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Latin (mainly Horace) with a facing-page allegorical engraving. In the second edition, published by the same
Antwerp publisher Hieronymus Verdussen, the Latin texts were accompanied by Dutch and French quatrains, and the collection of texts and pictures started to look more like traditional emblems. In the third edition of 1612 Spanish and Italian verses were added. The book was the product of the collaboration of many artists, engravers, printers, classical scholars and van Veen.
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appointment as he tried to resign not long after taking up his office and applied for another position in
Luxembourg. This may have been linked to the difficult relaunch of the Brussels Mint. He also was unhappy with the size of the accommodation provided to him which was insufficient for his large family. It was 1616 before he moved with his family from Antwerp to Brussels to take his position. He was able to make the position of
655:, 1608) might be reworked 'in a spiritual and divine sense' since 'the effects of divine and human love are, as to the loved object, nearly equal.' The two books look very alike. Formally, the emblems are very much alike in structure: on the left-hand page, first a Latin motto, then a group of quotations in Latin, and finally verses in vernacular languages and on the right-hand page, the picture itself. The visual unity of
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359:('warden') of the revived Brussels Mint. With this nomination, the Archdukes aimed to achieve two very disparate objectives. Firstly, they wanted to find a decent position for their beloved but ageing painter, and merely followed what had previously been done in 1572 when the great sculptor and medalist
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into innovative images through prints of a high technical quality the work could be used for philosophical and moral meditation. Two separate editions were printed in the first year of publication. The first one contained only text fragments by Horace and other authors from
Antiquity, primarily in
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The full page illustrations were of very high quality and positioned on the recto of every page opening, with the letterpress opposite each illustration on the verso. The first edition had verses in Dutch and French below the Latin quotes (drawn largely from Horace, but also other sources). The
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had been made waerdeyn of the
Antwerp Mint. Secondly, they needed to put at the head of the Brussels Mint a competent person, since they were then involved in launching a new series of coins as part of a general monetary reform. Van Veen appears not to have been very enthusiastic about his new
604:. In English translation: "The one lover gladly lets the other one pierce its heart, neither dodges the arrows, but rather offers its chest to be the first one to be wounded, neither flees the other because they are bound in love in one desire". Further quotations by
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is wider in scope with its 124 emblems. The maxims regarding love which accompany and interpret the pictures are for the most part taken from Ovid. Aimed at young people, the emblems depict love as an overpowering drive which should be obeyed to gain happiness. The
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was circulated widely during the 17th and 18th centuries and was copied and pirated in France, Spain, Italy and
England. The book was even used for the instruction of a future king in France as well as a pictorial-source book for the decoration of interiors.
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The
Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610, Karl A.E. Enenkel, 2019 - Chapter 7 "The Transmission of Knowledge via Pictorial Figurations: Vaenius’ Emblemata Horatiana (1607) as a Manual of
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in the late 16th and early 17th centuries. He is known for his paintings of religious and mythological scenes, allegories and portraits, which he produced in his large workshop in
Antwerp. He further designed several
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became in the 17th century one of the most influential books of its time, not only as a model for other
Flemish/Dutch and foreign emblem books, but also as a source of inspiration for many artists in other fields.
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d’Een lief sich gheern laet van d’ander ’t hert doorwonden/De schichten niemant wijckt, maer elck sijn borste biedt/Om eerst te zijn ghequetst, d’een d’ander niet en vliedt:Want sy met eenen wil in liefde zijn
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in 1606. The Guild of
Romanists was a society of notables and artists which was active in Antwerp from the 16th to 18th century. It was a condition of membership that the member had visited Rome.
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487:. It constituted a significant development in the design and conceptualization of emblem books as well as the optimization of their didactic impact. By transposing the works of the Roman poet
182:. He was also a doctor of law, legal advisor to the city of Leiden and representative of the County of Holland to the States General of the Habsburg Netherlands. He probably was a pupil of
1036:
Montone, Tina, "'Dolci ire, dolci sdegni, e dolci paci': The Role of the
Italian Collaborator in the Making of Otto Vaenius's Amorum Emblemata," in Alison Adams and Marleen van der Weij,
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455:(1624). In these works, van Veen's skills as an artist and learned humanist are on display. These works were also influential on the further development of the genre of emblem books.
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writing almost a century after Otto van Veen's death, considered van Veen to be the most impressive artist of his day and put his portrait on the title page of his three volume
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of Leiden, and Geertruyd Simons van Neck (born 1530). His father was a knight, Lord of Hogeveen, Desplasse, Vuerse, etc. and said to be descended from a natural son of
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through the ubiquitous presence of the figures of Amor Divinus (Divine love) and the soul. While there is some re-use of imagery from the earlier publication, the
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did not appear until 1660 In his address to the reader of the book, van Veen relates how the archduchess Isabella had suggested that his earlier love emblems (
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307:. He also set up a large workshop, at which Rubens trained between about 1594 to 1598. Van Veen maintained his connection with the Brussels court. When
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in three different polyglot versions: one with Latin, Dutch and French, one with Latin, Italian and French and one in Latin, English and Italian. The
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Veen, Otto van. Amorum Emblemata... Emblemes of Love, with verses in Latin, English, and Italian. Antwerp: Venalia apud Auctorem, 1608.
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962:, February 2001, Special Collections Department, Library, University of Glasgow, Hillhead Street, G12 8QE, Scotland, United Kingdom
319:. The artist later served as dean of the Guild of St. Luke of Antwerp in 1602. He was also a member of and became the dean of the
154:), was influential on the young Rubens, who would take on that role himself. He was court painter of successive governors of the
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599:(Happy Combat). It depicts two putti holding bows who have shot each other with arrows. The accompanying motto in Dutch reads:
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heriditary, which allowed his descendants starting with his son Ernest to occupy the position for a century. Van Veen gave
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Van Veen's book of love emblems was following a trend which was launched in Amsterdam in 1601 with the publication of
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Bertini, Giuseppe: "Otto van Veen, Cosimo Masi and the Art Market in Antwerp at the End of the Sixteenth Century."
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became governor in 1594, van Veen may have aided the archduke in acquiring important paintings by the likes of
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was the starting point of a new tradition in religious emblem books and had an important influence on
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was in charge of buying the required quantity of precious metals and organizing the coin production.
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404:(1558–1630) was a respected engraver and Pieter was an amateur painter. He was the uncle of three
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such as the series of twelve paintings dated 1613 depicting the battles of the Romans and the
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at the court in Brussels until 1592. He then moved to Antwerp where he became a master in the
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Van Veen received numerous commissions for church decorations, including altarpieces for the
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Van Veen was born around 1556 in Leiden, as the son of Cornelis Jansz. van Veen (1519–1591),
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and Jan van Meurs. Less popular than the previous emblem books, a second impression of
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236:. He introduced van Veen to Classicist-Humanist literature. Van Veen is documented in
574:, which contained 24 love emblems produced with accompanying Dutch-language verses by
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in 1593. He bought on 19 November 1593 a house in Antwerp for 1,000 Carolus guilders.
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1040:. Glasgow Emblem Studies, vol. 8. Glasgow: University of Glasgow, 2003. p. 47.
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around 1574 or 1575. He stayed there for about five years, perhaps studying with
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Coining Neo-Stoic Hieroglyphs: from the Brussels Mint to Emblemata sive symbola
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Otto van Veen's Amorum Emblemata, 1608, Ghewensten Strijdt / Combat Heureux
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The Virgin Mary and Saint Francis Saving the World from Christ's Anger
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
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De groote schouburgh der Nederlantsche konstschilders en schilderessen
1569:
Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce
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The Archdukes Albert and Isabella appointed van Veen in 1612 as the
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Saints Dominic and Francis Saving the World from Christ's Anger
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by his wife Maria Loets (Loots or Loos) also became a painter.
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Christ Appointing Saint Roch as Patron Saint of Plague Victims
336:
In the 17th century, van Veen often worked for the Archdukes
1038:
Emblems of the Low Countries: A Book Historical Perspective
397:
Van Veen moved to Brussels in 1615, where he died in 1629.
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relates that van Veen subsequently worked at the courts of
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also contains many emblems which are not converted from
344:. He also made paintings for the States General of the
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The Head of Saint John the Baptist Presented to Salome
264:
Prague and Munich were at the time the key centres of
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The Virgin and Child Surrounded by the Holy Innocents
483:
was first published in 1607 in Antwerp by publisher
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Portrait of George Villiers, 1st Duke of Buckingham
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Erichthonius Discovered by the Daughters of Cecrops
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The Gonzaga Family in Adoration of the Holy Trinity
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268:art and hosts to important Flemish artists such as
142:, and was from 1594 or 1595 to 1598 the teacher of
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18:
Dutch painter, draughtsman and humanist (1556-1629)
1033:vol. 140, no. 1139. (Feb. 1998), pp. 119–120.
376:with an interest in ancient coins the position of
1465:Saint Teresa of Ávila's Vision of the Holy Spirit
1457:Saint Teresa of Ávila's Vision of the Holy Spirit
1185:Self-Portrait in a Circle of Friends from Mantua
212:In Liège he became for two years a page of the
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729:
1297:Portrait of Giovanni Carlo Doria on Horseback
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1097:– 3 editions of emblem books by Otto van Veen
8:
435:Van Veen was involved in the publication of
1713:The Meeting Between Abraham and Melchizedek
2089:The Triumphal Entry of Henry IV into Paris
2049:Portrait of Infante Isabella Clara Eugenia
1289:Portrait of a Noblewoman with an Attendant
1273:Portrait of Marchesa Brigida Spinola-Doria
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2017:Diana and Her Nymphs Leaving for the Hunt
2369:Hercules in the Garden of the Hesperides
2305:A View of Het Steen in the Early Morning
1841:Feast in the House of Simon the Pharisee
1193:Equestrian Portrait of the Duke of Lerma
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591:One of the emblems is entitled in Dutch
470:Tempus Rite Impensum Sapiens Non Revocat
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2169:Odysseus on the Island of the Phaecians
1737:The Garden of Eden with the Fall of Man
1044:Rijksmuseum Amsterdam, Otto van Veen's
694:
194:family to move to Antwerp, and then to
2439:The Peasants Returning From The Fields
1793:The Rape of the Daughters of Leucippus
1056:Van de Velde, Carl: "Veen , Otto van"
400:He had two brothers who were artists:
244:. The contemporary Flemish biographer
1497:Christ Giving the Keys to Saint Peter
869:Netherlands Institute for Art History
853:Dictionary of Pastellists Before 1800
722:Netherlands Institute for Art History
713:
711:
709:
707:
372:, an Antwerp engraver, publisher and
232:and painter and secretary to various
216:. He studied there for a time under
7:
2137:Saint Francis Receiving the Stigmata
2033:The Reconciliation of Esau and Jacob
1833:Mucius Scaevola before Lars Porsenna
1801:Christ Triumphant over Sin and Death
1109:a manuscript by Otto van Veen (1610)
941:Otto Vaenius, Amorum Emblemata, 1608
643:was published in 1615 in Antwerp by
547:was published in 1608 in Antwerp by
412:, Symon, and Jacobus. His daughter
331:Allegory of the Temptations of Youth
2289:Hercules's Dog Discovers Purple Dye
1601:The Hippopotamus and Crocodile Hunt
535:Ghewensten Strijdt - Combat Heureux
280:around 1580/81. he became in 1587
2225:Helena Fourment with Her Son Frans
2121:Minerva Protecting Peace from Mars
1889:Landscape with Philemon and Baucis
1281:Portrait of Maria di Antonio Serra
190:by the Protestant army caused the
14:
1513:The Crowning of the Virtuous Hero
747:on the site of Jean Moust gallery
2548:Nicolaas Rubens, Lord of Rameyen
1897:Portrait of a Young Man in Armor
1077:
524:
515:
290:Alexander Farnese, Duke of Parma
2407:Helena Fourment with a Carriage
2145:The Crowning of Saint Catherine
1721:Christ and the Penitent Sinners
1521:The Incredulity of Saint Thomas
595:(Desired Combat) and in French
498:Quinti Horatii Flacci Emblemata
481:Quinti Horatii Flacci Emblemata
474:Quinti Horatii Flacci Emblemata
460:Quinti Horatii Flacci Emblemata
441:Quinti Horatii Flacci emblemata
2081:Henry IV at the Battle of Ivry
1929:The Rape of Orithyia by Boreas
1681:Miracles of St. Francis Xavier
959:Otto van Veen Amorum Emblemata
865:Gertruida van Veen (1602–1643)
1:
2668:Flemish Renaissance humanists
2297:Helena Fourment with Children
2188:(Saint Petersburg; 1632–1635)
1046:Batavians defeating the Roman
997:at the Emblem Project Utrecht
912:at the Emblem Project Utrecht
849:Profile of Apollonia van Veen
186:until October 1572, when the
180:John III, Duke of Brabant
2431:The Rape of the Sabine Women
2009:The Conversion of Saint Bavo
1857:St Mary Magdalene in Ecstasy
1817:The Union of Earth and Water
1617:Theodosius and Saint Ambrose
794:Brinio op het schild geheven
419:The early artist biographer
224:. Lampsonius was a Flemish
2177:The Finding of Erichthonius
1905:Saint George and the Dragon
909:Q. Horatii Flacci emblemata
537:from Amorum Emblemata, 1608
184:Isaac Claesz van Swanenburg
117:(1556 – 6 May 1629), was a
2714:
2663:Flemish Mannerist painters
2474:The History of Constantine
2353:The Birth of the Milky Way
2217:The Dance of the Villagers
1993:The History of Constantine
1977:Portrait of Susanna Lunden
1332:(Madrid; 1609 and 1628–29)
1161:The Descent from the Cross
883:Octavio van Veen biography
835:Olga Vassilieva-Codognet,
380:at the Brussels Mint. The
309:Archduke Ernest of Austria
158:, including the Archdukes
2613:Poussinists and Rubenists
2241:The Triumph of the Church
2209:Bathsheba at the Fountain
1913:Perseus Freeing Andromeda
1665:The Lion and Leopard Hunt
1481:The Defeat of Sennacherib
1385:Massacre of the Innocents
1217:Heraclitus and Democritus
1201:Portrait of a Young Woman
809:Batavians defeating Roman
796:Painting by Otto van Veen
30:
2683:Flemish Baroque painters
2375:Deianira Listens to Fame
2345:Assumption of the Virgin
2153:The Ildefonso Altarpiece
2065:Assumption of the Virgin
1873:Conversion of Saint Paul
1865:The Small Last Judgement
1745:The Great Last Judgement
1577:Daniel in the Lions' Den
1377:Conversion of Saint Paul
1353:Coronation of the Virgin
1305:Madonna della Vallicella
1107:Vita D. Thomae Aquinatis
1090:Othonis Vaenii emblemata
317:Pieter Bruegel the Elder
2073:Angelica and the Hermit
1697:Two Women with a Candle
1505:Portrait of a Commander
1062:Oxford University Press
1010:Belkin, Kristin Lohse:
994:Amoris divini emblemata
675:Amoris divini emblemata
665:Amoris divini emblemata
661:Amoris divini emblemata
649:Amoris divini emblemata
641:Amoris divini emblemata
633:Amoris diuini emblemata
620:Amoris divini emblemata
449:Amoris divini emblemata
284:to the governor of the
276:. He returned to the
234:Prince-Bishops of Liège
2348:(Vienna; c. 1637)
1969:Marie de' Medici cycle
1881:The Fall of the Damned
1705:Descent from the Cross
1689:Saint Stephen Triptych
1460:(Rotterdam; 1612–1614)
1449:Descent from the Cross
1313:Susanna and the Elders
1095:Emblem Project Utrecht
636:
476:
453:Emblemata sive symbola
394:
333:
214:Prince-Bishop of Liège
209:
2688:Painters from Antwerp
2447:The Rainbow Landscape
2321:The Rainbow Landscape
2201:Adoration of the Magi
2185:The Rainbow Landscape
2025:Adoration of the Magi
1985:Perseus and Andromeda
1948:(Florence; 1620–1623)
1825:Tigress with Her Cubs
1761:Adoration of the Magi
1657:The Wolf and Fox Hunt
1633:Florence Resurrection
1409:The Four Philosophers
1329:Adoration of the Magi
1241:The Baptism of Christ
1101:Amorum Emblemata 1608
701:Belkin (1998): 26–28.
627:
572:Quaeris quid sit Amor
468:
408:, Pieter's children,
392:The mocking of Christ
390:
329:
274:Bartholomeus Spranger
206:Amazons and Scythians
204:
2391:The Rape of Ganymede
2257:Deucalion and Pyrrha
2068:(Antwerp; 1625–1626)
1729:Mars and Rhea Silvia
1468:(Cambridge; c. 1614)
1452:(Antwerp; 1612–1614)
1417:Antwerp Resurrection
1369:Raising of the Cross
1209:Hercules and Omphale
1103:on Internet Archive.
1086:at Wikimedia Commons
945:Hieronymus Verdussen
784:Bertini (1998): 119.
549:Hieronymus Verdussen
485:Hieronymus Verdussen
303:and a chapel in the
286:Southern Netherlands
258:William V of Bavaria
218:Dominicus Lampsonius
156:Habsburg Netherlands
148:classically educated
129:active primarily in
105:, also known by his
85:Habsburg Netherlands
2678:Dutch male painters
2673:Artists from Leiden
2418:(Vienna; 1638–1639)
2386:(Madrid; 1636–1638)
2361:Consequences of War
1937:Christ on the Cross
1561:Madonna della Cesta
1529:The Death of Adonis
1489:The Four Continents
1380:(London; 1610–1612)
1233:The Fall of Phaeton
1164:(Siegen; 1600–1602)
1031:Burlington Magazine
817:on 11 February 2012
811:at the Rijksmuseum"
645:Martinus Nutius III
361:Jacques Jonghelinck
150:humanist artist (a
2477:(1622–1640) (with
2399:Diana and Callisto
2329:Pallas and Arachne
2265:The Feast of Herod
2249:The Feast of Venus
2193:The Garden of Love
2113:The Rape of Europa
1849:The Wild Boar Hunt
1828:(attributed; 1618)
1708:(Lille; 1616–1617)
1625:The Wild Boar Hunt
1337:Samson and Delilah
637:
593:Ghewensten Strijdt
477:
395:
382:maître particulier
378:maître particulier
334:
266:Northern Mannerist
210:
42:Gertruida van Veen
2698:Peter Paul Rubens
2640:
2639:
2497:Palazzi di Genova
2479:Pietro da Cortona
2455:Judgment of Paris
2281:Mercury and Argus
2204:(Cambridge; 1634)
1764:(Lyon; 1617–1618)
1673:Romulus and Remus
1593:A Statue of Ceres
1473:The Tribute Money
1345:Honeysuckle Bower
1169:Leda and the Swan
1144:Peter Paul Rubens
1082:Media related to
629:Vivet ad extremum
568:Jacob de Gheyn II
402:Gijsbert van Veen
301:Antwerp cathedral
294:Guild of St. Luke
188:capture of Leiden
100:
99:
70:(aged 72–73)
2705:
2578:Tobias Verhaecht
2566:Maria Pypelinckx
2383:The Three Graces
2273:The Village Fête
2236:(New York; 1635)
2233:Venus and Adonis
2097:The Annunciation
1945:The Three Graces
1809:The Prodigal Son
1537:Venus and Adonis
1401:Prometheus Bound
1265:The Circumcision
1225:Virgin and Child
1137:
1130:
1123:
1114:
1081:
1058:Grove Art Online
998:
989:
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978:
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969:
963:
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929:
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891:Arnold Houbraken
881:
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862:
856:
846:
840:
833:
827:
826:
824:
822:
813:. Archived from
803:
797:
791:
785:
782:
776:
775:
766:Karel van Mander
762:Octavio van Veen
759:
748:
742:
736:
733:
724:
715:
702:
699:
669:Amorum emblemata
657:Amorum emblemata
653:Amorum emblemata
606:Seneca the Elder
585:Amorum emblemata
580:Amorum emblemata
553:Amorum emblemata
545:Amorum emblemata
528:
519:
506:Amorum emblemata
445:Amorum emblemata
421:Arnold Houbraken
313:Hieronymus Bosch
246:Karel van Mander
242:Federico Zuccari
146:. His role as a
115:Octavius Vaenius
69:
35:
21:
2713:
2712:
2708:
2707:
2706:
2704:
2703:
2702:
2643:
2642:
2641:
2636:
2601:
2596:Nicolaas Rockox
2542:Helena Fourment
2519:
2503:
2484:
2461:
2105:The Fall of Man
2028:(Antwerp; 1624)
1769:The Five Senses
1257:Transfiguration
1152:
1146:
1141:
1074:
1007:
1002:
1001:
990:
986:
979:
975:
971:Montone, p. 47.
970:
966:
957:Julie Coleman,
955:
951:
939:
935:
930:
926:
920:
916:
905:
896:
879:
878:
874:
863:
859:
847:
843:
834:
830:
820:
818:
805:
804:
800:
792:
788:
783:
779:
773:
760:
751:
743:
739:
734:
727:
716:
705:
700:
696:
691:
622:
576:Daniël Heinsius
541:
540:
539:
538:
531:
530:
529:
521:
520:
509:
463:
451:(1615) and the
433:
270:Joris Hoefnagel
172:
76:
71:
67:
58:
53:
44:
26:
19:
12:
11:
5:
2711:
2709:
2701:
2700:
2695:
2693:Court painters
2690:
2685:
2680:
2675:
2670:
2665:
2660:
2655:
2645:
2644:
2638:
2637:
2635:
2634:
2631:Rubens' Europe
2628:
2623:
2615:
2609:
2607:
2603:
2602:
2600:
2599:
2593:
2587:
2584:Adam van Noort
2581:
2575:
2569:
2563:
2557:
2551:
2545:
2539:
2536:Isabella Brant
2533:
2527:
2525:
2521:
2520:
2518:
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2511:
2509:
2505:
2504:
2502:
2501:
2492:
2490:
2486:
2485:
2483:
2482:
2469:
2467:
2463:
2462:
2460:
2459:
2451:
2450:(Munich; 1640)
2443:
2435:
2427:
2419:
2411:
2403:
2395:
2387:
2379:
2365:
2357:
2349:
2341:
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2325:
2324:(London; 1636)
2317:
2309:
2301:
2293:
2285:
2277:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2213:
2205:
2197:
2189:
2181:
2173:
2165:
2157:
2149:
2141:
2133:
2129:Cimon and Pero
2125:
2117:
2109:
2101:
2093:
2085:
2077:
2076:(c. 1626–1628)
2069:
2061:
2053:
2045:
2037:
2029:
2021:
2013:
2005:
1997:
1989:
1981:
1973:
1965:
1957:
1953:Isabella Brant
1949:
1941:
1933:
1925:
1917:
1909:
1901:
1893:
1885:
1877:
1869:
1861:
1853:
1845:
1837:
1836:(c. 1618–1620)
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1765:
1757:
1749:
1741:
1733:
1725:
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1701:
1693:
1685:
1677:
1669:
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1637:
1629:
1621:
1613:
1609:The Tiger Hunt
1605:
1597:
1589:
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1573:
1565:
1557:
1549:
1541:
1533:
1525:
1517:
1509:
1501:
1493:
1485:
1477:
1469:
1461:
1453:
1445:
1437:
1429:
1428:(c. 1611–1615)
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1361:Juno and Argus
1357:
1349:
1341:
1333:
1325:
1317:
1309:
1301:
1293:
1285:
1277:
1269:
1261:
1253:
1245:
1237:
1236:(c. 1604/1605)
1229:
1221:
1213:
1205:
1197:
1189:
1181:
1177:The Deposition
1173:
1165:
1156:
1154:
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1147:
1142:
1140:
1139:
1132:
1125:
1117:
1111:
1110:
1104:
1098:
1092:
1087:
1073:
1072:External links
1070:
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1003:
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984:
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931:Enenkel, p 366
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828:
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597:Combat Heureux
533:
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346:Dutch Republic
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91:Known for
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2590:Otto van Veen
2588:
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2579:
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2572:Philip Rubens
2570:
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2564:
2561:
2558:
2555:
2554:Albert Rubens
2552:
2549:
2546:
2544:(second wife)
2543:
2540:
2537:
2534:
2532:
2531:Rubens family
2529:
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2415:Self-Portrait
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2027:
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2022:
2019:
2018:
2014:
2011:
2010:
2006:
2003:
2002:
2001:Self-Portrait
1998:
1995:
1994:
1990:
1987:
1986:
1982:
1979:
1978:
1974:
1971:
1970:
1966:
1963:
1962:
1961:The Lion Hunt
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1753:A Bearded Man
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1433:Roman Charity
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1393:Venus Frigida
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1084:Otto van Veen
1080:
1076:
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1024:0-7148-3412-2
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1016:Phaidon Press
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745:Otto van Veen
741:
738:
735:Van de Velde.
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723:
719:
718:Otto van Veen
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683:Pia desideria
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578:. Van Veen's
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569:
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561:Philip Rubens
558:
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278:Low Countries
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152:pictor doctus
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103:Otto van Veen
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57:
51:
47:
43:
39:
38:Otto van Veen
34:
29:
25:Otto van Veen
22:
16:
2653:1550s births
2633:(exhibition)
2617:
2589:
2538:(first wife)
2495:
2472:
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2031:
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2015:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1951:
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1935:
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1756:(c. 1617–18)
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1545:St Sebastian
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1199:
1191:
1183:
1175:
1172:(1601, 1602)
1167:
1159:
1153:and drawings
1057:
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936:
927:
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844:
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819:. Retrieved
815:the original
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447:(1608), the
444:
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439:, including
437:Emblem books
434:
431:Emblem books
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381:
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370:Jacob de Bie
365:
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173:
151:
140:emblem books
114:
110:
102:
101:
68:(1629-05-06)
37:
15:
2658:1629 deaths
2622:(1977 film)
2434:(1639–1640)
2426:(1638–1640)
2402:(1637–1638)
2394:(1636–1638)
2340:(1636–1638)
2337:Het Pelsken
2332:(1636–1637)
2284:(1635–1638)
2276:(1635–1638)
2268:(1635–1638)
2260:(1636–1637)
2252:(1635–1636)
2180:(1632–1634)
2172:(1630–1635)
2164:(1630–1631)
2161:Last Supper
2156:(1630–1631)
2124:(1629–1630)
2116:(1628–1629)
2108:(1628–1629)
2100:(1627–1628)
2044:(1623–1626)
2020:(1623–1624)
2012:(1623–1624)
1996:(1622–1625)
1972:(1621–1630)
1860:(1619–1620)
1852:(1618–1620)
1844:(1618–1620)
1772:(1617–1618)
1716:(1616–1617)
1700:(1616–1617)
1692:(1616–1617)
1684:(1616–1617)
1676:(1615–1616)
1628:(1615–1617)
1620:(1615–1616)
1612:(1615–1616)
1604:(1615–1616)
1585:Bacchanalia
1524:(1613–1615)
1516:(1613–1614)
1500:(1612–1614)
1484:(1612–1614)
1476:(1612–1614)
1420:(1611–1612)
1412:(1611–1612)
1404:(1611–1612)
1372:(1610–1611)
1356:(1609–1611)
1348:(1609–1610)
1340:(1609–1610)
1308:(1606–1608)
1260:(1604–1605)
1252:(1604–1605)
1244:(1604–1605)
1188:(1602–1605)
679:Herman Hugo
406:pastellists
374:numismatist
176:Burgomaster
123:draughtsman
111:Otto Venius
81:Nationality
2647:Categories
2626:Rubenesque
2560:Jan Rubens
2515:Rubenshuis
2466:Tapestries
1777:Two Satyrs
1425:Visitation
1005:References
889:(1718) by
880:(in Dutch)
821:18 January
774:(in Dutch)
472:from the
222:Jean Ramey
66:6 May 1629
2592:(teacher)
2586:(teacher)
2580:(teacher)
2574:(brother)
2458:(various)
2364:(c. 1638)
2356:(c. 1637)
2292:(c. 1636)
2212:(c. 1635)
2196:(c. 1633)
2140:(c. 1630)
2060:(c. 1625)
1988:(c. 1622)
1956:(c. 1621)
1908:(c. 1620)
1900:(c. 1620)
1892:(c. 1620)
1884:(c. 1620)
1820:(c. 1618)
1804:(c. 1618)
1796:(c. 1618)
1668:(c. 1616)
1660:(c. 1616)
1652:(c. 1616)
1596:(c. 1615)
1588:(c. 1615)
1556:(c. 1614)
1548:(c. 1614)
1441:Ecce Homo
1388:(c. 1611)
1324:(c. 1609)
1228:(c. 1604)
1151:Paintings
947:, Antwerp
602:ghebonden
414:Gertruida
410:Apollonia
350:Batavians
321:Romanists
305:city hall
250:Rudolf II
208:, 1597-99
107:Latinized
2598:(friend)
2568:(mother)
2562:(father)
1018:, 1998.
685:(1624).
443:(1607),
366:waerdeyn
357:waerdeyn
342:Isabella
226:humanist
192:Catholic
164:Isabella
135:Brussels
127:humanist
95:Painting
74:Brussels
2606:Related
2508:Museums
2423:Bacchus
1876:(1620s)
1492:(1610s)
922:Ethics"
867:at the
851:in the
772:, 1604
720:at the
131:Antwerp
119:painter
2619:Rubens
2524:People
2500:(1622)
2442:(1640)
2410:(1638)
2378:(1638)
2316:(1636)
2313:Saturn
2308:(1636)
2300:(1636)
2244:(1635)
2228:(1635)
2220:(1635)
2148:(1631)
2132:(1630)
2092:(1627)
2084:(1627)
2052:(1625)
2036:(1624)
2004:(1623)
1980:(1622)
1964:(1621)
1940:(1620)
1932:(1620)
1924:(1620)
1916:(1620)
1868:(1619)
1812:(1618)
1788:(1618)
1785:Medusa
1780:(1618)
1748:(1617)
1740:(1617)
1732:(1617)
1724:(1617)
1644:(1616)
1636:(1616)
1580:(1615)
1572:(1615)
1564:(1615)
1540:(1614)
1532:(1614)
1508:(1613)
1444:(1612)
1436:(1612)
1396:(1611)
1364:(1610)
1316:(1607)
1300:(1606)
1292:(1606)
1284:(1606)
1276:(1606)
1268:(1605)
1220:(1603)
1212:(1603)
1204:(1603)
1196:(1603)
1180:(1602)
1022:
1012:Rubens
635:(1615)
614:Cicero
489:Horace
338:Albert
262:Munich
254:Prague
160:Albert
144:Rubens
125:, and
109:names
56:Leiden
2556:(son)
2550:(son)
2489:Books
689:Notes
631:from
557:putti
196:Liège
40:, by
1020:ISBN
992:The
907:The
823:2024
639:The
612:and
543:The
479:His
340:and
315:and
272:and
256:and
238:Rome
230:poet
220:and
170:Life
162:and
133:and
63:Died
52:1556
49:Born
1064:, .
1050:sic
885:in
768:'s
764:in
681:'s
570:'s
260:in
252:in
113:or
2649::
2372:/
1060:.
1014:.
943:,
897:^
752:^
728:^
706:^
671:.
608:,
288:,
228:,
198:.
166:.
121:,
2481:)
1136:e
1129:t
1122:v
1052:)
1048:(
1026:.
855:.
825:.
807:"
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