Gout
134:Finistère
83:4°29′21″W
2013:See also
1166:Hilarion
1158:Augustin
1125:and St.
1070:Nativity
1055:tympanum
821:: large
637:Ploërdut
621:Cornwall
613:capitals
591:The nave
577:transept
555:Interior
538:The apse
471:trefoils
338:Exterior
315:list of
290:sacristy
267:transept
61:Location
56:Location
39:Religion
1851:Wikiwix
1672:June 8,
1142:ApĂ´tres
1131:Lourdes
1059:Quimper
1051:lancets
1012:Passion
669:corbels
660:molding
654:in the
641:Priziac
521:gallery
493:, then
463:trumeau
459:triplet
432:granite
391:of the
357:molding
261:of the
232:Abgrall
207:History
172:Cornish
156:Quimper
108:Website
1258:
1162:Monica
1063:Spézet
992:Rosary
695:nerves
684:pulpit
609:fillet
605:arches
573:aisles
467:frieze
420:gables
379:; the
255:aisles
221:canons
197:pulpit
164:Gothic
1150:Creed
1121:, to
900:altar
892:aisle
881:PietĂ
872:aisle
846:altar
827:torus
645:Calan
625:Wales
585:aisle
581:choir
393:choir
389:aisle
385:gable
377:porch
365:jambs
298:attic
294:aisle
271:Manor
263:choir
152:]
1674:2019
1256:ISBN
1196:The
1180:and
1172:and
1160:and
1082:Magi
998:and
918:and
831:apse
705:and
652:dado
623:and
569:nave
544:apse
397:apse
275:apse
259:bays
251:nave
195:, a
1174:Ivo
817:of
643:or
547:in
132:of
2045::
1979:^
1957:.
1939:.
1921:.
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1867:.
1849:.
1831:.
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1765:.
1747:.
1736:^
1726:.
1708:.
1690:.
1651:.
1590:^
1562:.
1527:^
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1469:^
1452:^
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1378:^
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1168:,
1156:,
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639:,
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627:.
473:.
203:.
182:.
150:fr
1961:.
1943:.
1925:.
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1871:.
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1835:.
1817:.
1799:.
1769:.
1751:.
1730:.
1712:.
1694:.
1676:.
1655:.
1572:.
1434:.
1264:.
981:.
410:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
