191:(one of the last surviving pupils of Franz Liszt) and continued study with Egon Petri during summer sessions in Zakopane, Poland. Marsh gave his Paris and Warsaw debut (Warsaw Conservatory) in 1938 only months before the outbreak of the war. His first Town Hall New York debut was in 1939 and received fine praise from the New York Times. During WWII he served in the Navy's "Lighter than Air" dirigible squadron as well as a final post as chaplains assistant because of a disability caused by the war.
265:, on their Community Concerts Series. During his life he had the opportunity to tour Russia (former Soviet Union 1980)at the invitation of the Soviet Government and at the invitation of one of that nations foremost senior composers Dimitri Kabalevsky. He additionally toured South Korea three times and China PRC twice, playing solo concerts as well as appearing with orchestra with the Beijing (China) Opera Orchestra.
22:
137:, and a highly esteemed piano teacher. Drawing on his decades of teaching experience, he put forward a consistent approach to teaching and learning to play the piano with a special focus on the technical side. Marsh had a particular affinity for Chopin and Liszt, having devoted a period of study to the complete works of Liszt.
324:, (formerly the Southwest Pianists Foundation) an organization devoted to furthering of the careers of promising young pianists. He gave a great deal of his time to the much needed project of furthering the goals of those pianists, many who have gone on to wonderful careers themselves.
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Liszt Piano
Concerto #1 in Eflat, Spanish Rapsody (Busoni), Totentanz (Solo Piano) London Philharmonic Orchestra, Released on VOX Cum Laude, Allegro Records and Concert Artists Records (UK)
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Marsh began his studies with Ethel
Willard Putnam, a piano teacher who specialized in working with small children. Before leaving California for New York, he studied with
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During his career, Marsh won critical acclaim in recital appearances and as soloist with many of the world’s most distinguished orchestras: among them, the
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Ozan Marsh coupled an outstanding performing career with an equally distinguished academic one. He served on the faculties of such major institutions as
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156:, who offered Marsh full scholarship to study in Europe, and with whom he would later also work in Poland. At some point, he also coached with
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Dmitri
Kabalevsky Concerto #2 for Piano and Orchestra, Royal Philharmonic of London, CSP Columbia Records,Collectors Edition
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Hungarian
Fantasy for Piano and Orchestra RCA (His Masters Voice)Victrola, Arthur Fiedler and the Boston Pops Orchestra 1959
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Re-Released several times on RCA "Everything but the Beer","Three
Concert Gems" CD and others.
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463:"Coronado Eagle and Journal 10 October 1957 — California Digital Newspaper Collection"
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292:. He participated in judging various international piano competitions including the
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253:(in Boston and on nationwide concert tours), appeared a number of times with the
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The
Pianist's Bookshelf: A Practical Guide to Books, Videos, and Other Resources
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807:"The Dranoff International 2 Piano Foundation | Commissions: Paul Schoenfield"
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Dmitri
Kabalevsky Preludes and Rondo, CSP Columbia Records, Collectors Edition
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as well as gave hundreds of solo concerts throughout the United States under
638:. United States: University of Illinois at Urbana-Champaign. p. 247.
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Throughout his career Marsh played over 200 concert appearances with the
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187:, graduating "magna cum laude." He traveled to Vienna and worked with
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Marsh died at
Phoenix General Hospital from pneumonia in March 1992.
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President's Music
Committee of the People-to-People Program (1959).
152:. At fifteen, he moved to New York to study with Dutch pianist
900:"Christopher Cano, piano - Philadelphia Chamber Music Artists"
332:
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832:"Donna Amato - School of Music - Carnegie Mellon University"
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Calendar of Music
Activities in the United States of America
563:"Ozan Marsh, Piano Virtuoso, Enjoying Excellent Career."
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he studied in Europe at the American Conservatory at the
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Ethel W. Putnam's Pupils to Present Recital Tomorrow."
945:"Richard Ozanne, Fortepiano | classicalconnect.com, a"
737:"description of Chattaqua and Ozan and Patricia Marsh"
578:"Historical interpretations of Friderick Chopin works"
649:"Pianist Ozan Marsh Opens Local Community Concerts".
414:
Kabalevsky Piano Concerto #2 Moscow Symphony (1980)
46:. Unsourced material may be challenged and removed.
786:"Paul Schoenfield - Seattle Chamber Music Society"
386:(SPF Records) Chopin 2nd Piano Sonata and Mazurkas
133:active throughout the world as well as across the
129:– March 15, 1992) was a celebrated concert
304:and many others. Some of his students include
511:"Diversions: Pianist Sets Marshall Concert."
8:
383:"A Century of Treasure" All Liszt Recording
380:Liszt B Minor Sonata, 12 Hungarian Rhapsody
436:. Indiana University Press. p. 171.
106:Learn how and when to remove this message
921:10 Teachers' Viewpoints on Suzuki Piano
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399:Rachmaninoff Concerto #2 (Un-Released)
345:Boston Symphony Transcription Library
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302:National Federation of Music Clubs
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995:Manhattan School of Music faculty
668:Flegler, Joel (1987). "Fanfare".
856:"David Syme Piano | About David"
308:, Edgar Coleman, and he taught:
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1015:20th-century classical pianists
396:Rachmaninoff Concerto #1 (1960)
343:, the Voice of America and the
322:Pianist's Foundation of America
31:needs additional citations for
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766:Milken Archive of Jewish Music
715:. RoseDog Books. p. 112.
692:Milken Archive of Jewish Music
408:Rachmaninoff 2nd Sonata (1983)
244:London Philharmonic Orchestras
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1010:University of Arizona faculty
923:. Alfred Music. p. 152.
830:University, Carnegie Mellon.
713:Practicing for Love: A Memoir
402:Kabalevsky Concerto #2 (1960)
232:Moscow Philharmonic Orchestra
214:, Music Guild of Pittsburgh,
1030:American Conservatory alumni
611:"Performance History Search"
327:Ozan Marsh has recorded for
259:Baltimore Symphony Orchestra
975:American classical pianists
405:Liszt B Minor Sonata (1983)
263:Columbia Artists Management
228:St. Petersburg Philharmonic
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651:Coronado Eagle and Journal
411:Scriabin 7th Sonata (1983)
358:His discography includes:
1005:Butler University faculty
533:"Ozan Marsh, Pianist, 71"
515:, November 25, 1984, 2-E.
502:, February 26, 1967, 4-E.
500:Lubbock Avalanche Journal
274:Manhattan School of Music
240:London Symphony Orchestra
949:www.classicalconnect.com
743:. 1972-09-02. p. 52
432:Hinson, Maurice (1998).
567:, November 19, 1957, 8.
282:St. Lawrence University
980:American male pianists
919:Comeau, Giles (1998).
711:Kennedy, Nina (2020).
290:Chautauqua Institution
212:San Francisco Symphony
200:Philadelphia Orchestra
811:www.dranoff2piano.org
513:Longview News-Journal
377:Other Recordings VLR:
331:(His Masters Voice),
286:University of Arizona
255:New York Philharmonic
251:Boston Pops Orchestra
196:New York Philharmonic
177:Fontainebleau Schools
741:Tucson Daily Citizen
489:, June 29, 1930, C3.
40:improve this article
762:"Schoenfield, Paul"
688:"Schoenfield, Paul"
224:Warsaw Philharmonic
220:Vienna Philharmonic
158:Sergei Rachmaninoff
880:MOVING CLASSICS TV
565:The News-Messenger
537:The New York Times
270:Indiana University
236:Royal Philharmonic
121:(June 25, 1920 in
278:Butler University
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55:"Ozan Marsh"
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38:Please help
33:verification
30:
990:1992 deaths
985:1920 births
836:www.cmu.edu
657:(40). 1957.
354:Discography
341:VLR Records
314:Donna Amato
306:Donna Amato
298:Franz Liszt
294:Van Cliburn
204:Boston Pops
969:Categories
954:2023-08-30
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419:References
318:David Syme
154:Egon Petri
127:California
119:Ozan Marsh
66:newspapers
676:(2): 167.
582:bn.org.pl
545:0362-4331
288:and the
242:and the
123:Pasadena
670:Fanfare
171:Before
144:History
131:pianist
80:scholar
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234:, the
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600:Ibid.
179:with
87:JSTOR
73:books
925:ISBN
717:ISBN
541:ISSN
438:ISBN
339:and
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183:and
164:and
59:news
337:PFA
333:CBS
329:RCA
42:by
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