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272:. There is also a new two-line refrain (again in 88 meter): "Gaude, gaude! Emmanuel / nascetur pro te, Israel", i.e., "Rejoice, Rejoice! Emmanuel will be born for you, O Israel". There are only five verses: two of the antiphons are omitted and the order of the remaining verses differs from that of the O Antiphons, most notably the last antiphon ("O Emmanuel") becomes the first verse of the hymn and gives the hymn its title of “Veni, veni, Emmanuel”:
40:
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1999:
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2157:
969:, in which the words and tune were first combined, represented the "extreme point" of these forces. This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the
2813:
2011:
449:
394:. The order of verses now followed that of the antiphons (beginning with “Sapientia” and ending with “Emmanuel”), and accordingly the hymn's title in this hymnal was “Veni, O Sapientia”. The refrain had undergone a slight change and was now "Gaude, gaude, O Israel. Mox veniet Emmanuel”, i.e. “Rejoice, rejoice, o Israel. Soon shall come Emmanuel”.
276:
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was being used in three quarters of
English churches. The book "probably did more than anything else to spread the ideas of the Oxford Movement" (which include the aesthetics of "O Come, O Come Emmanuel") "so widely that many of them became imperceptibly a part of the tradition of the Church as a
896:
referred to Lisbon, not Paris, and to a missal, not a processional.) Berry raised the possibility that there might exist "an even earlier version of" the melody. However, there is no evidence to suggest that this tune was connected with this hymn before
Helmore's hymnal; thus, the two would have
213:
over the final days before
Christmas. The hymn has its origins over 1,200 years ago in monastic life in the 8th or 9th century. Seven days before Christmas Eve monasteries would sing the “O antiphons” in anticipation of Christmas Eve when the eighth antiphon, “O Virgo virginum” (“O Virgin of
227:
is the most prominent by far in the
English-speaking world, but other English translations also exist. Translations into other modern languages (particularly German) are also in widespread use. While the text may be used with many metrical hymn tunes, it was first combined with
132:
129:
1021:
Alternative tunes are particularly common in the German-speaking world, where the text of the hymn originated, especially as the hymn was in use there for many years before
Helmore's connection of it to the "Veni Emmanuel" tune became known.
826:
in the common 88.88.88 meter scheme (in some hymnals given as "8.8.8.8 and refrain"), it is possible to pair the words of the hymn with any number of tunes. The meter is shared between the original Latin text and the
English translation.
248:
The words and the music of "O come, O come, Emmanuel" developed separately. The Latin text is first documented in
Germany in 1710, whereas the tune most familiar in the English-speaking world has its origins in 15th-century France.
540:
of the
Episcopal Church is typical: there are eight stanzas, with "Emmanuel" as both the first and the last stanza. From this version, six lines date from the original 1851 translation by Neale, nine from the version from
131:
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whole." Its musical qualities in particular "became an influence far beyond the boundaries of the Church of
England." It is very reflective of these cultural forces that the form of "O Come, O Come Emmanuel" in
927:("The Hymnal of the Evangelical-Reformed Churches of German-speaking Switzerland"), both published in 1998, adapt a version of the text by Henry Bone that usually lacks a refrain to use it with this melody.
1029:– one of the earliest and most influential to arise around the late-18th/early-19th century. It is associated with its own distinctive tune, which has enjoyed exceptionally long-lasting popularity in the
854:." However, Helmore provided no means by which to verify his source, leading to long-lasting doubts about its attribution. There was even speculation that Helmore might have composed the melody himself.
2176:
145:
1015:
In the United States, some
Lutheran hymnals use the tune "St. Petersburg" by Dmitry Bortniansky for "O Come, O Come, Emmanuel." A Moravian hymnal from the US gives a tune attributed to
984:
tune, ensuring its inclusion, but was also designed to achieve commercial success beyond any one party of churchmanship, incorporating high-quality hymns of all ideological approaches.
892:, Mother Thomas More) points out in her article on the discovery, "Whether this particular manuscript was the actual source to which referred we cannot tell at present." (Recall that
490:. This version, now with the initial line reading "O come, O come, Emmanuel", would attain hegemony in the English-speaking world (aside from minor variations from hymnal to hymnal).
872:. The manuscript consists of processional chants for burials. The melody used by Helmore is found here with the text "Bone Jesu dulcis cunctis" ; it is part of a series of two-part
897:
first come together in English. Nonetheless, because of the nature of metrical hymns, it is perfectly possible to pair this tune with the Latin text; versions doing so exist by
1246:
830:
However, at least in the English-speaking world, "O Come, O Come Emmanuel" is associated with one tune more than any other, to the extent that the tune itself is often called
130:
522:
in 1916 – which included only the "O Come, O Come Emmanuel" verse by Neale and Coffin's two "new" verses – gained the broadest acceptance, with occasional modifications.
214:
virgins”) would be sung before and after Mary's canticle, the Magnificat (Luke 1:46b–55). The Latin metrical form of the hymn was composed as early as the 12th century.
1752:
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would come to know the hymn. Neale would both publish the Latin version of the hymn in Britain and translate the first (and still most important) English versions.
2680:
2588:
265:
hymnographer Johannes Heringsdorf in 1610 and receiving numerous revised editions through 1868, it achieved enormous impact due to its use in Jesuit schools.
1061:(#829) includes a tune by CF Ackens (Aachen, 1841) with the Bone translation. A version by Bone without a refrain is commonly connected with a tune from the
1150:
2055:
1515:
2874:
2659:
2596:
549:, and the first two lines of the fourth stanza ("O come, thou Branch of Jesse's tree, \ free them from Satan's tyranny") are unique to this hymnal.
1091:
wrote a choral work "Adventi Ă©nek (Advent song: Veni, veni Emmanuel)" in 1943 based on the melody and sung mostly with Latin or Hungarian lyrics.
2613:
2580:
1202:
recorded a dramatic vocal performance woven into Middle Eastern and progressive raga instrumentation on his Old World Christmas album in 2011.
518:
It would take until the 20th century for the additional two stanzas to receive significant English translations. The translation published by
2181:
2042:
1773:
902:
850:, paired with an early revision of Neale's English translation of the text. The volume listed the tune as being "From a French Missal in the
2869:
2667:
2629:
2621:
961:
interest in poetic beauty and medieval exoticism and out of a concern for matching hymns to liturgical seasons and functions rooted in the
359:, a monumental collection by the German hymnologist Hermann Adalbert Daniel, thus ensuring a continued life for the Latin text even as the
2675:
2413:
869:
257:
In spite of claims the Latin metrical hymn dates from the 11th or 12th century, it appears for the first time in the seventh edition of
2434:
1381:
1012:
While the "Veni Emmanuel" tune predominates in the English-speaking world, several others have been closely associated with the hymn.
2193:
1918:
1542:
1450:
1364:
1234:
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2514:
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530:
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In the same year, Neale published the first documented English translation, beginning with "Draw nigh, draw nigh, Emmanuel", in
2563:
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2352:
2051:
2015:
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tune, but also the revised English translation that included, for example, the title used in this article – see the section
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2441:
1968:
1175:
268:
Each stanza of the hymn consists of a four-line verse (in 88.88 meter with an AABB rhyme scheme), paraphrasing one of the
2059:
1812:
1797:
1340:
973:
tune for "O Come, O Come Emmanuel", the combination of which has been cited as an exemplar of this new style of hymnody.
933:
2521:
2469:
1743:
1290:
1259:
1254:
1026:
240:
in 1851. Later, the same tune was used with versions of "O come, O come, Emmanuel" in other languages, including Latin.
2324:
2495:
2455:
2448:
2399:
1051:
1834:
1406:
2864:
2638:
2406:
2366:
2050:
has extensive information on this hymn (including scanned source images and MIDI recordings). Begin with the pages
2027:
536:
Contemporary English hymnals print various versions ranging from four to eight verses. The version included in the
2003:
1044:(DĂĽsseldorf 1836), which remains popular in German diocesan song-books and regional editions of the common hymnal
87:
2854:
2711:
2645:
2392:
2259:
1191:
2739:
2535:
1625:
1313:
977:
976:"O Come, O Come Emmanuel" was thus ideally situated to benefit from the cultural forces that would bring about
511:
486:
223:
2213:
2768:
2420:
1757:
1269:
1115:
1104:
1874:
2704:
2651:
2556:
2542:
1585:
1199:
1167:
858:
505:
493:
1467:
261:(Cologne, 1710). This hymnal was a major force in the history of German church music: first assembled by
2859:
2763:
2378:
2345:
2338:
2249:
1940:
1480:
Hymni ecclesiae: e breviariis quibusdam et missalibus gallicanis, germanis, hispanis, lusitanis desumpti
1066:
2427:
1030:
906:
2385:
2372:
2079:
1895:
1878:
1296:
1162:
191:
2828:
2318:
1739:
1652:
1179:
868:
and noted choral conductor), who discovered a 15th-century manuscript containing the melody in the
519:
383:
1382:"What are the lyrics to 'O Come, O Come, Emmanuel', and what is the Christmas carol really about?"
1088:
898:
2816:
2732:
2198:
2146:
1747:
1609:
1280:
1054:, where it remains in use through the present in some Catholic communities in the United States.
936:
498:
2156:
1630:
1910:
1851:
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remains predominant in the English-speaking world. (This predominance encompasses not just the
957:
tune was proved an extremely significant combination. The hymn text was embraced both out of a
390: of 1878, with two additional verses of unknown authorship paraphrasing the two “missing”
2697:
2293:
1769:
1765:
1604:
1573:
1538:
1446:
1360:
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1078:
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in 1861. This new hymnal was a product of the same ideological forces that paired it with the
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1354:
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2254:
2208:
2031:
1761:
1657:
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371:
262:
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76:
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1122:
962:
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A full seven-verse English version officially appeared for the first time in 1940, in the
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2604:
2266:
2131:
1222:
1217:
1205:
1186:
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1016:
889:
843:
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The familiar tune called "Veni Emmanuel" was first linked with this hymn in 1851, when
17:
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published the five-verse Latin version, which he had presumably learned from Daniels'
2843:
2783:
2778:
2773:
2276:
2271:
2239:
2218:
2121:
2111:
1300:
1264:
1241:
1210:
1094:
1037:
873:
1679:
1118:
quotes the melody in the third movement of his Sonata for Trombone and Piano (1957).
1065:(Cologne, 1608), but it can also be used with the melody of the medieval Latin hymn
545:(1861), eleven (including the two supplementary stanzas, following Coffin) from the
39:
2508:
1230:
862:
823:
275:
176:
1823:
1407:
https://www.umcdiscipleship.org/resources/history-of-hymns-o-come-o-come-emmanuel
496:(1853–1931) created a new translation (also based on the five-verse version) for
128:
2475:
2306:
2244:
2171:
1792:(Chicago: Wartburg Publishing House, 1918), #78; Andreas Bersagel et al., eds.,
958:
391:
269:
195:
448:
2312:
2141:
2126:
2036:
2021:
1998:
1589:
For a modern transcription by Peter Woetmann Christoffersen, see pp. 11–18 of
1126:
877:
206:
150:
98:
1339:, revised ed. (New York: The A.S. Barnes Company, 1916), Hymn #37. Quoted in
925:
Gesangbuch der Evangelisch-reformierten Kirchen der deutschsprachigen Schweiz
2823:
2186:
2136:
1139:
1046:
881:
199:
2010:
2203:
1721:
1233:
recorded an upbeat version of the song for inclusion on their 2013 album
1129:
865:
202:
2116:
1945:
210:
1613:
126:
2095:
1590:
183:
1514:(London: Oxford University Press, 1906), hymn #8 (see p. 12 of the
1279:
released a cover in English and Latin for her seventh studio album
1025:
Among several German paraphrases of the hymn, one is attributed to
1969:"Tarja Debuts Official Music Video for 'O Come, O Come, Emmanuel'"
1572:, parts I & II (New York: Novello, 1851), 131 (Hymn 65 or 30)
504:
447:
274:
140:"Veni, Veni Emmanuel", arranged by Peter Zagar for voice and cello
1276:
179:
58:
2068:
1496:
Hymns ancient and modern: for use in the services of the church
1584:
Paris, Bibliothèque Nationale, m.s. lat. 10581, ff. 89v-101.
1537:, vol. 3A, 2nd ed. (New York: Church Publishing, 1995), 105 (
1138:, based on this carol in 1991, premiered during the 1992 BBC
1069:, further demonstrating the flexibility of metrical hymnody.
355:
In 1844, the 1710 text was included in the second volume of
1520:
It is noteworthy that the text is here correctly listed as
1220:
included the song as a deluxe track on her Christmas album
1158:
2064:
935:
Audio playback is not supported in your browser. You can
1437:
1435:
857:
The mystery was settled in 1966 by British musicologist
1208:
released a cover version on the 2012 compilation album
229:
109:
1042:
Sammlung von Kirchengesängen für katholische Gymnasien
1796:(Minneapolis: Augsburg Publishing House, 1932), #118
1466:(New York: Frederick Pustet, 1878), p. 81, hymn #36
1335:
Henry Sloane Coffin and Ambrose White Vernon, eds.,
1247:
From Spirits and Ghosts (Score for a Dark Christmas)
2756:
2689:
2573:
2285:
2227:
2164:
2104:
1081:quotes the melody in "The Gift of the Magi" in his
119:
105:
93:
83:
72:
64:
54:
46:
32:
1445:, vol. 1 (New York: Church Publishing, 1995), 56 (
1896:"Belle & Sebastian: O Come, O Come, Emmanuel"
1111:uses the theme as a basis for the first movement.
1050:. This melody was carried across the Atlantic by
1040:became the vehicle for a tune from JBC Schmidts'
1001:
1911:"Scott Jeffers / Traveler – Old World Christmas"
1824:"O komm, o komm Emanuel:" "Evergreen" im Bistrum
1750:; Harry Eskew (2001). "Hymn (from Gk. humnos)".
1425:u. ihr Herausgeber P. Johannes Heringsdorf SJ",
1733:
1731:
1729:
484:, followed by a further revision, in 1861, for
396:
286:
1811:(Bethlehem, PA: Provincial Synod, 1920), #106
1653:"Veni Emmanuel (Track(s) taken from SIGCD502)"
1602:Mother Thomas More, "O Come O Come Emmanuel",
1405:History of Hymns: “O Come, O Come, Emmanuel”,
1299:included a version on their 2006 studio album
363:came to the end of its long history in print.
2080:
8:
785:Additional verses trans. H. S. Coffin (1916)
186:, which is also often published in books of
1809:Hymnal and Liturgies of the Moravian Church
1263:(2017), as well a studio version featuring
1057:The Archdiocese of Cologne's supplement to
923:("The Catholic Hymnal of Switzerland") and
502:in 1906, but it received only limited use.
110:"Bone Jesu dulcis cunctis" (anon., 15th c.)
2155:
2087:
2073:
2065:
38:
29:
1244:included the song in her classical album
809:Fill the whole world with heaven’s peace.
1852:"Songs for Christmas, by Sufjan Stevens"
1331:
1329:
1185:A short version of this song appears on
1178:features a version by the Scottish band
744:Dispel the long night's lingering gloom,
671:O come, Thou Day-Spring, come and cheer,
1766:10.1093/gmo/9781561592630.article.13648
1325:
1257:featured the song on their live album,
1145:Included on American singer-songwriter
822:Because "O Come, O Come Emmanuel" is a
770:From that high mountain clothed in awe,
677:And death's dark shadows put to flight.
602:Draw nigh, Thou Orient, Who shalt cheer
553:Texts of the major English translations
27:Christian hymn for Advent and Christmas
2060:"O Come, O Come, Emmanuel" – Version 1
1171:takes its tune directly from the hymn.
1036:A more faithful German translation by
987:The volume succeeded wildly; by 1895,
953:The pairing of the hymn text with the
921:Das katholische Gesangbuch der Schweiz
740:O come, O come, thou Dayspring bright!
628:Draw nigh, draw nigh, O Lord of Might,
1626:"Veni, Veni Emmanuel – Zoltan Kodaly"
1289:for her seasonal eighth studio album
757:Safeguard for us the heavenward road,
699:Who to Thy tribes, on Sinai's height,
688:Make safe the way that leads on high,
664:And give them victory o'er the grave.
630:Who to Thy tribes from Sinai's height
619:Make safe the way that leads on high,
457:
194:. It is a metrical paraphrase of the
190:. The text was originally written in
7:
2812:
2590:Bereitet die Wege, bereitet die Bahn
1714:Methodist Conference Office (1933),
1608:107, no. 1483 (September 1966), 772
807:Bid envy, strife and quarrels cease;
742:Pour on our souls thy healing light;
731:From the dread caverns of the grave,
720:Far from the face of God's dear Son.
701:In ancient times didst give the law,
675:Disperse the gloomy clouds of night,
662:From depths of hell Thy people save,
615:Draw nigh, draw nigh, O David's Key,
589:Draw nigh, O Jesse's Rod, draw nigh,
382:The 1710 text was published in
2676:Wir sagen euch an den lieben Advent
2557:Hark, a Thrilling Voice Is Sounding
2414:Lo! He comes with clouds descending
2041:on YouTube, sung in English by the
1909:Epstein, Dmitry M (March 5, 2022).
1498:(London: Novello, 1861), hymn #36 (
1359:. Courier Corporation. p. 52.
792:And order all things, far and nigh;
755:The royal door fling wide and free;
746:And pierce the shadows of the tomb.
632:In ancient time didst give the Law,
617:The Heavenly Gate will ope to Thee;
595:And give us victory o'er the grave.
259:Psalteriolum Cantionum Catholicarum
2435:Macht weit die Pforten in der Welt
2043:Choir of King's College, Cambridge
1941:"Tarja – O Come, O Come, Emmanuel"
805:All peoples in one heart and mind;
733:From nether hell, thy people save.
727:O come, thou Branch of Jesse! draw
697:O come, O come, thou Lord of Might
638:Shall be born for thee, O Israel!
599:Shall be born, for thee, O Israel!
25:
2194:Davidic dynasty in Bible prophecy
1921:from the original on May 15, 2022
1813:via Hymns and Carols of Christmas
1798:via Hymns and Carols of Christmas
1555:The Methodist Conference (1933),
1502:digitization of the 1867 edition)
1482:(Oxford: J.H. Parker, 1851), 57 (
1380:Ross, Daniel (23 November 2021).
794:To us the path of knowledge show,
790:O come, Thou Wisdom from on high,
759:And bar the way to death's abode.
753:O Come, thou Lord of David’s Key!
673:Our Spirits by Thine Advent here;
649:That mourns in lonely exile here,
625:Shall be born for thee, O Israel!
612:Shall be born for thee, O Israel!
608:Of sinful night and endless doom.
606:And banish far the brooding gloom
604:And comfort by Thine Advent here,
593:From Hell's infernal pit to save,
586:Shall be born for thee, O Israel!
580:That mourns in lonely exile here,
123:
2822:
2811:
2802:
2801:
2515:Sei uns willkommen, Herre Christ
2463:Der Morgenstern ist aufgedrungen
2332:Come, thou Redeemer of the earth
2009:
1997:
729:The quarry from the lion's claw;
686:And open wide our heavenly home;
509:The hymn in the 1861 edition of
2875:Hymns in The New English Hymnal
2661:Wachet auf, ruft uns die Stimme
2598:Herz und Mund und Tat und Leben
2564:Wachet auf, ruft uns die Stimme
2529:There is no rose of such virtue
2056:Notes on "Veni, Veni, Emmanuel"
1253:Australian Christian-rock band
803:O come, Desire of nations, bind
796:And cause us in her ways to go.
703:In cloud, and majesty, and awe.
684:O come, Thou Key of David, come
660:Thine own from Satan's tyranny;
658:O come, Thou Rod of Jesse, free
576:Draw nigh, draw nigh, Emmanuel,
2503:Of the Father's Heart Begotten
2489:O Heiland, reiĂź die Himmel auf
2353:Come, Thou Long Expected Jesus
2177:Christian messianic prophecies
1742:; Susan Boynton; Tom R. Ward;
965:in the Church of England. The
813:Shall come to thee, O Israel.
776:Shall come to thee, O Israel.
772:Gavest thy folk the elder Law.
718:That into exile drear is gone,
707:Shall come to thee, O Israel.
480:. He revised this version for
1:
2719:The New Oxford Book of Carols
2669:Wachet! betet! betet! wachet!
2442:Maria durch ein Dornwald ging
2048:Hymns and Carols of Christmas
1353:Charles J. F. Cofone (1975).
1341:Hymns and Carols of Christmas
800:Shall come to thee, O Israel.
763:Shall come to thee, O Israel.
750:Shall come to thee, O Israel.
737:Shall come to thee, O Israel.
724:Shall come to thee, O Israel.
694:Shall come to thee, O Israel.
690:And close the path to misery.
681:Shall come to thee, O Israel.
668:Shall come to thee, O Israel.
655:Shall come to thee, O Israel.
634:In cloud and majesty and awe.
621:And close the path to misery.
2631:Nun komm, der Heiden Heiland
2623:Nun komm, der Heiden Heiland
2615:Nun komm, der Heiden Heiland
2470:Nun komm, der Heiden Heiland
1788:vid. e.g.: O. Hardwig, ed.,
1260:Christmas: Live from Phoenix
1027:Christoph Bernhard Verspoell
932:
888:As Berry (writing under her
651:Until the Son of God appear.
582:Until the Son of God appear;
478:Mediæval Hymns and Sequences
444:English versions of the text
438:7. Veni, veni, Emmanuel ...
423:4. Veni, clavis Davidica ...
420:3. Veni, o Jesse virgula ...
2870:Hymns in The English Hymnal
2550:Vi tänder ett ljus i advent
2543:Savior of the Nations, Come
2456:Mit Ernst, o Menschenkinder
2449:Meine Seele, dank und singe
2400:Jesus Christ the Apple Tree
2038:"O Come, O Come, Emmanuel!"
1337:Hymns of the Kingdom of God
1052:Johann Baptist Singenberger
768:Who in thy glorious majesty
429:6. Veni, Veni, Rex Gentium,
426:5. Veni, veni, o Oriens ...
2891:
2639:This Is the Record of John
2582:Ă„rgre dich, o Seele, nicht
2496:O How Shall I Receive Thee
2367:Es ist ein Ros entsprungen
1176:It's a Cool Cool Christmas
870:National Library of France
811:Rejoice! Rejoice! Emmanuel
798:Rejoice! Rejoice! Emmanuel
774:Rejoice! Rejoice! Emmanuel
761:Rejoice! Rejoice! Emmanuel
748:Rejoice! Rejoice! Emmanuel
735:Rejoice! Rejoice! Emmanuel
722:Rejoice! Rejoice! Emmanuel
705:Rejoice! Rejoice! Emmanuel
692:Rejoice! Rejoice! Emmanuel
679:Rejoice! Rejoice! Emmanuel
666:Rejoice! Rejoice! Emmanuel
653:Rejoice! Rejoice! Emmanuel
647:And ransom captive Israel;
636:Rejoice! rejoice! Emmanuel
623:Rejoice! rejoice! Emmanuel
610:Rejoice! rejoice! Emmanuel
597:Rejoice! rejoice! Emmanuel
591:To free us from the enemy;
584:Rejoice! rejoice! Emmanuel
578:And ransom captive Israel,
572:
455:
378:The seven-verse Latin text
326:Dirasque noctis tenebras.
236:, in the English-language
2797:
2712:The Oxford Book of Carols
2646:Unser lieben Frauen Traum
2522:Singet fröhlich im Advent
2393:In das Warten dieser Welt
2301:Advent är mörker och kyla
2153:
1535:The Hymnal 1982 Companion
1443:The Hymnal 1982 Companion
1356:Favorite Christmas Carols
1291:A Midwinter Night's Dream
1192:Halford III: Winter Songs
1097:quotes the melody in his
716:Redeem thy captive Israel
714:O come, O come, Emmanuel!
645:O come, O come, Emmanuel,
469:, in his 1851 collection
315:Educ, et antro barathri.
253:The five-verse Latin text
159:
124:
115:
37:
2740:Hymns Ancient and Modern
2574:Cantatas and other music
2536:Tochter Zion, freue dich
2482:O Come, O Come, Emmanuel
2004:O come, O come, Emmanuel
1586:View scanned MS from BnF
1427:Westfälische Zeitschrift
1314:List of Christmas carols
1165:" from its 2009 release
994:Hymns Ancient and Modern
989:Hymns Ancient and Modern
978:Hymns Ancient and Modern
919:In the German language,
852:National Library, Lisbon
838:The "Veni Emmanuel" tune
564:Hymns Ancient and Modern
543:Hymns Ancient and Modern
512:Hymns Ancient and Modern
487:Hymns Ancient and Modern
417:2. Veni, veni Adonai ...
401:Quae hic disponis omnia,
337:Et claude vias Inferum.
331:4. Veni clavis Davidica!
309:2. Veni o Jesse virgula!
305:nascetur pro te, Israel.
224:Hymns Ancient and Modern
217:The 1851 translation by
167:O come, O come, Emmanuel
33:O Come, O Come, Emmanuel
2850:English Christian hymns
2829:Christianity portal
2681:List of Advent cantatas
2421:Long Ago, Prophets Knew
2407:KĂĽndet allen in der Not
1758:Oxford University Press
1716:The Methodist Hymn Book
1557:The Methodist hymn-book
1270:A Drummer Boy Christmas
1174:The 2000 charity album
937:download the audio file
766:O come, O come, Adonai,
458:§ Rise to hegemony
431:Veni, Redemptor omnium,
409:Gaude, gaude, o Israel.
335:Fac iter Tutum superum,
324:Noctis depelle nebulas,
320:3. Veni, veni o Oriens!
289:1. Veni, veni Emmanuel!
18:O Come, O Come Emmanuel
2705:The New English Hymnal
2325:Bereden väg för Herran
2052:"Veni, Veni, Emmanuel"
1462:Joseph Mohr, SJ, ed.,
1423:Geistliche Psälterlein
1419:Psalteriolum cantionum
1255:For King & Country
1200:Scott Jeffers Traveler
1168:No Line on the Horizon
1083:Trittico Botticelliano
1063:Andernacher Gesangbuch
515:
494:Thomas Alexander Lacey
467:Thesaurus Hymnologicus
453:
441:
435:Peccati sibi conscios.
433:Ut salves tuos famulos
368:Thesaurus Hymnologicus
357:Thesaurus Hymnologicus
353:
348:In maiestate gloriae.
346:Legem dedisti vertice,
333:Regna reclude coelica,
311:Ex hostis tuos ungula,
301:Gaude, gaude, Emmanuel
291:Captivum solve Israel!
284:
281:Thesaurus Hymnologicus
232:, often itself called
136:
2764:Anglican church music
2379:The Holly and the Ivy
2346:The Cherry-Tree Carol
2339:Conditor alme siderum
2250:Hanging of the greens
2214:Saint Joseph's dreams
2023:"Veni, Veni Emmanuel"
1067:Conditor alme siderum
508:
451:
405:Ut doceas et gloriae.
403:Veni, viam prudentiae
399:1. Veni, O Sapientia,
342:5. Veni, veni Adonai!
322:Solare nos adveniens,
313:De specu tuos tartari
278:
135:
2386:Hosianna, Davids son
2018:at Wikimedia Commons
2016:Veni, veni, Emmanuel
1794:The Concordia Hymnal
1703:At KG 304 and RG 362
1684:Gehrmans Musikförlag
1417:Theo Hamacher, "Das
1198:World fusion artist
1135:Veni, Veni, Emmanuel
846:published it in the
413:Mox veniet Emmanuel.
295:Privatus Dei Filio.
293:Qui gemit in exilio,
230:its most famous tune
172:Veni, veni, Emmanuel
88:Matthew 1:23
50:Veni, veni, Emmanuel
2319:Angelus ad virginem
2030:, sung in Latin by
1898:. 28 December 2012.
1790:The Wartburg Hymnal
1740:Thomas J. Mathiesen
1631:Boosey & Hawkes
1441:Raymond F. Glover,
1429:110 (1960), 285 ff.
1195:as the third track.
1180:Belle and Sebastian
1152:Songs for Christmas
1099:Die natali, Op. 37
569:T. A. Lacey (1906)
560:J. M. Neale (1851)
520:Henry Sloane Coffin
384:Joseph Hermann Mohr
344:Qui populo in Sinai
2733:The English Hymnal
2690:Music publications
2428:Macht hoch die TĂĽr
2199:Genealogy of Jesus
2147:Saint Nicholas Day
1885:(13 February 2009)
1753:Grove Music Online
1748:Nicholas Temperley
1533:Raymond F. Glove,
1512:The English Hymnal
1478:John Mason Neale,
1281:And Winter Came...
1114:American composer
1109:Concerto da Chiesa
1031:Diocese of MĂĽnster
516:
499:The English Hymnal
454:
285:
137:
2865:Songs about Jesus
2837:
2836:
2698:Carols for Choirs
2373:Gabriel's Message
2294:Adam lay ybounden
2255:Christmas markets
2014:Media related to
2002:Works related to
1837:At the Tabard Inn
1775:978-1-56159-263-0
1738:Warren Anderson;
1605:The Musical Times
1468:Digitized version
1297:Blackmore's Night
1287:Loreena Mckennitt
1250:(6 October 2017).
1079:Ottorino Respighi
1073:Musical influence
941:
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781:
163:
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133:
68:1861 (translated)
16:(Redirected from
2882:
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2209:John the Baptist
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916:, among others.
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907:Jan Ă…ke Hillerud
890:name in religion
557:
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531:Episcopal Church
482:The Hymnal Noted
463:John Mason Neale
452:John Mason Neale
388:Cantiones Sacrae
372:John Mason Neale
279:Text in Daniel,
219:John Mason Neale
205:attached to the
188:Christmas carols
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832:Veni Emmanuel
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824:metrical hymn
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2509:Rorate Caeli
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1977:. Retrieved
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1883:the Guardian
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1859:. Retrieved
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1744:John Caldwel
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1662:. Retrieved
1656:
1647:
1635:. Retrieved
1629:
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1598:
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1574:Google Books
1570:Hymnal Noted
1569:
1565:
1559:, number 257
1556:
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1389:. Retrieved
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1105:George Dyson
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848:Hymnal Noted
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164:
101:with Refrain
79:, translator
2653:Virga Jesse
2476:O Antiphons
2307:Advent song
2245:Christingle
2172:Fall of man
1979:12 February
1953:12 February
1712:Taken from
1689:23 February
1664:23 February
1637:23 February
1008:Other tunes
910: [
863:Augustinian
547:Hymnal 1940
538:Hymnal 1982
392:O Antiphons
270:O Antiphons
196:O Antiphons
169:" (Latin: "
47:Native name
2844:Categories
2655:(Bruckner)
2600:, BWV 147a
2584:, BWV 186a
2313:Adventstid
2228:Traditions
2182:Isaiah 9:6
2165:Narratives
2142:Magnificat
2127:Ember days
1861:2019-11-26
1718:, Hymn 257
1524:in origin.
1522:18th cent.
1391:5 December
1386:Classic FM
1320:References
1127:percussion
878:responsory
859:Mary Berry
456:See also:
207:Magnificat
200:plainchant
2663:, BWV 140
2605:Handel's
2592:, BWV 132
2187:Isaiah 53
2137:Hail Mary
1161:'s song "
1059:Gotteslob
1047:Gotteslob
882:Libera me
861:(also an
818:The music
203:antiphons
177:Christian
120:Recording
97:8.8.8.8.
2807:Category
2633:, BWV 62
2625:, BWV 61
2609:(Part I)
2204:John 1:1
1919:Archived
1915:dmme.net
1839:, Review
1722:LilyPond
1591:this PDF
1308:See also
1130:concerto
1125:wrote a
1107:'s 1949
1004:below.)
959:Romantic
866:canoness
386:'s
175:") is a
84:Based on
2817:Commons
2671:BWV 70a
2607:Messiah
2117:Angelus
2105:Liturgy
2028:YouTube
1946:Discogs
1925:Nov 25,
1881:" from
1273:(2020).
1226:(2013).
1187:Halford
1101:(1960).
1085:(1927).
945:Source
876:to the
566:(1861)
529:of the
211:Vespers
65:Written
2617:(Böhm)
2097:Advent
2058:, and
1875:Review
1772:
1614:954294
1612:
1541:
1449:
1421:, das
1363:
1293:(2008)
1283:(2008)
874:tropes
527:Hymnal
283:(1844)
263:Jesuit
184:Advent
106:Melody
99:(L.M.)
1610:JSTOR
1140:Proms
914:]
370:that
221:from
192:Latin
94:Meter
55:Genre
2260:List
1981:2018
1955:2018
1927:2022
1877:of "
1770:ISBN
1691:2020
1666:2020
1639:2020
1539:ISBN
1447:ISBN
1393:2022
1361:ISBN
1277:Enya
905:and
182:for
180:hymn
151:help
146:file
73:Text
59:Hymn
2026:on
1762:doi
209:at
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