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Oxford University Jazz Society

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220:. During this period the weekly event consisted of a set performed by a house band of student musicians before opening the stage for a jam. However, once a term JazzSoc presented a 'spectacular' featuring an internationally renowned jazz act, playing either with their own band or with a local rhythm section. Past spectaculars featured 216:. In 2008, the society briefly held its jams at the Purple Turtle bar, before having no fixed venue for a short period during which the jams were held in various college bars on various days, depending on availability. At the end of 2008 the jam eventually settled at the 'Thirst Lodge', before another change in 2009 to Bar Copa in 19: 72:
In 1951, the Club held meetings in St Michael's Hall every Saturday at 8 pm. This consisted of two sessions of live Jazz presented by the Club's musicians, a record interlude, and often a recital by a guest soloist. In 1953, the club started to hold its meetings on alternate Fridays in the Green
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Big Band for what was a significant financial risk. The controlled capacity of the Carfax Assembly Rooms was strictly observed, and counters were allocated to check people in and out of the dance and performance hall itself during the evening to maintain these numbers. To the regret of the
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As of October 2013, the jam ran every Tuesday night at The Mad Hatter. At this time JazzSoc began to host professional acts weekly during term. In addition, student bands hosting the jam began to more often be less-established student ensembles rather than a house band.
252:, Oxford. The jam typically opens with a house band set featuring either an up-and-coming jazz ensemble, student or otherwise, or a more widely renowned professional artist. The floor is then opened to everyone and anyone with a desire to jam. 73:
Room of the Kemp Restaurant where the Club's resident band would perform. The writer and documentary maker Tony Cash played clarinet and saxophone in the Club's band and became its President during the 1950s.
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As of 2020, JazzSoc replenished its membership card supplies due to large demand, and launched a record label to give student bands the opportunity to produce and release their music on digital platforms.
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JazzSoc primarily sends information about its events to its members via its Facebook page "JazzSoc – Oxford University" and its mailing list, hosted by the Oxford University IT services.
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After a period of inactivity in the 1980s, in 1994, the OU Modern Jazz Club was reformed as the Jazz Society and is now colloquially known as "
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In 2004, JazzSoc returned to its original home at the Roebuck, known until 2006 as the 'Market Tavern' (after then it was transformed into a '
327: 111:, was a musical organiser of the Modern Jazz Club in Trinity Term 1962. He refused membership of the Club to Nigel Tully, founder of the 49:, the society now provides the main arena for student players to interact musically, whilst also encouraging a non-student contingent. 646: 503: 474: 438: 119:'s music. Performers in the Michaelmas Term 1962 included Dickie Hawdon(trumpet), Alan and Jimmy Skidmore, and the Fat John Band. 299: 122:
In 1963, the OU Jazz Club started the Big Night, initiated by Marcus Wigan on the OU Jazz Club Committee, and hired the entire
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gave a talk to the very different Modern Jazz Club (where Wigan was also on the Committee): the Pat Crumly Quartet, the
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arrived and stopped any more tickets being sold. Shortly after Marcus Wigan presented a large cheque for the Big Night,
179: 97: 208:' restaurant). From 2006 until 2008, JazzSoc took place at the 'Blue Bar' in the cellar of the Cock and Camel pub on 848: 304: 928: 255:
Notable performances have included Escape Hatch (Ivo Neame, Andrea Di Biase, Dave Hamblett), Adam Waldmann (of
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In the 1970s, the OU Jazz Club organised weekly gigs in the first floor of the former Roebuck public house in
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organisers, with a good profit in a queue extending well back through Carfax, the University
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as well as Oxford-based jazz bands including Pat Crumly's 'Edge' and the
212:. This has also since transformed into a restaurant and is now owned by 193:". Between 1994 and 1997, it hosted a weekly jam session at Po Na Na on 128: 533: 323: 151: 392: 18: 793: 727: 17: 680: 815: 256: 61:(born 1925) was involved with the band that formed the original 38: 882: 864: 662: 624:
OU Modern Jazz Club Membership Card for the Hilary Term 1963
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OU Modern Jazz Club Membership Card for Michaelmas Term 1962
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OU Modern Jazz Club Membership Card for Trinity Term 1963
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which met in seated venues at the Wheatsheaf Inn on the
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The Shell Weekend Guide to London and the South-East
283:, Waaju, Nihilism, Brother's Testament, and more. 492:The International Who's Who in Popular Music 2002 924:Clubs and societies of the University of Oxford 919:Music organisations based in the United Kingdom 248:JazzSoc runs a weekly jam at The Mad Hatter on 8: 143:plus the Pat Crumly Quartet all presented. 69:has studied the early history of the Club. 439:"The debates that, y'know, drive me mad" 88:Assembly Rooms and had dancing, and the 315: 76:In the 1960s, there were two different 65:. The conductor, composer, and pianist 909:Arts organizations established in 1951 7: 751:"Preview: Nigel Price hits the road" 275:2014 winner Alex Bone, Nigel Price, 273:BBC Young Jazz Musician of the Year 14: 328:Oxford University Students' Union 279:on his debut album release tour, 914:Jazz clubs in the United Kingdom 794:"Oxford University Jazz Society" 728:"Oxford University Jazz Society" 324:"Oxford University Jazz Society" 300:Oxford University Jazz Orchestra 904:1951 establishments in England 778:Oxford University Jazz Society 103:The columnist and bass player 80:at the University: the larger 31:Oxford University Jazz Society 24:Oxford University Jazz Society 1: 852:. Billboard Limited: 7. 2004. 703:"JazzSoc - Oxford University" 641:. R. Nicholson. p. 160. 626:, UK: Oxford University, 1963 598:"Oxford University Jazz Club" 585:, UK: Oxford University, 1962 522:, UK: Oxford University, 1963 349:"JazzSoc - Oxford University" 115:band, because of his love of 679:. Oxford, UK. Archived from 816:"Artists | JazzSoc Records" 490:Gregory, Andy, ed. (2002). 82:Oxford University Jazz Club 63:Oxford University Jazz Club 47:Oxford University Jazz Club 945: 849:Jazz Journal International 637:Nicholson, Robert (1979). 305:Oxford University Big Band 463:Who's Who of British Jazz 665:. UK: Oxford University. 796:. UK: Oxford University 534:"Dark Blues Management" 418:St Edmund Hall, Oxford 26: 563:. UK. 7 February 2007 467:Bloomsbury Publishing 21: 820:jazzsoc.bandcamp.com 380:. Wolfe. p. 57. 263:), Gareth Lockrane, 43:University of Oxford 447:. 30 November 2004. 444:The Daily Telegraph 90:OU Modern Jazz Club 84:, which met at the 683:on 5 February 2011 37:, is the focus of 27: 871:videos on YouTube 730:. groupspaces.com 391:Hogarth, Samuel. 57:The music critic 936: 853: 831: 830: 828: 826: 812: 806: 805: 803: 801: 790: 784: 775: 769: 768: 766: 764: 749:Lindsay, Bruce. 746: 740: 739: 737: 735: 724: 718: 717: 715: 713: 707:www.facebook.com 699: 693: 692: 690: 688: 673: 667: 666: 659: 653: 652: 634: 628: 627: 620: 614: 613: 611: 609: 593: 587: 586: 579: 573: 572: 570: 568: 555:"Party Planning" 551: 545: 544: 542: 540: 530: 524: 523: 516: 510: 509: 496:Psychology Press 487: 481: 480: 465:(2nd ed.). 455: 449: 448: 435: 429: 428: 426: 424: 410: 404: 403: 401: 399: 388: 382: 381: 370: 364: 363: 361: 359: 353:www.facebook.com 345: 339: 338: 336: 334: 320: 230:Julian Arguelles 180:Barbara Thompson 124:Johnny Dankworth 33:, also known as 944: 943: 939: 938: 937: 935: 934: 933: 929:Music in Oxford 894: 893: 860: 842: 839: 834: 824: 822: 814: 813: 809: 799: 797: 792: 791: 787: 776: 772: 762: 760: 748: 747: 743: 733: 731: 726: 725: 721: 711: 709: 701: 700: 696: 686: 684: 675: 674: 670: 661: 660: 656: 649: 636: 635: 631: 622: 621: 617: 607: 605: 602:Community roles 596:Wigan, Marcus. 595: 594: 590: 581: 580: 576: 566: 564: 553: 552: 548: 538: 536: 532: 531: 527: 518: 517: 513: 506: 489: 488: 484: 477: 457: 456: 452: 437: 436: 432: 422: 420: 412: 411: 407: 397: 395: 390: 389: 385: 378:One Man's Music 372: 371: 367: 357: 355: 347: 346: 342: 332: 330: 322: 321: 317: 313: 296: 246: 222:Nigel Hitchcock 55: 12: 11: 5: 942: 940: 932: 931: 926: 921: 916: 911: 906: 896: 895: 892: 891: 885: 879: 873: 867: 859: 858:External links 856: 855: 854: 838: 835: 833: 832: 807: 785: 770: 741: 719: 694: 668: 654: 648:978-0905522128 647: 629: 615: 588: 574: 546: 525: 511: 505:978-1857431612 504: 498:. p. 18. 482: 476:978-0826423894 475: 469:. p. 11. 450: 430: 405: 383: 374:Gammond, Peter 365: 340: 314: 312: 309: 308: 307: 302: 295: 292: 277:Binker Golding 245: 242: 139:plus Trio and 133:John Dankworth 67:Samuel Hogarth 54: 51: 13: 10: 9: 6: 4: 3: 2: 941: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 901: 899: 890: 886: 884: 880: 878: 877:Facebook page 874: 872: 868: 866: 862: 861: 857: 851: 850: 845: 841: 840: 836: 821: 817: 811: 808: 795: 789: 786: 783: 779: 774: 771: 758: 757: 752: 745: 742: 729: 723: 720: 708: 704: 698: 695: 682: 678: 672: 669: 664: 658: 655: 650: 644: 640: 633: 630: 625: 619: 616: 603: 599: 592: 589: 584: 578: 575: 562: 561: 556: 550: 547: 535: 529: 526: 521: 515: 512: 507: 501: 497: 493: 486: 483: 478: 472: 468: 464: 460: 459:Chilton, John 454: 451: 446: 445: 440: 434: 431: 419: 415: 409: 406: 394: 387: 384: 379: 375: 369: 366: 354: 350: 344: 341: 329: 325: 319: 316: 310: 306: 303: 301: 298: 297: 293: 291: 287: 284: 282: 278: 274: 270: 266: 262: 258: 253: 251: 243: 241: 237: 235: 231: 227: 223: 219: 218:George Street 215: 211: 210:George Street 207: 202: 200: 196: 192: 187: 185: 181: 177: 176:Kenny Wheeler 173: 169: 165: 164:Alan Skidmore 161: 160:Harry Beckett 157: 153: 149: 148:Market Street 144: 142: 138: 134: 130: 125: 120: 118: 114: 110: 106: 105:Miles Kington 101: 100:(born 1936). 99: 95: 91: 87: 83: 79: 74: 70: 68: 64: 60: 59:Peter Gammond 52: 50: 48: 44: 41:music at the 40: 36: 32: 25: 20: 16: 889:mailing list 847: 837:Bibliography 823:. 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UK: 271:, the 244:Events 232:, and 152:Oxford 86:Carfax 827:2019 802:2017 765:2017 759:. UK 736:2017 714:2019 689:2011 643:ISBN 610:2017 569:2017 541:2017 500:ISBN 471:ISBN 425:2017 400:2017 360:2019 335:2017 257:MOBO 178:and 39:jazz 29:The 780:on 900:: 846:. 818:. 753:. 705:. 600:. 557:. 494:. 441:. 351:. 326:. 267:, 236:. 228:, 224:, 186:. 174:, 170:, 166:, 162:, 158:, 829:. 804:. 767:. 738:. 716:. 691:. 651:. 612:. 571:. 543:. 508:. 479:. 427:. 402:. 362:. 337:.

Index


jazz
University of Oxford
Peter Gammond
Samuel Hogarth
jazz clubs
Carfax
High Street
Bill Ashton
Miles Kington
trombonist
Buddy Holly
Johnny Dankworth
Proctors
John Dankworth
Ronnie Ross
Art Themen
Market Street
Oxford
Lol Coxhill
Harry Beckett
Alan Skidmore
Don Rendell
Art Themen
Kenny Wheeler
Barbara Thompson
Oxcentrics
St Giles'
High Street
Wagamama

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