337:
27:
2212:
2222:
200:
that early
Christians stayed close to contemporary Jewish traditions. For example, Acts 2:46–47 states that "with one accord in the Temple, and breaking bread from house to house did eat their meat with gladness and singleness of heart, praising God, and having favour with all the people".
808:
795:
818:
518:
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1383:
649:
1875:
736:
The
Annotated Book of Common Prayer: Being an Historical, Ritual, and Theological Commentary on the Devotional System of the Church of England
586:
875:
2277:
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1209:
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believed to have entered the monasteries of Syria and
Palestine in the 4th century from the Jewish communities such as the one in
2257:
2057:
870:
513:
1338:
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1204:
386:. More recently they have found a place in primary liturgical documents throughout the Anglican Communion, including the
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608:
A.C. Zenos, ed., 'The
Ecclesiastical History of Socrates Scholasticus,' book VI, chapter VIII, vol 2, p 144. In
2262:
752:
503:
452:
443:. This style, with its variations as it spread across Europe after 1600, helped to define the beginning of the
176:
by alternating groups of performers. The term "antiphony" can also refer to a choir-book containing antiphons.
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612:, Second Series, P. Schaff and H. Wace, eds (Grand Rapids: W. B. Eerdmans Publishing Company, 1957).
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244:, who are known for their contributions to the formulation of Gregorian chant, are credited with '
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213:(died 107) after he saw a vision of two choirs of angels. Antiphonal singing was an element of
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A Treasury of Early Music: Masterworks of the Middle Ages, the
Renaissance and the Baroque Era
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When two or more groups of singers sing in alternation, the style of music can also be called
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The chant of early
Christianity through to the end of the 5th century had its root in the
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88:
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is that performed by two choirs in interaction, often singing alternate musical phrases.
188:, whence early Christians borrowed the traditions of the chanting of psalms, singing of
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and other work songs, and songs and worship in
African and African-American culture.
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463:. There are examples from the 19th and 20th centuries, from composers as diverse as
2161:
1968:
1931:
1890:
1855:
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1815:
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periods. Polychoral techniques are a definitive characteristic of the music of the
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are indicated by number and ending pitch, and the pitches for the ending of the
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248:', collections of works suitable for antiphon, which are still used in the
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A Select
Library of Nicene and Post-Nicene Fathers of the Christian Church
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emerged in
England in the 14th century as settings of texts honouring the
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1963:
1409:
1199:
1179:
1154:
318:
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or
Scripture, but may also be freely composed. Their form was favored by
43:
439:. The Venetian polychoral style was an important innovation of the late
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2012:
1983:
1941:
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Singing the Gospel: Lutheran Hymns and the Success of the Reformation
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they have traditionally been used as antiphons to the Magnificat at
307:
musical tradition: the singers often face each other, placed in the
297:. The largest collection of such antiphons is the late-15th-century
578:
New Oxford History of Music Vol II: Early Medieval Music up to 1300
419:. Specifically, this term is usually applied to music of the late
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1953:
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65:
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Antiphons have remained an integral part of the worship in the
347:
The Greater Advent or O Antiphons are antiphons used at daily
34:, showing on the right-hand page the antiphons for the first
303:. As a result, antiphony remains particularly common in the
19:
This article is about the musical term. For other uses, see
671:
Historical Dictionary of Late Medieval England, 1272–1485
141:(usually sung by the congregation), a refrain is needed.
64:ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short
451:
in the Renaissance; it was also popular in France with
366:, one of his attributes mentioned in Scripture. In the
407:, and they continue to be sung in Lutheran churches.
79:. The texts of antiphons are usually taken from the
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819:File:Schola Gregoriana-Antiphona et Magnificat.ogg
797:Antiphon "O Sapientia quae ex ore Altissimi..."
95:as well. They may be used during Mass, for the
839:
370:tradition, they are sung as antiphons to the
8:
695:R. Bray, 'England i, 1485–1600' in J. Haar,
519:Latin church music by George Frideric Handel
768:(Courier Dover Publications, 2000), p. 138.
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810:Antiphon O Adonai II Great Advent Antiphon
399:. Use of the O Antiphons was preserved in
232:. The practice did not become part of the
570:
568:
447:era. Polychoral music was not limited to
205:wrote that antiphony was introduced into
778:Grove Dictionary of Music and Musicians,
378:from December 17 to December 23. In the
1384:List of Galician-Portuguese troubadours
650:The Oxford History of Christian Worship
534:
362:traditions. Each antiphon is a name of
282:. Towards the end of the 15th century,
721:A. Nocent and M. J. O'Connell (1977),
289:produced expanded settings up to nine
270:, which were sung separately from the
686:(Ashgate, Aldershot, 2003), pp. 48–9.
236:until more than two centuries later.
133:When a chant consists of alternating
7:
669:R. H. Fritze and W. Baxter Robison,
634:. New York: Robert Appleton Company.
351:in the evenings of the last days of
1210:Other troubadours and trobairitz...
625:"Antiphon (in Greek Liturgy)"
556:Music in early Christian literature
543:Worship music: a concise dictionary
435:: this music is often known as the
14:
712:(Liturgical Press, 1977), p. 162.
684:John Taverner: His Life and Music
622:Herbermann, Charles, ed. (1913).
293:, with increasing complexity and
122:They should not be confused with
2220:
2211:
2210:
545:(Liturgical Press, 2000), p. 18.
87:and they feature prominently in
708:A. Nocent and M. J. O'Connell,
137:(usually sung by a cantor) and
107:. They may also be used in the
16:Short chant in Christian ritual
431:, exemplified by the works of
196:. There is some evidence from
152:style of singing, such as the
91:, but they are used widely in
46:are indicated by the mnemonic
1:
1205:William IX, Duke of Aquitaine
38:of Christmas. The associated
455:(37 settings H.16–H.52), in
876:List of musical instruments
581:. Oxford University Press.
256:Polyphonic votive antiphons
2299:
738:(Rivingtons, 1866), p. 76.
673:(Greenwood, 2002), p. 363.
560:Cambridge University Press
329:
203:Socrates of Constantinople
148:is generally used for any
18:
2278:16th-century music genres
2192:
1738:Matheus de Sancto Johanne
1733:Johannes Symonis Hasprois
1664:
1476:
1403:
1379:Galician-Portuguese lyric
1324:Jehan le Cuvelier d'Arras
1239:Andrieu Contredit d'Arras
1011:
861:
697:European Music, 1520–1640
437:Venetian polychoral style
21:Antiphon (disambiguation)
1768:Antonio Zacara da Teramo
780:Oxford University Press.
753:Harvard University Press
699:(Boydell, 2006), p. 498.
523:includes three antiphons
453:Marc-Antoine Charpentier
326:Greater Advent antiphons
2258:Polychoral compositions
1294:Gillebert de Berneville
871:List of music theorists
655:Oxford University Press
514:Polychoral compositions
1567:Gherardello da Firenze
1254:Le Chastelain de Couci
1047:Philippe le Chancelier
575:Wellesz, Egon (1954).
541:E. Foley and M. Paul,
344:
172:or musical playing of
128:processional antiphons
53:
2273:Medieval music genres
1876:Johannes de Garlandia
1190:Raimbaut de Vaqueiras
631:Catholic Encyclopedia
477:Karlheinz Stockhausen
339:
29:
2197:Also music theorist*
1881:Johannes de Grocheio
1698:Conradus de Pistoria
1685:Philippus de Caserta
1634:Philippus de Caserta
1603:Antonello da Caserta
1552:Andreas de Florentia
1443:Guillaume de Machaut
1104:Bernart de Ventadorn
1089:Aimeric de Peguilhan
1032:Albertus Parisiensis
982:Adam of Saint Victor
942:Saint Martial school
899:Notker the Stammerer
411:Polychoral antiphony
198:Acts of the Apostles
109:Liturgy of the Hours
32:Liber responsorialis
1808:Contenance angloise
1598:Bartolino da Padova
1497:Marchetto da Padova
1428:Magister Franciscus
1304:Guillaume le Vinier
1299:Gontier de Soignies
1244:Audefroi le Bastart
1130:Folquet de Marselha
987:Wulfstan the Cantor
977:Hildegard of Bingen
947:Adémar de Chabannes
932:Fulbert of Chartres
894:Abbey of Saint Gall
886:Early (before 1150)
710:The Liturgical Year
647:, K. B. W. Tucker.
211:Ignatius of Antioch
166:Antiphonal psalmody
2268:Polyphonic singing
2253:Musical techniques
2136:Neo-Medieval music
2126:Medieval folk rock
1906:Berno of Reichenau
1886:Iacobus de Ispania
1728:Petrus de Goscalch
1629:Niccolò da Perugia
1624:Grazioso da Padova
1572:Lorenzo da Firenze
1532:Vincenzo da Rimini
1517:Giovanni da Cascia
1349:Other trouvères...
1334:Perrin d'Angicourt
1284:Gautier de Dargies
1259:Chrétien de Troyes
1195:Raimon de Miravalh
1185:Raimbaut d'Aurenga
509:Polyphonic singing
405:German Reformation
345:
54:
2235:
2234:
2203:Renaissance music
1911:Aurelian of RĂ©Ă´me
1896:Johannes de Muris
1866:Franco of Cologne
1844:
1843:
1826:Arnold de Lantins
1785:
1784:
1781:
1780:
1708:Johannes Cuvelier
1660:
1659:
1656:
1655:
1652:
1651:
1619:Giovanni Mazzuoli
1614:Matteo da Perugia
1586:
1585:
1562:Francesco Landini
1540:
1539:
1522:Jacopo da Bologna
1505:
1504:
1472:
1471:
1468:
1467:
1459:Philippe de Vitry
1438:Jehan de Lescurel
1359:
1358:
1344:Raoul de Soissons
1289:Gautier d'Espinal
1279:Gautier de Coincy
1220:
1219:
1140:Giraut de Bornelh
1119:CerverĂ de Girona
1099:Arnaut de Mareuil
1069:
1068:
1065:
1064:
1027:Notre-Dame school
937:Heriger of Lobbes
866:List of composers
588:978-0-19-316310-2
433:Giovanni Gabrieli
388:Church of England
380:Church of England
242:Gregory the Great
150:call and response
2290:
2224:
2214:
2213:
2020:Liturgical drama
1787:
1694:
1691:Johannes Ciconia
1666:
1662:
1644:Zacara da Teramo
1608:Johannes Ciconia
1588:
1578:Paolo da Firenze
1557:Donato da Cascia
1542:
1507:
1487:
1478:
1474:
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1405:
1401:
1396:Late (1300–1400)
1339:Philippe de RĂ©mi
1269:Conon de BĂ©thune
1249:Blondel de Nesle
1234:Adam de la Halle
1222:
1160:Peire d'Alvernha
1071:
1058:
1013:
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1004:High (1150–1300)
993:Wipo of Burgundy
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911:Stephen of Liège
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657:, 2006), p. 244.
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264:Marian antiphons
162:Antiphonal music
144:The looser term
124:Marian antiphons
111:, typically for
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2263:Polyphonic form
2238:
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2109:
2046:
1996:Gregorian chant
1915:
1901:Walter Odington
1861:Guido of Arezzo
1840:
1797:Johannes Alanus
1777:
1753:Jacob Senleches
1689:
1648:
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1145:Guiraut Riquier
1124:Comtessa de Dia
1109:Bertran de Born
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1055:Petrus de Cruce
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962:Notker Physicus
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755:, 2005), p. 61.
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723:Liturgical Year
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562:, 1989), p. 10.
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504:Polyphonic form
489:Marian antiphon
485:
469:Igor Stravinsky
429:Venetian school
413:
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258:
250:Catholic Church
182:
93:Gregorian chant
89:Ambrosian chant
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1309:Guiot de Dijon
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1165:Peire Cardenal
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855:Medieval music
853:
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788:
787:External links
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465:Hector Berlioz
412:
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393:Common Worship
384:Evening Prayer
368:Roman Catholic
330:Main article:
327:
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300:Eton Choirbook
278:, often after
257:
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215:Jewish liturgy
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747:C. B. Brown,
744:
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734:J. H. Blunt,
731:
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246:antiphonaries
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2283:Church music
2201:
2167:Architecture
2039:
1991:Geisslerlied
1969:Formes fixes
1926:
1891:Notker Labeo
1856:Anonymous IV
1831:Leonel Power
1816:Thomas Fabri
1806:
1669:
1490:Predecessors
1408:
1314:Jehan Bretel
1150:Jaufre Rudel
1016:
925:Odo of Cluny
777:
773:
765:
764:C. Parrish,
760:
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592:. Retrieved
577:
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416:
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346:
342:Annunciation
317:
311:
298:
259:
234:Latin Church
223:
194:cantillation
183:
165:
161:
145:
143:
132:
121:
75:, sung as a
57:
55:
47:
36:night office
31:
2157:Middle Ages
2152:Early music
2114:Derivations
1947:Chansonnier
1319:Jehan Erart
1264:Colin Muset
1170:Peire Vidal
1018:Ars antiqua
682:H. Benham,
473:BĂ©la BartĂłk
441:Renaissance
421:Renaissance
401:Lutheranism
355:in various
332:O Antiphons
295:vocal range
268:Virgin Mary
209:worship by
40:psalm tones
2242:Categories
2182:Philosophy
2177:Literature
2145:Background
2051:Traditions
1418:F. Andrieu
1274:Gace Brulé
1114:Castelloza
1080:Trobairitz
1075:Troubadour
967:St. Godric
530:References
423:and early
417:polychoral
372:Magnificat
357:liturgical
261:Polyphonic
158:sea shanty
85:St Ambrose
2095:Lithuania
1959:Conductus
1849:Theorists
1821:Roy Henry
1748:Rodericus
1639:Sant Omer
1374:Minnesang
499:Polyphony
360:Christian
287:composers
226:Byzantine
207:Christian
186:Synagogue
146:antiphony
139:responses
105:Communion
101:Offertory
70:Christian
2216:Category
2121:Bardcore
2100:Portugal
2068:Scotland
2041:Planctus
2025:Madrigal
1964:Estampie
1927:Antiphon
1482:Trecento
1410:Ars nova
1369:Goliards
1226:Trouvère
1200:Sordello
1180:Perdigon
1155:Marcabru
594:9 August
483:See also
319:Cantoris
305:Anglican
280:Compline
58:antiphon
44:doxology
2085:Germany
2063:England
2035:Organum
2013:Tydorel
1984:Virelai
1979:Rondeau
1974:Ballade
1942:Chanson
1718:Egidius
1713:Egardus
1433:Grimace
1364:Casella
1042:PĂ©rotin
917:Hucbald
904:Tuotilo
461:Germany
445:Baroque
425:Baroque
403:at the
397:liturgy
376:Vespers
309:quire's
284:English
252:today.
238:Ambrose
219:Antioch
180:Origins
170:singing
168:is the
156:or the
117:Vespers
103:or the
97:Introit
77:refrain
2226:Portal
2172:Poetry
2080:France
2075:Cyprus
1790:Others
1773:Trebor
1758:Solage
1680:Borlet
1175:Peirol
1078:&
1037:LĂ©onin
585:
494:Anthem
475:, and
364:Christ
353:Advent
349:prayer
313:Decani
276:office
174:psalms
154:kirtan
135:verses
99:, the
81:Psalms
73:ritual
49:Euouae
2105:Spain
2090:Italy
2030:Motet
1954:Chant
1937:Carol
1932:Canso
457:Spain
449:Italy
291:parts
190:hymns
113:Lauds
66:chant
62:Greek
596:2019
583:ISBN
459:and
340:The
316:and
274:and
272:mass
240:and
228:and
192:and
30:The
2162:Art
2008:Lai
390:'s
374:in
126:or
115:or
68:in
56:An
2244::
662:^
628:.
567:^
521:—
479:.
471:,
467:,
322:.
221:.
130:.
119:.
2206:→
1693:*
1610:*
1574:*
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1126:*
1082:*
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995:?
989:?
957:*
927:*
919:*
847:e
840:t
833:v
751:(
653:(
598:.
558:(
525:.
60:(
52:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
