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954:. The film consists of five long takes set by the ocean. Five sequences: 1) A piece of driftwood on the seashore, carried about by the waves 2) People walking on the seashore. The oldest ones stop by, look at the sea, then go away 3) Blurry shapes on a winter beach. A herd of dogs. A love story 4) A group of loud ducks cross the image, in one direction then the other 5) A pond, at night. Frogs improvising a concert. A storm, then the sunrise.
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914:(1962), for example, a wedding is merely mentioned in one scene, and the next sequence references this wedding (which has already occurred); the wedding itself is never shown. This is typical of Ozu's films, which eschew melodrama by eliding moments that would often be used in Hollywood in attempts to stir an emotional reaction from audiences.
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256:, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include
364:. He is said to have traveled the long journey from the school in the mountains to watch films on the weekend. In December 1922, his family, with the exception of Ozu and his sister, moved back to Tokyo to live with his father. In March 1923, when his sister graduated, he also returned to live in Tokyo.
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the typical over-the-shoulder shots in his dialogue scenes by most directors, the camera gazes on the actors directly, which has the effect of placing the viewer in the middle of the scene. Throughout his career, Ozu used a 50mm lens, which is usually considered to be the lens closest to human vision.
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Ozu is probably as well known for the technical style and innovation of his films as for the narrative content. The style of his films is most striking in his later films, a style he had not fully developed until his post-war sound films. He did not conform to
Hollywood conventions. Rather than using
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where he entertained guests, drew pictures, and collected rugs. At the end of the Second World War, in August 1945, Ozu destroyed the script and all footage of the film. He was detained as a civilian, and worked in a rubber plantation. Of his film team of 32 people, there was only space for 28 on the
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Ozu did not use typical transitions between scenes. In between scenes he would show shots of certain static objects as transitions, or use direct cuts, rather than fades or dissolves. Most often the static objects would be buildings, where the next indoor scene would take place. It was during these
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at
Shochiku. In 1927, he was involved in a fracas where he punched another employee for jumping a queue at the studio cafeteria, and when called to the studio director's office, used it as an opportunity to present a film script he had written. In September 1927, he was promoted to director in the
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mat. Actually, Ozu's camera is often even lower than that, only one or two feet off the ground, which necessitated the use of special tripods and raised sets. He used this low height even when there were no sitting scenes, such as when his characters walked in hallways. When Ozu made his move to
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in 1933) can be found, for example, in various entries from March 1939. In other entries, he describes
Chinese soldiers in disparaging terms, likening them in one passage to insects. Although operating as a military squad leader, Ozu retains his directorial perspective, once commenting that the
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music in any scenes other than in the transitions. Ozu moved the camera less and less as his career progressed, and ceased using tracking shots altogether in his colour films. However, David
Bordwell argues that Ozu is one of the few directors to "create a systematic alternative to Hollywood
324:, and was in a coma for a couple of days. Asae devoted herself to nursing him, and Ozu made a recovery. He attended Meiji nursery school and primary school. In March 1913, at the age of nine, he and his siblings were sent by his father to live in his father's home town of
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once had a young assistant who suggested that perhaps he should shoot conversations so that it seemed to the audience that the characters were looking at one another. Ozu agreed to a test. They shot a scene both ways, and compared them. "You see?" Ozu said. "No
538:. He arrived in Shanghai on 27 September 1937 as part of an infantry regiment which handled chemical weapons. He started as a corporal, but was promoted to sergeant on 1 June 1938. From January until September 1938, he was stationed in
635:. During his time in Singapore, having little inclination to work, he spent an entire year reading, playing tennis and watching American films provided by the Army information corps. He was particularly impressed with Orson Welles's
595:. He mentions that two tickets, ointment and prophylatics are provided, and that three Korean and twelve Chinese women were being held at the comfort station for their use. Comfort station rates and schedules are also given by Ozu.
423:, who would become his co-writer for the rest of his career. On September 25, he was called up for service in the military reserves until November, which meant that the film had to be partly finished by another director.
332:, where he remained until 1924. In March 1916, at the age of 12, he entered what is now Ujiyamada High School. He was a boarder at the school and did judo. He frequently skipped classes to watch films such as
430:, released on 1 December 1928, was the first Ozu film to use a low camera position, which would become his trademark. After a series of the "no star" pictures, in September 1929, Ozu's first film with stars,
737:, the first of these films, was the beginning of Ozu's commercial success and the development of his cinematography and storytelling style. These three films were followed by his first colour film,
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On 9 September 1937, at a time when
Shochiku was unhappy about Ozu's lack of box-office success, despite the praise he received from critics, the thirty-four-year-old Ozu was conscripted into the
591:, Ozu writes about the comfort station protocol in lightly coded terms. In a 13 January 1939 diary entry, Ozu writes more openly about his group's upcoming turn for use of a comfort station near
468:. His subsequent films of 1930 impressed Shiro Kido enough to invite Ozu on a trip to a hot spring. In his early works, Ozu used the pseudonym "James Maki" for his screenwriting credit. His film
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360:'s economics department, but failed. In 1922, he took the exam for a teacher training college, but failed it too. On 31 March 1922, he began working as a substitute teacher at a school in
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In 1928, Shiro Kido, the head of the
Shochiku studio, decided that the company would concentrate on making short comedy films without star actors. Ozu made many of these films. The film
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In 1920, at the age of 17, he was thrown out of the dormitory after being accused of writing a love letter to a good-looking boy in a lower class, and had to commute to school by train.
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poll of best films selected by critics and directors. In 2012, it topped the poll of film directors' choices of "greatest film of all time". Ozu was one of film critic
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transitions that he would use music, which might begin at the end of one scene, progress through the static transition, and fade into the new scene. He rarely used non-
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dance of the same title. This was made by request of the
Ministry of Education. Like the rest of Japan's cinema industry, Ozu was slow to switch to the production of
3698:
Action Cut: Screenplay
Analysis of Yasujirō Ozu's Equinox Flower (Higanbana). Remarks on the Screenplay and the Aesthetics of Montage in a Transcultural Comparison
604:, but shelved it due to extensive changes insisted on by military censors. The first film Ozu made on his return was the critically and commercially successful
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Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012
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567:) he expressly forbade from publication. In the published diaries, reference to his group's participation in chemical warfare (in violation of the
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Some of Ozu's published diaries cover his wartime experiences between 20 December 1938 and 5 June 1939. Another diary from his wartime years (
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On 12 December 1924, Ozu started a year of military service. He finished his military service on 30 November 1925, leaving as a corporal.
388:, as an assistant in the cinematography department, on 1 August 1923, against the wishes of his father. His family home was destroyed in
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from 1955 until his death in 1963. In 1959 he became the first recipient from the field of cinema to win the Japan Art
Academy Prize.
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Ozu invented the "tatami shot", in which the camera is placed at a low height, supposedly at the eye level of a person kneeling on a
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472:, with an all-star cast, was the first time he used the pen name James Maki, and was also his first film to appear in film magazine
2316:(一年志願兵) where the usual two-year term of conscription was shortened to one year on condition that the conscriptee paid for himself.
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first repatriation boat to Japan. Ozu won a lottery giving him a place, but gave it to someone else who was anxious to return.
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In 2003, the centenary of Ozu's birth was commemorated at various film festivals around the world. Shochiku produced the film
312:, the second son of merchant Toranosuke Ozu and his wife Asae. His family was a branch of the Ozu Yoemon merchant family from
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Ozu's films from the late 1940s onward were favourably received, and the entries in the so-called "Noriko trilogy" (starring
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was the last script that Ozu wrote at
Chigasakikan. In later years, Ozu and Noda used a small house in the mountains at
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initial shock and subsequent agony of a man as he is hacked to death is very much like its depiction in period films.
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Ozu returned to Japan in February 1946, and moved back in with his mother, who had been staying with his sister in
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320:. Asae came from the Nakajō merchant family. Ozu had five brothers and sisters. When he was three, he developed
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558:. In June, he was ordered back to Japan, arriving in Kobe in July, and his conscription ended on 16 July 1939.
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490:, a comedy about childhood with serious overtones, was received by movie critics as the first notable work of
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Ozu was known for his drinking. He and Noda measured the progression of their scripts by how many bottles of
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gained recognition after winning the Sutherland Trophy at the 1958 London Film Festival. Ozu's last film was
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620:, 1942), which explored the strong bonds of affection between a father and son despite years of separation.
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662:. He reported for work at the Ofuna studios on 18 February 1946. His first film released after the war was
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in Japanese cinema, winning Ozu wide acclaim. In 1935, Ozu made a short documentary with a soundtrack:
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In March 1921, Ozu graduated from the high school. He attempted the exam for entrance into what is now
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have ensured a wide appreciation of Ozu's style, aesthetics, and themes by the Anglophonic audience.
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1047:(OZU～小津安二郎が描いた物語～), a 2023 television series based on Yasujirō Ozu's several films premiered.
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In 1943, Ozu was again drafted into the army for the purpose of making a propaganda film in
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1000:'s favourite filmmakers, who described him as the most humanistic director of all time.
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was voted the third-greatest film of all time by critics world-wide. In the same poll,
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was voted the greatest film of all time by 358 directors and film-makers world-wide.
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Ozu became recognized internationally when his films were shown abroad. Influential
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they had drunk. Ozu never married. He lived with his mother until she died in 1961.
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3602:, translated by Karine Chesneau, Rose-Marie Makino-Fayolle, Tanaka Chiharu, Paris:
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called Unkosō to write scripts, with Ozu staying in a nearby house called Mugeisō.
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3574:
Rothman, William (2006). Jeffrey Crouse (ed.). "Notes on Ozu's Cinematic Style".
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1036:, the director travels to Japan to explore the world of Ozu, interviewing both
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Ozu was also an innovator in Japanese narrative structure through his use of
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3482:, translated by Hasumi Shiguehiko, Nakamura Ryoji, René de Ceccatty, Paris:
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Projecting History: German Nonfiction Cinema, 1967-2000, Nora M. Alter, 2009
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3285:"BFI Sight & Sound Top Ten Poll 2002 – The Critics' Top Ten Directors"
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in 1963 on his sixtieth birthday. The grave he shares with his mother at
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Ozu's writings also offers a glimpse into the Japanese military's use of
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2963:"Yasujiro Ozu's gravesite in Kita-Kamakura: How to get there (Part Two)"
3919:
3511:] (in Japanese) (Enlarged and definitive ed.). Chikuma Shobo.
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1994:
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Ozu eschewed the traditional rules of movie storytelling, most notably
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3183:. Cambridge & New York: Cambridge University Press. pp. 6–7.
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3702:
Japan beyond Its Borders: Transnational Approaches to Film and Media
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continuity cinema, but he does so by changing only a few premises."
3405:
3381:"How Yasujiro Ozu's influence sneaks into Wim Wenders' latest film"
775:
His work was only rarely shown overseas before the 1960s; however,
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in 1960. In addition to Noda, other regular collaborators included
627:. However, he was sent to Singapore instead, to make a documentary
3648:
Primavera tardía de Yasujiro Ozu : cine clásico y poética zen
974:
Ozu was voted the tenth greatest director of all time in the 2002
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2985:"The Scene at the Kyoto Inn: Teaching Ozu Yasujiro's Late Spring"
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252:
was a Japanese filmmaker. He began his career during the era of
3993:
3631:]. Iwanami Shinsho (in Japanese). Vol. 902. Iwanami.
2936:
Darrell William Davis, 'Ozu's mother,' in David Desser (ed.),
2809:]. Iwanami Shinsho (in Japanese). Vol. 902. Iwanami.
908:, or the decision not to depict major events in the story. In
583:. In a letter sent to friends in Japan on 11 April 1938, from
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as homage to Ozu, with direct reference to the late master's
384:
With his uncle acting as intermediary, Ozu was hired by the
3345:
Floating Weeds (1959) review and summary, Roger Ebert, 1997
3066:
Magill's survey of cinema, foreign language films, Volume 6
3700:, in: Marcos P. Centeno-Martin and Norimasa Morita. 2020.
866:
colour, he chose to shoot under the German colour process
2378:. British Film Institute. 4 December 2014. Archived from
3948:
Directions for finding Yasujiro Ozu's grave at Engaku-ji
2887:(in Japanese). Nihon eiga kantoku kyōkai. Archived from
641:. He occupied a fifth-floor room facing the sea in the
409:(period film) department, and directed his first film,
3532:
Collected Works of Ozu Yasujiro (two-volume boxed set)
2402:(Shohan ed.). Kokusho Kankōkai. pp. 16, 20.
512:
in 1936, five years after Japan's first talking film,
212:
3582:(22) (Stanley Cavell special issue ed.): 33–42.
3068:. Englewood Cliffs, N.J.: Salem Press. p. 2542.
3011:
3009:
2312:
Ozu's military service was of a special type called
598:
In 1939, he wrote the first draft of the script for
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836:(left) and Yasujirō Ozu (far right) on location of
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3227:Transcendental Style in Film: Ozu, Bresson, Dreyer
2793:
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2485:
672:became Ozu's favoured location for scriptwriting.
350:and decided that he wanted to be a film director.
506:: his first film with a dialogue sound-track was
4371:Imperial Japanese Army personnel of World War II
729:(1953) are among his most acclaimed works, with
3944:– notes from an exhibition at Tokyo University.
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3651:, Caja España (León), Obra Social y Cultural,
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950:, is an Iranian documentary film directed by
392:, but no members of his family were injured.
8:
3552:(2016), Franco Picollo; Hiromi Yagi (eds.),
3207:(Winter 1957). "Two inches off the ground".
3135:Ozu: His Life and Films; Donald Richie, 1977
2519:
2517:
2515:
2513:
2467:
2465:
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668:in 1947. Around this time, the Chigasakikan
2992:Columbia University in the City of New York
1539:Otona no miru ehon — Umarete wa mita keredo
4401:Recipients of the Medal with Purple Ribbon
4012:
3998:
3990:
2581:"Revenge on the Bully, Silently, in Japan"
2372:"Directors' 10 Greatest Films of All Time"
1054:
610:, released in 1941. He followed this with
198:
49:
31:
2606:
2604:
984:poll of critics' top 10 directors. Ozu's
963:(珈琲時光), directed by Taiwanese film-maker
419:was written by Ozu, with a screenplay by
3534:] (in Japanese). Tokyo: Shinshokan.
828:
4200:Brothers and Sisters of the Toda Family
2363:
2278:
1854:Brothers and Sisters of the Toda Family
971:(1953), to premiere on Ozu's birthday.
607:Brothers and Sisters of the Toda Family
3425:
2844:
2832:
2651:
2566:
2554:
2542:
2523:
2471:
571:, though Japan had withdrawn from the
250:, 12 December 1903 – 12 December 1963)
3962:Ozu's Angry Women by Shigehiko Hasumi
3777:Gillett, John; Wilson, David (1976).
3437:
3112:"Ozu: The Masterpieces You've Missed"
3017:"Ozu: The Masterpieces You've Missed"
1045:OZU: Ozu Yasujirō ga Kaita Monogatari
760:Yuharu Atsuta, along with the actors
534:. He spent two years in China in the
7:
3801:Tokyo Story: The Ozu/Noda Screenplay
2772:. Firumu Atosha. pp. 231, 233.
2438:. Miyamoto Akiko. pp. 154–158.
2429:
2427:
2393:
2391:
2389:
2303:三重県立師範学校, Mie-ken ritsu shihan gakko
4411:20th-century Japanese screenwriters
3040:"Re-examining Yasujiro Ozu on film"
3038:Schilling, Mark (7 December 2013).
2859:"Yasujiro Ozu – The Noriko Trilogy"
733:widely considered his masterpiece.
498:, in which Kikugoro VI performed a
4109:Where Now Are the Dreams of Youth?
3846:. University of California Press.
3798:Ozu, Yasujirō; Noda, Kōgo (2003).
3780:Yasujiro Ozu: A Critical Anthology
2885:"Nihon eiga kantoku kyōkai nenpyō"
2492:. Kodansha International. p.
2031:Adapted from censored 1939 script
1564:Where Now Are the Dreams of Youth?
990:has appeared several times in the
25:
4256:The Flavor of Green Tea over Rice
3840:Richie, Donald (1 January 1977).
3822:Ozu Yasujirō's Two Post-war Films
2026:The Flavor of Green Tea over Rice
815:bears no name—just the character
601:The Flavor of Green Tea over Rice
3904:
3311:"Ozu:Masterpieces you've missed"
2745:. Misuzu Shobo. pp. 76–77.
4416:Anti-Chinese sentiment in Japan
4406:World War II civilian prisoners
4376:Imperial Japanese Army soldiers
3870:. Center for Japanese Studies,
3756:Desser, David (13 April 1997).
3671:. Center for Japanese Studies,
3287:. 2 August 2011. Archived from
1257:Fighting Friends Japanese Style
4216:Record of a Tenement Gentleman
3762:. Cambridge University Press.
3645:Torres Hortelano, Lorenzo J.,
3259:. Princeton University Press.
3064:Magill, Frank Northen (1985).
1902:Record of a Tenement Gentleman
1427:The Luck Which Touched the Leg
1243:Ozu's earliest surviving film
1238:Student Romance: Days of Youth
789:He served as president of the
665:Record of a Tenement Gentleman
481:"Best Ten" at third position.
213:
27:Japanese filmmaker (1903–1963)
1:
3722:Ozu and the Poetics of Cinema
3256:Ozu and the Poetics of Cinema
1823:Shukujo wa nani o wasureta ka
1768:Sound, black-and-white films
1409:The Revengeful Spirit of Eros
631:("To Delhi, to Delhi") about
415:, which has since been lost.
3600:Le Cinéma japonais – Tome II
3460:. Kodansha. pp. 69–98.
2579:Scott, A.O. (24 June 2010).
1525:Spring Comes from the Ladies
1297:The Life of an Office Worker
1058:Filmography of Yasujirō Ozu
803:A heavy smoker, Ozu died of
786:which was released in 1962.
519:The Neighbor's Wife and Mine
4366:Deaths from cancer in Japan
4117:Until the Day We Meet Again
2398:Chiba, Nobuo; 千葉伸夫 (2003).
2133:Ozu's first film in colour
1584:Until the Day We Meet Again
1336:An Introduction to Marriage
458:An Introduction to Marriage
398:In 1926, he became a third
344:. In 1917, he saw the film
246:
132:Film director, screenwriter
4432:
3783:. British Film Institute.
3727:Princeton University Press
3329:"Silence is golden to Ozu"
3116:Roger Ebert's Film Journal
2941:Cambridge University Press
2912:"Ozu Yasujiro, tofu maker"
2436:Ozu Yasujirō, taizen = Ozu
1231:Gakusei romansu: wakaki hi
937:Tributes and documentaries
368:Entering the film business
4386:Japanese prisoners of war
4192:What Did the Lady Forget?
4157:A Story of Floating Weeds
2961:Easterwood, Kurt (2004).
2188:A Story of Floating Weeds
2137:
2107:
1830:What Did the Lady Forget?
1772:
1767:
1704:
1696:A Story of Floating Weeds
1659:
1593:
1559:Seishun no yume ima izuko
1512:
1453:
1323:
1204:
1111:
1081:
1057:
563:
550:, where he fought in the
240:
228:
224:
197:
190:
176:
160:
156:
48:
41:
4149:A Mother Should Be Loved
3456:(1978). "Yasujiro Ozu".
3019:, retrieved 8 June 2014.
2620:University of California
2589:. New York Times Company
2434:Matsuura, Kanji (2019).
2400:Ozu Yasujirō to 20-seiki
1675:A Mother Should Be Loved
791:Directors Guild of Japan
536:Second Sino-Japanese War
455:, in her new year film,
341:The Last Days of Pompeii
42:
4381:Japanese film directors
3971:Japanese Movie Database
3629:A life in scriptwriting
3604:Centre Georges Pompidou
3458:Japanese Film Directors
3150:"Floating Weeds (1959)"
2807:A life in scriptwriting
2766:Tanaka, Masumi (1993).
2739:Tanaka, Masumi (2005).
2689:Tanaka, Masumi (2005).
2664:Tanaka, Masumi (1993).
1919:Kaze no naka no mendori
1759:College Is a Nice Place
1017:in a modern setting as
877:Ozu during a film shoot
556:Battle of Xiushui River
4391:Film people from Tokyo
4085:The Lady and the Beard
3872:University of Michigan
3819:Ozu, Yasujirō (2006).
3804:. Stone Bridge Press.
3673:University of Michigan
3177:Desser, David (1997).
1955:Ozu's first film with
1466:The Lady and the Beard
1366:Rakudai wa shitakeredo
976:British Film Institute
902:
878:
843:
688:
532:Imperial Japanese Army
390:the earthquake of 1923
381:
3526:Inoue, Kazuo (2003).
3509:Director Yasujiro Ozu
2994:. Columbia University
2484:Weston, Mark (1999).
2239:Ozu's last film with
1315:A Straightforward Boy
1271:Daigaku wa detakeredo
1252:Wasei kenka tomodachi
948:Five Dedicated to Ozu
897:
876:
832:
678:
386:Shochiku Film Company
375:
4240:The Munekata Sisters
3940:2 March 2016 at the
3704:. Chiba: Seibunsha,
3556:(in Italian), Rome:
3505:Kantoku Ozu Yasujiro
3094:"Konban-wa, Ozu-san"
2910:Rayns, Tony (2010).
2714:Sato, Tadao (1978).
2227:Kohayagawa-ke no aki
1978:The Munekata Sisters
1520:Haru wa gofujin kara
1422:Ashi ni sawatta kōun
1283:10 minutes survives
1261:14 minutes survives
1178:A Couple on the Move
304:Ozu was born in the
4328:An Autumn Afternoon
4053:I Graduated, But...
3862:Yoshida, Yoshishige
3588:10.1386/fiin.4.4.33
3528:Ozu Yasujirō Zenshū
2262:An Autumn Afternoon
1278:I Graduated, But...
1040:and Yuharu Atsuta.
1013:film series remade
911:An Autumn Afternoon
885:. In his review of
782:An Autumn Afternoon
433:I Graduated, But...
271:An Autumn Afternoon
4208:There Was a Father
4101:I Was Born, But...
4037:Sword of Penitence
4020:Films directed by
3980:OZU Yasujiro Story
3576:Film International
3554:Scritti sul cinema
3501:Hasumi, Shiguéhiko
3476:Hasumi, Shiguéhiko
2938:Ozu's Tokyo Story,
2857:Parkinson, David.
2586:The New York Times
2161:I Was Born, But...
1895:Nagaya Shinshiroku
1878:There Was a Father
1789:Short documentary
1785:Lion in the Mirror
1689:Ukigusa monogatari
1546:I Was Born, But...
1534:大人の見る繪本 生れてはみたけれど
1102:Sword of Penitence
1010:Otoko wa Tsurai yo
1003:In 2013, director
879:
844:
689:
613:There Was a Father
552:Battle of Nanchang
487:I Was Born, But...
417:Sword of Penitence
412:Sword of Penitence
400:assistant director
382:
4338:
4337:
4320:The End of Summer
4224:A Hen in the Wind
4077:That Night's Wife
4069:I Flunked, But...
3881:978-1-929280-26-1
3867:Ozu's Anti-Cinema
3853:978-0-520-03277-4
3832:978-955-20-8936-7
3811:978-1-880656-80-8
3790:978-0-85170-048-9
3769:978-0-521-48435-0
3759:Ozu's Tokyo Story
3736:978-0-691-00822-6
3682:978-1-929280-27-8
3668:Ozu's Anti-Cinema
3657:978-84-95917-24-9
3613:978-2-85850-930-0
3567:978-88-6843-481-6
3493:978-2-86642-191-5
3484:Cahiers du cinéma
3335:. 14 August 1994.
3317:. 7 January 2005.
3266:978-0-691-00822-6
3236:978-0-306-80335-2
3209:Sight & Sound
3205:Anderson, Lindsay
3190:978-0-521-48204-2
3180:Ozu's Tokyo Story
3154:Chicago Sun-Times
3075:978-0-89356-243-4
2949:978-0-521-48435-0
2779:978-4-8459-9321-5
2752:978-4-622-07148-8
2725:978-4-02-259226-2
2718:. Asahi Shimbun.
2700:978-4-622-07148-8
2675:978-4-8459-9321-5
2668:. Firumu Atosha.
2629:978-0-520-03277-4
2503:978-1-56836-286-1
2445:978-4-02-251599-5
2382:on 3 August 2012.
2376:Sight & Sound
2314:ichinen shiganhei
2271:
2270:
2267:Ozu's final work
2234:The End of Summer
1926:A Hen in the Wind
1391:That Night's Wife
1371:I Flunked, But...
1349:Hogaraka ni ayume
1331:Kekkongaku nyūmon
1292:Kaishain seikatsu
1217:Treasure Mountain
1030:documentary film
993:Sight & Sound
981:Sight & Sound
821:("nothingness").
702:Nagano Prefecture
573:League of Nations
280:Sight & Sound
232:
231:
220:
219:
137:Years active
16:(Redirected from
4423:
4396:People from Kōtō
4014:
4007:
4000:
3991:
3981:
3975:
3953:The quiet master
3914:
3912:Biography portal
3909:
3908:
3907:
3893:
3857:
3836:
3815:
3794:
3773:
3752:
3750:
3748:
3739:. Archived from
3696:Andreas Becker:
3686:
3642:
3623:(21 July 2004).
3616:
3591:
3570:
3545:
3522:
3496:
3471:
3441:
3435:
3429:
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3417:
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3319:
3318:
3307:
3301:
3300:
3298:
3296:
3281:
3275:
3274:
3273:on 20 July 2011.
3269:. Archived from
3247:
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3219:
3213:
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2989:
2983:Miyao, Daisuke.
2980:
2974:
2973:
2971:
2969:
2958:
2952:
2951:pp.76-100, p.95.
2934:
2928:
2927:
2925:
2923:
2918:on 3 August 2012
2914:. Archived from
2907:
2901:
2900:
2898:
2896:
2881:
2875:
2874:
2872:
2870:
2854:
2848:
2847:, pp. 31–32
2842:
2836:
2830:
2821:
2820:
2801:(21 July 2004).
2795:
2784:
2783:
2763:
2757:
2756:
2736:
2730:
2729:
2711:
2705:
2704:
2693:. Misuzu Shobo.
2686:
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2679:
2661:
2655:
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2599:
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2596:
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2310:
2304:
2301:
2295:
2294:神戸高商, Kobe Kosho
2292:
2286:
2283:
2044:Tōkyō monogatari
1847:Todake no kyōdai
1717:An Innocent Maid
1483:Beauty's Sorrows
1404:Erogami no onryō
1384:Sono yo no tsuma
1055:
952:Abbas Kiarostami
946:, also known as
825:Legacy and style
660:Chiba prefecture
629:Derii e, Derii e
566:
565:
492:social criticism
480:
466:
453:Sumiko Kurishima
446:
376:Yasujiro Ozu in
251:
249:
243:
242:
216:
215:
199:
193:
192:
179:
178:
121:Other names
93:
90:12 December 1963
71:12 December 1903
70:
68:
53:
32:
21:
4431:
4430:
4426:
4425:
4424:
4422:
4421:
4420:
4341:
4340:
4339:
4334:
4171:
4165:An Inn in Tokyo
4061:Walk Cheerfully
4024:
4018:
3979:
3973:
3942:Wayback Machine
3929:OzuYasujirō.com
3910:
3905:
3903:
3900:
3882:
3860:
3854:
3839:
3833:
3818:
3812:
3797:
3791:
3776:
3770:
3755:
3746:
3744:
3743:on 20 July 2011
3737:
3717:Bordwell, David
3715:
3693:
3691:Further reading
3683:
3661:
3639:
3625:Shinario Jinsei
3619:
3614:
3594:
3573:
3568:
3548:
3542:
3525:
3519:
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3474:
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3353:
3349:
3344:
3340:
3327:
3326:
3322:
3309:
3308:
3304:
3294:
3292:
3291:on 18 June 2012
3283:
3282:
3278:
3267:
3251:Bordwell, David
3249:
3248:
3244:
3237:
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3216:
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3109:
3108:
3104:
3096:
3090:Bordwell, David
3088:
3087:
3083:
3076:
3063:
3062:
3058:
3048:
3046:
3037:
3036:
3032:
3027:
3023:
3014:
3007:
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2995:
2987:
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2935:
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2921:
2919:
2909:
2908:
2904:
2894:
2892:
2891:on 26 July 2010
2883:
2882:
2878:
2868:
2866:
2865:. MovieMail Ltd
2856:
2855:
2851:
2843:
2839:
2831:
2824:
2817:
2803:Shinario Jinsei
2797:
2796:
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2780:
2765:
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2726:
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2573:
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2549:
2541:
2530:
2522:
2511:
2504:
2488:Giants of Japan
2483:
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2478:
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2307:
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2284:
2280:
2276:
2019:Ochazuke no aji
1971:Munekata Kyōdai
1754:Daigaku yoitoko
1738:An Inn in Tokyo
1668:Haha o kowazuya
1623:Hijōsen no onna
1577:Mata au hi made
1497:Tōkyō no kōrasu
1461:Shukujo to hige
1354:Walk Cheerfully
1137:Nyōbō funshitsu
1124:Dreams of Youth
1053:
965:Hou Hsiao-hsien
939:
827:
770:Haruko Sugimura
758:cinematographer
679:Ozu's grave at
652:
643:Cathay Building
585:Dingyuan County
569:Geneva Protocol
542:, where he met
528:
514:Heinosuke Gosho
478:
460:
440:
370:
358:Kobe University
302:
297:
237:
101:
95:
91:
82:
80:Empire of Japan
72:
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4304:Floating Weeds
4300:
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4288:Equinox Flower
4284:
4280:Tokyo Twilight
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4125:Woman of Tokyo
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3898:External links
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3810:
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3223:Schrader, Paul
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3110:Ebert, Roger.
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931:David Bordwell
891:, film critic
888:Floating Weeds
826:
823:
747:Floating Weeds
740:Equinox Flower
651:
648:
589:Anhui Province
544:Sadao Yamanaka
527:
524:
428:Body Beautiful
369:
366:
362:Mie prefecture
330:Mie Prefecture
301:
298:
296:
293:
230:
229:
226:
225:
222:
221:
218:
217:
210:
204:
203:
202:Transcriptions
195:
194:
187:
181:
180:
173:
167:
166:
162:
161:
158:
157:
154:
153:
146:
142:
141:
138:
134:
133:
130:
126:
125:
122:
118:
117:
107:
103:
102:
100:, Tokyo, Japan
96:
94:(aged 60)
88:
84:
83:
73:
62:
58:
57:
54:
46:
45:
39:
38:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4428:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4392:
4389:
4387:
4384:
4382:
4379:
4377:
4374:
4372:
4369:
4367:
4364:
4362:
4359:
4357:
4354:
4352:
4349:
4348:
4346:
4330:
4329:
4325:
4322:
4321:
4317:
4314:
4313:
4309:
4306:
4305:
4301:
4298:
4297:
4293:
4290:
4289:
4285:
4282:
4281:
4277:
4274:
4273:
4269:
4266:
4265:
4261:
4258:
4257:
4253:
4250:
4249:
4245:
4242:
4241:
4237:
4234:
4233:
4229:
4226:
4225:
4221:
4218:
4217:
4213:
4210:
4209:
4205:
4202:
4201:
4197:
4194:
4193:
4189:
4186:
4185:
4181:
4180:
4178:
4174:
4167:
4166:
4162:
4159:
4158:
4154:
4151:
4150:
4146:
4143:
4142:
4141:Passing Fancy
4138:
4135:
4134:
4130:
4127:
4126:
4122:
4119:
4118:
4114:
4111:
4110:
4106:
4103:
4102:
4098:
4095:
4094:
4090:
4087:
4086:
4082:
4079:
4078:
4074:
4071:
4070:
4066:
4063:
4062:
4058:
4055:
4054:
4050:
4047:
4046:
4045:Days of Youth
4042:
4039:
4038:
4034:
4033:
4031:
4027:
4023:
4015:
4010:
4008:
4003:
4001:
3996:
3995:
3992:
3986:
3982:
3977:
3974:(in Japanese)
3972:
3968:
3965:
3963:
3960:
3958:
3954:
3951:
3949:
3946:
3943:
3939:
3936:
3933:
3930:
3927:
3925:
3921:
3918:
3917:
3913:
3902:
3897:
3891:
3887:
3883:
3877:
3873:
3869:
3868:
3863:
3859:
3855:
3849:
3845:
3844:
3838:
3834:
3828:
3824:
3823:
3817:
3813:
3807:
3803:
3802:
3796:
3792:
3786:
3782:
3781:
3775:
3771:
3765:
3761:
3760:
3754:
3742:
3738:
3732:
3728:
3724:
3723:
3718:
3714:
3711:
3710:4-901404-32-6
3707:
3703:
3699:
3695:
3694:
3690:
3684:
3678:
3674:
3670:
3669:
3664:
3663:Yoshida, Kiju
3660:
3658:
3654:
3650:
3649:
3644:
3640:
3638:4-00-430902-6
3634:
3630:
3626:
3622:
3618:
3615:
3609:
3605:
3601:
3597:
3593:
3589:
3585:
3581:
3577:
3572:
3569:
3563:
3559:
3555:
3551:
3550:Ozu, Yasujiro
3547:
3543:
3537:
3533:
3529:
3524:
3520:
3518:4-480-87341-4
3514:
3510:
3506:
3502:
3498:
3495:
3489:
3485:
3481:
3477:
3473:
3469:
3467:0-87011-304-6
3463:
3459:
3455:
3451:
3450:
3446:
3440:, p. 280
3439:
3434:
3431:
3428:, p. 229
3427:
3422:
3419:
3407:
3401:
3398:
3386:
3382:
3376:
3373:
3361:
3357:
3351:
3348:
3342:
3339:
3334:
3330:
3324:
3321:
3316:
3312:
3306:
3303:
3290:
3286:
3280:
3277:
3272:
3268:
3262:
3258:
3257:
3252:
3246:
3243:
3238:
3232:
3228:
3224:
3218:
3215:
3210:
3206:
3200:
3197:
3192:
3186:
3182:
3181:
3173:
3171:
3167:
3155:
3151:
3147:
3141:
3138:
3132:
3129:
3117:
3113:
3106:
3103:
3095:
3091:
3085:
3082:
3077:
3071:
3067:
3060:
3057:
3045:
3041:
3034:
3031:
3025:
3022:
3018:
3012:
3010:
3006:
2993:
2986:
2979:
2976:
2964:
2957:
2954:
2950:
2946:
2942:
2939:
2933:
2930:
2917:
2913:
2906:
2903:
2890:
2886:
2880:
2877:
2864:
2860:
2853:
2850:
2846:
2841:
2838:
2835:, p. 329
2834:
2829:
2827:
2823:
2818:
2816:4-00-430902-6
2812:
2808:
2804:
2800:
2794:
2792:
2790:
2786:
2781:
2775:
2771:
2770:
2762:
2759:
2754:
2748:
2744:
2743:
2735:
2732:
2727:
2721:
2717:
2710:
2707:
2702:
2696:
2692:
2685:
2682:
2677:
2671:
2667:
2660:
2657:
2654:, p. 327
2653:
2648:
2646:
2644:
2642:
2640:
2636:
2631:
2625:
2621:
2617:
2614:(July 1977).
2613:
2607:
2605:
2601:
2588:
2587:
2582:
2575:
2572:
2569:, p. 322
2568:
2563:
2560:
2556:
2551:
2548:
2545:, p. 321
2544:
2539:
2537:
2535:
2533:
2529:
2526:, p. 320
2525:
2520:
2518:
2516:
2514:
2510:
2505:
2499:
2495:
2490:
2489:
2480:
2477:
2474:, p. 319
2473:
2468:
2466:
2464:
2460:
2455:
2451:
2447:
2441:
2437:
2430:
2428:
2424:
2419:
2415:
2411:
2409:4-336-04607-7
2405:
2401:
2394:
2392:
2390:
2386:
2381:
2377:
2373:
2367:
2364:
2358:
2349:
2346:
2340:
2337:
2331:
2328:
2322:
2319:
2315:
2309:
2306:
2300:
2297:
2291:
2288:
2282:
2279:
2273:
2266:
2264:
2263:
2259:
2257:
2256:
2252:
2249:
2246:
2245:
2242:
2238:
2236:
2235:
2231:
2229:
2228:
2224:
2221:
2218:
2217:
2214:
2212:
2211:
2207:
2205:
2204:
2200:
2197:
2194:
2193:
2190:
2189:
2184:
2182:
2181:
2177:
2175:
2174:
2170:
2167:
2166:
2163:
2162:
2157:
2155:
2154:
2150:
2148:
2147:
2143:
2140:
2136:
2132:
2130:
2129:
2125:
2123:
2122:
2118:
2115:
2112:
2111:
2108:Colour films
2106:
2103:
2101:
2100:
2096:
2094:
2093:
2092:Tōkyō boshoku
2089:
2086:
2083:
2082:
2079:
2077:
2076:
2072:
2070:
2069:
2065:
2062:
2059:
2058:
2055:
2053:
2052:
2048:
2046:
2045:
2041:
2038:
2035:
2034:
2030:
2028:
2027:
2023:
2021:
2020:
2016:
2013:
2010:
2009:
2006:
2004:
2003:
1999:
1997:
1996:
1992:
1989:
1986:
1985:
1982:
1980:
1979:
1975:
1973:
1972:
1968:
1965:
1962:
1961:
1958:
1954:
1952:
1951:
1947:
1945:
1944:
1940:
1937:
1934:
1933:
1930:
1928:
1927:
1923:
1921:
1920:
1916:
1913:
1910:
1909:
1906:
1904:
1903:
1899:
1897:
1896:
1892:
1889:
1886:
1885:
1882:
1880:
1879:
1875:
1873:
1872:
1868:
1865:
1862:
1861:
1858:
1856:
1855:
1851:
1849:
1848:
1844:
1841:
1838:
1837:
1834:
1832:
1831:
1827:
1825:
1824:
1820:
1817:
1814:
1813:
1810:
1808:
1807:
1803:
1801:
1800:
1799:Hitori musuko
1796:
1793:
1792:
1788:
1786:
1783:
1781:
1778:
1775:
1771:
1766:
1762:
1760:
1757:
1755:
1752:
1749:
1746:
1745:
1742:
1740:
1739:
1735:
1733:
1732:
1731:Tōkyō no yado
1728:
1725:
1724:
1720:
1718:
1715:
1713:
1710:
1707:
1703:
1700:
1698:
1697:
1693:
1691:
1690:
1686:
1683:
1682:
1679:
1677:
1676:
1672:
1670:
1669:
1665:
1662:
1658:
1655:
1653:
1652:
1651:Passing Fancy
1648:
1646:
1645:
1641:
1638:
1637:
1634:
1632:
1631:
1627:
1625:
1624:
1620:
1617:
1616:
1613:
1611:
1610:
1606:
1604:
1603:
1602:Tōkyō no onna
1599:
1596:
1592:
1588:
1586:
1585:
1581:
1579:
1578:
1574:
1571:
1570:
1567:
1565:
1562:
1560:
1557:
1554:
1553:
1550:
1548:
1547:
1543:
1541:
1540:
1536:
1533:
1532:
1528:
1526:
1523:
1521:
1518:
1515:
1511:
1508:
1506:
1505:
1501:
1499:
1498:
1494:
1491:
1490:
1486:
1484:
1481:
1479:
1476:
1473:
1472:
1469:
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1464:
1462:
1459:
1456:
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1448:
1446:
1443:
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1438:
1435:
1434:
1430:
1428:
1425:
1423:
1420:
1417:
1416:
1412:
1410:
1407:
1405:
1402:
1399:
1398:
1395:
1393:
1392:
1388:
1386:
1385:
1381:
1378:
1377:
1374:
1372:
1369:
1367:
1364:
1361:
1360:
1357:
1355:
1352:
1350:
1347:
1344:
1343:
1339:
1337:
1334:
1332:
1329:
1326:
1322:
1318:
1316:
1313:
1311:
1308:
1305:
1304:
1300:
1298:
1295:
1293:
1290:
1287:
1286:
1282:
1280:
1279:
1275:
1273:
1272:
1268:
1265:
1264:
1260:
1258:
1255:
1253:
1250:
1247:
1246:
1242:
1240:
1239:
1235:
1233:
1232:
1228:
1225:
1224:
1220:
1218:
1215:
1213:
1210:
1207:
1203:
1199:
1197:
1194:
1192:
1189:
1186:
1185:
1181:
1179:
1176:
1174:
1173:Hikkoshi fūfu
1171:
1168:
1167:
1163:
1161:
1158:
1156:
1153:
1150:
1149:
1145:
1143:
1140:
1138:
1135:
1132:
1131:
1127:
1125:
1122:
1120:
1117:
1114:
1110:
1106:
1104:
1103:
1099:
1097:
1096:
1092:
1089:
1086:
1085:
1082:Silent films
1080:
1076:
1074:English title
1073:
1071:
1068:
1065:
1062:
1061:
1056:
1050:
1048:
1046:
1041:
1039:
1035:
1034:
1029:
1024:
1022:
1021:
1016:
1012:
1011:
1006:
1001:
999:
995:
994:
989:
988:
983:
982:
977:
972:
970:
966:
962:
961:
955:
953:
949:
945:
944:
936:
934:
932:
928:
927:Paul Schrader
924:
923:Donald Richie
920:
915:
913:
912:
907:
901:
896:
894:
890:
889:
884:
875:
871:
869:
864:
863:
857:
854:
848:
841:
840:
835:
831:
824:
822:
820:
819:
814:
810:
806:
805:throat cancer
801:
799:
794:
792:
787:
785:
783:
778:
773:
771:
767:
763:
759:
755:
754:
749:
748:
743:
741:
736:
732:
728:
727:
722:
721:
716:
715:
710:
705:
703:
699:
695:
694:
686:
682:
677:
673:
671:
667:
666:
661:
657:
649:
647:
644:
640:
639:
634:
630:
626:
621:
619:
615:
614:
609:
608:
603:
602:
596:
594:
590:
586:
582:
581:comfort women
577:
574:
570:
559:
557:
553:
549:
545:
541:
537:
533:
525:
523:
521:
520:
515:
511:
510:
505:
501:
497:
493:
489:
488:
484:In 1932, his
482:
477:
476:
471:
467:
464:
459:
454:
450:
449:Kinuyo Tanaka
444:
439:
438:Minoru Takada
435:
434:
429:
424:
422:
418:
414:
413:
408:
407:
401:
396:
393:
391:
387:
379:
374:
367:
365:
363:
359:
354:
351:
349:
348:
343:
342:
337:
336:
331:
327:
323:
319:
315:
311:
307:
299:
294:
292:
290:
286:
282:
281:
275:
273:
272:
267:
266:
261:
260:
255:
248:
236:
227:
223:
211:
209:
205:
200:
196:
188:
186:
182:
174:
172:
168:
165:Japanese name
163:
159:
155:
152:
151:
147:
143:
139:
135:
131:
129:Occupation(s)
127:
123:
119:
115:
111:
108:
106:Resting place
104:
99:
89:
85:
81:
77:
63:
59:
52:
47:
40:
33:
30:
19:
4351:Yasujirō Ozu
4326:
4318:
4310:
4302:
4296:Good Morning
4294:
4286:
4278:
4272:Early Spring
4270:
4262:
4254:
4248:Early Summer
4246:
4238:
4230:
4222:
4214:
4206:
4198:
4190:
4184:The Only Son
4182:
4163:
4155:
4147:
4139:
4133:Dragnet Girl
4131:
4123:
4115:
4107:
4099:
4093:Tokyo Chorus
4091:
4083:
4075:
4067:
4059:
4051:
4043:
4035:
4029:Silent films
4022:Yasujirō Ozu
4021:
3967:Yasujirō Ozu
3957:The Guardian
3920:Yasujiro Ozu
3865:
3842:
3821:
3800:
3779:
3758:
3745:. Retrieved
3741:the original
3721:
3701:
3667:
3647:
3628:
3624:
3599:
3579:
3575:
3553:
3549:
3531:
3527:
3508:
3504:
3480:Yasujiro Ozu
3479:
3457:
3433:
3421:
3409:. Retrieved
3406:"Ozu (2023)"
3400:
3388:. Retrieved
3384:
3375:
3363:. Retrieved
3356:Elley, Derek
3350:
3341:
3332:
3323:
3314:
3305:
3293:. Retrieved
3289:the original
3279:
3271:the original
3255:
3245:
3226:
3217:
3208:
3199:
3179:
3157:. Retrieved
3153:
3146:Ebert, Roger
3140:
3131:
3119:. Retrieved
3115:
3105:
3084:
3065:
3059:
3047:. Retrieved
3043:
3033:
3024:
2996:. Retrieved
2991:
2978:
2966:. Retrieved
2956:
2937:
2932:
2920:. Retrieved
2916:the original
2905:
2893:. Retrieved
2889:the original
2879:
2867:. Retrieved
2862:
2852:
2840:
2806:
2802:
2768:
2761:
2741:
2734:
2715:
2709:
2690:
2684:
2665:
2659:
2615:
2591:. Retrieved
2584:
2574:
2562:
2557:, p. 11
2550:
2487:
2479:
2435:
2399:
2380:the original
2375:
2366:
2348:
2339:
2330:
2321:
2313:
2308:
2299:
2290:
2281:
2260:
2255:Sanma no aji
2253:
2241:Setsuko Hara
2232:
2225:
2208:
2201:
2186:
2178:
2171:
2159:
2153:Good Morning
2151:
2144:
2126:
2119:
2097:
2090:
2075:Early Spring
2073:
2066:
2049:
2042:
2024:
2017:
2002:Early Summer
2000:
1993:
1976:
1969:
1957:Setsuko Hara
1948:
1941:
1924:
1917:
1900:
1893:
1876:
1871:Chichi ariki
1869:
1852:
1845:
1828:
1821:
1806:The Only Son
1804:
1797:
1784:
1780:Kagami jishi
1779:
1758:
1753:
1736:
1729:
1716:
1711:
1694:
1687:
1673:
1666:
1649:
1642:
1630:Dragnet Girl
1628:
1621:
1607:
1600:
1582:
1575:
1563:
1558:
1544:
1537:
1524:
1519:
1504:Tokyo Chorus
1502:
1495:
1482:
1477:
1465:
1460:
1444:
1440:
1426:
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1389:
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1123:
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1093:
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1031:
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1020:Tokyo Family
1018:
1014:
1008:
1002:
991:
985:
979:
973:
968:
960:Café Lumière
958:
956:
947:
941:
940:
916:
909:
903:
900:difference!"
898:
886:
880:
860:
858:
849:
845:
837:
834:Setsuko Hara
816:
802:
795:
788:
780:
776:
774:
766:Setsuko Hara
751:
750:in 1959 and
745:
738:
734:
730:
724:
720:Early Summer
718:
712:
709:Setsuko Hara
706:
691:
690:
663:
653:
638:Citizen Kane
636:
633:Chandra Bose
628:
622:
618:Chichi Ariki
617:
611:
605:
599:
597:
578:
560:
529:
517:
509:The Only Son
507:
496:Kagami Jishi
495:
485:
483:
475:Kinema Jumpo
473:
469:
456:
431:
427:
425:
416:
410:
404:
397:
394:
383:
378:Dragnet Girl
377:
355:
352:
347:Civilization
345:
339:
333:
308:district of
303:
288:
284:
283:poll, Ozu's
278:
276:
269:
263:
257:
254:silent films
247:Ozu Yasujirō
235:Yasujirō Ozu
234:
233:
214:Ozu Yasujirō
208:Romanization
148:
92:(1963-12-12)
36:Yasujirō Ozu
29:
18:Ozu Yasujiro
4361:1963 deaths
4356:1903 births
4312:Late Autumn
4264:Tokyo Story
4232:Late Spring
4176:Sound films
3935:Digital Ozu
3596:Sato, Tadao
3454:Bock, Audie
3426:Hasumi 1998
3411:27 November
3385:Nikkei Asia
3333:Roger Ebert
3315:Roger Ebert
3044:Japan Times
2922:19 February
2845:Shindo 2004
2833:Hasumi 2003
2652:Hasumi 2003
2567:Hasumi 2003
2555:Shindo 2004
2543:Hasumi 2003
2524:Hasumi 2003
2472:Hasumi 2003
2210:Late Autumn
2051:Tokyo Story
1950:Late Spring
1478:Bijin aishu
1319:Short film
1310:Tokkan kozō
1226:学生ロマンス 若き日
1051:Filmography
1028:Wim Wenders
1015:Tokyo Story
1005:Yoji Yamada
998:Roger Ebert
987:Tokyo Story
969:Tokyo Story
893:Roger Ebert
839:Tokyo Story
777:Tokyo Story
753:Late Autumn
735:Late Spring
731:Tokyo Story
726:Tokyo Story
723:(1951) and
714:Late Spring
693:Tokyo Story
587:in China's
461: [
441: [
436:, starring
289:Tokyo Story
285:Tokyo Story
268:(1953) and
265:Tokyo Story
259:Late Spring
150:Shomin-geki
98:Bunkyō City
55:Ozu in 1951
4345:Categories
3931:(archived)
3825:. Godage.
3712:: 147–157.
3541:4403150012
3438:Sato 1997b
3390:15 January
2716:小津安二郎の芸術 上
2454:1101101857
2359:References
2185:Remake of
2158:Remake of
1818:淑女は何を忘れたか
1644:Dekigokoro
1555:靑春の夢いまいづこ
1445:Young Miss
1038:Chishū Ryū
919:monographs
762:Chishū Ryū
470:Young Miss
322:meningitis
318:Nihonbashi
300:Early life
124:James Maki
76:Tokyo City
74:Fukagawa,
67:1903-12-12
3598:(1997b),
3295:22 August
3159:22 August
2968:20 August
2895:17 August
2863:MovieMail
2769:全日記 小津安二郎
2666:全日記 小津安二郎
2203:Akibiyori
2121:Higanbana
1362:落第はしたけれど
1266:大学は出たけれど
1191:Nikutaibi
1142:Wife Lost
1043:In 2023,
895:recounts:
868:Agfacolor
809:Engaku-ji
744:in 1958,
698:Tateshina
681:Engaku-ji
593:Yingcheng
421:Kogo Noda
406:jidaigeki
335:Quo Vadis
326:Matsusaka
295:Biography
140:1929–1963
110:Engaku-ji
3938:Archived
3890:53013473
3864:(2003).
3719:(1988).
3665:(1998).
3558:Donzelli
3503:(2003).
3478:(1998),
3365:14 April
3253:(1988).
3225:(1972).
2742:小津安二郎と戦争
2691:小津安二郎と戦争
2418:54757823
2285:宇治山田高等学校
1776:菊五郎の鏡獅子
1572:また逢ふ日まで
1516:春は御婦人から
1418:足に触った幸運
1033:Tokyo-Ga
906:ellipses
883:eyelines
853:diegetic
813:Kamakura
717:(1949),
685:Kamakura
554:and the
306:Fukagawa
274:(1962).
262:(1949),
191:オヅ ヤスジロウ
185:Katakana
177:おづ やすじろう
171:Hiragana
145:Movement
114:Kamakura
3985:YouTube
3969:at the
3747:1 March
3447:Sources
2622:Press.
2325:ヂェームス・槇
2222:小早川家の秋
2173:Ukigusa
1995:Bakushu
1943:Banshun
1914:風の中の牝鶏
1842:戸田家の兄妹
1750:大学よいとこ
1663:母を恋はずや
1400:エロ神の怨霊
1248:和製喧嘩友達
1160:Pumpkin
1155:Kabocha
1026:In the
1007:of the
687:in 2018
650:Postwar
540:Nanjing
526:Wartime
504:talkies
116:, Japan
4331:(1962)
4323:(1961)
4315:(1960)
4307:(1959)
4299:(1959)
4291:(1958)
4283:(1957)
4275:(1956)
4267:(1953)
4259:(1952)
4251:(1951)
4243:(1950)
4235:(1949)
4227:(1948)
4219:(1947)
4211:(1942)
4203:(1941)
4195:(1937)
4187:(1936)
4168:(1935)
4160:(1934)
4152:(1934)
4144:(1933)
4136:(1933)
4128:(1933)
4120:(1932)
4112:(1932)
4104:(1932)
4096:(1931)
4088:(1931)
4080:(1930)
4072:(1930)
4064:(1930)
4056:(1929)
4048:(1929)
4040:(1927)
3888:
3878:
3850:
3829:
3808:
3787:
3766:
3733:
3708:
3679:
3655:
3635:
3610:
3564:
3538:
3515:
3490:
3464:
3263:
3233:
3187:
3121:19 May
3072:
3049:19 May
2998:19 May
2947:
2869:19 May
2813:
2776:
2749:
2722:
2697:
2672:
2626:
2593:19 May
2500:
2452:
2442:
2416:
2406:
2250:秋刀魚の味
2068:Sōshun
2014:お茶漬の味
1890:長屋紳士録
1639:出来ごころ
1618:非常線の女
1492:東京の合唱
1439:Ojōsan
1379:その夜の妻
1345:朗かに歩め
1327:結婚学入門
1288:会社員生活
1169:引越し夫婦
1077:Notes
1070:Rōmaji
929:, and
862:tatami
842:(1953)
670:Ryokan
548:Hankou
500:Kabuki
479:'s
241:小津 安二郎
43:小津 安二郎
3627:[
3530:[
3507:[
3097:(PDF)
2988:(PDF)
2943:1997
2805:[
2274:Notes
2247:1962
2219:1961
2195:1960
2146:Ohayō
2141:お早よう
2138:1959
2113:1958
2087:東京暮色
2084:1957
2060:1956
2039:東京物語
2036:1953
2011:1952
1987:1951
1966:宗方姉妹
1963:1950
1935:1949
1911:1948
1887:1947
1866:父ありき
1863:1942
1839:1941
1815:1937
1794:一人息子
1773:1936
1763:Lost
1747:1936
1726:東京の宿
1721:Lost
1705:1935
1684:浮草物語
1660:1934
1597:東京の女
1594:1933
1589:Lost
1529:Lost
1513:1932
1487:Lost
1474:美人哀愁
1457:淑女と髯
1454:1931
1449:Lost
1436:お嬢さん
1431:Lost
1413:Lost
1340:Lost
1324:1930
1306:突貫小僧
1301:Lost
1221:Lost
1205:1929
1200:Lost
1182:Lost
1164:Lost
1151:カボチャ
1146:Lost
1133:女房紛失
1128:Lost
1115:若人の夢
1112:1928
1107:Lost
1090:懺悔の刃
1087:1927
711:) of
625:Burma
465:]
445:]
310:Tokyo
3924:IMDb
3886:OCLC
3876:ISBN
3848:ISBN
3827:ISBN
3806:ISBN
3785:ISBN
3764:ISBN
3749:2014
3731:ISBN
3706:ISBN
3677:ISBN
3653:ISBN
3633:ISBN
3608:ISBN
3562:ISBN
3536:ISBN
3513:ISBN
3488:ISBN
3462:ISBN
3413:2023
3392:2024
3367:2015
3297:2012
3261:ISBN
3231:ISBN
3185:ISBN
3161:2012
3123:2015
3070:ISBN
3051:2015
3000:2015
2970:2009
2945:ISBN
2924:2019
2897:2010
2871:2015
2811:ISBN
2774:ISBN
2747:ISBN
2720:ISBN
2695:ISBN
2670:ISBN
2624:ISBN
2595:2015
2498:ISBN
2450:OCLC
2440:ISBN
2414:OCLC
2404:ISBN
2334:茅ケ崎館
2198:秋日和
2116:彼岸花
1708:箱入娘
1208:宝の山
1187:肉体美
1063:Year
943:Five
798:sake
768:and
656:Noda
564:陣中日記
447:and
380:1933
87:Died
61:Born
3983:on
3955:at
3922:at
3843:Ozu
3584:doi
2616:Ozu
2494:303
2352:無芸荘
2343:雲呼荘
2168:浮草
2063:早春
1990:麥秋
1938:晩春
978:'s
921:by
811:in
700:in
658:in
516:'s
338:or
328:in
314:Ise
4347::
3884:.
3874:.
3729:.
3725:.
3675:.
3606:,
3578:.
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3169:^
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3148:.
3114:.
3092:.
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3008:^
2990:.
2861:.
2825:^
2788:^
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2618:.
2603:^
2583:.
2531:^
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2448:.
2426:^
2412:.
2388:^
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925:,
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443:jp
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