195:
234:
52:
194:
1219:
314:
Like Paul Fort before him, Lugné-Poe never had a permanent theatre to serve as his company's home stage for the entire run of its initial art-theatre experiment. The Théâtre de l'Œuvre debuted with
Maeterlinck's
599:, Réjane having stipulated in the sales contract that the theater could not retain her name. Volterra ran the theatre until 1948, when it was taken over by Marcel Karsenty and the comedian
284:, and pursued aggressively Symbolist programming to rival Antoine's more Naturalistic offerings. Although Antoine had been the first to introduce Paris audiences to the modern drama of
306:
in 1892, starring Lugné-Poe as Wangel, it was Lugné-Poe who would make Ibsen his specialty in Paris theatre, premiering (and often starring in) nine Ibsen plays between 1893 and 1897.
556:
at the grander Théâtre de la
Renaissance in February. Lugné-Poe's last productions for the company were done at the very theatre where the Théâtre de l'Œuvre had begun in 1893 with
560:: the Théâtre des Bouffes-Parisiens. Lugné-Poe had successfully established the Nouveau-Théâtre as the site for daring, challenging, and at times outrageous modern drama.
218:
rink. In 1880, using plans by the architects Aimé Sauffroy and
Ferdinand Grémailly, part of the rink became the Palace Théâtre and, after a further restoration in 1891 by
470:. The second half, however, starting in March 1896, began over two-years' residency for the Théâtre de l'Œuvre at Nouveau-Théâtre. Most notably, they premiered Ibsen's
440:
The 1895-96 season found residence at two locations. Lugné-Poe staged the first half of the season back at the Comédie-Parisienne, with a line-up that included
260:'s eclectic Théâtre d'Art, which, from 1890 to 1892, presented poetry recitations, dramatic work by Marlowe, Shelley, and Hugo, as well as new plays by
1033:
211:
82:
1234:
1229:
618:
385:), he quickly assumed the directorship of Nouveau-Théâtre for most of the 1894-95 season. There he premiered Maeterlinck's adaptation of
1224:
322:
382:
1159:
326:
233:
219:
456:
51:
281:
923:
614:
Under Alain de
Leseleuc (1965–1975) and Robert Hossein (1975–1990) the theatre specialized in musical works, particularly
391:
172:
753:
405:
206:
In 1811, the Folie-Richelieu was transformed into a park, then demolished completely in 1851 in the redevelopment under
75:
156:
431:) were staged at the Théâtre des Menus-Plaisirs, he returned to Nouveau-Théâtre to conclude the season with Ibsen's
1214:
1070:
719:
674:
Elvira
Popescu created a second venue with 300 seats, converted from costume workshops, which she first called the
584:
317:
524:
1011:
542:(18 May 1898). For their last season, the Théâtre de l'Œuvre gave two undistinguished premieres—Paul Sonniès'
911:
360:
337:
1094:
967:
928:
386:
367:, however, he secured Nouveau-Théâtre's space for the first time. Though he concluded the season with
302:
633:
608:
837:
701:
578:
514:
238:
226:. After that, the rest of the rink, near the present rue Blanche, was demolished to make way for the
1026:
782:
653:
643:
569:
269:
180:
638:
249:
1001:
871:
801:
607:
took over in 1955 along with Hubert de Mallet, managing it for ten years, before she left to the
472:
343:
280:). When Fort left the enterprise at the start of 1893, Lugné-Poe assumed control, renamed it the
1103:
1155:
1058:
758:
648:
615:
595:
The producer Léon
Volterra bought the hall in 1918, and on 12 August 1919, he inaugurated the
368:
972:
956:
932:
589:
508:
446:
373:
253:
188:
122:
1099:
997:
777:
765:
498:
421:
415:
223:
207:
1038:
859:
627:
622:
1078:
1065:
1022:
960:
936:
916:
897:
729:
711:
659:
604:
529:
451:
356:
215:
199:
1208:
1175:
1083:
1042:
986:
952:
889:
519:
466:
296:
289:
265:
770:
410:
1115:
1054:
842:
830:
818:
806:
794:
746:(Notable premieres at Nouveau-Théâtre, presented by Lugné-Poe's Théâtre de l'Œuvre)
715:
483:
441:
427:
378:
285:
256:. After fulfilling four months of military service in early 1891, Lugné-Poe joined
245:
666:
Since
January 2002, Stéphane Hillel has been artistic director of both theatres.
1119:
976:
947:
940:
739:
461:
331:
325:
in May 1893, but the six engagements in his next season occurred at the distant
17:
866:
600:
97:
84:
1110:
1087:
813:
478:
257:
198:
Fortunée
Hamelin, first of a line of women to run the theatre. Painting by
261:
825:
488:
576:. She produced among other works the French premiere of Maeterlinck's
1049:
682:. Today this second performance space bears the name "Salle Réjane."
544:
1138:
Fortune and
Whenham, "Modern editions and performances" pp. 173–181
552:(5-6 June 1899)—preferring to hold the much anticipated revival of
425:, among others. While his May 1895 productions (including Ibsen's
1170:
Directeurs de théâtre, XIXe–XXe siècles: Histoire d'une profession
893:
789:
433:
232:
193:
68:
1199:
534:
183:
it was directed by Fortunée
Hamelin, a celebrated member of the
572:
bought the theater, renovated it and gave it a new name, the
1220:
Buildings and structures in the 9th arrondissement of Paris
1150:"Modern editions and performances" in Whenham, John (ed.):
582:
in 1911 and successfully played her signature role of
377:
at the newly built Comédie-Parisienne (later known as
175:
in 1730. Baron Ogny bought it in 1779 and renamed it
248:, who, from 1888 to 1890, had been an actor in the
139:
131:
121:
113:
74:
62:
1154:. Cambridge, England: Cambridge University Press.
159:of Paris. It includes a second smaller venue, the
355:, among others. For the May 1894 production of
244:The first director of the Nouveau-Théâtre, was
171:The first theatre on the site was built by the
155:is a theatre located at 15, rue Blanche in the
496:(25-26 January 1897); Hauptmann's fairy drama
8:
30:
492:(9-10 December 1896); Bjørnson's sequel to
50:
29:
1168:Goetschel, Pascale and Yon, Jean-Claude:
548:(15-16 May 1899) and Lucien Mayrargue's
321:for a single matinée performance at the
1131:
888:(first two parts: Marius and Fanny) by
1147:Fortune, Nigel; Whenham, John (1986).
1102:, with Jean Piat, Maria Pachomius and
210:. It became the site of the church of
906:by Jacques Deval, with Elvira Popesco
7:
985:by Andrew Lloyd Webber directed by
975:, directed by Sacha Pitoëff, with
563:
25:
874:(first modern staged performance)
686:Premières and notable productions
651:. It also produced musicals like
214:with part of the site becoming a
310:Lugné-Poe at the Nouveau-Théâtre
237:Gabrielle Réjane, photograph by
1034:One Flew Over the Cuckoo's Nest
300:, 1891), and Fort had produced
1187:Le Petit Futé Paris Spectacles
351:, and Bjørnstjerne Bjørnson's
1:
1230:1891 establishments in France
631:directed by Maurice Lehmann,
502:(4-5 March 1897); Bataille's
329:, where he premiered Ibsen's
323:Théâtre des Bouffes-Parisiens
37:Nouveau-Théâtre (1891–1918 )
1050:Becket ou l'honneur de Dieu
757:, tragedy in three acts by
603:. The actress and director
564:Réjane's Artistic Direction
327:Théâtre des Bouffes du Nord
187:("marvelous women") of the
1251:
1235:Édouard Niermans buildings
1225:Theatres completed in 1891
1086:, with Lorànt Deutsch and
802:Les Soutiens de la Société
39:Théâtre Réjane (1906–1918)
1152:Claudio Monteverdi: Orfeo
915:by Robert Anderson, with
144:
58:
49:
35:
1185:Labourdette, Jean-Paul:
989:, produced by Mel Howard
841:, drama in four acts by
829:, drama in five acts by
817:, drama in five acts by
769:, drama in five acts by
528:(7-8 January 1898); and
506:(7-8 May 1897); Ibsen's
27:Theatre in Paris, France
1008:Variations énigmatiques
924:'Tis Pity She's a Whore
805:, play in four acts by
793:, play in five acts by
678:before renaming it the
482:(11-12 November 1896);
392:'Tis Pity She's a Whore
212:Sainte-Trinité de Paris
892:, with Orane Demazis,
680:Petit Théâtre de Paris
670:Petit Théâtre de Paris
554:An Enemy of the People
512:(22-23 June 1897) and
476:(22-23 June 1896) and
457:The Ring of Shakuntalā
347:, Gerhart Hauptmann's
338:An Enemy of the People
241:
203:
161:Petit Théâtre de Paris
145:www.theatredeparis.com
44:Petit Théâtre de Paris
1069:after the movie from
1012:Éric-Emmanuel Schmitt
886:Trilogie marseillaise
568:In 1906, the actress
525:The Inspector General
518:(8-9 November 1897);
303:The Lady from the Sea
236:
197:
1180:French Theatre Today
838:John Gabriel Borkman
766:The Little Clay Cart
558:Pelléas et Mélisande
515:John Gabriel Borkman
419:, and Maeterlinck's
416:The Little Clay Cart
383:Théâtre de l'Athénée
318:Pelléas et Mélisande
98:48.87861°N 2.33139°E
994:Tailleur pour dames
783:Maurice Maeterlinck
726:Brouillard du matin
644:Le pont des soupirs
538:(2-3 May 1898) and
270:Maurice Maeterlinck
252:company founded by
94: /
32:
1073:, with Michel Leeb
1037:after the film by
1019:Les portes du ciel
1014:, with Alain Delon
1002:Jean-Paul Belmondo
872:Claudio Monteverdi
708:Nos bons chasseurs
494:Beyond Human Power
473:Pillars of Society
353:Beyond Human Power
344:The Master Builder
282:Théâtre de l'Œuvre
246:Aurélien Lugné-Poe
242:
204:
179:. Then during the
157:9th arrondissement
1215:Theatres in Paris
1059:Bernard Giraudeau
759:August Strindberg
649:Jean-Michel Ribes
369:August Strindberg
361:Robert d'Humières
268:, and especially
173:Duke of Richelieu
149:
148:
103:48.87861; 2.33139
16:(Redirected from
1242:
1200:Official website
1182:1953, Arno Press
1172:, Sorbonne, 2008
1165:
1139:
1136:
1027:Gérard Depardieu
973:Luigi Pirandello
933:Luchino Visconti
912:Tea and Sympathy
879:Théâtre de Paris
710:, vaudeville by
597:Théâtre de Paris
592:at the theatre.
590:Victorien Sardou
585:Madame Sans-Gêne
570:Gabrielle Réjane
447:Venice Preserved
220:Édouard Niermans
153:Théâtre de Paris
127:1,100 (plus 300)
109:
108:
106:
105:
104:
99:
95:
92:
91:
90:
87:
54:
33:
31:Théâtre de Paris
21:
1250:
1249:
1245:
1244:
1243:
1241:
1240:
1239:
1205:
1204:
1196:
1162:
1146:
1143:
1142:
1137:
1133:
1128:
1104:Béatrice Agenin
1100:Ernest Thompson
998:Georges Feydeau
881:
851:
693:
691:Nouveau-Théâtre
688:
676:Théâtre Moderne
672:
634:La belle Hélène
609:Théâtre Marigny
566:
499:The Sunken Bell
403:, Strindberg's
399:), Beaubourg's
365:Sleeping Beauty
312:
228:Nouveau-Théâtre
224:Casino de Paris
208:Baron Haussmann
177:Folie-Richelieu
169:
102:
100:
96:
93:
88:
85:
83:
81:
80:
67:
45:
43:
42:Théâtre Moderne
41:
40:
38:
28:
23:
22:
18:Nouveau-Théâtre
15:
12:
11:
5:
1248:
1246:
1238:
1237:
1232:
1227:
1222:
1217:
1207:
1206:
1203:
1202:
1195:
1194:External links
1192:
1191:
1190:
1183:
1176:Hobson, Harold
1173:
1166:
1160:
1141:
1140:
1130:
1129:
1127:
1124:
1123:
1122:
1106:
1095:On Golden Pond
1090:
1074:
1071:Chris Columbus
1066:Mrs. Doubtfire
1061:
1045:
1029:
1023:Jacques Attali
1015:
1004:
990:
979:
963:
961:Romy Schneider
955:, directed by
943:
937:Romy Schneider
931:, directed by
919:
917:Ingrid Bergman
907:
900:
898:Pierre Fresnay
880:
877:
876:
875:
862:
856:Qui perd gagne
850:
849:Théâtre Réjane
847:
846:
845:
833:
821:
809:
797:
785:
773:
761:
743:
742:
736:Le Réformateur
732:
730:Jacques Copeau
722:
712:Charles Lecocq
704:
702:Oscar Méténier
692:
689:
687:
684:
671:
668:
623:opéras-bouffes
605:Elvira Popescu
574:Théâtre Réjane
565:
562:
530:Romain Rolland
401:The Mute Voice
357:Henri Bataille
311:
308:
216:roller skating
200:Andrea Appiani
168:
165:
147:
146:
142:
141:
137:
136:
133:
129:
128:
125:
119:
118:
115:
111:
110:
78:
72:
71:
66:15 rue Blanche
64:
60:
59:
56:
55:
47:
46:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1247:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1212:
1210:
1201:
1198:
1197:
1193:
1188:
1184:
1181:
1177:
1174:
1171:
1167:
1163:
1161:0-521-24148-0
1157:
1153:
1149:
1145:
1144:
1135:
1132:
1125:
1121:
1117:
1113:
1112:
1107:
1105:
1101:
1097:
1096:
1091:
1089:
1085:
1084:Peter Shaffer
1081:
1080:
1075:
1072:
1068:
1067:
1062:
1060:
1056:
1052:
1051:
1046:
1044:
1043:Bernard Tapie
1040:
1036:
1035:
1030:
1028:
1024:
1020:
1016:
1013:
1009:
1005:
1003:
999:
995:
991:
988:
987:Gillian Lynne
984:
980:
978:
974:
970:
969:
964:
962:
958:
957:Sacha Pitoëff
954:
953:Anton Chekhov
950:
949:
944:
942:
938:
934:
930:
926:
925:
920:
918:
914:
913:
908:
905:
901:
899:
895:
891:
890:Marcel Pagnol
887:
883:
882:
878:
873:
869:
868:
863:
861:
857:
853:
852:
848:
844:
840:
839:
834:
832:
828:
827:
822:
820:
816:
815:
810:
808:
804:
803:
798:
796:
792:
791:
786:
784:
780:
779:
774:
772:
768:
767:
762:
760:
756:
755:
750:
749:
748:
747:
741:
737:
733:
731:
727:
723:
721:
717:
713:
709:
705:
703:
699:
695:
694:
690:
685:
683:
681:
677:
669:
667:
664:
662:
661:
656:
655:
650:
646:
645:
640:
639:Jérôme Savary
636:
635:
630:
629:
624:
620:
617:
612:
610:
606:
602:
598:
593:
591:
587:
586:
581:
580:
579:L'oiseau bleu
575:
571:
561:
559:
555:
551:
547:
546:
541:
537:
536:
531:
527:
526:
521:
520:Nikolai Gogol
517:
516:
511:
510:
509:Love's Comedy
505:
501:
500:
495:
491:
490:
485:
481:
480:
475:
474:
469:
468:
463:
459:
458:
453:
449:
448:
443:
438:
436:
435:
430:
429:
424:
423:
418:
417:
412:
408:
407:
402:
398:
394:
393:
388:
384:
380:
376:
375:
370:
366:
362:
358:
354:
350:
346:
345:
340:
339:
334:
333:
328:
324:
320:
319:
309:
307:
305:
304:
299:
298:
297:The Wild Duck
293:
292:
287:
283:
279:
275:
271:
267:
266:Paul Verlaine
263:
259:
255:
254:André Antoine
251:
250:Théâtre Libre
247:
240:
235:
231:
229:
225:
221:
217:
213:
209:
201:
196:
192:
190:
186:
185:Merveilleuses
182:
178:
174:
166:
164:
162:
158:
154:
143:
138:
134:
130:
126:
124:
120:
116:
112:
107:
79:
77:
73:
70:
65:
61:
57:
53:
48:
34:
19:
1186:
1179:
1169:
1151:
1148:
1134:
1116:J. M. Barrie
1109:
1093:
1077:
1064:
1055:Jean Anouilh
1048:
1039:Miloš Forman
1032:
1018:
1007:
993:
982:
966:
946:
922:
910:
903:
885:
865:
860:Pierre Véber
855:
843:Henrik Ibsen
836:
831:Alfred Jarry
824:
819:Henrik Ibsen
812:
807:Henrik Ibsen
800:
795:Henrik Ibsen
788:
776:
764:
752:
745:
744:
735:
725:
720:Michel Carré
716:Paul Bilhaud
707:
697:
679:
675:
673:
665:
658:
652:
647:directed by
642:
637:directed by
632:
628:La Périchole
626:
613:
596:
594:
583:
577:
573:
567:
557:
553:
549:
543:
539:
533:
523:
513:
507:
503:
497:
493:
487:
484:Alfred Jarry
477:
471:
465:
455:
445:
442:Thomas Otway
439:
432:
428:Little Eyolf
426:
420:
414:
404:
400:
396:
390:
379:Louis Jouvet
372:
364:
352:
349:Lonely Lives
348:
342:
336:
330:
316:
313:
301:
295:
290:
286:Henrik Ibsen
277:
274:The Intruder
273:
243:
227:
205:
184:
181:First Empire
176:
170:
160:
152:
150:
1120:Irina Brook
1118:, director
977:Claude Jade
948:The Seagull
941:Alain Delon
884:1929–1931:
870:, opera by
740:Edouard Rod
462:Oscar Wilde
332:Rosmersholm
101: /
76:Coordinates
1209:Categories
1126:References
858:, play by
738:, play by
728:, play by
714:, text by
700:, play by
625:, such as
601:Pierre Dux
540:The Wolves
504:Your Blood
406:The Father
189:Directoire
89:02°19′53″E
86:48°52′43″N
1111:Peter Pan
1088:Jean Piat
929:John Ford
904:Tovaritch
814:Peer Gynt
778:Intérieur
654:Starmania
619:operettas
616:Offenbach
479:Peer Gynt
422:Interieur
397:Annabella
387:John Ford
374:Creditors
278:The Blind
258:Paul Fort
968:Henri IV
698:Rabelais
550:The Yoke
452:Kālidāsa
294:, 1890;
262:Rachilde
123:Capacity
1108:2011:
1079:Amadeus
1057:, with
1041:, with
1025:, with
1000:, with
959:, with
935:, with
867:L'Orfeo
826:Ubu Roi
771:Śūdraka
754:Le Père
489:Ubu Roi
411:Śūdraka
167:History
140:Website
117:theatre
63:Address
1158:
1092:2008:
1076:2005:
1063:2001:
1047:2000:
1031:1999:
1017:1999:
1006:1998:
992:1993:
981:1989:
965:1967:
945:1962:
921:1961:
909:1956:
902:1948:
864:1911:
854:1908:
835:1897:
823:1896:
811:1896:
799:1896:
787:1895:
775:1895:
763:1895:
751:1894:
734:1906:
724:1897:
706:1894:
696:1892:
641:, and
545:Fausta
467:Salome
460:, and
341:, and
291:Ghosts
222:, the
202:(1798)
132:Opened
1189:p 134
894:Raimu
790:Brand
434:Brand
239:Nadar
191:era.
69:Paris
1156:ISBN
983:Cats
939:and
896:and
718:and
660:Cats
657:and
621:and
535:Aert
359:and
151:The
135:1891
114:Type
1114:by
1098:by
1082:by
1053:by
1021:by
1010:by
996:by
971:by
951:by
927:by
781:by
588:by
532:'s
522:'s
486:'s
464:'s
454:'s
444:'s
413:'s
389:'s
381:'s
371:'s
230:.
1211::
1178::
663:.
611:.
450:,
437:.
409:,
363:'
335:,
276:,
264:,
163:.
1164:.
395:(
288:(
272:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
