Odia literature - Knowledge (XXG)

1484:. The name Achyuta literally means "created from Lord Vishnu". He is also referred to as "Achyuti", i.e. "He who has no fall" in Odia. He was born to Dinabandhu Khuntia & Padma Devi in Tilakona, Nemal around 1485 AD. He established spiritual energetic centers called "gadis" across east India (in the former states of Anga, Banga, Kalinga, Magadha) and Nepal. Gadis such as Nemal, Kakatpur, Garoi, and Jobra Ghat were places for spiritual action, discourse and penance. He was learned in 6510: 6611: 160: 2216: 35: 2174:. Gopabandhu was a large part of this idealistic movement, founding a school in Satyabadi and influencing many writers. Other famous writers included Godabarisha Mishra, Nilakantha Dash, Harihara Acharya, and Krupasinshu. They are known as 'Panchasakhas' for their similarities with the historical Age of Panchasakhas. Their principle genres were criticism, essays and poetry. 7357: 629: 2968:, who pioneered an experimental theater movement. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Prasad Panigrahi, Ratnakar Chaini, Prasanna Das, Pramod Kumar Tripathy, Sankar Tripathy, Ranjit Patnaik, Dr. Pradip Bhowmic, Hemendra Mahapatra, Dr. Panchanana Patra and Purna Chandra Mallick continued the tradition. Tripathy's contribution to the growth and development of 2371: 1033:, (a warrior of Odisha) was engraved in the temple, Laxminarayana of Simhanchalam by Mukunda Deva. In the beginning, these inscriptions had a dynamic journey from Pali to Sanskrit. Odia language, literature, script and culture are based on the discussions of these inscriptions. The words written in the Hatigumpha Inscription are still used. 2651:(Last Letter to Sulata) was published in 1965. The ten stories included in this book are "Sulataku Sesa Chitthi", "Kapilas", "Janeika Kulapati-nka Mrutyu", "Tandril Ru Tornoto", "Mystic Realistic", "Prasanta Samudra: Asanta Lahari", "Nalakula Matha, Nepala Babu O Narana", "Daudana Bada Khara", "Duragata" and "Sandipani-ra Symphony". 2163:

develop education in the name of a social service vision. He lost his wife at age twenty-eight, after losing all three of his sons. He left his two daughters and his property in the village with his elder brother, rejecting worldly life. For this social service mission he is regarded by Odias as the Utkalmani.

2307:. The founders of the Progressive Movement in Odisha were Nabakrushna Choudhury, Bhagabati Panigrahi and Ananta Patnaik. At the inaugural session of Nabajuga Sahitya Sansad, freedom fighter Malati Choudhury sang "Nabeena Jugara Taruna Jagare" written by Ananta Patnaik. Nabajuga Sahity Sansad published 1414:

Gita Abakasa, Bhava samudra, Gupta Gita, Vedanta Sara, Mriguni Stuti, Saptanga Yogasara Tika, Vedanta Sara or Brahma Tika, Baula Gai gita, Kamala Lochana Chotisa, Kanta Koili, Bedha Parikrama, Brahma Gita, Brahmanda Bhugola, Vajra Kavacha, Jnana Chudamani, Virata Gita, Ganesha Vibhuti, and Amarakosha

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in Cuttack, challenged these authors' approaches. The title of the magazine was made up of three unused Odia alphabets. Writers associated with the magazine included Annada Prasad Ray, Guru Mohanty, Kailash Lenka, and Akshyay Mohanty. These writers began a revolution in Odia fiction. They introduced

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believes that Surendra Mohanty's "Ruti O Chandra" should be considered the first story of the individualistic approach, rather than Gopinath's story "Dan". The major difference between the two is that Gopinath is more optimistic while Surendra is nihilistic. This nihilism prepared the ground for an

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The creativity and development of the Odia language and literature can be seen in its spoken forms, such as folk tales, and in written forms, such as rock edicts and manuscripts. Songs sung to memorialize birth, death, work, and festivals helped to preserve the language in its oral form, passing it

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touches on many aspects of Odia and Odisha, as well as many topics of general interest. Its author was a lawyer by profession and was ridiculed and reviled during production. Many printed copies were destroyed unbound and unsold. Many copies sat in libraries of princes who had patronised the work.

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It lists some 185,000 words and their meanings in four languages – Odia, English, Hindi and Bengali. It includes quotations from classical works illustrating the usage of various words. It includes information such as botanical names of local plants, information on astronomy and long articles on

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Black Eagle Books, a non-profit publishing initiative was started in April 2019 to propagate Odia literature globally through publication and translation projects. To encourage new writers, Black Eagle Books started "Black Eagle Books First Book Award". The award for 2019 was given to Niharika

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to take on social, economic and political problems and become responsible citizens. While leading a team to serve flood victims, Gopabandhu heard that his son was seriously ill. He preferred, however, to save the "sons of the soil" rather than his own son. His mission was to reform society and

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into five main stages: Old Odia (800 AD to 1300 AD), Early Medieval Odia (1300 AD to 1500 AD), Medieval Odia (1500 AD to 1700 AD), Late Medieval Odia (1700 AD to 1850 AD) and Modern Odia (1870 AD to present). Further subdivisions, as seen below, more precisely chart the language's development.

1217:, was acclaimed as the "Adikabi" or first poet. The reign of the Gajapatis is considered to be the golden period for Odisha art and literature. Kapilendra Deva patronized Odia language and literature along with Sanskrit, unlike his predecessors who used only Sanskrit. A short Odia poem 2687:

sexuality in their work and created a new prose style. In the late 1960s many "groups" of writers emerged from different parts of Odisha. Anamas from Puri, Abadhutas from Balugaon, Panchamukhi from Balangir, Abujha from Berhampur and Akshara group from Sambalpur created a sensation.

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we realized that a sense of alienation is the main ingredient of modern poetry." Before independence Odia poetry was mostly written with Sanskritic or "literary" idiom, but after independence poets freely used of Western concepts, idioms, images and adaptation of Western myths.

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into Odia. He also written chandi purana .This was not an exact translation from the Sanskrit original, but rather an imitation. It can be seen as an original work. Sarala Das was given the title Shudramuni(Peasant-sage). He had no formal education and did not know Sanskrit.

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are landmarks. He was conferred the title "Kabi Samrat" of Odia literature for his poetic sense and skill with words. He wrote 52 books, of which only 25–26 survive. He contributed more than 35,000 words to Odia literature and is considered the greatest poet of Riti Juga.

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Gupta Bhagavat, Tula vina, Sola Chapadi, Chari Chapadi, Tola Bena, Daru Brahma Gita, Diksa Samyad, Artha Koili, Muguni Stuti, Annamaya Kundali, Goloka Sarodhara, Bhakti Chandrika, Kali Malika, Indra Malika, Niladri Vilasa, Nitya Gupta Chintamani, Sri Krishna Bhakti Kalpa

2132:(1877–1928) was a great balancer and realized that a nation, as well as its literature, lives by its traditions. He believed that a modern national superstructure could only endure if based on solid historical foundations. He wrote a satirical poem in 1337:

The Panchasakhas were significant because of their poetry and their spiritual legacy. In the holy land of Kalinga (Odisha) saints, mystics, and devotional souls were born, fortifying its culture and spiritualism. The area uniquely includes temples of

1029:(Prayaga inscription 365 AD), Kumargupta (Mandasore inscription 473 AD), who created their own works in a poetic style on many rocks, in Sanskrit. The writing trend was not obstructed after Kharavela. The Asanapata inscription in Keonjhar created by 3246:

An initiative, Pratishruti, was started to connect literary minded people in North America with their Indian peers. The goal is to expose Indian-Americans to the best writings of Odia writers as well as to cultivate new Odia writers in America.

2295:, which was influenced by Gandhism, and Annada Shankar Ray left for Bengali literature. Mayadhar Mansingh was a renowned poet of that time, but though he was considered a Romantic poet he kept his distance from the influence of Rabindranath. 2346:(1874–1945) over nearly three decades. Praharaj conceived of and compiled the work and also raised the money to print it through public donations, grants and subscriptions and supervised the printing and the sales of the published work. 2177:

Chintamani Das is particularly renowned. He was born in 1903 in Sriramachandrapur village near Sakhigopal. He was bestowed with the Sahitya Akademi Samman in 1970 for his contributions. Some of his well-known literary works are

2908:, Suniti Mund and Mamatamay. Chowdhry. Giribala Mohanty (1947–) is noted for her deep sensitiveness for women's issues. Her poems depict the binary of women's social apathy and self-confidence. Her collections of poems include 2461:

The early 1980s introduced poets with new thoughts and styles. They mixed Odia heritage and culture with the feelings of common people. They were somehow nearer to the readers as they avoided ambiguity in their expression.

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had created rock edicts and inscriptions before Kharavela, his instructions for administration were written in a rude and choked style. However, the Hatigumpha inscription shows the language's flexibility and flow.

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This translation provided subsequent poets with the necessary foundation for a national literature, providing a fairly accurate idea of the Odia culture at the time. Dasa, born in 15th century Odisha under

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and progressive Marxist movements. Kalindi Charan Panigrahi (the brother of Bhagabati Charan Panigrahi who founded Marxism in Odisha) formed a group called "Sabuja Samiti" with two of his writer friends

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Harivamsa, Tattva bodhini, Sunya samhita, Jyoti samhita, Gopala Ujjvala, Baranasi Gita, Anakara Brahma Samhita, Abhayada Kavacha, Astagujari, Sarana panjara stotra, Vipra chalaka, Manamahima, Maalika.

2061:, he took to creative writing late in life. He did translations from Sanskrit, wrote poetry and attempted many forms of literature, but is now known as the father of modern Odia prose fiction. His 5715: 6642: 3150:(ଆରିଷ୍ଟୋଟଲଙ୍କ କାବ୍ୟ ତତ୍ତ୍ୱ) published in the late 1960s was only the second translation of this classic in any Indian language. Classics including children's literature were translated by 2546:

explores all aspects of Odishan life, including the plains and the hills. He uses a lyrical prose style, adopting the day-to-day speech of ordinary men and women. Gopinath's first novel,

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and be known as Ananta, Acyutananda, Jagannatha, Balarama and Yasovanta, respectively. Thus, believers in the Panchasakha consider them to be the most intimate friends of Lord Krishna in

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Changes that started in the 1960s were confirmed in the next decade by authors such as Jagadish Mohanty, Kanheilal Das, Satya Mishra, Ramchandra Behera, Tarun Kanti Mishra, Padmaja Pal,

2924:. Sahoo had a significant influence on these women. Sahoo claims that women are an "Other" from the masculine perspective, but that they are entitled to equal human rights according to 1393:

to serve him. They are instrumental in performing the crucial and much-awaited Yuga-Karma, where they destroy the sinners and save the saints, according to Sanatana-Hindu beliefs.

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was leaving his mortal body, Nilakantheswara Mahadeva appeared and revealed to him that the Lord's companions Dama, Sudama, Srivatsa, Subala, and Subahu would reincarnate in the

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This poet used images and symbols from the social milieu/collective psychology so that deep realization could be grasped by readers. This kind of poetry, full of the mystery of

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Several Chautishas (a form of Odia poetry where 34 stanzas from "ka" to "Khsya" are placed at the start of each composition) were composed during this time. The best known are

2777:( A Thousand Autumns), – a novel dealing with resettlement and rehabilitation of displaced persons from East Pakistan, now Bangladesh—and anthologies of short stories such as 1096:, spread throughout northeastern India from the 10th to the 14th centuries, and its style of expression was revived by the Odia poets of the 16th to the 19th centuries. 2562:(1947). He published 24 novels, 10 collections of short stories, three plays, two biographies, two volumes of critical essays and five books on the languages of Kandh, 2694:

and Sarojini Sahoo. Kanheilal Das and Jagadish Mohanty began creating a style popular among a general audience as well as intellectuals. Jagadish Mohanty introduced

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or founding poet of the Odia language. Senapati was born in the coastal town of Balasore, and worked as a government administrator. Enraged by the attempts of the

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later modified Eliot's ideas in his own work. According to Rath: "After the publication of Kalapurusha Guru Prasad's poetry collection influenced by T.S. Eliot's

2487:(1934–2021 ). These authors pioneered the trend of developing or projecting the "individual as protagonist" in Odia fiction. Eminent feminist writer and critic 1323:. Chaitanya's path of devotion was known as Raganuga Bhakti Marga. He introduced chanting as a way to form a spiritual connection and taught the importance of 5112: 2876:, Ajay Swain, Mrinal Chatterjee, Radhu Mishra, Dr Laxmikant Tripathy, Nisith Bose, Suniti Mund, Anjan Chand and Dr. Kulangara contributed to popular writing. 1543:

or Madhavi Dasi is considered as the first Odia woman poet who was a contemporary of Prataprudra Deva and wrote several devotional poems for Lord Jagannatha.

2964:, which flourishes in rural Odisha. Modern theater is not commercially viable, although in the 1960s experimental theatre made a mark through the works of 2071:

is the story of a young girl whose desire for education is placed in the context of a conservative society in a backward Odisha village, which is hit by a

896: 2391: 5476: 1427:, which had a great influence on the Odia people as a day-to-day philosophical guide, as well as a lasting one in Odia culture. His other works include 5789: 2836:. Kanaklata Hati, another women fiction writer whose writing featured psychoanalysis of the female mind. To date she published two story collections, 2773:. Tarun Kanti Mishra emerged during the 1970s as a powerful storyteller with an elegant style, full of poise and vigor. His outstanding works include 2357:

Most of these copies were sold cheaply when the princes met financial straits. Few copies survive, and those that exist are fragile and worm-damaged.

2009:, to propagate the Brahmo faith. In the last three and a half decades of the 19th century, more Odia newspapers launched. Prominent examples included 657: 5509: 1567:

were composed during this period that formed the foundation for Riti Juga. The major works of this era (other than those by the Panchasakhas) are

3002:(by Aristophanes). Sukla's translations were staged in various colleges and universities. He wrote two historical plays on Odia freedom fighters 1645:

by Purushotama Das. In the 16th century three poets translated Jayadeva's Gita Govinda into Odia. They were Dharanidhara Mishra, Brindavan Das (

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campaigned to bring all Odia-speaking areas under one administration, to develop Odia language and literature and to protect Odia interests.

1331: 1296:. Although their works spanned over one hundred years, they are collectively known as the "Panchasakhas", since they adhered to the Utkaliya 5238: 3176:

Translation of Odia literature into other world languages is mostly into English. The most well known translations are Fakir Mohan's novels

5266:. (Arbeiten des Seminars für Allgemeine Sprachwissenschaft; 17). Zürich: Seminar für Allgemeine Sprachwissenschaft der Universität Zürich. 2385: 191: 1895:

which is extensively used in Odissi Music. Brajanath Badjena started a tradition of prose fiction, though he was not a great talent. His

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During the Panchasakha era another seer, Raghu Arakhsita, who was not part of the Panchasakhas but was a revered saint, composed several

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and Jayee Rajguru that were widely staged. Amateur theater groups and drama competitions operate there. Opera is commercially viable.

2079:. This was the first Indian novel to deal with the exploitation of landless peasants by a feudal lord. It was written well before the 335: 1196:, who had no access to education.Sarala dasa is also known as ଆଦି କବି. The first great poet of Odisha with widespread readership was 6632: 5436: 5408: 5314: 5292: 5271: 4957: 4930: 4903: 4861: 4820: 4793: 4766: 4725: 4698: 4668: 4641: 4614: 4553: 4526: 4473: 4387: 4301: 4274: 4244: 3986: 3940: 3898: 3810: 3633: 3606: 3466: 3410: 3383: 3339: 2263: 181: 118: 2475:

In the post-independence era Odia fiction took a new direction. The trend that Fakir Mohan started grew after independence, led by

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serves as evidence of past Odia cultural, political, ritual, and social status, and is the first poetic stake inscription. Though

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Orissa Under the Mughals: From Akbar to Alivardi : a Fascinating Study of the Socio-economic and Cultural History of Orissa

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is the most prolific writer of the Panchasakhas. He is believed to have been born through special divine intervention from Lord

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Sahoo, Dr. Basanta Kishore Sahoo (1995) Who's who in Oriya Children's – Literature, Vol. I&II Mayur Publication and RIOCL,

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Nabajuga Sahitya Sansad, formed in 1935, was one of India's first progressive literary organizations, contemporaneous to other

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of Karttika Das. A new form of novels in verse evolved at the beginning of the 17th century when Ramachandra Pattanayaka wrote

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various topics of local interest. It also includes biographies of personalities connected with Odisha's history and culture.

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As the successors of Sachi Routray, the father of modern Odia poetry, Guruprasad Mohanty and Bhanuji Rao were influenced by

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is the first such creation, containing 84 pictorial poems. Poets in this tradition include Sadananda Kabisurya Bramha (

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epidemic. His other stories are "Patent Medicine", "Dak Munshi", and "Adharma Bitta". Senapati is known for his novel

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is a 7-volume Odia dictionary/encyclopedia of about 9,500 pages published between 1930 and 1940. It was compiled by

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is considered the first manifesto of women's liberation or feminism in Indian literature. His other major works are

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is a landmark, that gained international recognition for its feminist and liberal ideas. Her other works include

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and Baikuntha Patnaik. This was a short period in Odia literature, later folded into Gandhian and Marxist work.

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from Deogarh. These periodicals encouraged modern literature and offered a broad audience for Odia writers.

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in 1861. Its goal was to promote Odia literature and critique government policy. The first Odia newspaper

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When the Hatigumpha Inscription was created, its principles had been traced before. They were followed by

439: 6279: 6238: 3539: 1350:. Rituals and traditions were sustained by various seers – including Buddhist ceremonies, Devi "Tantra" ( 971:

through the generations. Stories depicted in cave paintings preserved the language in the written form.

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During the age of Radhanath the literary world was divided between the classicists, led by the magazine

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describes the pain of separation of Yasoda from her son Krishna. He is known to have composed the epic

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In the pre-Sarala period, Natha and Siddha literature flourished. The main works of this period are

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was composed by Vaishya Sadashiva and Ananga Narendra. Bhima Bhoi, the blind poet born in a tribal

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poets. This literature was written from the "Sandhya Bhasha" metaphor. Some of its poets such as

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Sarojini Sahoo, who became known as a feminist writer, contributed to Odia fiction. Her novel

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The Panchasakha's individual characteristics are described as follows (in Odia and English):

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Shishu Ananta Das was born in Balipatana near Bhubaneswar in the late 15th century. He wrote

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in Odia. The Panchasakha and Arakhshita together are known as the Sada-Goswami (six Lords).

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Starting his literary career as a communist and later becoming an Aurobindian philosopher,

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of Biswanaath Khuntia was composed in the early 18th century. Pitambar Das wrote the epic

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Das, Harish Chandra; Samsad, State Level Vyasakabi Fakir Mohan Smruti (1 January 2003).

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Other significant pre-1970s fiction writers are Bama Charan Mitra, Chandrasekhar Rath,

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while she dictated it. Though he wrote many poems and epics, he is best remembered for

1214: 950: 948:. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was 719: 409: 384: 219: 7374: 7301: 6957: 6805: 6654: 6576: 6442: 6044: 5984: 5893: 5756: 5663: 5651: 5621: 5588: 5518: 3428: 3275: 3082: 3078: 3019: 2905: 2058: 1956: 1277: 1230: 1185: 917: 509: 303: 201: 2136:, which led to punishment by the Inspector of Schools, but he refused to apologise. 7361: 7321: 7075: 6810: 6800: 6752: 6707: 6585: 6374: 6299: 5946: 5819: 5751: 5668: 5560: 5532: 4029: 3290: 3251:

Mallick for her translation anthology of contemporary Hindi short stories in Odia,

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As freedom movements began, a new era in literary thought emerged influenced by

1477: 1408: 1297: 1289: 1285: 1235: 1201: 1153:

is considered the first work of Odia prose, written by Abhadutta Narayan Swami.

1030: 602: 597: 552: 330: 308: 34: 1911:(mixture of poetry and paintings) was at its best in the 18th century. Several 1276:

Five notable Odia poets emerged during the late 15th and early 16th centuries:

17: 7281: 7120: 7105: 5961: 5865: 2418: 1876: 1370: 1197: 1121: 1042: 1022: 913: 5195: 5154: 3060:(Awarded by Odisha Bigyan Academy 2011) are written for children and adults. 7150: 7125: 7095: 7085: 6233: 3265: 2999: 2601: 2484: 2276:

During the 1930s Odia literature was Influenced by the romantic thoughts of

2043:

included Chandrabhaga, Nandikeshwari, Usha, Mahajatra, Darbar, and Chilika.

1688: 1481: 1379: 1050: 1046: 974: 1828:

or frame of a picture. Upendra Bhanja pioneered this pictorial poetry. His

3518: 2864:. The best selling writers are Bhagirathi Das, Kanduri Das, Bhagwana Das, 1064:

came from present-day Odisha. The language of Charya was considered to be

7238: 7145: 7135: 7065: 7050: 7045: 5842: 5689: 5078:"CHECK: Odia Poet (Odia Love Shayari and Odia Sad Shayari Images Online)" 4837:"Chitra Pothi : Illustrated Palm Leaf Manuscripts from ..., Gurgaon" 3115: 2103: 2049:(1843–1918) became the best known Odia fiction writer. He was called the 1984: 1684: 1485: 1355: 1181: 1053: 990: 929: 925: 617: 7208: 7155: 7130: 7110: 7090: 7070: 7060: 6600: 2583: 2072: 1715:. The prominent poets, however, are Dhananjaya Bhanja (born 1611. AD), 1560: 1374: 1065: 699: 582: 5015:. Madras District Gazetteers (in French). Orient Longman. p. 86. 1815:

Sulakhshyana, Prema Chintaamani, Prema Kala, Rasaabati, Prematarangini

7100: 7055: 6517: 5824: 5372:. Cambridge Language Surveys. Cambridge: Cambridge University Press. 3679:

A History of Indian Literature, 500-1399: From Courtly to the Popular

3295: 2860:

A popular Odia literature emerged in the 1970s, particularly read by

2563: 2400:

by removing items or incorporating them into the text of the article.

2063: 1938: 1813:

of 52 cantos. Other prominent works of Abhimanyu Samanta Simhara are

1351: 1347: 1339: 1327: 1316: 1189: 1160:(an ode to a cuckoo) in Odia just before Sarala Das. His composition 1092: 982: 945: 921: 342: 149: 5344:

An ethnolinguistic profile of Eastern India: a case of South Orissa

1867:

Towards the end of Riti Yuga, four major poets emerged. These were

1687:

was a devotional poet who composed several poems dedicated to Lord

1523:

Balarama Dasa is fluent in tatwa (the ultimate meaning of anything)

1315:

came to Odisha carrying his Vaishnava message of love. Before him,

7040: 5814: 5767: 3074: 2925: 2567: 1343: 1193: 1057: 4411:"History of Oriya Literature (Odia Literature) - Important India" 3334:(1st ed.). Bhubaneswar: Odisha Sahitya Akademi. p. 94. 7140: 7115: 5487: 1365:

The origin of the Panchasakhas were described in Achyutananda's

1264:, which is a significant long poem in Odia. He is the author of 6481: 5771: 5491: 5217:"Translation of World Literature - Alice in Wonderland in Odia" 5184:

Indian Journal of Comparative Literature & Language Studies

5177:"Translation of World Literature - Alice in Wonderland in Odia" 1041:

The beginnings of Odia poetry coincide with the development of

989:

The main feature of this inscription is based on principles of

5077: 4571:"Biography of Kavi Samrat Upendra Bhanja – A great Oriya Poet" 2495:

Surendra Mohanty's short story collections and novels include

2364: 2209: 1809:

in Odia literature with 96 cantos exceeding Upendra's longest

28: 2757:. Padmaj Pal is known for short story collections, including 1762:

Anangarekha, Ichaavati, Raghunatha Bilasa, and Madana Manjari

5346:. Burdwan: Dept. of Bengali (D.S.A.), University of Burdwan. 3571:

Social status of Hindu women in northern India, 1206–1707 AD

2904:, Chirashree Indra Singh, Sairindhree Sahoo, Supriya Panda, 2315:

was conceived, initiated, edited, published and nurtured by

1086:

Upon that the maid will climb with this poor self and dance.

2067:(1898) is widely recognized as the first Odia short story. 1971:), Haribandhu, Gaurahari, Gauracharana, and Krishna Simha. 3073:

The first foreign book to be translated into Odia was the

5046:

Modern Indian Literature, an Anthology: Surveys and poems

4785:

Modern Indian Literature, an Anthology: Surveys and poems

2086:

Other eminent Odia writers and poets of the time include

1124:

and the later 16th century poets. It is written in Dandi

1009:

Chatwarastasya bargahâ syusteshwekam cha phalam bhavet II

3330:

Prusty, Subrat Kumar; Pattanayak, Debi Prasanna (2015).

2634:

Farewell to a ghost : short stories and a novelette

2005:

In 1869 Bhagavati Charan Das started another newspaper,

932:(Tatsama) influences, along with loanwords from Desaja, 2737:

Ramchandra Behera is known for short story collections

2397: 2319:

and Ananta Patnaik. Many writers of that time wrote in

1406:, upon which subsequent Odia literature was built. His 1132:(ଭାବବତୀ). Other important works of this period include 3038:, Himansu Sekhar Fatesingh and Bibhuprasad Mohapatra. 2670:

is a classic of this period. Shantanu Acharya's novel

1229:. Sarala Dasa's poetic gift was believed to come from 4405: 4403: 4401: 4399: 3824: 3822: 2978:

translated four classic Greek dramas. His 1974 book,

2604:

wrote in Odia and English. His major Odia works are:

2146:

in Cuttack to pursue graduation after this incident.

1752:

Poet Dhananjaya Bhanja (1611–1701), was also king of

1699:

After the Panchasakhas, prominent works included the

1527:

Ultimate feelings of devotion are known to Jagannatha

997:

Sadvanshah kshyatriya bâ pi dhiirodâttah gunanwitâh I

3954: 3952: 2662:, Akhil Mohan Patnaik, Gobind Das, Rabi Patnaik and 1319:

had prepared the ground for Vaishnavism through his

1311:

The Panchasakhas were Vaishnavas by faith. In 1509,

7252: 7164: 7031: 6966: 6905: 6844: 6829: 6781: 6678: 6618: 6536: 6430: 6414: 6388: 6352: 6272: 6211: 6202: 6151: 6142: 6119: 6086: 6053: 5970: 5917: 5874: 5856: 5833: 5805: 5744: 5703: 5677: 5639: 5604: 5548: 5541: 5525: 4258: 4256: 4182:

Encyclopaedia of Indian Literature: Devraj to Jyoti

2960:The traditional Odia theater is the folk opera, or 2626:

The crocodile's lady : a collection of stories

2311:, the first progressive literary magazine in Odia. 59:. Unsourced material may be challenged and removed. 4949:Medieval Indian Literature: Surveys and selections 4922:Medieval Indian Literature: Surveys and selections 4682: 4680: 4660:A Dictionary of Indian Literature: Beginnings–1850 4633:A Dictionary of Indian Literature: Beginnings–1850 4352:Medieval Indian Literature: Surveys and selections 4323:. State Level Vyasakabi Fakir Mohan Smruti Samsad. 4209:Medieval Indian Literature: Surveys and selections 4121:Medieval Indian Literature: Surveys and selections 3757:St-Pierre, Paul; Kar, Prafulla C. (January 2007). 3458:Medieval Indian Literature: Surveys and selections 3427: 2969: 1037:Age of Charya literature (7th to 8th centuries CE) 1005:Angâni sarbe<pi rasâha sarbe nâtakasandhyâhâ II 3706:These My Words: The Penguin Book of Indian Poetry 3451: 3449: 3447: 3445: 3443: 3441: 3204:into English. Other notable translations include 3164:translated by Subhendu Mohan Srichandan Singh as 2597:(1959), documented social change in the country. 1756:and grandfather of Upendra Bhanja, wrote several 1488:, sciences and social regulations. His works are 1260:Arjuna Dasa, a contemporary of Sarala-Das, wrote 1013:Kwacinnindâ khalâdinâm satâm cha gunakirttinam II 924:. The modern Odia language is mostly formed from 4049: 4047: 4045: 4043: 3146:'s translation (with commentary) of Aristotle's 1007:Itihâsodvabam bruttamânânyad bâ sajjanâshrayam I 5307:Women in Literature: Criticism of the Seventies 4974:"BHAKTACHARAN DAS (1729 - 1813) ~ ଆମଓଡିଶାର.com" 1824:started, where the poem was written within the 1513: 1496: 1128:. Raja Balabhadra Bhanja wrote the love story, 1070: 995: 3890:Colonialism and South Asia: Cuttack, 1803–1947 3172:Translation of Odia works into world languages 2647:Ananta Charan Sukla's short story collection, 2581:) in three volumes (tr. 1985–86) and Tagore's 1517:Yantras uses lines and figures known to Ananta 1011:Aâdyu namaskriyashribâ bastunirddesha eba bâ I 6493: 5783: 5503: 3845:"Sidelights on History and Culture of Orissa" 3356:The History of medieval Vaishnavism in Odisha 3046:Sampratikatara Anuchintare Bigyan O Baigyanik 1907:, but often verges on nonsense. The style of 1691:during Jahangir's reign in the 17th century. 1575:authored by Narasingha Sena, contemporary of 1419:The most influential work of this period was 1402:provided one pillar, along with Sarala-Das's 890: 651: 8: 3488:. Concept Publishing Company. pp. 77–. 2492:existentialist movement in Odia literature. 5384:The History of: History of Oriya Literature 5352:Odia Landscape & Literary Efflorescence 5262:Neukom, Lukas and Manideepa Patnaik. 2003. 5136:"Translation in Odia - A Historical Survey" 5012:Situating Social History: Orissa, 1800-1997 4850:Williams, Joanna Gottfried (January 1996). 4809:Mohanty, Janaki Ballabha (1 January 1993). 4233:Mohanty, Janaki Ballabha (1 January 1993). 3509: 3507: 3505: 3081:in 1809. It was followed by translation of 2244:. Unsourced material may be challenged and 1519:Achyuta speaks the past, present and future 1233:(Saraswati), and that Sarala Das wrote the 1003:Shrungarabirashantânâmekoangirasa ishyate I 1001:Ekabanshodva bhupâhâ kulajâ bahabo pi Jâ II 6841: 6500: 6486: 6478: 6208: 6148: 5790: 5776: 5768: 5545: 5510: 5496: 5488: 4094:Encyclopaedia of Indian Literature: A-Devo 3978:Encyclopaedia of Indian Literature: A-Devo 3426:Shipley, Joseph Twadell (1 January 1946). 3372:Mohanty, Jatindra Mohan (1 January 2006). 3154:under their "Vishwa Sahitya Granthamala" ( 2593:'s sequence of novels, in particular, her 2124:, and the modernists, led by the magazine 1955:. The other major poets at this time were 1078:Oh, my maid, I would make you my companion 897: 883: 669: 658: 644: 130: 5477:Unicode Entity Codes for the Oriya Script 5472:Romanised to Unicode Oriya transliterator 4002:Abraham, J.K.; Misrahi-Barak, J. (2015). 3784:Yadava, J. S.; Gautam, Vinayshil (1980). 3311:Dalit literature#Dalit literature in Odia 2264:Learn how and when to remove this message 1369:As per his narration, towards the end of 1188:was often considered the language of the 1076:The bald Brahmin passes sneaking close by 119:Learn how and when to remove this message 3970: 3968: 3966: 3887:Mohanty, Pramod Kumar (1 January 2007). 3859:"The Orissa Historical Research Journal" 3399:Patnaik, Durga Prasad (1 January 1989). 3332:Classical Odia in Historical Perspective 3014:Popular science fiction writers include 2421:and published a co-authored poetry book 1529:These five friends are my five mahantas. 5857: 5386:(Oriya Sahityara Adya Aitihasika Gana). 4336:"Orissa District Gazetteers: Kalahandi" 4150:. Prabhat Prakashan. 1988. p. 449. 3625:Medieval Orissa: A Socio-economic Study 3622:Panda, Shishir Kumar (1 January 1991). 3598:Medieval Orissa: A Socio-economic Study 3595:Panda, Shishir Kumar (1 January 1991). 3551:B. C. Ray; Bhabānī Caraṇa Rāẏa (1981). 3322: 1764:. Besides Tribikrama Bhanja (author of 1653:). Brundabati Dasi, a woman poet wrote 1603:by Chaitanya Dash (born in Kalahandi), 1515:Yasovanta knows the things beyond reach 1100:Pre-Sarala Age (12th to 14th centuries) 1084:There is a lotus with sixty-four petals 765: 727: 679: 672: 537: 370: 209: 166: 148: 5446:Dutta Gupta, Upendra Narayan (1975) . 5043:George, K.M.; Sahitya Akademi (1992). 3709:. Penguin Books Limited. p. 345. 2982:has translations (with commentary) of 2698:to Odia literature. His works include 2630:The submerged valley and other stories 2624:(1992). Notable English works include 1547:Riti Juga (16th to mid 17th centuries) 1068:. In one of his poems, Kanhupa wrote: 5875: 5287:Orissa Sahitya Academy, Bhubaneswar, 5101:Istahar-92, (26th Volume, 2nd Issue), 4008:. Taylor & Francis. p. 146. 3929:Panda, Shishir Kumar (January 1991). 3110:. Other notable translations include 2550:, was published in 1940, followed by 1941:family is known for his compositions 1657:towards the end of the 17th century. 1184:was the language of literature while 954:, first published on August 4, 1866. 7: 5113:"Furore over award to Kalpanakumari" 4451:. Prabhat Prakashan. 1 January 1988. 3874:"Orissa District Gazetteers: Ganjam" 3655:. Abhinav Publications. p. 11. 2458:and Goutam Jena are the best known. 2242:adding citations to reliable sources 1017:(Sâhitya darpan- Biswanâth kabirâj) 57:adding citations to reliable sources 5834: 4376:Das, Sisir Kumar (1 January 2000). 3461:. Sahitya Akademi. 1 January 1997. 3048:became popular. Sashibhusan Rath's 2920:(The sorrow of being a mother) and 1462:Yashobanta Das was the composer of 6054: 5971: 4895:Encyclopaedia of Indian Literature 4856:. University of California Press. 4758:Encyclopaedia of Indian Literature 4717:Encyclopaedia of Indian Literature 4690:Encyclopaedia of Indian Literature 4606:Encyclopaedia of Indian Literature 4545:Encyclopaedia of Indian Literature 4465:Encyclopaedia of Indian Literature 4296:. Motilal Banarsidass Publishers. 4293:Women Pioneers in Oriya Literature 4266:Encyclopaedia of Indian Literature 4066:"Odia Poets & their creations" 3802:Encyclopaedia of Indian Literature 2154:and Lokanath Patnaik, started the 1887:(mixture of prose and poetry) and 920:, mostly from the Indian state of 25: 5716:Sahitya Akademi Translation Prize 5239:"Eight Odia Books in Translation" 5219:. The Telegraph. 7 September 2016 5111:Namita Panda (31 December 2011). 4879:"An Approach to Oriya Literature" 4877:Mohanty, Janaki Ballabha (1988). 4590:"The Greatness of Upendra Bhanja" 4290:Rout, Savitiri (1 January 1972). 4263:Datta, Amaresh (1 January 1988). 4185:. Sahitya Akademi. p. 1420. 3975:Datta, Amaresh (1 January 1987). 3224:by Bikram Das, Spark of Light by 3192:. Madhusudan Pati has translated 2206:Age of Romanticism or Sabuja Yuga 1994:, launched in 1866 under editors 1577:Gajapati emperor Prataprudra Deva 7355: 6609: 6508: 6120: 5482:Free/Open Source Oriya Computing 5403:(in German). Walter de Gruyter. 5401:Volksmärchen aus dem Jeyporeland 5382:Mohanty, Prasanna Kumar (2007). 5309:Scarecrow Press, Inc. Metuchen, 5134:Aditya Panda (1 November 2015). 5049:. Sahitya Akademi. p. 307. 4355:. Sahitya Akademi. p. 406. 4212:. Sahitya Akademi. p. 412. 4124:. Sahitya Akademi. p. 401. 4097:. Sahitya Akademi. p. 351. 3682:. Sahitya Akademi. p. 216. 3485:Encyclopaedia of the Hindu World 3242:Odia in United States of America 2728:Kanishka Kanishka, Uttaradhikar, 2369: 2214: 1929:then. Maguni Pattanaik composed 1875:, Gopalakrushna Pattanayaka and 1793:and Abhimanyu Samanta Simhara's 1221:was found in the Sanskrit Drama 1156:Markanda Das composed the first 1072:Your hut stands outside the city 627: 158: 33: 7184:Dhalapathar Parda & Fabrics 6143: 5806: 4569:S.manoharan (15 January 2012). 4320:The cultural heritage of Khurda 3730:Jatindra Mohan Mohanty (2006). 3142:by Govinda Tripathy etc. Prof. 2952:also present a feminist voice. 558:Dhalapathar Parda & Fabrics 44:needs additional citations for 6087: 5918: 5305:Myers, Carol Fairbanks (1976) 2682:In the 1960s a small magazine 2666:. Chandra Sekhar Rath's novel 2305:progressive writers' movements 2057:to marginalize or replace the 1963:, Bhaktacharan Das (author of 1768:) and Ghana Bhanja (author of 1707:of Deva-durlabha Dasa and the 1506:Bhaktira bhâba jâne Jagannâtha 1243:. His other notable works are 1082:He is naked and has no disgust 1025:(Girinar inscription 150 AD), 1: 7401:Indian literature by language 5350:Mahapatra, Khageswar (2010). 5283:Sahoo, Krushna Charan (2004) 4489:Rāẏa, Bhabānī Caraṇa (1981). 3916:"History of Oriya literature" 3649:Durga Prasad Patnaik (1989). 3515:"History of Oriya Literature" 3104:Solitude of Alexander Selkirk 2712:Dipahara Dekhinathiba Lokotie 2354:Purnachandra Odia Bhashakosha 2340:Purnachandra Odia Bhashakosha 2333:Purnachandra Odia Bhashakosha 2289:later wrote his famous novel 1891:styles. His greatest work is 1589:Premalochana, Bada Shakuntala 1500:Gâra katâ Yantra jânee Ananta 1466:(a ballad or Gatha- Sangeeta) 1459:and several bhajan poetries. 1136:(କଳସା ଚଉତିଶା) (By Baccha Das) 1120:is mentioned in the works of 578:Habaspuri Saree & Fabrics 5731:Odisha Sahitya Akademi Award 4946:Ayyappa Paniker, K. (1997). 4919:Ayyappa Paniker, K. (1997). 4588:Brahma, Gouri Kumar (2006). 4379:History of Indian Literature 3786:"The Communication of Ideas" 3652:Palm Leaf Etchings of Orissa 3574:. Inter-India Publications. 3402:Palm Leaf Etchings of Orissa 3069:Odia translation of classics 2916:(The Dark complexion Girl), 2610:Manoj Dasanka Katha O Kahani 2529:Sabuja Patra-O-Dhusara Golap 2158:(Duty Awakening Society) in 1915:can be traced to this time. 1844:), Kesabaraja Harichandana ( 1820:A new form of poetry called 1498:Agamya bhâba jânee Yasovanta 1300:school of thought. The word 1118:Gorakha Samhita. Shishu veda 5736:Atibadi Jagannath Das Award 5455:Dash, Kunja Behari (1979). 5278:History of Oriya literature 5276:Mansingha, Mayadhar (1962) 4998:BKP SBCD Monobodha Chautisa 4742:"ABHIMNYU SAMANTA SINGHARA" 4349:K. Ayyappa Paniker (1997). 4206:K. Ayyappa Paniker (1997). 4118:K. Ayyappa Paniker (1997). 3914:Mansinha, Mayadhar (1962). 3733:History of Oriya Literature 3375:History of Oriya Literature 2970: 2928:. Suniti Mund's story book 1655:Purnatama Chandrodaya Kavya 1607:by Raghunatha Harichandan, 1504:Balarâma Dâsa tatwa bakhâne 1304:means five, while the word 993:poetic structure, such as: 7417: 6773:Maritime history of Odisha 6129:Bhagabati Charan Panigrahi 5427:Mohanti, Prafulla (1975). 5280:Sahitya Akademi, New Delhi 5175:Ganguly S. (1 June 2019). 4515:Das, Suryanarayan (2010). 4491:"Orissa Under the Mughals" 4005:Dalit Literatures in India 3843:Das, Manmath Nath (1977). 3430:Encyclopedia of literature 3360:The Sidhacharyas in Odisha 3118:'s classics translated by 2720:Mephestophelesera Pruthibi 2442:, Soubhagya Kumar Mishra, 2317:Bhagabati Charan Panigrahi 2150:, along with his friends, 2113: 1893:Kishore Chandranana Champu 1805:is considered the longest 1721:Kabi Samrat Upendra Bhanja 1625:by Ramachandra Chottaray, 1502:Âgata Nâgata Achyuta bhane 1255:Lakshmi-Narayana Bachanika 7352: 6607: 6524: 6422:Krishna Chandra Panigrahi 5459:. Orissa Sahitya Akademi. 5399:Tauscher, Rudolf (1959). 5241:. Huff Post. 1 March 2020 4657:Mukherjee, Sujit (1998). 4630:Mukherjee, Sujit (1998). 3152:Grantha Mandir Publishers 3126:, besides translation of 3064:Odia and world literature 3028:Dr. Nikhilanand Panigrahy 2622:Tuma Gam O Anyanya Kabita 1979:The first Odia magazine, 1703:of Sisu Sankara Das, the 1080:Kanha is a kapali, a yogi 6249:Mohapatra Nilamani Sahoo 6106:Kalindi Charan Panigrahi 5937:Gopalakrusna Pattanayaka 5927:Abhimanyu Samantasinhara 5450:. Bhubaneswar: G. Gupta. 5418:Mohanty, Shanti (1960). 5370:The Indo-Aryan Languages 4334:(India), Orissa (1966). 3872:(India), Orissa (1966). 3703:Eunice de Souza (2012). 3676:Sisir Kumar Das (2005). 3434:. Philosophical Library. 3405:. Abhinav Publications. 3253:Adhunika Hindi Galpamala 3180:by Rabi Shankar Mishra, 3168:(ବିଚିତ୍ର ଦେଶରେ ଆଲିସ୍ ). 3158:) initiative, including 3085:by J. Carey in 1814 and 3032:Dr.Ramesh Chandra Parida 3030:, Dr. Debakanta Mishra, 2844:. Her story collections 2660:Mohapatra Nilamani Sahoo 2287:Kalindi Charan Panigrahi 1846:Rasa Sindhu Sulakhshyana 1725:Abhimanyu Samantasinhara 1478:Mahapurusha Achyutananda 1049:, literature started by 957:Historians have divided 767:Medieval to early Modern 136:This article is part of 7219:Kotpad Handloom fabrics 7199:Gopalpur Tussar Fabrics 6816:Deomali (Highest point) 6758:Orissa Tributary States 6698:Mahameghavahana dynasty 6670:Human Rights Commission 6015:Gopala Chandra Praharaj 5354:. Bhubaneswar: Trupti. 4892:Datta, Amaresh (1988). 4755:Datta, Amaresh (1987). 4714:Datta, Amaresh (1987). 4687:Datta, Amaresh (1987). 4603:Datta, Amaresh (1987). 4542:Datta, Amaresh (1987). 4504:Orissa Review June 2007 4462:Datta, Amaresh (1988). 4054:Orissa Review July 2014 3935:. Mittal Publications. 3799:Datta, Amaresh (1988). 3628:. Mittal Publications. 3601:. Mittal Publications. 3482:Gaṅgā Rām Garg (1992). 3156:World Literature Series 2888:was founded in 1975 by 2606:Shesha Basantara Chithi 2156:Kartavya Bodhini Samiti 1869:Kabi Surya Baladeb Rath 1670:Barshabharana Chautisha 1611:by Shishu Shankar Das, 928:words with significant 593:Kotpad Handloom fabrics 573:Gopalpur Tussar Fabrics 7391:Literature by language 6244:Shantanu Kumar Acharya 6189:Rajendra Kishore Panda 5726:Odisha Sahitya Akademi 5422:. Sterling Publishers. 5368:Masica, Colin (1991). 5285:Oriya Lekhaka Paricaya 4782:George, K. M. (1992). 4435:Orissa Review May 2007 4179:Amaresh Datta (1988). 4091:Amaresh Datta (1987). 3166:Vichitra Deshare Alice 3095:by A. Sutton in 1820. 3092:The Pilgrim's Progress 2674:was also influential. 2656:Shantanu Kumar Acharya 2587:(tr. 1965) into Odia. 2570:tribes. He translated 2444:Rajendra Kishore Panda 2344:Gopal Chandra Praharaj 2094:, Chintamani Mohanty, 2077:Chha Maana Atha Guntha 1925:in seven parts called 1840:), Tribikrama Bhanja ( 1830:Chitrakavya Bandhodaya 1742:Koti Brahmanda Sundari 1531: 1512: 1437:Bhakti mukti daya gita 1262:Rama-Bibaha(ରାମ ବିବାହ) 1088: 1019: 979:Hatigumpha inscription 6743:Eastern Ganga dynasty 6458:Nikhilanand Panigrahy 6448:Ramesh Chandra Parida 6438:Gokulananda Mahapatra 6406:Ramesh Chandra Bhanja 6389:Children's literature 6380:Karttika Chandra Rath 6184:Soubhagya Kumar Misra 6101:Baikunthnath Pattnaik 5711:Sahitya Akademi Award 4521:. Sanbun Publishers. 3893:. R.N. Bhattacharya. 3568:Kamala Gupta (1987). 3301:Six Acres and a Third 3210:Greatest Odia Stories 3134:Radha Mohan Gadanayak 3042:Nikhilanand Panigrahy 3024:Gokulananda Mohapatra 2763:Sabuthu Sundar Pakshi 2649:Sulataku Sesa Chitthi 2196:Byasakabi Fakiramohan 1695:Age of Upendra Bhanja 1649:) and Trilochan Das ( 1421:Atibadi Jagannath Das 1354:rituals for Shakti), 1282:Atibadi Jagannath Das 1200:, who translated the 1180:In the 15th century, 7234:Pipili appliqué work 7214:Konark stone carving 6723:Shailodbhava dynasty 6638:Legislative Assembly 6453:Prana Krushna Parija 6259:Jagannath Prasad Das 6224:Kanhu Charan Mohanty 6159:Sachidananda Routray 6134:Sachidananda Routray 6040:Kuntala Kumari Sabat 6035:Laxmikanta Mohapatra 5980:Fakir Mohan Senapati 5448:Folk Tales of Orissa 5429:Indian Village Tales 5420:Folk Tales Of Orissa 5391:Folklore collections 4663:. Orient Blackswan. 4636:. Orient Blackswan. 3959:Prachina_Odia_Kabita 3354:Mukherjee, Prabhat. 3058:Gapare Gapare Bigyan 3016:Prana Krushna Parija 2922:Kati Katia Katyayani 2802:Amrutara Pratikshare 2751:Bhagnangshara Swapna 2716:Nian O Anyanya Galpo 2704:Dakshina Duari Ghara 2664:Jagannath Prasad Das 2238:improve this section 2047:Fakir Mohan Senapati 1949:Bramha Nirupana Gita 1903:, predominantly the 1723:(born 1670. AD) and 1621:by Devadurlava Das, 1510:mora pancha mahanta. 1389:, who came again in 1108:(an anthology of 24 1074:Oh, untouchable maid 608:Pipili applique work 588:Konark stone carving 187:Legislative Assembly 53:improve this article 7189:Ganjam Kewda Flower 6728:Bhauma-Kara dynasty 6559:Bande Utkala Janani 6280:Guru Prasad Mohanty 6239:Chandra Sekhar Rath 6169:Sitakanta Mahapatra 6020:Kalicharan Pattnaik 5848:Viswanatha Kaviraja 4978:www.amoodishara.com 4853:The Two-headed Deer 4815:. Sahitya Akademi. 4788:. Sahitya Akademi. 4761:. Sahitya Akademi. 4720:. Sahitya Akademi. 4693:. Sahitya Akademi. 4609:. Sahitya Akademi. 4548:. Sahitya Akademi. 4468:. Sahitya Akademi. 4382:. Sahitya Akademi. 4269:. Sahitya Akademi. 4239:. Sahitya Akademi. 4072:on 23 November 2015 3981:. Sahitya Akademi. 3830:"Indian Literature" 3805:. 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Chhotray 6356: 6354: 6350: 6349: 6346: 6345: 6343: 6342: 6337: 6332: 6330:Sarojini Sahoo 6327: 6322: 6317: 6312: 6310:Kanheilal Dash 6307: 6302: 6297: 6292: 6287: 6282: 6276: 6274: 6270: 6269: 6267: 6266: 6261: 6256: 6251: 6246: 6241: 6236: 6231: 6226: 6221: 6215: 6213: 6206: 6200: 6199: 6197: 6196: 6191: 6186: 6181: 6176: 6171: 6166: 6164:Ramakanta Rath 6161: 6155: 6153: 6146: 6140: 6139: 6137: 6136: 6131: 6125: 6123: 6117: 6116: 6114: 6113: 6108: 6103: 6098: 6092: 6090: 6084: 6083: 6081: 6080: 6075: 6070: 6068:Nilakantha Das 6065: 6063:Gopabandhu Das 6059: 6057: 6051: 6050: 6048: 6047: 6042: 6037: 6032: 6027: 6022: 6017: 6012: 6010:Baishnaba Pani 6007: 6002: 5997: 5995:Madhusudan Rao 5992: 5987: 5982: 5976: 5974: 5968: 5967: 5965: 5964: 5959: 5954: 5949: 5944: 5939: 5934: 5932:Upendra Bhanja 5929: 5923: 5921: 5915: 5914: 5912: 5911: 5906: 5904:Jagannath Dasa 5901: 5899:Jasobanta Dasa 5896: 5891: 5886: 5880: 5878: 5872: 5871: 5869: 5868: 5862: 5860: 5854: 5853: 5851: 5850: 5845: 5839: 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Das 2957: 2954: 2932:, poetry book 2894:Susmita Bagchi 2881: 2878: 2857: 2854: 2830:Gambhiri Ghara 2826:Dukha Apramita 2798:Gambhiri Ghara 2771:Uttara Purusha 2732:Adrushya Sakal 2696:existentialism 2679: 2676: 2579:Yuddh O Shanti 2505:Ruti O Chandra 2489:Sarojini Sahoo 2472: 2469: 2467: 2464: 2456:Haraprasad Das 2436:Ramakanta Rath 2431:The Waste Land 2427:Ramakanta Rath 2413: 2412: 2392:embedded lists 2386:indiscriminate 2377: 2375: 2368: 2362: 2359: 2335: 2330: 2328: 2325: 2300: 2297: 2292:Matira Manisha 2272: 2271: 2222: 2220: 2213: 2207: 2204: 2168:Mahatma Gandhi 2134:The Indradhanu 2130:Gopabandhu Das 2122:The Indradhanu 2116:Gopabandhu Das 2114:Main article: 2111: 2108: 2092:Madhusudan Rao 2027:Sambada Vahika 2021:from Cuttack, 1991:Utkala Deepika 1976: 1973: 1944:Stuticintamani 1853: 1852:Late Riti Juga 1850: 1834:Lalita Lochana 1801:of this time. 1797:are prominent 1731:Upendra Bhanja 1696: 1693: 1635:Rukmini Vivaha 1548: 1545: 1508:Panchasakhaa e 1441:Sisu Deva gita 1409:Lakshmi Purana 1396:Balaram Das's 1313:Shri Chaitanya 1308:means friend. 1294:Jasobanta Dasa 1273: 1270: 1253:. He composed 1177: 1174: 1101: 1098: 1038: 1035: 967: 966:4th century BC 964: 951:Utkala Deepika 940:(Hindi/Urdu), 905: 904: 902: 901: 894: 887: 879: 876: 875: 874: 873: 868: 863: 858: 853: 848: 843: 838: 833: 828: 823: 818: 813: 808: 803: 798: 793: 788: 783: 778: 770: 769: 763: 762: 761: 760: 755: 750: 745: 732: 731: 729:Early Medieval 725: 724: 723: 722: 720:Vedic Sanskrit 717: 712: 707: 702: 697: 692: 690:Ancient Meitei 684: 683: 677: 676: 666: 665: 663: 662: 655: 648: 640: 637: 636: 623: 622: 621: 620: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 565: 560: 555: 550: 542: 541: 535: 534: 533: 532: 527: 522: 517: 512: 507: 502: 497: 492: 487: 482: 477: 472: 467: 462: 457: 452: 447: 442: 437: 432: 427: 422: 417: 412: 407: 402: 397: 392: 387: 379: 378: 368: 367: 366: 365: 360: 355: 350: 345: 343:Odissi (dance) 340: 339: 338: 328: 327: 326: 321: 316: 311: 301: 300: 299: 294: 289: 287:Historic sites 279: 274: 269: 264: 259: 254: 249: 244: 243: 242: 232: 227: 222: 214: 213: 207: 206: 205: 204: 199: 194: 189: 184: 179: 171: 170: 164: 163: 155: 154: 146: 145: 127: 126: 41: 39: 32: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7413: 7402: 7399: 7397: 7394: 7392: 7389: 7387: 7386:Odia language 7384: 7382: 7379: 7378: 7376: 7363: 7351: 7345: 7342: 7340: 7337: 7335: 7332: 7330: 7327: 7323: 7320: 7318: 7315: 7313: 7310: 7308: 7305: 7304: 7303: 7300: 7298: 7295: 7293: 7290: 7288: 7285: 7283: 7280: 7278: 7275: 7273: 7270: 7268: 7265: 7263: 7260: 7259: 7257: 7255: 7251: 7245: 7242: 7240: 7237: 7235: 7232: 7230: 7227: 7225: 7222: 7220: 7217: 7215: 7212: 7210: 7207: 7205: 7202: 7200: 7197: 7195: 7192: 7190: 7187: 7185: 7182: 7180: 7177: 7175: 7172: 7171: 7169: 7167: 7163: 7157: 7154: 7152: 7149: 7147: 7144: 7142: 7139: 7137: 7134: 7132: 7129: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7079: 7077: 7074: 7072: 7069: 7067: 7064: 7062: 7059: 7057: 7054: 7052: 7049: 7047: 7044: 7042: 7039: 7038: 7036: 7034: 7030: 7020: 7017: 7015: 7012: 7010: 7007: 7005: 7002: 7000: 6997: 6995: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6971: 6969: 6965: 6959: 6956: 6954: 6951: 6949: 6946: 6944: 6941: 6939: 6936: 6934: 6931: 6929: 6928:Jagatsinghpur 6926: 6924: 6921: 6919: 6916: 6914: 6911: 6910: 6908: 6904: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6878: 6875: 6873: 6870: 6868: 6865: 6863: 6860: 6858: 6855: 6853: 6850: 6849: 6847: 6843: 6840: 6838: 6832: 6828: 6822: 6819: 6817: 6814: 6812: 6809: 6807: 6806:Garhjat Hills 6804: 6802: 6799: 6797: 6794: 6792: 6789: 6788: 6786: 6784: 6780: 6774: 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6744: 6741: 6739: 6736: 6734: 6731: 6729: 6726: 6724: 6721: 6719: 6716: 6714: 6711: 6709: 6706: 6704: 6701: 6699: 6696: 6694: 6691: 6689: 6686: 6685: 6683: 6681: 6677: 6671: 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6644: 6641: 6640: 6639: 6636: 6634: 6631: 6629: 6626: 6625: 6623: 6621: 6617: 6612: 6602: 6598: 6596: 6592: 6589: 6587: 6583: 6580: 6578: 6577:Indian roller 6574: 6571: 6569: 6565: 6562: 6560: 6556: 6553: 6551: 6547: 6544: 6543: 6541: 6539: 6538:State symbols 6535: 6531: 6530: 6523: 6519: 6515: 6511: 6503: 6498: 6496: 6491: 6489: 6484: 6483: 6480: 6464: 6461: 6459: 6456: 6454: 6451: 6449: 6446: 6444: 6443:Binod Kanungo 6441: 6439: 6436: 6435: 6433: 6429: 6423: 6420: 6419: 6417: 6413: 6407: 6404: 6402: 6399: 6397: 6394: 6393: 6391: 6387: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6363: 6361: 6358: 6357: 6355: 6351: 6341: 6338: 6336: 6333: 6331: 6328: 6326: 6323: 6321: 6318: 6316: 6313: 6311: 6308: 6306: 6303: 6301: 6298: 6296: 6293: 6291: 6288: 6286: 6285:Kailash Lenka 6283: 6281: 6278: 6277: 6275: 6271: 6265: 6262: 6260: 6257: 6255: 6254:Rabi Pattnaik 6252: 6250: 6247: 6245: 6242: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6222: 6220: 6217: 6216: 6214: 6210: 6207: 6201: 6195: 6192: 6190: 6187: 6185: 6182: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6162: 6160: 6157: 6156: 6154: 6150: 6147: 6145: 6141: 6135: 6132: 6130: 6127: 6126: 6124: 6122: 6118: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6093: 6091: 6089: 6085: 6079: 6076: 6074: 6071: 6069: 6066: 6064: 6061: 6060: 6058: 6056: 6055:Satyabadi era 6052: 6046: 6045:Manohar Meher 6043: 6041: 6038: 6036: 6033: 6031: 6028: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5985:Radhanath Ray 5983: 5981: 5978: 5977: 5975: 5973: 5972:Radhanath era 5969: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5943: 5940: 5938: 5935: 5933: 5930: 5928: 5925: 5924: 5922: 5920: 5916: 5910: 5907: 5905: 5902: 5900: 5897: 5895: 5894:Balarama Dasa 5892: 5890: 5887: 5885: 5882: 5881: 5879: 5877: 5873: 5867: 5864: 5863: 5861: 5859: 5855: 5849: 5846: 5844: 5841: 5840: 5838: 5836: 5832: 5826: 5823: 5821: 5818: 5816: 5813: 5812: 5810: 5808: 5804: 5800: 5793: 5788: 5786: 5781: 5779: 5774: 5773: 5770: 5758: 5757:Odia calendar 5755: 5753: 5750: 5749: 5747: 5743: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5721:Yuva Puraskar 5719: 5717: 5714: 5712: 5709: 5708: 5706: 5702: 5696: 5693: 5691: 5688: 5686: 5683: 5682: 5680: 5676: 5670: 5667: 5665: 5662: 5660: 5657: 5653: 5650: 5649: 5648: 5645: 5644: 5642: 5638: 5628: 5625: 5623: 5620: 5618: 5615: 5613: 5610: 5609: 5607: 5603: 5595: 5592: 5590: 5587: 5585: 5582: 5581: 5579: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5557: 5554: 5553: 5551: 5547: 5544: 5540: 5534: 5531: 5530: 5528: 5524: 5520: 5519:Odia language 5513: 5508: 5506: 5501: 5499: 5494: 5493: 5490: 5483: 5480: 5478: 5475: 5473: 5470: 5469: 5465: 5458: 5453: 5449: 5444: 5440: 5438:9780706701838 5434: 5430: 5425: 5421: 5416: 5412: 5410:9783111763804 5406: 5402: 5397: 5396: 5393: 5390: 5389: 5385: 5381: 5379: 5375: 5371: 5367: 5363: 5357: 5353: 5348: 5345: 5341: 5340: 5335: 5331: 5327: 5323: 5321: 5318: 5316: 5315:0-8108-0885-4 5312: 5308: 5304: 5302: 5298: 5294: 5293:81-7586-097-9 5290: 5286: 5282: 5279: 5275: 5273: 5272:3-9521010-9-5 5269: 5265: 5261: 5260: 5256: 5240: 5234: 5231: 5218: 5212: 5209: 5197: 5193: 5189: 5185: 5178: 5171: 5168: 5156: 5152: 5148: 5144: 5137: 5130: 5127: 5122: 5118: 5117:The Telegraph 5114: 5107: 5104: 5098: 5095: 5083: 5079: 5073: 5070: 5058: 5052: 5048: 5047: 5039: 5036: 5024: 5018: 5014: 5013: 5005: 5002: 4999: 4994: 4991: 4979: 4975: 4969: 4966: 4961: 4959:9788126003655 4955: 4951: 4950: 4942: 4939: 4934: 4932:9788126003655 4928: 4924: 4923: 4915: 4912: 4907: 4905:9788126011940 4901: 4897: 4896: 4888: 4885: 4880: 4873: 4870: 4865: 4863:9780520080652 4859: 4855: 4854: 4846: 4843: 4838: 4832: 4829: 4824: 4822:9788172014490 4818: 4814: 4813: 4805: 4802: 4797: 4795:9788172013240 4791: 4787: 4786: 4778: 4775: 4770: 4768:9788126018031 4764: 4760: 4759: 4751: 4748: 4743: 4737: 4734: 4729: 4727:9788126018031 4723: 4719: 4718: 4710: 4707: 4702: 4700:9788126018031 4696: 4692: 4691: 4683: 4681: 4677: 4672: 4670:9788125014539 4666: 4662: 4661: 4653: 4650: 4645: 4643:9788125014539 4639: 4635: 4634: 4626: 4623: 4618: 4616:9788126018031 4612: 4608: 4607: 4599: 4596: 4591: 4584: 4581: 4576: 4572: 4565: 4562: 4557: 4555:9788126018031 4551: 4547: 4546: 4538: 4535: 4530: 4528:9789380213224 4524: 4520: 4519: 4511: 4508: 4505: 4500: 4497: 4492: 4485: 4482: 4477: 4475:9788126011940 4471: 4467: 4466: 4458: 4455: 4450: 4449: 4442: 4439: 4436: 4431: 4428: 4416: 4412: 4406: 4404: 4402: 4400: 4396: 4391: 4389:9788172010065 4385: 4381: 4380: 4372: 4369: 4364: 4358: 4354: 4353: 4345: 4342: 4337: 4330: 4327: 4322: 4321: 4313: 4310: 4305: 4303:9788120825468 4299: 4295: 4294: 4286: 4283: 4278: 4276:9788126011940 4272: 4268: 4267: 4259: 4257: 4253: 4248: 4246:9788172014490 4242: 4238: 4237: 4229: 4226: 4221: 4215: 4211: 4210: 4202: 4199: 4194: 4188: 4184: 4183: 4175: 4172: 4167: 4163: 4157: 4154: 4149: 4148: 4141: 4138: 4133: 4127: 4123: 4122: 4114: 4111: 4106: 4100: 4096: 4095: 4087: 4084: 4071: 4067: 4061: 4058: 4055: 4050: 4048: 4046: 4044: 4040: 4035: 4031: 4025: 4022: 4017: 4011: 4007: 4006: 3998: 3995: 3990: 3988:9788126018031 3984: 3980: 3979: 3971: 3969: 3967: 3963: 3960: 3955: 3953: 3949: 3944: 3942:9788170992615 3938: 3934: 3933: 3925: 3922: 3917: 3910: 3907: 3902: 3900:9788187661528 3896: 3892: 3891: 3883: 3880: 3875: 3868: 3865: 3860: 3854: 3851: 3846: 3839: 3836: 3831: 3825: 3823: 3819: 3814: 3812:9788126011940 3808: 3804: 3803: 3795: 3792: 3787: 3780: 3777: 3772: 3766: 3762: 3761: 3753: 3750: 3745: 3739: 3735: 3734: 3726: 3723: 3718: 3712: 3708: 3707: 3699: 3696: 3691: 3685: 3681: 3680: 3672: 3669: 3664: 3658: 3654: 3653: 3645: 3642: 3637: 3635:9788170992615 3631: 3627: 3626: 3618: 3615: 3610: 3608:9788170992615 3604: 3600: 3599: 3591: 3588: 3583: 3577: 3573: 3572: 3564: 3561: 3556: 3555: 3547: 3544: 3541: 3540:Orissa Review 3536: 3533: 3520: 3516: 3510: 3508: 3506: 3502: 3497: 3491: 3487: 3486: 3478: 3475: 3470: 3468:9788126003655 3464: 3460: 3459: 3452: 3450: 3448: 3446: 3444: 3442: 3438: 3432: 3431: 3422: 3419: 3414: 3412:9788170172482 3408: 3404: 3403: 3395: 3392: 3387: 3385:9788190343800 3381: 3377: 3376: 3368: 3365: 3361: 3357: 3351: 3348: 3343: 3341:9788175861985 3337: 3333: 3326: 3323: 3317: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3276:Indian poetry 3274: 3272: 3269: 3267: 3264: 3263: 3258: 3256: 3254: 3248: 3241: 3239: 3237: 3233: 3232: 3227: 3223: 3219: 3215: 3211: 3207: 3203: 3199: 3195: 3191: 3187: 3183: 3179: 3171: 3169: 3167: 3163: 3162: 3157: 3153: 3149: 3145: 3141: 3140: 3135: 3131: 3130: 3125: 3121: 3117: 3113: 3109: 3105: 3102: 3098: 3094: 3093: 3088: 3087:John Bunyan's 3084: 3080: 3079:New Testament 3076: 3068: 3063: 3061: 3059: 3055: 3051: 3050:Vigyan Chinta 3047: 3043: 3039: 3037: 3033: 3029: 3025: 3021: 3020:Binod Kanungo 3018:, Padmashree 3017: 3009: 3007: 3005: 3001: 2997: 2993: 2992: 2987: 2986: 2981: 2977: 2972: 2967: 2963: 2955: 2953: 2951: 2947: 2943: 2939: 2935: 2931: 2927: 2923: 2919: 2915: 2911: 2907: 2906:Gayatri Saraf 2903: 2899: 2895: 2891: 2887: 2880:Women writers 2879: 2877: 2875: 2871: 2867: 2863: 2855: 2853: 2851: 2847: 2843: 2839: 2838:Nirbak Pahada 2835: 2831: 2827: 2823: 2819: 2815: 2811: 2807: 2803: 2799: 2794: 2792: 2788: 2784: 2780: 2779:Komal Gandhar 2776: 2772: 2768: 2764: 2760: 2756: 2752: 2748: 2747:Omkara Dhwani 2744: 2740: 2735: 2733: 2729: 2725: 2721: 2717: 2713: 2709: 2705: 2701: 2697: 2693: 2688: 2685: 2677: 2675: 2673: 2669: 2665: 2661: 2657: 2652: 2650: 2645: 2643: 2639: 2635: 2631: 2627: 2623: 2619: 2615: 2611: 2607: 2603: 2598: 2596: 2592: 2588: 2586: 2585: 2580: 2576: 2575:War and Peace 2573: 2569: 2565: 2561: 2557: 2553: 2549: 2545: 2540: 2538: 2537:Andha Diganta 2534: 2530: 2526: 2522: 2518: 2514: 2513:Shesha Kabita 2510: 2506: 2502: 2498: 2497:Krushna Chuda 2493: 2490: 2486: 2482: 2479:(1914–1991), 2478: 2470: 2465: 2463: 2459: 2457: 2453: 2449: 2445: 2441: 2437: 2432: 2428: 2424: 2420: 2409: 2399: 2393: 2389: 2387: 2383: 2378:This section 2376: 2367: 2366: 2360: 2358: 2355: 2351: 2347: 2345: 2341: 2334: 2331: 2326: 2324: 2322: 2318: 2314: 2310: 2306: 2298: 2296: 2294: 2293: 2288: 2284: 2279: 2268: 2265: 2257: 2247: 2243: 2239: 2233: 2232: 2228: 2223:This section 2221: 2217: 2212: 2211: 2205: 2203: 2201: 2197: 2193: 2189: 2185: 2181: 2175: 2173: 2169: 2164: 2161: 2157: 2153: 2149: 2145: 2141: 2137: 2135: 2131: 2127: 2123: 2117: 2109: 2107: 2106:(1876-1957). 2105: 2101: 2097: 2093: 2090:(1862–1924), 2089: 2084: 2082: 2078: 2074: 2070: 2066: 2065: 2060: 2059:Odia language 2056: 2052: 2048: 2044: 2042: 2038: 2037:Radhanath Ray 2034: 2032: 2028: 2024: 2020: 2016: 2012: 2011:Utkal Deepika 2008: 2003: 2001: 2000:Utkal Deepika 1997: 1993: 1992: 1986: 1982: 1974: 1972: 1970: 1966: 1962: 1958: 1957:Banamali Dasa 1954: 1950: 1946: 1945: 1940: 1936: 1932: 1928: 1924: 1920: 1916: 1914: 1913:chitra pothis 1910: 1906: 1905:bibhatsa rasa 1902: 1898: 1897:Chatur Binoda 1894: 1890: 1886: 1882: 1878: 1874: 1870: 1860: 1851: 1849: 1847: 1843: 1839: 1835: 1831: 1827: 1823: 1822:Bandha kabita 1818: 1816: 1812: 1808: 1804: 1800: 1796: 1792: 1788: 1784: 1783: 1779: 1775: 1771: 1767: 1763: 1759: 1755: 1750: 1747: 1743: 1739: 1732: 1728: 1726: 1722: 1718: 1714: 1710: 1709:Rukmini-bibha 1706: 1702: 1694: 1692: 1690: 1686: 1681: 1679: 1675: 1671: 1667: 1663: 1658: 1656: 1652: 1648: 1644: 1643:Kanchi Kaveri 1640: 1636: 1632: 1628: 1624: 1620: 1616: 1615: 1610: 1606: 1602: 1598: 1594: 1590: 1586: 1582: 1578: 1574: 1570: 1566: 1562: 1558: 1554: 1546: 1544: 1542: 1538: 1536: 1530: 1525: 1521: 1511: 1495: 1492: 1491: 1487: 1483: 1479: 1475: 1473: 1469: 1465: 1460: 1458: 1454: 1450: 1446: 1442: 1438: 1433: 1431: 1426: 1422: 1417: 1416: 1411: 1410: 1405: 1401: 1400: 1394: 1392: 1388: 1387: 1382: 1381: 1376: 1372: 1368: 1363: 1361: 1357: 1353: 1349: 1345: 1341: 1335: 1333: 1329: 1326: 1322: 1318: 1314: 1309: 1307: 1303: 1299: 1295: 1291: 1287: 1283: 1279: 1278:Balarama Dasa 1271: 1269: 1267: 1263: 1258: 1256: 1252: 1251: 1246: 1245:Chandi Purana 1242: 1238: 1237: 1232: 1228: 1224: 1220: 1216: 1212: 1206: 1203: 1199: 1195: 1191: 1187: 1183: 1175: 1173: 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